Browsing Tag

Indie Rock

The masters of funked indie rock melodicism Kinda Joke questioned ‘Where Is Home’ in the shimmering nostalgia of their latest single.

Kinda Joke brought a touch of playful panache and lashings of shimmering 80s nostalgia to their standout indie funk pop single, Where Is Home, taken from their debut LP, Cat Alarm.

If you can envisage the middle ground between Reverend and the Makers and the Midnight, you’ll get an idea of what awaits from the masters of indie rock melodicism and funky rhythms. With an atmosphere that enraptures from the first groove pocket-carving bassline and enough hooks to necessitate the hook, line and sinker metaphor, Kinda Joke’s ear candy couldn’t be more radio-ready.

Where Is Home is the sixth single to be released by the international trio; the German, Italian and Spanish flags all fly under the banner of the outfit which originally formed in Munich, where they discovered after jamming with each other that their sessions were somewhat reminiscent of an intoxicated Phil Collins-Coldplay-Dave Grohl amalgam.

Where Is Home is due for official release on September 15; stream it on Spotify.

Review by Amelia Vandergast

Skittish became the ultimate purveyor of folk-rock nostalgia with ‘Mannequin’

The LA-residing indie folk-rock artist Skittish is fresh from the release of their eclectic era and genre-spanning seventh LP, Midwest Handshake. Genre-fluidity may have become the default position for artists in the 21st century, but few succeed in making a smorgasbord of style as cohesively electrifying as Skittish.

Midwest Handshake is a route back to the golden era of emo via a road never taken. Jeff Noller’s vocation in film sound production in recent years allowed him to sonically visualise his concept in panoramic colour.

This time, Skittish enlisted Ben Etter (Deer Hunter, Kaiser Chiefs) to mix and master the album in his analog-centric studio, resulting in a project that draws you in with nostalgia and quells modern malaise with lyrical resonance that could have only been rendered in our blighted with dystopic blues era.

With the Weezer-esque guitars lending themselves well to the earwormy hooks and the drawling with deadpan attitude vocals in the verses evolving into adrenalized harmonies in the standout track, Mannequin, you couldn’t ask for more serotonin from a single. The raucously riled deliverance of unity is the ultimate olive branch to the disenfranchised by ennui outliers. After one hit, you will want to devour the cinematic album whole.

Mannequin hit the airwaves on August 25; stream it on Spotify.

Review by Amelia Vandergast

Dictator stood at the vanguard of social action in their psychedelically funked indie-rock single, Enough is Enough

The latest single, Enough is Enough, from the Scottish four-piece, Dictator, is a grooving odyssey of indie synth-rock socialist rancour. Socialism may have become a dirty word as of late; Dictator wore it as a badge of honour in their track that pushes back against the political elite and supports strike action, knowing it’s better than having late-stage capitalist blood on your hands.

They may have taken a different approach to the Manics to prise eyes and ears open to the hypocrisy that could easily be obliterated if there was enough momentum for a Masses Against the Classes movement. But by opting for a synthy and sugared with shimmering pop hooks arrangement and pouring as much soul into the indie croons as humanly possible, they efficaciously got the message across their rhythm section that reminisces with the Happy Mondays and their brand of psychedelia that was delivered with as much colour as hits from the Zombies.

Enough is Enough was officially released on August 30th, and we’re officially obsessed. Get hooked by heading over to SoundCloud or Spotify.

Review by Amelia Vandergast

The Budapest indie-rock troubadours Dirty Slippers are back on our radar with their latest electrically melodic hit, Wide Open

Ahead of their Abbey Road Studios-recorded fourth album, the Hungarian act that is breaking serious ground in the UK, Dirty Slippers, unveiled their latest single, Wide Open.

By wearing their heart on their jangly expertly melodised hooks and putting an angularly exhilarating spin on 00s indie rock so that it bridges the gap between emo and indie new wave, Dirty Slippers transcended indie landfill to reach a new plateau of nostalgic yet refreshing aural euphoria.

While traversing the trappings of life from love to loss, Dirty Slippers painted across the entire spectrum of human emotion in Wide Open to deliver an anthem that you’ll be able to verse from the top of your lungs in the sanctity that the vindication delivers.

After being introduced to the four-piece via their heart-in-throat hit, Honest Kid, it is a pleasure to have the Budapest indie-rock troubadours back on our radar. Although, seeing how far they have come since releasing that single is even more gratifying.

To name a few accolades and achievements, they’ve been lauded by the international press, aired on international radio stations, and even sealed spots on the weekly charts. Something tells us that the best is yet to come for them; you just *cant* help falling in love with them.

Wide Open will debut on the 22nd of August. Stream it on Spotify.

Review by Amelia Vandergast

Ethan Senger augmented retrospective regret in his seminal single, Everything

Ethan Senger became the New Wave Indie Rock equivalent to Springsteen in his fastidiously manicured latest EP, Standing Still, featuring the standout single, Everything.

Balancing anthemic instrumentals with intimate proclamations of ruminative regret, Everything ticks all the right indie pop-rock boxes while setting the bar for any artist who wants to give their heart-on-sleeve lyricality galvanising propensities.

The lyric “I don’t know you but we talk all the time” just goes to show how honed Senger’s song crafting has come since he made his debut; as for the superlative guitar work, which has seen Senger revered by industry tastemakers as a virtuoso, you’ll have to experience it for yourselves to understand why the Atlanta-born-and-raised artist is an icon in the making.

You will often hear music fans moaning that they don’t make them like we used to, but the truth of the matter is that the music industry doesn’t produce global artists as they did in earlier eras. If they did, Senger’s poster would be on the wall of every aspiring guitarist.

Ethan Senger’s Standing Still EP is now available to stream on Spotify.

Review by Amelia Vandergast

Turncoat Billy sang the worn-in blues in their latest indie single, Hand Me Downs

After enamouring us with their psychedelically vintage single, Kaleidoscope, the Tottenham-hailing prodigal sons of indie rock nostalgia, Turncoat Billy, are back on our radar once again with a definitively infectious sound that carries all of the feel-good grooves of a Ray Charles hit single.

The jaunty honkytonk piano keys stab their way through the theatrical flair of their brass-infused cosy new single, Hand Me Downs, which boasts swathes of 70s pop swagger and evidence that Turncoat Billy is no longer the band equivalent of the girl next door.

It is safe to say they’ve come into their stride, and wherever they go from here, we will be keen to follow, especially if their singles continue to run in the same quirkily romantic and self-deprecating vein as Hand Me Downs.

Hand Me Downs will officially release on August 14; stream it on SoundCloud.

Review by Amelia Vandergast

Fosh. Gazed Into the Void with Their New Wave Indie Release, Staring Into the Dark

Ahead of the release of their debut 15-track LP, Up with the Sun, the New Wave Indie brother trio, Fosh., teased the blissful tones to come with the release of Staring Into the Dark.

With 90s emo inclinations brushing up against the cruising guitar chords and angular lead work, Staring Into the Dark sonically strides across familiar territory while facilitating your arrival at a brand-new destination. Their honeyed brand of melancholy is instantly palatable as it oozes from the harmonised vocal lines that sugar coat ennui with soul while the melodies easily make an earworm out of the single.

If you can’t get enough of Staring Into the Dark, you won’t have long to wait for the release of the debut album, which is set to drop this fall.

Staring Into the Dark was officially released on August 4th; you can stream it on Spotify and follow the band on Instagram and TikTok.

Review by Amelia Vandergast

London’s FOURA.M mainlined livewire energy into their alt-rock debut, Bombers

With a scuzzed-up and brashy guitar intro that will throw you right back to At the Drive-In’s moment of glory when their live performance of One-Armed Scissor on Conan became a global phenomenon, the intro to the debut track, Bombers, from FOURA.M, will capture your attention in an equally as visceral way.

Marketing themselves as ‘Dad Rock straight outta London’ scarcely does the frenetic fourpiece justice. Their influences reminisce with alt 90s and 00s tones, but nothing about Bombers feels remotely dated; the evocative pulls of the Foo Fighters-esque melodies and touches of Royal Blood in the production sealed FOURA.M a place amongst the other acts who are giving rock a fighting chance of surviving the Gen Z obsession with electronica.

If you see as much potential in FOURA.M as we do after bearing witness to their strong debut, keep your eyes peeled for their live tour dates around London.

Bombers hit the airwaves on July 28; stream it on Spotify.

Review by Amelia Vandergast

Lock horns with ‘The Devil’s Daughter’ in Doug Burton’s Latest Installation of Indie

Good Music by Doug Burton

With a touch of college radio rock in a R.E.M.-esque vein fused with the same sense of lyrical conviction you would find in a New Model Army release, the seminal single, The Devil’s Daughter, by Doug Burton is a quaintly visceral experience that couldn’t have been penned by any other hand.

The folky tendencies are inexplicably balanced by the rock reverence and the pop hooks, enabling the Williamsburg, Virginia-based solo artist and producer to establish himself as an originator in the contemporary music landscape. He’s been cutting his teeth since he first started playing in high school bands in ’85; it is safe to say that at this stage in the game, he more than knows his way around a sticky-sweet melody.

Stream and Purchase The Devil’s Daughter on Bandcamp, or order the Good Music LP while the limited-edition vinyl copies last.

Review by Amelia Vandergast

Subatlantic bled etherealism into indie post-punk with their latest single, Critic

Say It Again by Subatlantic

Illinois’ premier indie outfit, Subatlantic, is on scintillatingly atmospheric form in their single, Critic, taken from their hotly-anticipated LP, Say It Again.

With angular guitar lines that will reel you into the centre of their darkwave pop universe, vocal lines that could give Debbie Harry a run for her money and the coldly beguiling tones spilling from the reverb-heavy keys, if Dead Can Dance, they’d dance to Critic, which unravels as a revelation of ethereal ingenuity.

With Becca Rice at the helm of the fourpiece, which has been dropping the temperature on the airwaves since 2008, Subatlantic has established itself as a dynamic powerhouse to watch; with soundscapes to suit every conceivable mood, there is undoubtedly something for you lingering in their artfully textured discography.

Stream and download Critic via Bandcamp or snag yourself a limited-edition colour vinyl pressing of the LP, Say it Again.

Review by Amelia Vandergast