Browsing Tag

Jazz Fusion

Ellen Mara Band sparked jazz-fusion liberation with ‘Burnout’

Posted on 29 November 2024
Ellen Mara Band

‘Burnout’ by the Ellen Mara Band transcends unravelling as a sign of the times; it liberates the listener from the exhausted frustration of feeling as though there aren’t enough hours in the day to tend to the excessive demands of modernity.

While there was once a time when burnout was considered an individual problem, consciousness of the systemic social issue is starting to become a major part of the discourse. Exemplified by this all-serotonin, no-brakes jazz fusion tour de force. The track wraps you up within the technically proficient sonic emancipation as the band’s ability to balance consolation with euphoria and affirming lyricism is proven to be superlatively second to none—if their sound is this sweet recorded, you better prepare for the sugar rush if you see them live.

Recently rebranding from a solo project to a full band in preparation for their 2025 album release, Ellen Mara still takes her place as the frontwoman, sharing heartfelt life learnings through carefully crafted melodies, intricate arrangements, and playful grooves. In collaboration with her partner and co-writer Will Sutcliffe and their talented band members, the Ellen Mara Band offers an authentic fusion of Soul, R&B, Rock, and Jazz. They’ve earned a reputation in the Sydney live music scene and have recently captured the attention of renowned U.S. soul singer Allen Stone, making their international debut at Stone’s annual festival ‘Stone Family Field Trip’ in Washington in October 2024.

If you do one thing today, tune into the soul-provoking expression of resilience and join the groove-driven Ellen Mara Band revolution.

Burnout will be available to stream on all major platforms, including Spotify, from November 29th;

Review by Amelia Vandergast

Organic Art Folk Serenity Unravels through Matt John Henderson’s ‘Gethsemane’

Posted on 9 November 2024

With his latest single, Gethsemane, the Ambient Avant-Gardist Matt John Henderson nestled into the niche of sonic expressionists with the ability to render catharsis into your rhythmic pulses while intellectually stimulating your mind.

The cinematically quiescent piece uses organic textures and tones to imbue the production in folksy seraphic warmth; his equally as honeyed and honed hushed vocal tones effortlessly complement the minimalist yet intricately eloquent instrumental stylings which pair jazz nuances with artfully delicate motifs that wouldn’t be out of place in Thom Yorke’s remit.

As a precursor to the critically acclaimed artist’s eagerly anticipated album, Lapse in Stillness, Gethsemane is an introspectively entrancing teaser of the serenity which is set to soon follow. The artist’s ability to invite his audience to lose themselves and live between the layers of his sound is second to none; it’s only a matter of time before his name becomes a staple on every editorial ambient playlist on Spotify.

Gethsemane was officially released on November 1st; stream the single on Spotify now.

Review by Amelia Vandergast

Marlon Bianco went left of leftfield in his experimental electronic trip, Mad Man

Posted on 1 November 2024

Marlon Bianco’s latest single, ‘Mad Man,’ plays like an auditory hallucination; like peering through a drunken kaleidoscope, sounds and colours blend into a vivid sonic trip. Beginning with scratchy, trip-hop-adjacent beats, the track seamlessly evolves as Bianco’s dreamy, nostalgically textured vocals marry with the underlying rhythms.

It’s a sonic sculpture that etches itself into the mind, pulling you into the affirmation that insanity is infectious as elements of funk and jazz are weaved into a sublime lo-fi collage of sound.

Hazy summer nights may be behind us, but this psyched-to-the-nth-degree synth-driven odyssey from the Brighton-based aural polymath is here to stay. There’s no escaping the dreamy Avant Garde clutches of this release which forces you to live within its layers.

Mad Man will hit the airwaves on November 1st; stream the single on Spotify and follow Marlon Bianco on Instagram and Facebook.

Review by Amelia Vandergast

Sepia-Tinged Serenity: GOODTIME’s ‘Damsel Eyes’ Dances Between Tenderness and Nostalgia

Posted on 26 October 2024
GOODTIME

GOODTIME, a rising artist from New York City, affirmed his tonal mastery in his single, ‘Damsel Eyes’. The warmth bleeding from his guitar and the soul carried by his harmonies create a sonic landscape that lands somewhere between Nick Drake and Elliott Smith. He doesn’t just replicate indie folk’s past; he redefines it with a unique blend of traditional acoustic songwriting and atmospheric elements. His ability to seamlessly weave nostalgia with his signature ‘twisted lullabies’ invites listeners into soothing subversion that can easily become a sanctuary.

The haunting crescendos in ‘Damsel Eyes’, paired with the smoky sax lines, pull you deeper into its intimate atmosphere; with a melody akin to Oasis’ ‘Half the World Away’, the song nestles into an emotional place where beauty meets bittersweet reflection. It’s the kind of track that could make anyone misty-eyed, proving that GOODTIME has more than earned his place on the indie folk scene.

After tending to his creative spark as a percussionist at the age of 5, he earned more instrumental stripes at age 15 by self-teaching himself guitar, piano, bass, and banjo. Today, he crafts, produces, and mixes all his work from his home studio. After dedicating himself to his craft, his live performances have earned him a spot alongside artists such as Will Paquin and Dana & Alden, performing at iconic venues like The Bitter End and Mercury Lounge. Yet perceptibly, the best is yet to come for the lyrical lumiary.

Damsel Eyes will be available to stream on all major platforms, including Spotify, from October 25th.

Review by Amelia Vandergast

The Proto-Funk Pioneers, The Yowies, have officially arrived with their decadently disco debut single, Real Time

Posted on 10 October 2024

There’s no putting the mythologically monikered proto-funk renegades, The Yowies, back in their cage after they unveiled their debut single, Real Time. The decadent disco track pours an alchemic cocktail of indie-licked RnB, funk, jazz and soul, stirred by razor-sharp songwriting chops that cut straight through the static of the contemporary music scene.

The tonal sublimity of the seductively smooth single rivals the kaleidoscopic luminosity of a disco ball as The Yowies groove across their foundational influences, which pit the timeless soul of Winehouse against the guitar licks of Nile Rodgers and the spacey transcendence of Bowie in his Young Americans era.

With jazz nuances as a smoke machine, there are few sonic signatures as slick as what is exhibited in The Yowies’ debut release which makes it impossible not to get into the fiery smooth groove. Every replay reveals a new level of their creative genius, solidifying them as a band at the forefront of proto-funk revivalism

Real Time was officially released on September 29; stream the single on all major streaming platforms, including Spotify, now.

Review by Amelia Vandergast

Henry Bitzer’s ‘25th Hour’ Radiates Rapturous Soul and Swagger

Posted on 30 September 2024

Henry Bitzer’s standout single, 25th Hour, from his debut LP Skydive, delivers some of the swankiest sounds of 2024. The track is a testament to the solo artist’s knack for nostalgically leaning songwriting chops, which remain sharp even when held up against his musical heroes.

Any attempt to resist the euphoric energy of 25th Hour is futile; the rapturous euphony he coaxes from the keys showcases his comfort and charisma in crafting soulful soundscapes that simultaneously nod to the past and stride confidently into the future.

Blending blues, 70s pop rock, and a smattering of jazz, Bitzer conjures a unique sonic synthesis that defies easy categorisation. The seamless fusion of styles creates a distinctive sound that harks back to the golden era of rock without feeling stuck in the past. His ability to weave eclectic influences into a seamless tour de rapturous force ensures that his legacy is already carving itself a place in the annals of contemporary alternative music. It’s only a matter of time before major labels are vying for his signature.

At just 19, the Minnesota native has been compared to the likes of Elton John and Billy Joel for his magnetic stage presence and infectious melodies. Now a second-year student at Belmont University in Nashville, Bitzer has spent the last four years performing live across the U.S., honing his craft and building a loyal following.

Stream Henry Bitzer’s debut LP, Skydive, on Spotify now.

Review by Amelia Vandergast

Jazz underpins electro-pop in NxC’s comeback track, Can’t Get You Out of My Head

Posted on 23 August 2024

From the province of Laguna, NxC, a dynamic pop duo, has re-emerged in the limelight with a comeback that dares to share a title with Kylie Minogue’s famed hit, Can’t Get You Out of My Head. It was a bold titular choice, but that’s nothing compared to the endlessly evolving innovation caged within the progressive anthem.

Nikki Culing and Cedric Patangan, who first harmonised in their high school choir and later in various local bands, entered uncharted territory with Can’t Get You Out of My Head which amalgamates the nostalgia of disco pop with the edge of synth sequences and the spontaneity of jazz, presenting a track as layered as their musical background.

After a brief hiatus after their initial single, Peach Fizz, NxC’s sound is more honed than ever. Their comeback initiates with a tease of classic house pop, swiftly morphing through a spectrum of sounds that defy simple categorisation. With Nikki’s euphorically infectious vocals and guitar alongside Cedric’s multifaceted mastery of keys and bass, the duo navigates through hyper-pop highs and rap-infused rhythms, making each transition a head-spinning hit of serotonin.

Every beat of Can’t Get You Out of My Head promises an adrenaline rush of sonic surprises – brace yourself before you hit play.

Can’t Get You Out of My Head hit the airwaves on August 10th; stream the single on Spotify.

Review by Amelia Vandergast

Spotlight Feature: The LA Prog RnB supercluster of creatives, No False Ego, is all about the vibes in their authenticity-advocating debut single, We Are the Soul

Posted on 7 August 2024

In their debut single, We Are the Soul, LA’s Prog RnB collective No False Ego introduces themselves with a resonant proclamation of authenticity, amplified through an exploratively diverse sonic expanse. The blend of jazzy saxophones, indie guitar licks, and fluid genre transitions are undeniable attestations to how No False Ego is leading by example with their unique vision.

Fronted by the ethereal vocals of Kassandra, the track weaves through groove pockets of dreamy reverie, underpinned by a rich tapestry of sounds that reflect the band’s ethos of genuine self-expression. The production, crafted in the Big Bad Band Studios and finely tuned by Camilo Cedeno and Ronnie Silos, underscores a polished, heartfelt debut that promises so much for the future of the collective.

With a backbone of seasoned musicians including Steve Murillo on sax and keys, Carter on bass, Corey Scimenes on guitar, and Roach on drums, No False Ego is a veritable supercluster of creative minds with a clear message everyone should heed: embrace your authentic self, ditch the façade, and revel in the power of unfeigned originality.

As they prepare to broaden their horizons beyond the LA scene with upcoming releases, including the anticipated single Sunshine and a forthcoming EP, No False Ego is poised to uplift and empower a wider audience with their heartfelt vibrations and innovative sonic signature.

Stream We Are the Soul on Spotify now.

Stay up to date with news of the sophomore release by following No False Ego on Instagram and TikTok.

Review by Amelia Vandergast

Dry awakened a new era of jazz fusion with his electrifying symphony, Refresher

Posted on 3 July 2024

Dry’s debut EP, Kickback Selections, introduces jazz fusion fans to a bold new talent with the opening single, Refresher. The instrumental score is an unforgettable showcase of the composer’s modernised touch in the jazz scene. Symphonic keys scintillate alongside expressively enthused drum fills, defying the laid-back expectations set by the EP’s title as the loungey nuances invite listeners to lose themselves in a chiptune-esque euphonic universe of electrifying energy.

Despite only beginning his journey into the music industry as a college freshman, Dry’s already attracting a loyal following among virtuoso-seeking jazz fusion fans. His unique blend of traditional jazz roots with electronically augmented elements of neo-jazz marks him as a fresh, innovative force. Refresher is an attestation to how good music speaks to the rhythmic pulses while superlative melodies evoke an emotional response. Dry is firmly in the latter camp; transplanted by the exhilaration delivered by his honed, eccentrically adventurous,  production style.

Fans of Lo-Fi Riders will not want to miss this sonic escapade. Dry’s talents in masterfully melding funk, jazz, and contemporary styles into an authentically modern symphony are sharp enough to enable the independent artist to tear through the mundanity and monotony within the modern industry.

Kickback Selections was officially released on June 29; stream the EP on Spotify now.

Review by Amelia Vandergast

Kelsey Blackstone is a stylistically expansive sensation in her latest single, Willow

Posted on 21 June 2024

Kelsey Blackstone’s latest stylistically expansive single, Willow, proves there is no definitive sound of the summer. Away from the plastic pop fray, Blackstone submerged the sonic palette of this imagination-sparking release into the ephemeral bliss of the sun-soaked season which quickly passes, long before the memories we cling to, and keep ourselves warm with in the colder months

With a jazzy pop chorus, filled with smooth horn stabs and mellifluous grooves, and an electro-folk middle eight nestled into the synthesis of pop, rock, soul, and award-winning songwriting that puts Kelsey Blackstone up there with the greats, Willow brims with incomparable quintessence.

It’s impossible not to get swept up in the dreamy reverie of her transcendent vocal lines as they bring swathes of colour and soul to the lyrics which yearn for consistency in an ever-changing world and nestle into the single that delivers a quintessentially old-school live sound.

Whenever you feel the need to touch grass, tune into this single instead; your connection to nature will be far greater. Better yet, never miss a chance to witness the Boston-born artist’s live performances; whether she’s playing solo or with her six-piece band, she’s renowned for raising the roof and allowing her audience to taste tonal utopia.

Willow was officially released on June 14; stream the single on Spotify now.

Review by Amelia Vandergast