Browsing Tag

industrial

Fallsurge left us on the ‘Tripwire’ of his industrial-rock-meets-post-punk hit

Posted on 26 June 2023
Tripwire by FALLSURGE

After beating the skins for Swervedriver and 5:30, Jez Hindmarsh formed his post-punk meets electronic rock project, Fallsurge. Post-punk has had its fair share of angsty icons, but they’re deathly pale when put in comparison to Fallsurge, especially after the release of Tripwire.

With hints of Celldweller and Skinny Puppy in the production and PJ Harvey’s Down By the Water in the rancorous atmosphere against the protestive post-punk snarls, Fallsurge is one of the most inventive alt-electronica acts since Prodigy.

And yeah, that should probably go down as blasphemy, but the caustic industrial cuts in Tripwire against the cold chaotic sonic whirlpooling guitars, laid down by the LA-based guitarist, Dave Dupuis, created a pioneering cocktail of viscerally vitriolic alchemy. We’re officially stoked to hear what follows.

Stream and purchase Tripwire via Bandcamp.

Review by Amelia Vandergast

Baby Tap possessed the hardstyle genre with the maniacal aggression in DEMONS

Posted on 6 June 2023

Hardstyle got infinitely harder with the latest release from one of the most versatile Electronica artists and producers in any scene. Baby Tap’s latest feat of synthesised obscurity, DEMONS, is enough to rival the most visceral hits in $uicideboy$ and Wage War’s respective discographies.

The adrenalized aggression of the flawlessly finished released effortlessly resonates as galvanizingly chaotic energy, which won’t fail to leave you psyched by the UK-based experimental artist’s possession of the hot and heavy domain of electronica.

It may be different from what we have heard from Baby Tap before, but the cornerstones of subversion, darkness and cyberpunk harsh techno remain, and we stand firm on our position that asserts Baby Tap as one of the most seminally superlative acts in the UK right now.

DEMONS will officially release on June 6th; bastardise your ear canals with it by heading to YouTube.

Review by Amelia Vandergast

Nethermead delivered darkwave decadence in his latest alt-pop hit, Bodysnatcher

Posted on 22 April 2023

Sam Smith’s music video for I’m Not Here to Make Friends has nothing on the latest filmic masterpiece from the alt-electro-pop artist, Nethermead; neither does Eyes Wide Shut, for that matter. The baroquely fetishistic aesthetics in Bodysnatcher amplify the tribally entrancing rhythmics of the track that makes a serpentine meal of carnal pleasure.

South Louisiana has spawned innumerable southern gothic icons, but few pertain the same scintillating allure of the artist and producer who genre-bends industrial, darkwave and alt-pop to set salacious scores that have never been settled before. If you want to empower your libido while feeling the sharp hooks of a catchy chorus, hit play and never look back. Closer by Nine Inch Nails may go down as one of the sexiest singles in history, but Bodysnatcher is hot on its lascivious heels.

The official video for Bodysnatcher is now available to stream on YouTube.

Review by Amelia Vandergast

“Crushing Boundaries: Deshhaber’s Industrial Electro Punk Delivers Raw Emotion and Innovation”

Posted on 13 March 2023
crushed by deshhaber

Deshhaber’s latest track “Crushed” is a captivating dive into the world of industrial electro punk. With a combination of drum machines and guitars, the track sets a firm foundation for Deshhaber’s explorative and layered vocals. The final product is a hauntingly beautiful soundscape that will leave listeners in awe.

One of the most impressive aspects of Deshhaber’s music is the use of subtractive editing in the composition process. This technique is akin to putting the finishing touches on an oil painting with a palette knife. The result is a truly polished and refined sound that is unparalleled in the world of industrial electro punk.

But Deshhaber’s music is not just about technique. There is a raw emotion and energy that permeates every note and lyric. It’s clear that this is an artist who is deeply passionate about their craft and is not afraid to push boundaries and experiment with new sounds.

For those looking for something fresh and exciting in the world of music, Deshhaber is a must-listen. Their music is a perfect blend of innovation and emotion, and it’s impossible not to get swept up in the energy and excitement of their sound.

In a music scene dominated by cookie-cutter pop and generic rock, Deshhaber stands out as a true original. Their music is a breath of fresh air and a reminder that true artistry is alive and well in the world of music.

Lucretia Death forged her industrial vampcore metal signature in blood in LIKE BATHORY

Posted on 27 January 2023
https://on.soundcloud.com/ah3bL

As scintillatingly seductive as Angelspit and Zombie Girl and with all the attitude as My Ruin, Lucretia Death’s latest single, LIKE BATHORY is a dark electro hit that you won’t dare to forget.

As murderous as God is a Girl with a Butcher Knife, LIKE BATHORY pays homage to a Hungarian serial killer Countess who shed the blood of up to 650 victims before history enveloped her with vampiric lore. The hypnotically caustic downtempo industrial beats effortlessly gel with her scathing declarations of monstrous affinity and narrations of evil by the hand of one of history’s most bloodthirsty.

The Phoenix, Arizona-residing solo artist brings the night to life through her sonic signature of industrial vampcore metal. This project began in April 2022, after the artist darkened the airwaves in various solo and collaborative conquests. Her most notable performances include performing at the Denver Vampire Ball and several other Vampire/BDSM events in Denver, Colorado.

LIKE BATHORY will be available to stream from January 27th via SoundCloud.

Follow Lucretia Death for updates and live performances via Facebook, Twitter, Instagram and TikTok.

Review by Amelia Vandergast

Feel the temperature drop with the dystopic chill in Kabinyo’s industrial EDM single, I Am Collins

Posted on 30 December 2022
no more chasing ghosts by kabinyo

Atlanta-based producer and artist Kabinyo drenches his hip hop beats in dark and cinematically caustic atmosphere to a scintillating effect. His latest single, I Am Collins, moves past synthwave to firmly implant itself in the ambient industrial genre.

The mostly instrumental piece carries the futuristic simulated chill of an isolated dystopia, akin to the synthesised textures within the Sucker Punch Remix of Army of Me by Bjork. Despite his experimentalism, Kabinyo has celebrated ample success with his eclectically crafted instrumentals. His most successful single to date, Vogue, was picked up by Manimal Vinyl before being published by Sony. With his upcoming LP, he’s veered further away from hip hop towards rock and EDM; it’s a move that will undoubtedly see him go further in his already accoladed career.

I Am Collins is now available to stream and download on Bandcamp.

Stay tuned for the full release of the album no more chasing ghosts, which will officially release on January 6th.

Review by Amelia Vandergast

Take a trip with NSJ’s debut dark techno hit, Aya – Wasca

Posted on 15 October 2022

The up-and-coming artist, NSJ, launched his debut dark techno track, Aya – Wasca, on September 30th. Strap yourself in for a speaker-slamming ride through the transcendent production by Quantum Fractal.

While the solid basslines reverberate, spacey hardstyle kicks and harsh snares become the centre of gravity in this intoxicatingly stratospheric instrumental release that allowed NSJ to assert himself immediately as one to watch. With the latter half of Aya – Wasca, the production picks up industrial intensity before the final crescendo that could easily fill a floor and leave it at the mercy of the builds of this stellar feat of bass-riding euphoria.

Aya – Wasca is now available to stream on Spotify.

Review by Amelia Vandergast

Venustra brought horror punk back with a carnivalesque industrial swing in ‘Hopping the Train’

Posted on 8 August 2022

Horror punk may have crawled back into the macabre gutter as of late; bringing it back with a carnivalesque industrial swing is Venustra, with their latest single, Hopping the Train. It may have been a while since I last donned anything by Kreepsville, but evidently, my horror punk phase isn’t remotely behind me, given how adrenalised I was by the histrionic mayhem.

The Wednesday 13/Murderdolls influence runs unbridled through the release, but that isn’t the only iconic alternative outfit Venustra pulled inspiration from with their snarls that are just as raucously gnarled as the guitars.

With The Dresden Dolls, Dir En Grey and Mr Bungle also cited in their wide-range list of inspirational artists, there is an infectiously antagonistic dynamism to the Austin-based artist, who has previously shared stages with Combichrist and Wednesday 13 after the project was created in 2014.

Check out Venustra’s latest track via YouTube.

Review by Amelia Vandergast

Alt electro producer Z3LDA delivered cinematic hyper euphoria in their sophomore single, Sincerely, All Caps

Posted on 31 July 2022

The US electronic music composer and computer programmer, Z3LDA, delivered cinematically hyper euphoria with their sophomore single, Sincerely All Caps.

After a series of vocal samples that get you in the right space for the histrionic sonic suggestion, rugged post-punk bass guitars, and one hell of an astutely fraught spacey build-up, the progressive mix descends into a dizzying blend of hard techno and psytrance with a mind-bending BPM. Frenetic enough to make most dubstep sound ambient.

If any new electronic artist deserves to go viral this year, on the basis of the sheer gravitas of Sincerely, All Caps, it is Z3LDA. Love it for the escapism. Love it for the insanity. Love it for the personality, whatever you do, don’t let this stratospherically stellar release slip you by.

Sincerely, All Caps is now available to stream on SoundCloud.

Review by Amelia Vandergast

GLYTSH took control of the UK metal scene with their dark vehement aesthetic in Hard(core) Memory

Posted on 1 June 2022

After boldly covering NIN’s most seductive single for their debut and creating a triumphant hit out of it by unveiling the demure holes that were left unfilled, the London-based metal-inclined duo, GLYTSH, have released their sophomore single, Hard(core) Memory.

Hard(core) Memory is Reznor served with Peaches (hold the cream) paired with the fierce provocative metal aesthetic of In This Moment. Reminiscences aside, their projection of autonomy through infectiously unfuckwithable attitude is nothing short of hypnotic around the bite of the industrial beats, scuzzy grungy drums and feral guitars. It stays on the right side of lascivious, while teasingly toeing the line, unapologetically proving that assertive feminine energy has never been about getting dicks hard.

Considering that Hard(core) vindicated me more than Bikini Kill’s I Like Fucking, it’s safe to say the French vocalist, Jennifer Diehl and Swiss guitarist, Claire Genoud, are a fair way along in their mission in reminding us that the Riot Grrrl ethos didn’t end with the dawn of the new millennium.

The official video for Hard(core) Memory premiered on June 1st. Check it out via YouTube.

Review by Amelia Vandergast