Browsing Tag

Indie Shoegaze

MidAmerican Elevator are dream-pop love fools in their latest single, Ivy

Posted on 27 September 2022

Ethereal enough to give you goosebumps, the Chicago indie-rock band MidAmerican Elevator’s latest single, Ivy, is an idyllically evocative masterpiece through the entwining of Cranberries-Esque vocal harmonies and artful percussion that chimes through the relentlessly mellifluous guitars.

Lyrically, Ivy captures the retrospective turmoil of realising that things weren’t as they seemed due to the misleading actions of a protagonist that couldn’t keep up the façade of charming perfection. Ivy makes it clear how much aural evolutionary room stands between The Cardigans’ Lovefool and this twilight-lit spectre of sweet naivety that the world would be infinitely more insufferable without.

Check out MidAmerican Elevator’s latest single, Ivy, on YouTube.

Review by Amelia Vandergast

Kablamo traverses the otherworldly in their post-punk-y indie release, Unnatural

Posted on 21 September 2022

Kablamo self-proclaims their debut self-titled EP to be personal, genuine and, at times, indulgent; I can fully attest to the indulgence being universal once you slip into the seminal single, Unnatural.

Unnatural unravels through dreamy guitar melodies, glassy synths and ragged post-punk basslines beneath the dream pop vocals which mellifluously breeze through the sentimentally heartfelt release, which all too readily imparts the emotion. An evocative response to the kaleidoscopic colour of Unnatural is non-optional.

Any fans of Deerhunter, Beach House, Tame Impala and Wild Nothing will undoubtedly want to sink their teeth into this paradoxically ambiently striking release.

The debut self-titled EP hit the airwaves on September 9th. You can hear it for yourselves by heading over to Spotify.

Review by Amelia Vandergast

Mallaigh Ashton made the alt-90s her own with her latest dreampop single, With a Song

Posted on 4 March 2022

NYC-hailing singer-songwriter, Mallaigh Ashton, made the alt-90s her own in her indie dream-pop release, With a Song. Reminiscences of Mazzy Star are there, but nothing about With a Song feels fractionally assimilative. There’s a real sense that part of the alchemy in this track is from Ashton’s creative passion and unfiltered poetry spilling into a mic.

Her vocals get just enough prominence in the release to give the cutting lyricism on in-love-anxiety a firm hold on your heartstrings but there’s still enough synergy with the soft shoegaze guitars to give With a Song an almost phantasmal mellifluous air as it alludes to just how fragile love can make you.

As a staunch shoegaze fan, it is always daunting discovering new up and coming artists borrowing tones from the alt 90s, but the cynicism soon faded after hitting play on With a Song. Mallaigh Ashton is a matchlessly breath-taking artist.

With a Song is due for official release on March 4th; you can check it out for yourselves via SoundCloud and Spotify.

Review by Amelia Vandergast

Demure dream-pop royalty, speakeazie has released her debut album, Prohibition Hippie

Posted on 25 February 2022

The Minneapolis-based alt dream-pop artist that is never short of mesmeric material, speakeazie, has released her highly anticipated debut album, Prohibition Hippie, featuring the standout single, Disintegrate, which spins an engrossing narrative tale of a young girl losing control. Anyone that has ever felt their mask of sanity slip will undoubtedly want to delve into this compassionately orchestrated single.

Disintegrate shares a tonal palette with Echo and the Bunnymen’s earlier material. But with the instrumentals distorted via the wobbly tape delay effect, the bedroom pop single takes an authentically demure form.

speakeazie’s vocals parallel the evocative power of Florence Welch while keeping in line with the contemporary moody indie-pop vocal trend. By that we mean they are alchemic leagues ahead. Also written into Disintegrate’s mix is speakeazie’s influence of dreamy retro aesthetics and the 1920s. It is inarguably one of the most distinctive releases that we have heard so far this year.

speakeazie’s debut album is now available to stream on Spotify. Or you can check out the video on YouTube. 

Review by Amelia Vandergast

Zara Shahzad takes us through a dream-pop descent with her latest single, Fall from Grace

Posted on 6 January 2022

London-based singer-songwriter, Zara Shahzad, has released her eagerly-anticipated ethereally sweet indie dream-pop single, Fall from Grace. With nuances of shoegaze and trip-hop combined, the 21-year-old artist broke new aural ground with the deeply visceral single that unfolds around entrancing beats and reverb-laden angular guitars. Light and dark textures weave inexplicably together, never letting the melancholy overpower the sense of strength that Zara exhibits in the vulnerable release.

Any fans of Desperate Journalist and Cultdreams will undoubtedly want to add Fall from Grace to their new wave shoegaze and dream-pop playlists.

Fall from Grace is now available to stream on Spotify.

Review by Amelia Vandergast

Azure Wolf delivers strident poetry in their indie power-pop ballad, You Belong to Me.

Posted on 25 October 2021

The Winchester, VA indie rock outfit, Azure Wolf, have released their debut album, Tensions. Within the ten tracks, they have practically covered the entire emotional spectrum.

After starting with the shoegaze masterpiece, Black Fur, which captures the alienation in dissociation, the album flows into affectionately strident poetry with the standout single, ‘You Belong to Me’.

Around the shimmering guitars, Victoria Backle’s vocals pour unadulterated emotion into the mix as she proves what unconditional love looks like in the indie power-pop ballad that leaves you with no question about the authenticity of this ingenuity-powered outfit. With the folk, rock, pop and indie nuances all seamlessly infused, You Belong to Me breathes visceral alchemy.

Azure Wolf’s debut album, Tensions, is now available to stream on Spotify.

Review by Amelia Vandergast

The Gold Supply take us ‘Completely Underwater’ in their artfully ethereal debut EP.

Posted on 29 September 2021

September saw the debut of The Gold Supply, a collective of ex-major label artists seeking to infringe ambience on the external chaos in the world with their artfully ethereal presence during the pandemic.

Their debut EP, Completely Underwater, reflects the dystopia that may as well be in the water at this point before poetically finding a way to say “mate, same” to everyone who knows how it feels when no sigh is deep enough to take the weight off your lungs.

In the same way that shoegaze icons surrender your soul to the serenity of their soundscapes, the Gold Supply efficaciously leads you to tranquillity through the delicacy of the sparse yet resounding instrumental layers. With a similar sonic palette to Pet Deaths, they’re definitely ones to watch.

Completely Underwater is now available to sink into on Spotify.

Review by Amelia Vandergast

Shoegaze thrashes against No-Wave in Mild Horses’ standout single Failing Upwards.

Posted on 24 September 2021
Ignorance To Enlightenment And Back Again by Mild Horses

If your 90s Shoegaze records aren’t quite hitting the same these days, introduce yourselves to Slowdive’s noisier cousin, the London-based solo artist, Mild Horses.

The standout single, Failing Upwards, from their debut album, Ignorance to Enlightenment and Back Again, is comparable to a cocktail of the most indulgent elements of the Pixies, My Bloody Valentine and Interpol.

Listen intently, and you will get to keep hold of the sway-worthy bitter-sweet melodies that resound around the harsher no-wave elements that adrenalize the mix without ever chipping away at the ethereal soul of the release. Towards the outro, Mild Horses builds a wall of noise in his own psychedelically sonic style, making Failing Upwards all but impossible to forget.

Failing Upwards is now available to stream and purchase on Bandcamp.

Review by Amelia Vandergast

The Sleepy Palms shone the Cali sun into their debut shoegazy garage rock single, You’re Gonna Be Just Fine

Posted on 4 September 2021

Garage rock, surf rock and shoegaze entwine in the synthy debut single, You’re Gonna Be Just Fine, from the California-based pioneers, The Sleepy Palms. They shone plenty of Cali sun into the optimistic in spite of crushing dread soundscape that will allow you to imagine what the Verve could have been if it wasn’t always raining in Manchester.

Their clever hooks, captivating choruses, velvety smooth vocals and glassy synths are arresting from start to finish as the Sleepy Palms set an innocently amorous scene that celebrates fleeting intimacy.

The way the bitter-sweet lyrics “I never liked the taste of cigarettes, I just wanted to be around you, and after all this time there is nothing left, but I’m still so glad I found you” fall into the surf rock rhythms, shoegazey reverb and clean vintage garage rock tones left me feeling like I’d hit the aural jackpot. Enrichen your soul by heading over to Spotify.

Review by Amelia Vandergast

Nolle has released her deliciously morose shoegaze single, congratulations

Posted on 6 August 2021
Nolle

Any fans of Mazzy Star, Sharon Van Etten and Angel Olsen will want to experience the deliciously morose tones in Nolle’s latest shoegaze single, congratulations, which comes with absorbing dissonant turbulence as it explores the effects of gas lightning through arrestingly poetic lyrics.

The concluding line, “now you can laugh at my art like my pain, guaranteed I’ve already done the same to myself”, affirms just how vulnerable of a release this is and without vulnerability, art is essentially meaningless.

At the age of 21-years-old, the Calgary-born, Vancouver-based expressionist and songwriter is already outshining the competition in terms of lyrical maturity and ability to sonically reflect the jarring instability of the emotions we can walk away from relationships with.

Congratulations officially released on August 6th; you can check out the single by heading over to the artist’s official website.