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Isiah & The New People

When Folk Meets Prince: Isiah & The New People’s Haunting Cover of ‘When Doves Cry’

Isiah & the New People

In their cover of Prince’s When Doves Cry, Isiah & The New People take the iconic track on a deeply personal journey, transforming it into something that resonates far beyond its original message. Following the success of their debut EP, Boxes, the Wisconsin-based collective has shown their ability to strip a song to its emotional core and rebuild it with raw, unfiltered candour.

The affecting exploration of loss, love, and the painful intersections between the two makes the intensity of the emotions palpable from the first note, as the vocals quiver under the weight of heartbreak. Isiah Driessen’s voice, laden with sorrow and yearning, delivers each line as if the wounds are still fresh, allowing listeners to step into his world and experience the pain of a love that could no longer survive in the wake of tragedy.

The instrumental arrangement further amplifies the track’s emotional depth. Gone are the synth-pop hooks that made the original so iconic; in their place is an expressive acoustic guitar that seems to echo the heartache embedded in the lyrics. The fretwork speaks alongside the vocals, visualising the fire that still burns, despite the devastation left in its wake.

The decision to cover When Doves Cry was clearly not taken lightly, and it shows in every carefully considered progression. This is music as catharsis, as a means of processing the unthinkable. With each strum and vocal tremor, Isiah & The New People invite listeners into their emotional landscape, offering a glimpse of the pain that led to this release, resulting in a track that challenges you to reconsider the original, now layered with the weight of lived experience.

When Doves Cry will be officially released on August 28th and available to stream on all major platforms, including Spotify.

Follow Isiah & the New People on Instagram.

Review by Amelia Vandergast

Isiah & The New People led a rhythmic indie-folk-rock revolution with their debut EP, Boxes

Rooted in roots rock tradition and daring in execution, the debut EP from Isiah & The New People proves that no sonic flavour can rival pure, raw creativity. With an unadulterated emotion as the kindling which ignites through the friction of rhythmic volition, the fourpiece tore down the barricades of the soul, one visceral lick at a time with their four-track EP, Boxes.

The Little Chute, Wisconsin collective of veteran artists amalgamated a genre-fluid compendium of songs that dig deep into the trenches of the human psyche while awakening the senses of anyone who stumbles on this encapsulation of sonic liberation, which was released on the symbolic day of July 4.

The opening track, 1000 Tears, smokes out rich organic indie folk-rock textures with the sax lines while bridging the poetic expressiveness of Bob Dylan and the visceral intensity of Eddie Vedder. Isiah Driessen’s vocal versatility resounds as he navigates effortlessly between the deep, soulful timbres of Johnny Cash and the piercing clarity of James Taylor’s emotive howls.

Cherry Tree, shifts gears towards a more intimate setting, weaving Paolo Nutini-esque vulnerability into the fabric of its melody with tender acoustic guitar plucks and heartfelt vocals.  The third offering, The Girl Downstairs, introduces a grittier, blues-infused sound that showcases the band’s ability to morph stylistically. The overdriven guitars and raw energy inject a robust dynamism into the EP, demonstrating their chameleonic adaptability and broad musical palette.

The EP concludes with Where’s Lake Waldo? a track that ventures into psychedelic territory with ennui-pained lyrics and expansively kaleidoscopic sonics. The tinged-with-existential-pondering is a fitting end to the EP’s narrative—questioning, exploring, and seeking.

With Boxes, Isiah & The New People articulated a philosophy of musical and personal exploration. It is the ultimate statement of artistic liberation which lays down a promising trajectory for the band which is sure to resonate with any music fans searching for an aural mode of genuine connectivity.

Isiah & The New People said:

“We put things in boxes; whether it’s people, ideas, or ourselves. However, every day we have the chance to be reborn, let things go, and take on new perspectives. I felt myself being put into a box. My pursuits in music have been about breaking out of it.”

Stream Boxes on Spotify now.

Review by Amelia Vandergast

The Sky Is Grey Right Now: Isiah & The New People take us deep within the carnage and recovery on Hold On

Telling us a harrowing story which almost ended everything, Isiah & The New People shows us inside Hold On and what happened on that fateful day. This is one of the most emotional interviews we’ve ever done and is one not to miss.

Llewelyn: Hi Isiah & The New People. Thank you for having a chat with us. Firstly, how did you all join together and where can we find you in the world today?

Isiah: Hi Llewelyn, thanks for taking the time to chat as well. Isiah & The New People are just a bunch of musicians from the Wisconsin Great Lakes Region that decided to get together for a jam. We are all from the same city of Appleton, Wisconsin USA.

Llewelyn: Hold On is your new single and this is a deep one. Please let our readers know the story and how is the recovery going?

Isiah: Yeah so Hold On is a new song that came to be after I was involved in a significant car accident. My wife, former bandmate and I were hit by a drunk driver going about 80-90mph. My friend, who I was playing drums with before this recording, was killed. My wife suffered a traumatic brain injury and I broke a bunch of bones and my stomach was dislodged into my chest. The song Hold On in a lot of ways is about managing pain as well as surrendering to the universe and allowing life to unfold as it needs to. Sometimes it’s hard to understand why things happen in life but there is always something to learn in every experience we have.

As far as recovery goes, my wife is on the trajectory to make a full recovery and I am completely healed. Thanks for asking.

Llewelyn: What genre would you describe your music as being inside if you were asked the question by a fan?

Isiah: I’d have to say Western Psychedelic Folk. I grew up listening to a lot of Pink Floyd, Neil Young and Nanci Griffith so it makes sense.

Llewelyn: Life has changed for you. What do you wish to achieve now and do you feel more grateful for each moment in your life more than before?

Isiah: Yeah, I definitely feel more grateful. It’s easier to let things go. I see no point in holding a grudge to the grave. None of us know when we are going to die so it’s best to let things go and find ways to enjoy one another while we can. As far as what I would like to achieve I’d say I have a few things. Outside of just establishing an inner peace and calm state of being, I have a couple projects I’m working on. I want to tour. See the world. Meet different people. Make all sorts of music. I love creating. I like acting and writing and would love to make some comedy sketches. All sorts of stuff but ultimately I wish to achieve a lifestyle that affords me to do these things.

Llewelyn: What does it feel like to make music and does it make your soul happy?

Isiah: Making music is beautiful. Through life we have these traumatic experiences that get stored in our bodies and music has this incredible way of allowing ourselves to release these energies. Music makes my soul happy for sure. It also makes me sad and angry and everything in between. It allows me to feel everything I need to feel.

Llewelyn: If you could travel to any country in the world, where would it be and why?

Isiah: I’d really like to spend some time in Australia. I think I would get along with the people down there. I’m curious if they are that crazy or if it’s just the internet. I need to see with my own eyes.

Llewelyn: Last, are there any bands you would love to perform with on the same lineup? Please share with us the ideal festival or event and what the expectations would be?

Isiah: The ideal festival would be somewhere overlooking Lake Superior with wonderful views and fantastic food. Line up would include Dakhabrakha, Paul Simon, Los Super Seven, Tinariwen, Paolo Nutini, Brulé, and Elvis if he is still alive.

See the single come to life on YouTube.

See more on the IG page and follow the journey.

Interview by Llewelyn Screen

Isiah & The New People started a Western Psych-Folk revolution with their live recording of Hold On

Joined by the conduits of rhythmic virtuosity that make up his live band, the prodigal son of western psych folk, Isiah Driessen, stepped into The Train Station to lay down the licks in his standout single, Hold On.

Hit play and be a fly on the wall to the mind-melting alchemy that spills from the live recording from Isiah & The New People. While the jazzy sax lines feed the seduction, the rhythm section ensures your pulses are tied to the progressions in the laidback but electric hit that kicks up plenty of Western country dirt.

Driessen’s impassionedly strident vocals are the cherry on the psych-folk sonic cake as they alternate between raucously bluesy lines to honeyed harmonies that reach the pinnacle of sweet. If you ever catch someone insinuating that contemporary artists suck because they don’t ‘make them like they used to’, rub this elevated with nuance single in their faces.

Stream the live jam recording of Hold On which premiered on June 9th on YouTube.

Review by Amelia Vandergast