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Jaai.

Superlative RnB Soulstress Jaai. Emanated Sensuously Celestial Grace in her Sophomore Single, God is Real

Jaai.

After the RnB soulstress Jaai. left us spellbound with her dreamily festive debut single, Christmas Mornin, and rendered our souls as her own; she’s back on sensuously pure form with her sophomore Christian & Gospel single, God is Real.

The Charlotte, NC-hailing artist delivered a mellifluous reminder of how sublime it is to find trust and sanctity in knowing there is a higher power. All desire for control our mortal coil will never grant us legibly ebbs away  in the smooth, easy-listening ensemble of jazzy RnB, which is radiant through the balance between nostalgic grace and contemporary trip-hop-y beguile, which puts Jaai. right back on brand to how we heard her from her exceptionally promising debut.

God is Real will be available to stream from February 3rd. Hear it on Jaai.’s official website.

Review by Amelia Vandergast

Spend your ‘Christmas Mornin’ with the slick RnB debut single from Jaai.

Channelling the timeless soul of Ella Fitzgerald and the slick impassioned style of Sade, the Atlanta-based gospel RnB singer-songwriter Jaai. helped her fans to celebrate ‘Christmas Mornin’ with the chilled jazzy vibe in her debut single.

The smoothly uplifting single, released on December 2nd, proves just how much Christmas music has evolved since Mariah Carey started topping the Christmas charts every year. Jaai. is on truly sublime form in Christmas Mornin, which flows to the subtle seduction of boom-bap beats and her celestially elegant vocal timbre that would leave you with a shiver if it wasn’t so warming.

The single takes away any sense of novelty away from Christmas music and strips commercialism from the holiday itself, as it reminds you that Christmas is a day like every other, where joy revolves around the people that light up our lives. The artificial lights, no matter how bright, could never compare.

Christmas Mornin’ is now available to stream on all major platforms via this link.

Review by Amelia Vandergast