Browsing Tag

jazz

Omni Optometrist prescribed the antidote to sonic monotony with his jazzy prog-rock track, ‘Converging Forces’

Omni Optometrist’s (AKA Mitch Protheroe) jazzy synth-driven prog-rock-driven soundscapes won’t be everyone’s cup of tea, but if you’re looking for the antidote to sonic monotony, look no further than his latest Avant Garde orchestration, Converging Forces.

Between the frenetic time signatures which the scintillating symphonic tones weave through, there’s just enough room for star-roving constellations of trip-hop to add to the superlative almost dystopic in nature instrumental score, which adds a touch of interstellar ambience to the release.

Along with Omni Optometrist, Mitch Protheroe’s creativity has known many guises; he started composing under the name Of Keys and Cages in 2008, since then, he has released several jazz fusion records and has only become more ambitious with each subsequent release. After honing his production skills, he’s reworking his old demos and slowly but surely started introducing them to the airwaves from his studio in Florida. If Converging Forces set the standard, we can’t wait to hear what follows.

Converging Forces is now available to stream on Spotify.

Review by Amelia Vandergast

It’s all bells and no whistles in Roman Gastelum’s ingenuitive hip-hop track, Pavlov’s Dogs

After a bell ring in the intro to pay a conceptual nod to the iconic conditioning experiment, Roman Gastelum moves straight in with an amalgam of funk grooves, jazzy timbres, and hip-hop beats in his standout single, Pavlov’s Dogs taken from his debut LP, EQlibrium.

With the single and LP title, we probably don’t need to tell you that the LA-based bassist, vocalist, lyricist, and composer is an intellectual cut above the rest. In fact, if there were any more genius touches to this release, Roman Gastelum’s door would be blown off its hinges after an army of sapiophiles came knocking. But it is far from just pretentious art over substance.

The sublime sonic atmosphere conjured around the bruisingly clever bars by the artist who received his Bachelor of Arts in Music Performance from the Musicians Institute in LA ensured that even on the 100th listen, you’ll take something new from Pavlov’s Dogs. As the cherry on the urban alchemist cake, the spacey sci-fi surrealism towards the outro is a lesson in experimental scintillation.

Pavlov’s Dogs is now available to stream on Spotify with the rest of the EQlibrium LP which dropped on September 29.

Review by Amelia Vandergast

Jisu Jung took her journey of self-discovery in the neo-classic jazz release, Who Am I

After honing her talents in some of the most prestigious music institutions including Dresden College of Music, Berklee College of Music in Boston, and the Manhattan School of Music, the pianist and composer, Jisu Jung’s technical skills transcended into an ability to forge evocative connections with her innovative compositions.

Her latest classical jazz piece, Who Am I, welcomes you into her expressive world, where cello strings visualise the darkness we all need to negate on the path of self-discovery and the piano keys embellish the score with flourishing syncopation to mimic the freedom of personal growth.

As the momentum builds towards the mid-way point in the instrumental release, euphoric zeal starts to underpin the orchestration, marking a radical shift from the ornate air in the prelude to the virtuosic control of chaotic time signatures. Even though the energy doesn’t sustain towards the outro, the innate liberation in the progression lingers before the abrupt silence allows you to take a breath that isn’t influenced by the momentum within the classical Tour De Force.

Who Am I was officially released on September 22; stream it on YouTube.

Review by Amelia Vandergast

Stix Bones is back on the skins in his funked-up jazz fusion, LEAP

Following the phenomenal success of his hip-hop-influenced LP and a string of critically acclaimed singles, Brooklyn’s most prodigal jazz son, Stix Bones, is back on the skins once more with his seminal release, LEAP, featuring Bob Beamon.

With flavours of North African Funk in the culturally layered rhythmics of the instrumental track and sparks of Latino flair within the keys, vibrancy radiates from the exuberantly sophisticated core of LEAP. While the syncopated percussive fills and seductive bassline growls set up the grooves, the horn section shimmers the soundscape with an unfaltering sense of expressive euphoria that will heighten any mood.

With his previous releases, including his debut LP, Groove Like This, Stix Bones featured on 40 radio stations across the globe and became no stranger to the jazz charts. He’s equally as accoladed in the live circuit; when he’s not opening for the likes of Chaka Khan, Charlie Wilson, and Babyface, he’s helping world-renowned artists complete their albums and playing with the likes of Soulfege. It’s only a matter of time before he becomes a permanent fixture in the Jazz Hall of Fame.

Stream LEAP, which was officially released on September 22, on Spotify.

Review by Amelia Vandergast

Get into the ‘East Coast Groove’ with Martin Packwood’s jazz-rock soundtrack

East Coast Groove by Martin Packwood

After an installation of tropic percussion and equally as exotic reverb, Martin Packwood’s single, East Coast Groove, gives way to a guitar-driven jazz-rock instrumental soundscape, which amalgamates era-spanning guitar styles from across the globe and unravels as an inexplicably unique tapestry that breaks through the monocultural mould, note by note.

The Birmingham, UK-hailing guitarist has long held a passion for instrumental composition, inspired by a diverse array of riff legends, from Santana to Clapton. By picking up his Strat and finding a refreshing way to pay ode to their styles, Packwood orchestrated a hit of pure rhythmic soul.

If you’re looking to get into the world of groove or you have long been acquainted, you will experience East Coast Groove as four minutes of progressively elevated guitar-driven euphoria.

East Coast Groove was officially released on September 22; stream and purchase the single via Bandcamp.

Review by Amelia Vandergast

Tylar Smith dropped a nostalgia atom bomb with his retro jazz-pop hit, ONE MORE CHANCE

Get in the Doo Wop swing with Tylar Smith’s jazz-pop nostalgia atom bomb of a single, ONE MORE CHANCE. The award-winning Australian-born singer’s reverence for retro pop and old-fashioned soul, powerful vocal lines that could start a Rockabilly riot and his ability to spin a powerful narrative over his melodies that will hit your ears like candy has put him on the right path towards his dream of becoming an international recording artist.

With the timeless appeal of ONE MORE CHANCE and music fans increasing their proclivities towards nostalgia, the young artist, who started cutting his teeth in the music industry before his teens, is sure to make an ever-lasting impression with his debut EP, REMINISCENT, which has been crafted over the last 12 months in collaboration with a US Grammy-Nominated producer and songwriter.

ONE MORE CHANCE will reach the airwaves on September 29; hear it on SoundCloud.

Review by Amelia Vandergast

From Tunisia to LA: Ines Belayouni Talks To Us About Her Journey to International Stardom

Ines Belayouni, the talented Tunisian singer, embarked on an extraordinary journey from Tunisia to Los Angeles to fulfil her musical dreams. With a deep love for Jazz and Arabic music, impressive collaborations, and a versatile language repertoire, Ines’s story showcases her unwavering determination to achieve international acclaim in the music industry. In this interview, we dive into her unique journey, exploring her musical influences and the pivotal moments that have shaped her career.

Can you tell us about your early musical influences and how your family instilled a love for Jazz and Arabic music in you?

My parents instilled the love of music since I was a toddler. My mother grew up in France, she used to play a lot of classical music and popular French songs from various artists such as Edith Piaf, Charles Aznavour, Jaques Brel and many more. My father on the other hand, loved Arabic Music specifically Egyptian, soon I found myself singing with him the songs he would play in the car and he noticed that I was learning fast and sang in tune. When it comes to Jazz music, both of my parents introduced me to it with artists such as  Armstrong, Miles Davis, Sinatra.

“Ijik el Khir” was a significant milestone in your career. How did the opportunity to collaborate with Sabry Mosbah on this track come about, and what impact did it have on your musical journey?

Following the Tunisian revolution that occurred in 2011, our country and us as citizens, experienced violent and scary events for a few months, that changed the course of history. Ijik El khir is the soundtrack of a documentary produced by Coca Cola. This Anthem is an invitation to all Tunisians to express the solidarity found in each of us, which was much needed following the state of turmoil the country was in, and to be reminded that we should remain United. The song was a success, touched many hearts, brought some joy amid the chaos, and for us as artists brought fame, and exposed us to a larger audience through radio and tv appearances.

You were part of the project “Imraa Wahida,” the Arabic version of the song “One Woman,” which was produced for UN Women. Can you share your experience working on this project and performing at the Cairo Opera House on International Women’s Day in 2014?

It was an incredible experience and a memory dear to my heart. I met wonderful and talented artists, singers, writers, producers and musicians. It was my first trip to Lebanon as well. A year later we had the opportunity to get together again and perform at Cairo Opera house. I remember vividly the night we performed, how proud we were to be part of such an amazing and powerful project that aimed to spread a message of unity and solidarity.

You’ve had the opportunity to perform at prestigious events and on various TV and radio shows in Tunisia. Can you share a memorable experience from one of these performances or interviews that had a significant impact on your career?

One of the most memorable experiences was performing at the American Embassy for Independence Day in July 2016. It was such an honor, especially having met The Ambassador of the United States appointed at that time, who gave me great advice, encouraged me to move to the US and aim for an international career. Another memorable event was when I sang the Tunisian National Anthem A cappella for Europe day, I was contacted by the ambassador of European Union appointed in Tunisia back then, who also gave me amazing opportunities and never seizes to encourage me throughout my career till this day. I remain deeply grateful for both of these honorable men, who trusted me as an artist and believed in my potential.

Moving to Los Angeles is a major step in your journey to become an internationally recognised artist. What prompted your decision to relocate, and how has this move influenced your musical career and style?

Tunisia provided a great underground scene for me to evolve as an artist and reinforced my will to pursue a career in singing, but I always wanted more. As being an artist in Tunisia is not easy, I felt stuck, especially when you prefer singing in English. I have always wanted to move to the United States, since my first trip ever, back in 2004. I never lost hope, I have always believed in myself and my potential and wanted to make this dream come true. I was aware of the hardship ahead of me but that did not scare me. I had to get out of this comfort zone I was in, to embrace this adventure. I don’t think there is a better place to do it than the United States, it is the land of opportunities, I feel respected as an artist. I simply feel in my element.

You’ve mentioned your versatility in singing in multiple languages. How do you approach adapting your musical style and expression when singing in different languages, and do you have a favourite language to perform in?

I grew up speaking Arabic and French, I learned how to sing Arabic music from a very young age. Later on when I heard Whitney Houston, I fell in love with her voice and knew at that moment that I wanted to mostly sing in English. I have always been extremely curious of other cultures and languages. When I hear a song that I like, I will be wanting to sing it, thus adding Spanish and Italian to my repertoire. When singing in different languages, I make sure I understand the song even though I don’t speak the language to be able to convey emotions. Understanding the words you are singing is very important.

Could you share some insights into your current and upcoming projects? What can your fans expect from you in the near future as you continue to pursue your musical dreams in Los Angeles?

Last April, I released the first single of an upcoming Ep. The song is entitled “Attention” it is a pop rnb anthem that my producer Jamelle Adisa and I have worked on and co-wrote. We released a music video on YouTube and the song is available on all platforms. We recorded a few other songs and will be ready to release the EP by December hopefully. As I speak fluent Arabic and French I believe in music fusion, I am proud of where I come from and I consider myself lucky to be diverse and to be able to add a taste of my culture in the music I work on. Stay tuned!

For more information on Ines Belayouni visit her website.

 

Anni & John Lister taught a lesson in cinematic seduction in their jazz score, Man of Mystery

The art of seduction is stitched across the intricate tapestry of the latest cinematic jazz score from multi-instrumentalist and producer John Lister of Fingerman Studios and singer-songwriter, Anni. With Anni’s demurely siren-esque vocal lines narrating a tale of a Man of Mystery over the retro big band spy movie sound and the soft jazz stylings bringing decadence by the smorgasbord, the espionage-centric vignette will leave you hot under the collar and beyond.

If the producers for the next Bond film don’t enlist the superlative talents pertaining to Anni and Lister, who co-wrote the song together, they will have missed a lascivious trick. Heaven knows the franchise needs to redeem itself after Billie Eilish sang the last Bond theme.

The official music video for Man of Mystery premiered on September 8th; stream it on YouTube.

Review by Amelia Vandergast

Charlotte Lansman grooved through the last rays of summer while celebrating new love in her jazz-soul single, Stupid Love

Charlotte Lansman delivered the definitive London jazz sound while lyrically moving away from soul cliches in her latest single, Stupid Love. The London-based, Bristol-born singer never fails to hit the sultry with a little bit of grit mark in her singles that bring elements day to day-to-day reality into luxe installations of sonic beguile; Stupid Love is far from the exception.

By evading hallmarked cliches, she was free to focus on the way we wear rose-tinted glasses to cope with the false truths and how wearing your boyfriend’s shirt to the station in the morning cloaks you in impassioned ardour and enables you to fall in love with the world of around you. It’s almost a paradox how her song crafting is completely antithetical to your average love song but reaches the pinnacle of romanticism regardless.

With Joe Rodwell in charge of the production, which sees new romance explored through laid-back grooves, retro synths, rhythmically arrestive Latin jazz beats and guitar riffs that will make the last rays of summer feel even sweeter, Stupid Love became an uplifting triumph.

Stupid Love was officially released on August 24; stream it on Spotify.

Review by Amelia Vandergast

 

Peter Xifaras paid an impassioned ode to an icon with ‘While My Guitar Weeps for Mehdi Rajabian’

While My Guitar Weeps for Mehdi Rajabian, performed by Peter Xifaras and the Czech National Symphony Orchestra, pays homage to the bravery and tenacity of an Iranian artist imprisoned for working with female dancers and musicians, something which has been banned since the 1979 Islamic revolution.

After a three-minute trial, he was convicted and tortured during his sentence, but that wasn’t enough to break his indomitable spirit that inspired this jazzy composition, which orchestrally berates the indignity and senseless oppression; it carries the quintessence of the Iranian protesters throwing away their headscarves in a bid to retaliate against regimented oppression.

While Les Pauls don’t often take the lead in orchestral arrangements, on this wild and jazzy contemporary ride, the sonorous sustain lends itself effortlessly to the instrumental piece as Peter Xifaras demonstrates his prowess as a guitarist, composer, and producer.

Stream the official music video for While My Guitar Weeps for Mehdi Rajabian via YouTube.

Review by Amelia Vandergast