Browsing Tag

Kiss

Joe Pallotta immortalised the fallen in his piano-driven hard rock ballad, Tears for the Titan

Feed The Fire by Joe Pallotta

In his latest hard rock hit, ‘Tears for the Titan’, San Francisco’s Joe Pallotta tackled the vast expanse of grief with an eloquent precision that almost defies belief. Putting into lyrics what few can weave into words, following the loss of a loved one, he sonically visualised how mourning can tear at the fabric of our being, leaving us frayed, disillusioned, and helplessly out of sync with a world that persists in the wake of tragedy.

The piano rock ballad pits minor key piano melodies against soaring guitar lines and a gothic aesthetic reminiscent of the Sisters of Mercy, pulling listeners deep into the atmosphere of the piece. Pallotta’s vocals echo the soulful vigour of rock legends such as Twisted Sister, Poison and Whitesnake, blending seamlessly with orchestral crescendos which rise and fall with invitations to find consolation that you’re never as alone in your grief as you think you are.

As much as Tears for the Titan is palpably a cathartic outlet for Pallotta, within the jagged shards of agony are commiserations to anyone else who has loved and lost.

 As Pallotta continues to expand his reach, aiming to touch as many souls as possible with his music, ‘Tears for the Titan’ serves as an affecting reminder of his ability to convert raw, unfiltered emotion into a soul-gripping alt-rock experience. To explore more of Joe Pallotta’s emotionally rich and resonant artistry, visit his collection at joepallotta.bandcamp.com.

Review by Amelia Vandergast

Eco-Rock Resurgence: The Lürxx’s ‘We Are the Weeds’ Unleashes a Green Rebellion

We Are the Weeds by the Lürxx doesn’t give you a love them or loathe them option; no rock fan could be impervious to the thunderous punch that melds the raucous energy of sleaze rock with a sharp environmental edge.

With their roots firmly planted in the Hollywood glam punk scene, this duo not only revitalises the rock and roll ethos by championing the protection of the natural world in addition to smashing the system. Their music bridges the raw vibe of the 1980s Sunset Strip, reminiscent of legends like Twisted Sister and Guns N’ Roses, with acoustic nuances that echo the Quireboys and Dogs D’Amour all the while being amplified by an energy that’s uniquely their own.

The intoxicating and impactfully dynamic nature warrior punk rock opera is evidence of the duo’s ability to stir the soul and do so without resorting to shaming the listener into action, the installations of zany punk vocals around the classic 80s rock tones ensures the vocal performance perfectly aligns with the spirit of the track which explores the relentless resilience of nature, symbolised by weeds—the unacknowledged heroes of the ecosystem. It’s a powerful metaphor for persistence and survival in a world quick to dismiss the underdog.

Stream the official music video for We Are the Weeds on YouTube.

Review by Amelia Vandergast

From Vinyl Dreams to Metal Realities: A Conversation with IMMORTALIZER, the Master of One-Man Heavy Metal

Today, we have the privilege of sitting down with the musical powerhouse behind IMMORTALIZER, a one-man heavy metal force that has been turning heads with his classic heavy metal sound and relentless dedication. From early vinyl inspirations to a DIY recording journey, IMMORTALIZER’s story is one of passion, perseverance, and a steadfast commitment to the art of music, lets dive in!

You credit your father’s Rock & Metal vinyl collection as a catalyst for your musical journey. Could you share a few of those iconic artists that left a lasting impression on you as a musician?

When I heard Black Sabbath’s Paranoid for the first time at 7 years old it truly changed my life. I was immediately drawn in and learned a great deal from Black Sabbath records. Alice Cooper was another artist that greatly influenced me. Same with Van Halen. I was mesmerized by Eddie Van Halen’s guitar playing in particular. Some of the others early on were Deep Purple, Nazareth, Pink Floyd and Led Zeppelin. I spent countless hours playing those records over and over. I knew without a doubt that music was going to be my path in life.

Your journey began with a modest drum kit, and now you handle guitar, bass, drums, keyboards, and vocals. How did you master these diverse instruments, and what drove you to become a one-person powerhouse?

Immortalizer | I was very driven as a young kid and I wanted more than anything to become a professional musician and tour the world. I was determined to make it happen. I got my first drum kit for my 9th birthday and played that thing into the ground. I would play until my hands blistered and bled. I’d stop to bandage my hands up and then I’d continue playing haha. I just couldn’t get enough. I was so obsessed with music that I wanted to learn other instruments as well, so I started learning guitar on my father’s old acoustic guitar. My parents had an upright piano downstairs, so I would mess around on that as well. I learned to play everything by ear. I played along to my favourite records and started writing my own songs. Over the course of 28 years I slowly developed each instrument by practicing all of them as much as I could. I never took music lessons but I learned lots of tips and tricks from family and friends. A big shift was my journey into recording. Home recording started being more affordable when I was a teenager, so multi-track recording was a total game changer for me.

My solo career was a bit unexpected. My best friend Jay and I started our first band when I was 9 and we went on to form 13 bands together. We both loved music and practiced in his parents basement every single day after school and even more on weekends. They were so nice to let us jam full volume during our formative years. It was considerably raw at first and always very loud. A few years later we started performing all over our home city and outside it as well. It’s not an easy business however, and after years of effort Jay decided to return to school. I couldn’t picture myself doing anything other than music however, so I decided to continue solo. I had already begun recording full demos at that point, so I just dedicated all my time and energy to my new project Immortalizer. 

Creating a DIY recording setup in your basement is a testament to your determination. Could you elaborate on the challenges and rewards of producing your music independently?

 I have improvised quite a bit in my home studio. For example, my vocal booth is made of a foam mattress wrapped in moving blankets and propped up with fence posts. It doesn’t get much more DIY than that haha. Though funny enough it does work quite well. I couldn’t properly record acoustic drums with the gear and space I had, so I decided to go with electric drums instead. I’ve spent the last 28 years slowly beefing up my studio and equipment, trying to get a decent set up for each instrument.

I think the main advantage is creative control over my work. I can create exactly what I hear in my mind and what I envision for the song. I also feel you can’t rush creativity, so I enjoy being able to decide when an album or song is ready. However doing everything myself means a lot more pressure and a lot more time. The biggest disadvantage of all is not being able to perform, tour and write with other musicians. That’s why I’m planning to find full time band members to be able to bring Immortalizer to the stage and tour around the world.   

How did you develop your signature sound, and what were some of the influences that guided you?

When I started Immortalizer I envisioned fusing classic style Heavy Metal with contemporary Metal. I thought it would be fun to create something a little different. I only realized after my first tracks that I had pulled from other sources as well like Thrash, Prog Metal, Heavy Rock etc. I also realized that I wouldn’t really fit into any one category which complicated things a bit, but my focus has always been to just make the best music I can.

I’ve been greatly influenced by those first bands like Black Sabbath and Alice Cooper and many others along the way. Ozzy’s solo records were incredibly impactful on me since childhood. Another life altering band for me was Megadeth. I found out about them when I was about 12. I bought Countdown To Extinction and it completely blew my mind. Metallica, Pantera, Kiss, Symphony X and Black Label Society were all big influences as well. A year or so later I learned of bands from the New Wave Of British Heavy Metal like Motörhead, Judas Priest, Saxon and Iron Maiden and once again my life was forever changed! German Metal was an equally impactful influence on my evolution as an artist. Specifically Primal Fear and Helloween. I was blown away by their talent, powerful melodies, incredible performances and production quality. I began digging into more German and European Metal bands and found so many new favourites like Yngwie Malmsteen, Accept and Michael Schenker.     

Collaborating with Ralf Scheepers of Primal Fear sounds like a dream come true. Could you share how this partnership came about and what it meant to have his involvement?

Absolutely! I’ve been a huge fan of Ralf’s and Primal Fear since I was a teenager. I consider Ralf to be one of the greatest Metal vocalists out there. I first reached out to him for help to further develop my vocal abilities and recording knowledge. I’d been singing for over 20 years but had no formal training of any kind. I felt I had hit a wall and wanted to expand my vocal range and learn from someone I greatly admire. We both live for music and got along really well, so we started becoming friends. Ralf has been very supportive and helped me in so many ways. He graciously created my new vocal sound, helped me with gear and shared all kinds of info and advice. Ralf kindly offered to mix and master one of my first singles (I’m Gone) and afterwards we began working on the entire album together. When I showed him We Were Born For Metal he really liked the song and volunteered to do some guest vocals on it. I was beyond thrilled! He did such an incredible job on the single and the album production. It’s especially impressive when you consider that he was working from home recordings. It’s been such an honour to become friends and work directly with one of my heroes. I’ll forever be grateful to him.

As an indie artist, gaining recognition and building a fan base can be a challenge. How has the response been to your music, and how do you feel about the support you’ve received from your fans?

The response from critics and fans so far has been incredibly positive! It’s been very encouraging and humbling to see so many people enjoying my music. I’ve received a lot of kind messages from fans. Their support has been really great as well, people from all over the world have reached out for CD’s, vinyls and merchandise. Digital downloads and streams being the most significant. I’m extremely grateful to all Immortalizer fans for their support! It’s definitely a challenge for indie artists though. I’ve tried to keep costs as low as possible for fans but the manufacturing and shipping costs have gotten so high that it’s hard to get albums pressed and released independently. 

Finally, your dedication to music for nearly three decades is truly remarkable. If you could send a message to your younger self, just starting out on this journey, what advice would you give based on your experiences?

That’s a very good question. I think I’d say: never give up on yourself or your dream. Incredible things can happen when you work hard and stay true to yourself. Don’t let other people’s negativity discourage you and never stop reaching beyond your grasp.

Check out this fine new single on YouTube.

See more of this journey on IG.

Interviewed by Stefan Toren

Alex Thorn paid homage to the hair-raising 80s rock era in his revivalist anthem, Bleeding Youth

Chicago 80s rock revivalist Alex Thorn found a riotously anthemic way to affirm that everything is transitory, including perception, in his latest Sunset Strip cruising single, Bleeding Youth. Prickly by name, prickly by nature, the one-man powerhouse used his thorns to draw the blood from the protagonists that deserve to be left in the rearview mirror after they have drained you of sanity and patience.

The stabbing rhythm section punctuates the earworm with galvanising tension to create an addictively exhilarant hit which pays homage to the literally hair-raising 80s rock era while in the same riff-driven breath bringing something completely new to the arena with the pop-punk nuances.

His confronting vocal presence, which teases playful provocativeness into his vocal lines, was the perfect way to package the release that is worthy of pride of place on your playlists next to the likes of KISS, Dokken and Crashdiet.

Bleeding Youth is now available to stream on Spotify.

Review by Amelia Vandergast

I Was Terrified: Lovable Portland folk singer-songwriter Tirlyn Sky tells us about the familar romantic dream on ‘I’m Okay With It’

As she ponders a time and place that felt so eerily similar and deja-vu like, Tirlyn Sky sings with growing confidence on a sweet story that will probably give you butterflies in your stomach with ‘I’m Okay With It‘.

Tirlyn Sky is a youthful 17-years-old Portland, Oregon-based indie-folk/pop singer-songwriter who sings with a likably shy nature and sings about love, life and finding your destined path in this overly-complicated world.

Music from other artists has helped me so so so much and it really does heal. Like, when you find that one song it’s literally therapy. You play it on repeat, you get to sing, yell, cry, and just express yourself. I hope I can bring that to people, and that would mean the world and so much more.” ~ Tirlyn Sky

There is much to love about a soulful artist like Tirlyn Sky, who performs with a natural smile and writes lyrics of real-life experiences. With a blossoming technique that seems to flow smoothly through your whole curious consciousness. this is a pure musician – who makes music to help herself and others get through any heartbreak or sadness – with the end goal being that ultimate recovery.

I’m Okay With It‘ from the Portland, Oregon-based indie-folk/pop solo artist Tirlyn Sky, is a journey through her late-night dreams as she sees the girl she likes right in front of her and forgets to breathe. Sung with a loving and heartfelt attitude and an authentic nature, you feel like she is only going to improve after each track. With more experience and the support of those who she respects, there is no reason why we won’t be hearing more gems from this lovely young musician who sings from the heart. Expressing yourself through music is a great way to fulfil all your creative urges after all.

Hear this delightful new single on Spotify and see more on IG.

Reviewed by Llewelyn Screen

One Man Electrical Band amped up the voltage with their politically-charged hard rock single ‘Sign of the Times’

One Man Electrical Band

One Man Electrical Band® (OMEB®) has been taking the Cincinnati music scene by storm since 2003 with his futuristic spin on classic hard rock. With his latest single ‘Sign of the Times’, he hooked up with rock royalty, Vinny Appice (drums) and Steve Stratton (bass) to create an eye-opening juggernaut of a single.

We all know those snobby rock musos, don’t we? The ones who will disagree with any rock made in the 21st-century, Sign of the Times puts those pretentiously-formed opinions to shame.

With an old school Sabbath touch to the vocals, layers of atmosphere akin to what you’d hear in a Ministry track and politically-charged awakening lyrics, Sign of the Times hits the spot in every way possible. One Man Electrical Band’s talent easily parallels the collaborative artist’s, given that Vinny Appice drummed for DIO and Sabbath, it’s no surprise that One Man Electrical Band has shared stages with Journey, Motley Crue and KISS.

On the basis of the guitar solo, Sign of the Times should probably come with an X-rating along with a 5-star rating.

You can check out the official lyric video via Facebook.

Review by Amelia Vandergast

Wanting the whole package: Swedish pop singer Eva No won’t settle for anything less than ‘100%’

Powered by London-based Yellow Rhinestone Records and produced by Peter Hägerås, the enthralling Eva No uplifts our hearts to ‘100%‘, with her stunning new single that will have you turning the volume all the way to full, whether your pesky neighbors like it or not.

Eva Nordell aka Eva No, is a Swedish pop singer-songwriter who loves to make music that helps you get off the couch and dance your socks right off. She dazzles with sultry but classy vocals and lyrics that gets your body moving.

The story of wanting that full commitment and nothing less streams through your happy speakers. She wants that kiss but only if her partner is willing to show her that they are the real deal and not some flash in the pan.

Her sparkling voice shines through on this vibrant pop song that has no hidden agendas, only truth and this song is so catchy, you will have it stuck in your head for days on end. This is the type of track that your whole family can enjoy and is made with love from a talented singer, that puts her heart and soul into each second here.

100%‘ from Swedish sensation Eva No, is a yes in terms of energetic appeal and she transforms a bad mood into a good one on this delightful single.

When you know what you want, a lot of people feel threatened by your confidence, but it definitely makes decision-making a lot easier.

Stream this exciting new single here on Spotify and see her FB for more.

Reviewed by Llewelyn Screen