Browsing Tag

Indie Post Punk

Slip into a post-punk dream with Forgotten Garden’s hauntingly ethereal single, Memoriam

Posted on 22 April 2024

Forgotten Garden’s sophomore EP, ‘In Memoriam,’ brings us the single ‘Memoriam,’ a track that deftly carves its niche within the indie post-punk landscape with its distinct blend of sound and sensibility. The hauntingly ethereal vocal lines in ‘Memoriam’ find a hallowed ground between Mazzy Star, Florence Welch, and Siouxsie Sioux, imbuing the track with an arcane nuance that resonates deeply.

This unique piece strides far from indie mediocrity, propelled by the quintessential angular intensity of indie post-punk instrumentals that jangle with a monochromatic yet vibrant dynamism. ‘Memoriam’ offers enough familiarity to draw listeners in but retains them with its ingenious deviations and its gothic tribute to shoegazed post-punk.

In an era flooded with throwaway indie filler, ‘Memoriam’ stands out as a track that spectrally stays with you, proving Forgotten Garden to be a razor-sharp cut above the rest. The power of ‘Memoriam’ not only captivates but also cements Forgotten Garden’s place in the music world as pioneers with a clear and compelling artistic vision.

In Memoriam was officially released on March 29th; stream the single on Spotify.  

Review by Amelia Vandergast

Strange Cities bled a kaleidoscope of light and soul through the monochromatic prism of post-punk with ‘Where Stars Collide’

Posted on 26 February 2024

Just when I thought I’d seen every scene in the post-punk landscape, Strange Cities appeared on my radar and shattered my aurally jaded heart with Where Stars Collide from their debut album, Moments Stolen.

With the Interpol-esque angular guitar lines cutting through the warmth in the atmosphere that proves post-punk melancholy doesn’t always need to be monochromatic, the San Francisco-hailing visionaries amalgamated a soulful new trajectory of the genre, giving it a definitive place in the contemporary music industry.

As the palpitatingly sweet melodies in the dynamically sepia-tinged production evoke energy and give you kinetic rhythms to move to, the vocals make no bones about relaying the achingly raw lyricism and inciting bitter-sweet desolation in your soul. Versing about cheating death, watching your friends taking their final breath and seeing their faded faces framed in memories was always going to hit hard, but the impact in Where Stars Collide is a collision you’ll never forget.

Imagine if Editors in their An End Has a Start era hired Marin Hannett as a producer and radiated the hues of New Order’s Temptation, and you’ll get an idea of what Strange Cities constructed in Where Stars Collide. Or, you can get acquainted with the band renowned for their live performance, who have recently opened for Sisters of Mercy and Gene Loves Jezebel.

The Moments Stolen LP was officially released on February 2nd; stream the album on Spotify.

Review by Amelia Vandergast

Sugar Crease – Lemon Cake: A Histrionically Vortexical Indie Neo-Pop Odyssey

Posted on 1 February 2024

Lemon Cake by Sugar Crease, extracted from their sophomore LP, Lemon Warhead, is a neo-pop odyssey that redefines the boundaries of indie with its baroque-esque indulgence and kaleidoscopic layers, which transform the mundane into a fever dream of sonic extravagance.

The way the vortexical instrumentals weave through the track is reminiscent of a grand ‘let them eat cake’ gesture, opulent and unapologetically bold. At the heart of this auditory vortex lies the crooning indie vocals, serving as a gravitational pull amidst the whirlwind of sound. As a cohesive whole, the track is so compelling that it could make even Mike Patton’s work seem pedestrian by comparison.

Despite the histrionic effects, Lemon Cake possesses a deep, compelling quality. It’s a sugar fix of an indie single that appeals to a wide range of listeners, from fans of the Walkmen to devotees of Magazine. The track is a testament to Sugar Crease’s ability to blend the whimsical with the profound, creating music that resonates on multiple levels.

Sugar Crease, originally a musical therapy group, has evolved into an indie powerhouse. With their recent decision to push their music and prepare for live performances, they have added a new dimension to their artistry. The addition of guitarist Mark Finch, instrumentalist Andrew Preston, and drummer Richie Gradwell has completed their lineup, leading to sold-out gigs and a growing fanbase. We can’t wait to hear where they go from here.

Stream Lemon Cake on Spotify.

Review by Amelia Vandergast

Liya Shapiro delivered darkwave decadence in her debut single, The Thing

Posted on 25 December 2023

Fuse the dark decadence of Lydia Lunch, PJ Harvey, and Siouxsie Sioux with the electronic southern gothic beguile of Chelsea Wolfe, Interpol-esque guitar lines and the trip-hop aesthetic of Massive Attack, and you’ll alchemise a sound as scintillating as the atmosphere within Liya Shapiro’s debut single, The Thing, which officially released on December 15.

After a sequence of stabbing synths that could have been torn from a John Carpenter score, post-punk synthetics start to bleed into the hypnotism of the production which leaves discordant effects to linger in the shadows, harbingering a forboding energy, as striking as the avant-garde tones within Glenn Branca’s The Ascension.

Once you’ve torn yourself away from the grip of the instrumental magnetism, you’ll lock into the lyrical poetry as it elucidates the intangible nature of love. By using dark, almost nihilistically macabre, imagery between the sweetly abstract sentiments, dualism drives through the debut from the London-based singer-songwriter, whose lyrical ambiguity opens a labyrinth of corridors in the mind as you attempt to extrapolate meaning.

The abstractions within the poetry also serve to prevent the single from becoming a derivatively paradoxical debut. To speak of the unspeakable and pretend to possess a firm grip of an incomprehensible emotional and spiritual phenomenon would only cheapen the track which pays a true ode to the ephemeral and constantly in flux constructs of love.

We can’t wait to hear what Liya Shapiro has in the pipeline for her sophomore release.

Stream The Thing on all major platforms via this link.

Review by Amelia Vandergast

Cayo Coco – Haunt: Hyper Dream Pop Meets Palpitatingly Paced New Wave and Post-Punk Indie

Posted on 7 November 2023

Hyper dream pop meets palpitatingly paced new wave indie and post-punk in the latest single, Haunt, from one of Indiana’s most prodigal sonic protagonists, Lumen Loraine, who has already garnered millions of streams to date, featured on several editorial Spotify playlists and appeared on Pharrell’s devoutly followed Apple Music Podcast, OTHERtone.

As jarring as it initially seems for those tones to blast past you at warp speed instead of being enveloped in the kaleidoscopic choral and reverb-swathed textures which spill from drawn-out progressions, once you grow accustomed to Cayo Coco’s electrifying frantic energy which efficaciously contextualises the need to outrun your demons, you’ll see that they have exactly what it takes to stand at the vanguard of the evolution of indie.

The official music video for Haunt, which premiered on October 18th is now available to stream on YouTube.

Review by Amelia Vandergast

djamesk13 lit a beacon to the outliers in the Lynchian post-punk atmosphere of his latest single, The Left-Over Piece of the Puzzle

Posted on 17 October 2023

If djamesk13 wasn’t a solo artist, you’d be forgiven for wondering if Paul Banks had added a new project to his legacy. With echoes of the early Interpol records lingering in the guitar’s reverb entwined with an atmosphere which could only be described as Lynchian, the latest single, The Left-Over Piece of the Puzzle, is an alluring pool of tonal and textural mesmerism.

When you’re not busy being consumed by the artful effects applied to the post-punk nuances, you will find the time to find the melancholic beauty in the release. While some people lament because a piece of them of missing, others are alienated by the unshakable feeling that there’s no place where they can fit in and feel at home.  This one is for anyone who has felt a kinship with Camus.

The Left-Over Piece of the Puzzle was officially released on October 8th; stream it on SoundCloud.

Review by Amelia Vandergast

Movment made us pious to the post-punk rancour in their latest single, I Believe in Noise

Posted on 15 September 2023
https://soundcloud.com/movment/i-believe-in-noise-single

If you fell for the rancour of the Fall and Public Image Limited, prepare to be consumed by the latest darkwave post-punk hit, I Believe in Noise, from Ireland’s most ensnaring powerhouse, Movment.

With the manifesto-esque lyricism, the unfaltering conviction in the vocal lines and the sirening synth lines that effortlessly coalesce with the angular stings from the lead guitars, Movment bred a dark and murky atmosphere within I Believe in Noise. But as the track title would lead you to believe, there’s salvation oozing from every chord.

If you have a hard time believing what you hear and see in our post-truth reality, I Believe in Noise will give you a place to put your faith that resistance isn’t futile. Adam Curtis couldn’t have written the hit better himself.

I Believe in Noise follows two successful studio LPs and the Red Death Sessions EP and harbingers the disquietness to come in the third album, Reinvention, which will be released on the 24th of November via EPITRONIC.

I Believe in Noise will be released on September 15; hear it on SoundCloud.

Review by Amelia Vandergast

Subatlantic bled etherealism into indie post-punk with their latest single, Critic

Posted on 8 August 2023
Say It Again by Subatlantic

Illinois’ premier indie outfit, Subatlantic, is on scintillatingly atmospheric form in their single, Critic, taken from their hotly-anticipated LP, Say It Again.

With angular guitar lines that will reel you into the centre of their darkwave pop universe, vocal lines that could give Debbie Harry a run for her money and the coldly beguiling tones spilling from the reverb-heavy keys, if Dead Can Dance, they’d dance to Critic, which unravels as a revelation of ethereal ingenuity.

With Becca Rice at the helm of the fourpiece, which has been dropping the temperature on the airwaves since 2008, Subatlantic has established itself as a dynamic powerhouse to watch; with soundscapes to suit every conceivable mood, there is undoubtedly something for you lingering in their artfully textured discography.

Stream and download Critic via Bandcamp or snag yourself a limited-edition colour vinyl pressing of the LP, Say it Again.

Review by Amelia Vandergast

Romantic Indie-Rock Raconteur Griffin Robillard is Electrifying in His Anthemically Rythmic Hit, Laws of Longing (LOL)

Posted on 10 February 2023
Griffin Robillard

For the exact same reasons I fell in love with Editors from the first hit, I felt my pulse quicken to the snappy electro-indie gravitas and vocal magnetism from the indie rock raconteur Griffin Robillard, in his single, Laws of Longing (LOL).

The production is as polished as it is colossal as it wraps around the die-hard romanticism in the lyrics and the dance-worthy rhythms evocatively heightened with every ardently pitch-perfect vocal stretch. With Grant Eppley (The National, Maggie Rogers, Spoon) in charge of production, it was never going to be lacklustre. Yet, clearly, the raw material already came with a scintillating sheen.

When most people endure a broken-off engagement, they fall into an insular vacuum of self-pity. Notably, it did little to quell Griffin Robillard’s intensely passionate drive, which puts a visceral amount of momentum into Laws of Longing. It is just one of the singles found on his upcoming debut album, Big Pieces Energy, penned-post-heartbreak and due for release on March 10th.

Laws of Longing will officially release on February 10th. Hear it on Griffin Robillard’s website.

Review by Amelia Vandergast

Movment chose ‘VIOLENCE’ in their protestive post-punk call to arms

Posted on 18 November 2022

‘VIOLENCE’ is the serendipitously timely new single from the Irish indie post-punk outfit, Movment; the pit-worthy call to arms in the wake of widespread apathy is exactly what our society confounded in fear of failure and futility needs to hear.

The boisterous chugging basslines roll with the percussive punches to fuel VIOLENCE with the aggravated energy required to stand up to the forces which make no bones about oppressing us. Under the fiery duress of Martin Kelly’s angsty vocal lines, the galvanically pulsating furore of the stagnation-emancipating record heightens to the nth degree while affirming that if utilised properly, anger can be one of the most powerful driving forces known to man.

Now that John Lydon is a national embarrassment and the gloss has been taken off PIL, it is all too refreshing to have Movment on our radar.

Violence will officially release on November 18th. Watch the official music video on YouTube and check out Movment’s official website.