Browsing Tag

Indie Rock

Burrow exposed the fear masquerading as perfectionism in his shoegazey indie debut, Spiral

Posted on 9 October 2022

Boorloo/Perth-based musician Drew Kendell has broken away from the hardcore scene to reign melodiously supreme under the moniker Burrow in the indie rock arena. His debut single, Spiral, is an achingly intimate serenade which consumes you with the same sense of soul as The National while playing with shoegaze-y distortion and cutting post-punk tones.

Spiral acts as a grippingly honest and revelationary exposition on the fear that masquerades as perfectionist behaviour. Between the lines and the shimmering reverb, it is a reminder to connect with our inner child and an acknowledgement that being human is a process.

As someone who constantly turns to Slowdive and My Bloody Valentine for catharsis, my shoegaze bar is set pretty high; Spiral still took me to a new plateau of appreciation for the stirringly sweet innovation effortlessly exuded by Burrow.

The official music video for Spiral will officially release on October 7th. Check it out on YouTube.

Review by Amelia Vandergast

VANES speaks for the diehard romantics in his indie rock meets hip hop sophomore single, can’t feel your love

Posted on 6 October 2022

Indie rock, pop, and hip hop converge in the latest single, can’t feel your love, from the earworm raconteur, VANES. The Wolverhampton, UK-based British Caribbean poet and singer-songwriter is one of the few artists unafraid to wear their visceral vulnerability on their sleeve to enrich the emotional intelligence of their listeners.

The self-proclaimed unashamed embodiment of tenderness takes influence from everyone from Arctic Monkeys to N.E.R.D, but his guitar-driven indie sound is undeniably his own. The funk that permeates through the choppy licks made a radio-ready anthem out of can’t feel your love, which traverses the frustration of unfulfilling romantic dynamics that leave you reeling every time you extend affection only to feel idiotic for your diehard romanticism.

Can’t feel your love was officially released on September 30th; catch it on Spotify.

Review by Amelia Vandergast

MidAmerican Elevator are dream-pop love fools in their latest single, Ivy

Posted on 27 September 2022

Ethereal enough to give you goosebumps, the Chicago indie-rock band MidAmerican Elevator’s latest single, Ivy, is an idyllically evocative masterpiece through the entwining of Cranberries-Esque vocal harmonies and artful percussion that chimes through the relentlessly mellifluous guitars.

Lyrically, Ivy captures the retrospective turmoil of realising that things weren’t as they seemed due to the misleading actions of a protagonist that couldn’t keep up the façade of charming perfection. Ivy makes it clear how much aural evolutionary room stands between The Cardigans’ Lovefool and this twilight-lit spectre of sweet naivety that the world would be infinitely more insufferable without.

Check out MidAmerican Elevator’s latest single, Ivy, on YouTube.

Review by Amelia Vandergast

Stu Daniels – Enemies: Achingly Soulful Acoustic Indie-Rock

Posted on 22 September 2022
Enemies by Stu Daniels

With all of the evocative gravitas of Eddie Vedder’s aching soul, Stu Daniels’ latest single, Enemies, compels you to surrender to the acoustic indie rock plaintiveness, which is all too easy to relate to from the first immersion. Beyond the sobering overtones of the emotionally crafted and reverbed guitars is a lyrical extension of salvation with the poignant and powerful reminder that enmities will always do their best to strip your power and use it for their gain.

The singer-songwriter and guitarist fronts the Adelaide band, Already Gone, but notably, standing alone, his sound is equally as sonorous. Watch this space for more compellingly tenacious expositions of the human condition.

Enemies was officially released on September 16th. Check it out for yourselves on Bandcamp.

Review by Amelia Vandergast

Spener blurred the lines between indie-rock and neo-soul in his compassion-driven single, Dial Away

Posted on 21 September 2022

North of England-born, Barcelona-based artist Spener blurred the lines between indie-rock and jazzy neo-soul in his slickly smooth seminal single, Dial Away.

I’m not entirely sure what is more enamouring in Dial Away, the euphonically consoling soundscape or the lyrical compassion that extends a sense of unconditional empathy that is scarcely found elsewhere to the listener.

While the mainstream media leaves us inclined to believe that artists like Amy Winehouse only come around once in a generation, Spener blows that notion out of the water with the sheer visceralism of his down-to-earth candour that can easily become addictive through his hook-laden vocal lines.

Dial Away is now available to stream on Spotify.

Review by Amelia Vandergast

Eat your dissonantly superficial heart out to Red Wine Talk’s latest single, Anti-Romance

Posted on 10 September 2022

With an opening lyric as strong as “I don’t need to tattoo your name on my arm, you’re already under my skin”, we were immediately hooked on Red Wine Talk’s latest single, Anti-Romance, which aired after the 9-month hiatus they clearly used to mature their indie rock sound to the nth degree.

Far from your average boy meets girl cliché-fest, Anti-Romance affixes its lyrical lens on the wanton disregard with which we throw away the latest object of affection before searching for another; between the lines underpinning the irony of fawning over Hollywood and pop lyric romances.

I just hope that the cognitive dissonance of the quick sex aficionados out there can fully appreciate this reservedly poignant antithetic ode to love (or lack thereof) in our modern age. The instrumental minimalism truly stands as a testament to the power of the songwriting by this UK outfit headed by vocalist and guitarist Edward Brookes.

The official music video for Anti-Romance will premiere on September 9th. Catch it on Vimeo.

Review by Amelia Vandergast

 

Green Wire launched their latest indie-rock attack ‘Upside Down, Inside Out’

Posted on 9 September 2022

“Upside Down, Inside Out” is the latest feat of era-spanning indie pop rock from the Manchester raconteurs of raucous innovation, Green Wire.

With notes of garage rock, pop punk and 80s rock fusing to create their dynamic sonic signature, Green Wire are by far one of the most authentic Manchester up-and-coming powerhouses as of late – a fact I can fully attest to as a fellow Mancunian. This high-powered frenetic earworm is sure to see the cheeky fourpiece go far.

Upside Down, Inside Out will officially release on September 2nd. Check it out via Spotify.

Review by Amelia Vandergast

Kyle Jaymes is a Perennial Millennial in his latest intricately melodious indie rock hit

Posted on 6 September 2022
Kyle Jaymes

New Hampshire indie singer-songwriter, Kyle Jaymes, brought a pioneering sense of melodicism to 00s emo with his latest single, Perennial Millennial. For anyone that grew up with Death Cab for Cutie and is looking for a matured take on sonic nihilism, Perennial Millennial is the finest wine in the metaphorical cellar.

Since breaking away from his indie rock band, Call Her Alaska, he’s become a one-man powerhouse, fuelled by his emotionally charged lyricism, intricate acoustic guitar hooks and euphonic production style, which gives all the angst of pop punk and none of the brash overtones.

Perennial Millennial will officially release on August 30th. Check it out here.

Review by Amelia Vandergast

Ruby Sue resisted the silence of alienation in her coming-of-age alt-rock debut album, The Need

Posted on 31 August 2022

The Riot Grrrl attitude is living vicariously through Ruby Sue’s debut album, The Need, but make no mistake, she is an icon of her own making. The true definition of punk is a little hazy these days, but if it doesn’t encompass an artist bringing classical strings into a visceral protest of alienation, what is even the point?

Usually, there is little resonance to be found in coming-of-age albums for anyone that isn’t… coming of age, but The Need extends a sense of compassion for the unheard that can stretch across the generations. Even at 32 years old, the singles, especially the title single, struck a raw note within me.

The sweet melodious temperament of Taylor Swift, the nostalgic comfort of Brandi Carlile and the protestive grungy furore of Courtney Love all fuse together to make The Need an LP that is as cathartic as it is anarchically emboldening. The Minneapolis singer-songwriter and multi-instrumentalist clearly has a natural talent when it comes to consoling expression with her lyricism that lays it all bare in true rock star fashion.

With some of the singles, such as the mostly instrumental Let Me Out, the violin and viola strings bring an extra edge of cutting emotion, ensuring that there’s no getting to the end of this LP until you’ve felt an unholy amount of empathy for anyone enduring the process of growing into adulthood in these times that can send you off-kilter in a single heartbeat.

In her own words, here is what Ruby Sue had to say about her debut album:

“During my gap year between high school and college last year, I was feeling lost and trying to find myself; I found music. I’ve always been a musician, but music was the only thing that felt right when everything else felt off. The lyrics and melodies rushed out of me like a burst dam.

The Need tells a true story of needing to be seen, heard and experience life. Growing up isn’t easy; it can feel daunting and lonely; the ultimate message is that if you feel the need to be seen, you are not alone.”

The Need is now available to stream on Spotify.

Follow Ruby Sue on Instagram and TikTok.

Review by Amelia Vandergast

Spotlight Feature: Denim Blue tore off the facade in his indie rock bedroom pop EP, Vacation Blues

Posted on 27 August 2022

In his new EP, Vacation Blues, the Norway-residing bedroom pop artist Denim Blue tore off the facade and abstracted any sense of pretence to deliver a 6-track release which encompasses the dissonance that the journey of loss and recovery imparts.

Inner turmoil is always a field of landmines, but never has it been filled with so many efficacious hooks. Vacation Blues stands as a testament to Denim Blue’s ability to capture the confusion within the human condition while sending you deep into a state of sonic beguile.

Track 1, Brand New, is undoubtedly the earworm of the EP. Unlike your average earworm, the melodic indie pop rock hit sticks to your synapses like superglue through the cohesion between the apathetically hooky vocals and the colourful melodies. Track 2, Tear Me Down, heightens the emotion by stripping back the production to an art pop serenade of lost love.

Track 3, Field of Dreams, shares sonic textures with shoegaze while Denim Blue runs with his signature rough, raw and relatable vocal timbre before Down completely shifts the synthetics of the EP into a hazy synth-pop lament. Decidedly one of the sweet spots on the EP, Waste My Time exhibits the best of Denim Blue’s lyrical gravitas before the concluding single, Bloom, blossoms under warm saturated delay.

Putting context and intensifying the listening experience, this is what Denim Blue had to say on Vacation Blues:

“Vacation Blues is a short but open story. There are a few ways to interpret it as it grows darker with different stages of losing hope, love, will and identity. At the end of the EP, there is a realisation, but it is a cyclical story; the first and last tracks have the same vocal hook with different meanings.

It is about struggling to move on, whether from heartbreak, addiction, mental health, or any other personal matter; it is up to you to decide, as the listener. I wanted it to feel familiar, almost like the inner voice that tries to speak up.”

Stream Vacation Blues on Spotify & SoundCloud.

To stay up to date with new releases, follow Denim Blue on Instagram.

Review by Amelia Vandergast