Browsing Tag

Industrial Pop

Seductive Synths and Industrial Grit: Silverlake Digs Deep with ‘X (I Should Be Digging)’

Posted on 27 October 2024
Silverlake

Synthesising the demure magnetism of Garbage, the arcane aura of Bjork, and a visceral indietronica pulse, Silverlake electrifies the senses with strobing synths lighting up the polished production in their latest seminal single, X (I Should Be Digging), taken from their third LP, Exotic Metals Ltd.

There’s a seductive power in every second, with sharper-than-razorwire hooks, luxe guitar licks, and siren-esque vocal lines courtesy of Sally-Ann Parker, whose performance is nothing less than hypnotic.

The track’s descent into pure leftfield chaos, guided by oscillating synths and pummelling bass, leaves a lasting impression, securing Silverlake’s place as one of the most scintillating indie-pop outfits on the UK underground circuit.

Drawing on their West Midlands roots, ‘X’ reflects their unique ability to fuse industrial influences with ethereal sublimity. Industrial electronica doesn’t frequently veer into the remit of otherworldly tonality, but as X proves, when it does, the result is nothing short of alchemic and starkly cinematic.

X (I Should Be Digging) was officially released on September 20; stream the single on SoundCloud and Bandcamp now.

Review by Amelia Vandergast

Elevated Focusion reanimated the 90s rave scene in his trippy industrial electro-pop anthem, Disco Devil

Posted on 3 October 2024

Elevated Focusion electrified the middle ground between Deadmau5 and Lords of Acid in his alt-electronica anthem, Disco Devil, which features Dime De San and closes his eclectically epic LP, Dark Nights.

With endless transgressions in style, tone and momentum, the synthesis of EDM, electronic rock and industrial pop reanimates the hedonistic euphoria of the 90s rave scene with dark beats, demonic drops, and devilishly dualistic female vox which deliver Shiny Toy Guns-esque euphony in one breath and scathing fury in the next.

Elevated Focusion’s ability to seduce the rhythmic pulses and create dancefloor-worthy anthems follows early exposure to the NY rave scene and an era of experimentation in his earlier project, Johnny Rhythms. In 2023, the Elevated Focusion moniker was born, followed by the eponymous collaborative LP, which deserved to be as revered as the Judgement Night soundtrack, Peeping Tom’s self-titled release and Chase and Status’ No More Idols LP.

Stream the Dark Nights LP, which hit the airwaves on September 20th, via Spotify now.

Connect with Elevated Focusion on Facebook and Instagram.

Review by Amelia Vandergast

khokkosh. incited an industrial art-pop riot with ‘pelicaning’

Posted on 16 July 2024

Exhibiting the artistic freedom of a mind that knows no creative constraint, the 20-year-old dark electro-pop producer and visual artist khokkosh. used her seminal single, ‘pelicaning’, prised from her sophomore two-track release, ‘pelicaning./a duck, a bear, and I.’ to conjure a macabrely avant-garde aural installation that haunts the middle ground of Poppy and Billie Eilish.

By mainlining the harsh elements of industrial into a hypnotically warped earworm which sonically mimics the effects of a trance spiral, the Indian artist found her place at the vanguard of the art pop revolution.  The self-written, produced, mixed, and mastered computer-adjacent, thematically visceral synthesis of caustic beats and scathing synths explores the self-invented phenomenon of pelicaning; the act of caging words inside you until they are forced to erupt.

With this two-track release feeding into khokkosh.’s merciless agenda of piercing through the veil of inhibition, regardless of how ugly we may appear to others we expose our true unfettered autonomy, the revolutionary isn’t just one to watch, her fearless authenticity makes her an artist to admire and emulate.

Stream the official music video for pelicaning, which premiered on July 8th on YouTube now.

Review by Amelia Vandergast

Midnite Gossip illuminated the airwaves with the darkwave indietronica alchemy in ‘Streetlights’

Posted on 28 December 2023

Midnite Gossip, the Calgary-based indie-pop duo, has once again demonstrated their unique flair for blending genres with their nocturnal odyssey, Streetlights. The synthesis of moody pop, darkwave, industrial, and electronic post-punk elements come together to create a soundscape as enigmatic as the night itself.

From the first caustic beat, the tone is set for a journey through the urban night. The twilight of the synth lines glimmers beneath Nicky Markin’s vocals, providing a haunting backdrop to the siren-esque vocal harmonies to draw you deeper into an entrancing mix that lingers in your subconscious, echoing long after the outro.

The fusion of 90’s industrial synth wave with modern club anthem vibes creates a sound that is both ‘pretty but gritty’, a hallmark of Midnite Gossip’s style, which is influenced by The XX, Phantogram and St. Vincent. With their upcoming debut EP eagerly anticipated, Midnite Gossip is clearly a duo on the rise. Their performance at the Satellite Music + Arts Festival, alongside artists like Felix Cartel and Ruby Waters, has already cemented their status as one to watch.

Check out the new official music video for the Mickey Valenz Remix of Streetlights which premiered on December 21 via YouTube.

Review by Amelia Vandergast

The Emissaries of Anxious Angst, The Empty Page, Have New Resonance in Their Arsenal with the Release of Big Nasty Palpitations

Posted on 26 May 2023

After hearing a preview of The Empty Page’s latest single, Big Nasty Palpitations, during their support slot for BERRIES at Gullivers in March and witnessing the visceral fire that has been lit under the Manchester-based emissaries of anxious angst, all it took was the impetus of the angular guitars and subversive anthemics to convince me that it would be the quintessential indie pop hit of the summer.

It may not be your archetypal boy meets girl before releasing a ‘better off without you’ single in the Autumn. The 80s industrial augmented hit is a testament to where society will stand this summer, with conflict scattering rubble like confetti and blowing equally sizeable holes in our assurance that the world is a safe place where your liberty can’t be stripped away at the whim of a sadistically malignant narcissist.

For the anxious, feel your palpitating heart catch in your tight throat under the duress of buzzsaw riffs that are now definitively back in trend. For anyone privileged enough to not know what it feels like to go under when it appears fabric of tangible reality has been pulled from beneath you, grab a snapshot of the dissent into consternation.

Kel said: “Everyone I know has paper-thin mental health at the moment. The world is run by terrifying people who have little regard for us powerless humans who are just trying to get on with our lives. I woke up one too many times with the fear and reached for a pen at 3am to get those grim feelings out of my system. We’ve always been a socially aware band, and the new album definitely has a glittery, dystopian thread running through it that I think is very apparent on this track.”

Big Nasty Palpitations, produced by Morton Kong at Eve Studios, Stockport, hit the airwaves on May 26 ahead of their sophomore LP, which is set to drop later this year.

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Review by Amelia Vandergast

Ride the electromagnetic waves in Us or Aliens’ latest industrial pop-rock call into the void, Black Hole

Posted on 22 May 2023

Giving us all the dark industrial rock energy of Celldweller and Zeromancer, with a few sharp pop hooks for impaling measure, Us or Aliens’ latest cry into the void, Black Hole, is an existential tour de force.

While the hollow find it hard to find fulfilment in a disenfranchising reality where ennui is as escapable as the cosmic phenomenon which became the metaphorical focus of the single, the pensive will more than get their resonant fill from Black Hole.

Us or Aliens is the solo project from Shawn Kirkpatrick, who has been writing, composing, recording and producing for himself and other artists for the past two decades. In his impressive by any measure career, he has performed in over 500 venues and found the time to become an accomplished guitar teacher and TV composer.

Delve into Black Hole by heading over to SoundCloud.

Review by Amelia Vandergast

Nethermead delivered darkwave decadence in his latest alt-pop hit, Bodysnatcher

Posted on 22 April 2023

Sam Smith’s music video for I’m Not Here to Make Friends has nothing on the latest filmic masterpiece from the alt-electro-pop artist, Nethermead; neither does Eyes Wide Shut, for that matter. The baroquely fetishistic aesthetics in Bodysnatcher amplify the tribally entrancing rhythmics of the track that makes a serpentine meal of carnal pleasure.

South Louisiana has spawned innumerable southern gothic icons, but few pertain the same scintillating allure of the artist and producer who genre-bends industrial, darkwave and alt-pop to set salacious scores that have never been settled before. If you want to empower your libido while feeling the sharp hooks of a catchy chorus, hit play and never look back. Closer by Nine Inch Nails may go down as one of the sexiest singles in history, but Bodysnatcher is hot on its lascivious heels.

The official video for Bodysnatcher is now available to stream on YouTube.

Review by Amelia Vandergast

Nicholas Dante incited a sonic insurgence with his harsh electro-art pop debut, Rebellion

Posted on 10 February 2023

The Brooklyn-based artist, Nicholas Dante, brought the uprising we’ve all been waiting for in his electro-art pop debut single, Rebellion.

The hyper-pop elements melded with harsh electro synthetics allow industrial tones to go pop in the insurgently promising debut that the world is already paying attention to. After making light work of putting momentum behind the debut, the Avant Garde originator will undoubtedly become a landmark fixture in the future of pop.

Beyond the cinematic production, the experimentalist holds reverence to pop pioneers, naming Britney Spears, Madonna, and Janet Jackson as his main aural influences, which goes a fair way in explaining the hooky proclivities of the track that will push your speakers to their limits.

Jump on the sonic insurrection by streaming Rebellion on Spotify, Bandcamp, and Soundcloud.

Review by Amelia Vandergast

Martin Paul Cuthew made hope permissible in his synthy pop-rock soul-stirrer, The Machine

Posted on 16 November 2022

Following a dark Nine Inch Nails-Esque prelude that reflects the drudgery of the late-stage capitalist hellscape we call modern society, the bright and rich melodicism in Martin Paul Cuthew’s latest single, The Machine, starts to break through the soundscape like sunlight piercing a storm cloud.

The switch in the guitar and synth tones are effortlessly matched by the luminously humanist soul projected through the lyrics and optimism-inspiring vocals, which spoke to me on a level that normally only James Dean Bradfield reaches.

The UK-based singer-songwriter and multi-instrumentalist is the ultimate testament that awareness doesn’t have to be synonymous with pessimism. His vibrant expositions on love, hope and longing which complement his soul-stirring pop-rock proclivities effortlessly guide you to a perception that makes hope permissible. Take that Nietzsche.

The Machine is now available to stream on Spotify.

Review by Amelia Vandergast

Dream in the existential poetry of Vukovar’s meeting of death pop and post-punk, ‘Place to Rest’

Posted on 25 July 2022

Taken from their critically acclaimed album, The Body Abdicator, Vukovar’s standout single, Place to Rest, is a neo-gothic dream. Laden with poetry, “death becomes the absence of the self/ it’s all in the mind”, shoegazey reverb, and strident Jack Ladder-Esque electronic percussion to feed energy into the expressive ennui of the darkened synth-pop track.

In their own words, their 2022 LP is a ‘metaphysical and esoteric wasteland disguised as a pop album’. If the IQ of an artist got them to the top of the charts, Vukovar would be unstoppable in their ascent. Anyone with an affinity for existential philosophy, Echo and the Bunnymen, House of Love and The Chameleons won’t want to let this luminously talented act slip them by. One hit and the swoon-worthy single will affably haunt you for a lifetime.

Check out the official video for Place to Rest via YouTube.

Review by Amelia Vandergast