Browsing Tag

Indie Rock

Find the inspiration to cut out the static and reconnect with Mikey Wayne’s indie Americana serenade, Back to You & Me

Nashville-based rock troubadour Mikey Wayne has followed on from the success of his critically acclaimed EP Echo Mountain Sessions with his serenade, Back to You & Me. The indie Americana ballad is sonic kryptonite for the diehard romantics with its sweeping orchestral crescendos and equally as lush harmonies which deliver the raw emotion and warm melodicism of Bryan Adams.

The authentically affecting release brings back the energy of a full band, tied to the roots of Wayne’s Nashville country sound and echoing the influences of his Southern California roots and Alabama upbringing, resulting in a potent mix of open-hearted lyrics and passion-driven progressions.

The ornate orchestral motifs pull you right into the core of the unfeigned sentimentality of the single which implores listeners to turn away from distraction, tune out from the static of the world and lose themselves within the sanctuary built by connection. In an era where it is seen as more entertaining to stare at the selfies of strangers on Instagram instead of the eyes of one they love, it’s easy to lose sight of what matters most, which will never be found on an Instagram feed.

The official music video for Back to You & Me will premiere on August 31st; stream the video on YouTube.

Review by Amelia Vandergast

Lovers in Sepia: The Hearse Paid Homage to Bygone Eras with ‘AS HOPELESS ROMANTICS DO’

After forming in June 2024, The Hearse is gearing up to gain reverence as one of Manchester’s hottest breakthrough new wave indie rock acts. Filtered through a dreamy, sepia-tinged lens of nostalgia, their sophomore release, featuring the single, AS HOPELESS ROMANTICS DO, melodically strips away the decades which stand between the present epoch and the soul of the 60s and 70s.

With guitar chords which sweep through echoes of Joni Mitchell, vocals which capture the quintessence of dreamy diehard romanticism, authentically orchestrated crescendos of euphonic bliss, and hints of western indie folk breezing through the progressions, AS HOPELESS ROMANTICS DO is a route to the past never taken before.

If their sound is this sweet on record, the live experience will be enough to give you an aural sugar rush.

AS HOPELESS ROMANTICS DO will be officially released on August 30th with the B-side single, I’D LOVE TO BE YOUR GIRL. Stream the single on SoundCloud and connect with the Hearse on TikTok and Instagram.

Review by Amelia Vandergast

The New Tropics augmented introspection in their indie-rock anthem, Street Parking

Proving that razor-sharp pop hooks have a place in indie rock and introspection hits even sweeter when it is infectiously augmented is the Nashville-hailing powerhouse, The New Tropics with their recently released sophomore single, Street Parking.

The sweeping guitar chords, vocal lines which harmonise with almost endless sustain, and the pulsative rhythm section combine to synthesise a sound which doesn’t break the mould but polishes it with scarcely heard cultivation.

The sticky-sweet coming-of-age ode to growing pains ticks all the right boxes while inventing a few more for their sonic signature to scribe through. You just can’t help but feel The New Tropics hype when you sink into the expansively vivacious atmosphere; whatever the trio turn to next under the influence of The Cardigans, Paramore, and The Beaches, it’s bound to be a riotous ride through reimagined indie nostalgia.

Street Parking was officially released on July 12 and is now available to stream on all major platforms, including Spotify.

Review by Amelia Vandergast

Post-punk intersects with desert rock in djamesk13’s embodiment of masochistic nihilism,  If All Hell Fails, I’ll Have My Bed of Nails

Even if the artistic merit solely lay in the Shakespearean-esque title, djamesk13’s latest single, If All Hell Fails, I’ll Have My Bed of Nails, would be a sonic masterstroke.

Yet, the way the alt-rock visionary conjured an embodiment of masochistic nihilism through the cold distortions of post-punk and the droning kaleidoscopic psychedelia of desert rock within this resonantly psychologically plagued soundscape ensured that anyone who shares the visualised proclivities will meet profound vindication.

There’s nothing quite as alienating as the sense you are being driven towards desolation, but that didn’t get in the solo artist’s way of manifesting unity between the outliers who can’t be placated by life’s simple pleasures.

If All Hell Fails, I’ll Have My Bed of Nails is yet another undeniable attestation of djamesk13’s ability to utilise sound as a means of forcing his listeners into trance-like sessions of reflection.

If All Hell Fails, I’ll Have My Bed of Nails is now available to stream on all major platforms, including SoundCloud.

Review by Amelia Vandergast

Shotgun Waltz filtered roots rock through a college radio rock lens in their infectiously Sink or Swim

Single: Sink or Swim by Shotgun Waltz

Boston’s critically acclaimed roots rock revivalists, Shotgun Waltz, fortified their latest alt 90s indie-adjacent single, Sink or Swim, with infectious fortitude, as an invitation to shift to a rendered-with-resilience brighter perspective.

Just one hit and you will want to rip up those invitations to your pity party for one. There’s no room for remorse in the sun-bleached production which uplifts with melodically brashy college radio rock guitar chords that shift to mellow staccato rhythms in the verses, priming the listener for the bursts of euphoria in the choruses.

Shotgun Waltz may be roots reverent, yet their cultivated approach to pushing the genre forward resounds throughout Sink or Swim, which will also feature in their upcoming 10-track LP, which will arrive on the airwaves in Fall 2024.

Fronted by Jim DeTore, the fourpiece possesses a unique ability to reach directly to you as you immerse yourself in their honed synergy which belies the fact that the powerhouse has only been playing together since 2012. The symbiotic harmony between each layer in Sink or Swim pulls you into a vortex of dynamic rhythms and melodic interplays – you can practically feel each member playing intuitively to each other’s cues.

Sink or Swim was officially released on July 29 and is now available to stream and purchase on Bandcamp.

Review by Amelia Vandergast

A&R Factory Interview: Unveiling the Soul of Lori & the Darlings

Lori & the Darlings

Lori & the Darlings have etched their legacy into the annals of Michigan’s music scene, setting their own standards of artistic authenticity. As we await the release of their EP ‘Side Streets’, the ensemble continues to sketch new musical contours distinct from their previous works. In this exclusive A&R Factory interview, we join them on their explorative journey, where creativity springs from the familiar locales of Main Street. As revealed, the band’s lyrical and melodic evolution resonates through this project, offering a reflective glimpse into their dynamic craft. With a blend of Americana roots and bold experimentation, Lori & the Darlings stand poised at an intersection of past influences and forward-thinking musicality

Lori & the Darlings, welcome to A&R Factory! It’s a pleasure to sit down with you as you gear up for the release of your upcoming EP, Side Streets. Can you walk us through your creative process and how the B-side project thematically connects with and diverges from your last project, Main Street? 

We are just starting to work on this new project: Side Streets and I am excited to get back into the studio soon!   So far we have had a very successful process when it comes to crafting songs…I write the songs and put them on a scratch track, usually just me and a guitar, and then let the band take some time seperately to get used to the melody and changes and if there is a feel or I have any specific ideas I let them know right away although usually I hand the song right over to them and trust them to find their parts… and they always do! I have a huge collection of songs I have been writing for years…and I still write so there is a never-ending supply to pass on to them.

Our last album Main Street (released in Jan) contains a song Main Street 54.  That song got its name because I usually use my voice memo on my phone to record the scratch tracks on…and my phone labels recordings by location so that song was the 54th recording on Main Street (my address at the time) and we ended up liking that title and kept it.. actually all but 1 song on that EP were written in about 2 months on Main Street which is why I decided to name the album such…side streets is a collection of songs that were written around the same time but not at home. And I like the idea of tying them both together like I did with our first two EPs Gratitude side A and side B.

Are there any new sounds or techniques you’re experimenting with this time around?

This last time in the studio we played around with background vocals and added a lot more keys and even had a wonderful violinist come in and play.. and I would definitely like to build on that and keep making our music bigger.

How have your Michigan roots influenced the sound and storytelling of Lori & the Darlings? 

I consider myself so very lucky to have been raised by a father who found music to be of upmost importance…he too was a writer and musician…and I grew up watching him write so many songs…good songs…and record them using this four track he had bought.  He was so very picky about lyrics…he didn’t like easy or lazy lyrics. And he beat that into me.  Because of his love of music, he seemed to have hundreds of records I was allowed to listen to – artists like Jim Croce, Bob Dylan, and Donovan; artists who had mastered telling stories thru music…I think that had a lot to do with how I write.  He was in bands starting in the 60’s in Detroit..doesn’t get a lot cooler than that…he was an amazing influence and reference for me growing up.

How do these elements resonate within your latest tracks?

So that being said, I always am very careful with the words…I might revise a song 20 times until the lyrics are just right…after that though, I rely heavily on the band to mold the song into whatever it feels it should become.  There is this very cool organic thing that happens once we sit down and start playing a song for the first time….after a couple of run-throughs…things just crazy fall into place…and we all come from such different music backgrounds that there is a little bit of everything coming into each song…I love that…we are generally considered Americana but we have songs that are way more blues and songs that sound almost jazzy…I like not being able to be nailed down tight to one genre

What has your experience of the Michigan music scene been? 

I wouldn’t want to be in any other state doing this right now!  Michigan is amazing for music – whether you love listening to it or playing it!  Lori & the Darlings began a little over three years ago getting our first gig in Saginaw Michigan at this great little venue White’s Bar – they are a real deal venue that has a long legacy, history and a reputation for being huge music supporters and have had nothing but the most positive interactions on every level ever since. The other bands (Amazing bands!) we have networked with doing the same thing, the venues we have played at…and the many radio stations that make a place for indie music on their programs…so much love and support for the music community here! We love it!

Over the course of your musical career, how have you seen your artistic identity evolve? 

I can’t speak for the band but personally I would have to say that I have finally grown into a comfortable place where I am not worried so much about performing or even putting songs I’ve written out there for anyone to listen to as I used to be.  There was a time when I was so worried they weren’t good enough or didn’t say the right things the right way.  These days I write how I feel or what I know with a new confidence. It’s refreshing to not worry about that.

What has been the most significant turning point for the band?

 The band has done a lot of growth since it’s birth. If you listen to our first two albums and then Main Street you will notice a significant change in the production of the album. I think letting someone else in to help with that moved mountains when it came to a final product. I wish that would have been the case with the first two, but it’s a lesson learned. I was very stubborn and protective of the first two albums…I was worried about outside influences changing the songs too much…I’ve come to realize having help in that area is priceless and has taken our music to a new level.

How does the upcoming music video for I Want It So Bad bring the single to life?

Oh man!! I love this video so much!  We hope to wrap up editing this week and have a final product in mid-August. This will be my very first attempt at video work!  I was the director, videographer and editor all in one!  Of course, our lead guitar player Roger Marchbanks is the star of the show.  I took him all over Detroit and filmed him playing the song in front of historic and iconic locations. It’s turning out great so far and matches the song which is a playful fun fast rock n roll song! I can’t wait to release it!

Beyond the release of Side Streets, what are your future plans and ambitions? 

We have some amazing festivals lined up at the end of this year and next year as well!  A couple more music videos coming out from Main Street to wrap up that project and talk about adding a new member or two to the band…

Stream Lori & the Darlings on Spotify now.

Follow the band on Facebook to stay up to date with news of future releases & tours.

Interview by Amelia Vandergast

Make Groovy Shirt Club’s ‘Ultra Violet’ the soft rock soundtrack to your emotional liberation

Groovy Shirt Club’s latest single, Ultra Violet, proves there’s more to their artistic identity than their audacious fashion choices. With echoes of Pixies drifting between the guitars and basslines in the mellowly iridescent progressions, which are heightened by inventive synth touches, the Deep Blue Something-reminiscent vocals have the perfect platform to soar from.

It’s almost impossible to allude to what this emotionally liberated single does to the soul when the emotion-driven earworm is bedding in and making itself home. The sublime melodies are enough to make even the most steadfast sway, attesting to the capacity of sound to transform your entire sensibility.

If you can’t remember the last time you didn’t feel weighed down, make today the day and immerse yourself in Ultra Violet, which pushes a panoramic vision of sun rays hitting ebbing waves. For any discerning rock fan, the first proverbial spin won’t be the last.

The self-professed ‘Champions of the Yacht Rock Revolution’, are quickly making a name for themselves with their ethos to embed real people, real instruments, real music and real lyrics about life into their infectiously cultivated soft rock staples. Ultra Violet captures this quintessence perfectly, blending their signature style with a fresh, emotionally resonant sound.

Ultra Violet is now available to stream on Spotify.

Review by Amelia Vandergast

Lori & the Darlings reached nirvana with the alt-90s nostalgia in their Americana rock single, high

Lori & the Darlings’ standout single, High, taken from their 2024 LP, Main Street, is a richly rendered addition to the Americana rock canon. Lori, whose voice is naturally poised for creating instant classics, shines iridescently bright in this emotion-driven vignette, exposing the capacity of connection to lead to transcendence. The instrumentals efficaciously visualise the inexplicably sweet sensation, with shimmering organ tones stretching to nirvana, giving High oceanic depth for listeners to plunge into and swim with the rhythmically resolving tides.

Lori’s vocals deliver the grit of Courtney Love, infused with the soul of Leigh Nash and Meredith Brooks, nestling into the scarcely-occupied middle ground where artists swathe their harmonies with seraphic sentimentality and project potency to amplify evocative intensity.

No review of High would be complete without pouring plaudits on the guitars that make the track such a sense-gratifying listen. The steady ring of the chords pulls you through the euphonically stripped production until they burst in momentum in the middle eight, proving that Lori & the Darlings have earned their place among their Americana rock icons.

With more releases in the pipeline from the Detroit-based four-piece which captures the highs and lows of big-city dreamers in small-town America, do we really need to tell you to give them a follow?

Stream the Main Street LP from Lori & the Darlings on Spotify now.

Review by Amelia Vandergast

Interpol meets Editors in The All Clear’s achingly angular indie debut, Northern Soul

If you affix any emerging indie outfit to your radar in 2024, make it The All Clear. With guitars which prove how scintillating it would be if Interpol’s Daniel Kessler lent his intricately angular notes to Editors, their debut single, Northern Soul, tears its way into the soul with aching precision and volition.

Northern Soul exhibited the Belfast-based architects, fronted by Joe O’Sullivan, of indie euphonia as an unrivalled entity, capable of conjuring arcanely poised post-punk alchemy which may show its roots, but only before the sonics blossom into a branch of sheer innovation. The seraphic synth-driven middle eight unfurls as a divine aural intervention; the transcendent melodicism will take you higher than any substance known to man.

After releasing three solo albums between 2015 and 2020, Joe O’Sullivan formed The All Clear in 2023, and their debut album, Harbour Songs, is already on its way, penned for release on September 21.

After hearing Northern Soul, which testifies to the fortitude of the working classes through a tenderly candid narrative, Harbour Songs has all the potential to become the indie album of the year.

Add some ‘Northern Soul’ to your Spotify playlists, or stream the official music video on YouTube.

Review by Amelia Vandergast

The Optimists prescribed the antidote for catastrophists with their explosive indie garage punk hit,  Not a Big Deal

The Optimists have been making cynics meet their match since their 2018 debut which made all the right waves in the UK indie scene. With their latest single, Not a Big Deal, the Isle of Wight five-piece cranked up the monolithic volition to exhibit their biggest hit to date and etch a new chapter in their legacy that has reached the a-lists of Isle of Wight Radio & BBC Solent.

With crescendos of garage rock antagonism in the same vein as Fidlar mainlined into the scuzzy production around the melodic indie increments that are fraught with tension, the razor-sharp hooks dig in deep enough to pierce the soul.

Not a Big Deal is the ultimate track to shed inhibition and neurosis to. By extolling the virtues of disregarding the immaterial, the juggernautical hit is an irresistible invitation to indulge in the catharsis of being carefree.

If the outfit becomes as big as their guitar and synth riffs and stage presence, don’t be surprised if you see them at the top of the indie charts in the coming years.

Not a Big Deal was officially released on July 19. Stream the single on all major platforms via this link.

Review by Amelia Vandergast