Browsing Tag

indie-pop

Soup and Cigarettes sweetened the sound of summer in their single, ‘Flower Dress’.

Here to make sure that 80s indie pop retains modernity is the Bristol, UK four-piece, Soup and Cigarettes, with their new album, UK DUTY PAID. The standout single, Flower Dress, makes a melodic indie ode to summer with its jangly kaleidoscopically colourful guitars, dreamy vocals, and sticky-sweet synths.

1987 had Sally Cinnamon; in 2022, we have Flower Dress, which effervesces around the lust for amorous life that magnifies in the heat of the summer. Fans of the 1975, PEACE and Jaws will also want to consider Soup and Cigarettes as a playlist staple band.

Check out UK DUTY PAID, which was officially released on August 19th here.

Review by Amelia Vandergast

Go Go Gadget Pink Packet shakes it up in his intimate alt-indie hit, Sno Globe

Taken from his sophomore album, Unfinished Art, Go Go Gadget Pink Packet’s standout single, Sno Globe, is an emotion-driven hit of alt-indie, which throws back to the 00s while simultaneously embracing autonomously expressive melodic innovation.

Starting with an almost outtake-y prelude, the zealous lo-fi indie single breathes bedroom pop intimacy, with an extra flavour of sticky-sweet power-pop in the overdriven guitars, which carry as much emotion as the raw yet sugared vocal harmonies.

In his own words, the Sherrill, NY-based solo artist, writes common man blues records, perfectly encapsulating the immediate resonance you find in the dejection.

Sno Globe is now available to stream on Spotify.

Review by Amelia Vandergast

Spotlight Feature: Denim Blue ventures into the unknown with his optimistic indie-pop lament, Brand New

Norway-hailing singer-songwriter Denim Blue mastered every genre he poured into his latest single, Brand New. His ability to pull you into the dissonance of heartbreak and make it a pleasurable trip is something no one will be quick to forget.

While the guitars exude the angular mesmerism of Interpol’s earlier work, the hooky melodies veer into a poppier territory, and vocally, the genre-fluid visionary transcends archetypes and tropes to deliver pure vulnerable expression. It gives you all the intimacy of bedroom pop, and none of the lo-fi muddiness that has become synonymous with it.

For anyone that resents the plastic feel-good summer tracks released by artists desperate for a brag-worthy chart position, Brand New has all the makings of a realism-soaked playlist staple. The juxtaposition between optimism and soul-tearing sadness is undoubtedly one of the sweetest things I’ve heard this year. That is until the release of his EP, Vacation Blues, on August 26th.

In his own words, here is what Denim Blue said about his release

“Brand New is a bittersweet song; happy and pleasant, yet sad and reminiscent of the past. I wanted it to be perplexing; like the emotions that come to fruition when reminded of the past. I created a soundscape of summer, bright and melodic, with a sadder yet playful undertone in the lyrics, which are about struggling to let go – even if it is for the better. I recorded it about two years ago and kept returning to it with a good feeling. I hope others will get a good feeling from it too.”

Brand New is now available to stream on Spotify.

Connect with Denim Blue on Instagram.

Review by Amelia Vandergast

Theo Sawyer created the ultimate rebound pop hit for the modern age with ‘Forget Your Ex’

Theo Sawyer

With the emotional gravity of 00s emo, the theatrics of Queen and a cuttingly contemporary indie pop edge, I practically forget about everything listening to Theo Sawyer’s latest single, Forget Your Ex – let alone my ex. The progressively momentous hit builds to the heights of a rock opera, carrying all of the ascending euphorias with none of the dust from decades past.

‘Moving on’ tracks may be somewhat archetypal in pop but few sonically say it better than Theo Sawyer and his intense vocal dynamism, which makes being ambivalent towards him non-optional. Put it this way; he could have done the vocals to Lets Marvin Gaye and Get It On infinitely better than Charlie Puth,

Forget Your Ex will officially release on August 12th; hear it for yourselves on the Auckland-hailing artist’s official website.

Review by Amelia Vandergast

Horatio James – they will have us: lo-fi indie just got infinitely sweeter

If you poured some sugar on Pavement or Dinosaur Jr, the result would be just as sweet as the latest single, they will have us, released by Horatio James.

With reflecting the human condition through lo-fi indie folk soundscapes as the motivation behind the singer-songwriter’s creativity, each new release is an opportunity to boost your mood and brighten your perspective. The dopamine streams are aided by the sweeping overdriven guitars, meltingly warm analog tones and his honeyed harmonies, which will teach you the meaning of expressive vulnerability.

The London-based artist is an all too refreshing taste breaker away from the superficiality that is prolific on the airwaves. For the same reason indie fans developed an affinity for the Violent Femmes and the Dandy Warhols, they will have us will leave an all too welcome synaptic imprint.

they will have us will officially release on August 5th. Check it out on SoundCloud.

Review by Amelia Vandergast

Mist’riii – Sometimes: Acknowledging the Temporary State of Everything Has Never Been More Beautiful.

Nairobi-hailing indie-pop newcomer, Mist’riii has released the ballad to end all others with her beautifully scored feat of expression, Sometimes.

It’s not often that I’m caught off guard, but that’s exactly where Sometimes succeeds. It resonates like a brand-new visceral experience that you desperately want to share with the rest of the world because you KNOW the emotional magnetism transcends genre preferences. It’s a strikingly ornate, moving ballad that deserves to be in the OST for the next Hollywood romance blockbuster – in spite of the intimate indie feels.

In her own words, here is what Mist’riii had to say about her latest release,

“Sometimes, we don’t want someone from our past back; we acknowledge that it is over, but from time to time, we can’t help but wonder if they ever think about us. Not sure if it’s the ego at play in such instances, or just nostalgia (or both lol) but I believe that it’s a sentiment that anyone who has ever lost someone (whether it’s an ex lover or friend) can relate to.”

Sometimes is now available to stream on SoundCloud, where the independently released track has already racked up over 17k streams.

Review by Amelia Vandergast

Shanaya gave us the 80s pop anthem to ‘Dance the Night Away’ to

Fleetwood Mac meets ABBA in the up-and-coming pop artist, Shanaya’s debut single, Dance the Night Away, which borrows a few of the iconic 80s tones before turning them into textures which form the artist’s sonic signature.

The orchestral sweeps, popping beats and Shanaya’s yearning for something more vocals pull you right into the essence of the single, which pays ode to those who are worth painting the town red with. A somewhat archetypal concept, yet, there’s a sense of mysticism to Shanaya, which won’t be getting old any time soon.

This upbeat originated debut is a sure sign of even bigger things to come from the rising artist.

Dance the Night Away is now available to stream on Spotify.

Review by Amelia Vandergast

The Royal Leisure – Pastries: Get Your Indie Funk Pop Sugar Rush

Connoisseur of melodic indie funk pop hooks, The Royal Leisure has tackled the human tendency of indecision with his latest nostalgically sweet single, Pastries. It will groove you right back to the synth-driven culture of the 80s, only after taking a pitstop in 90s noise rock.

The Hong Kong-based singer-songwriter (AKA Horace Tam), started the project with the inclination to offer a reflection point to listeners looking for a sense of perspective on themselves, the world, and all the connections we make along the way.

One thing is for sure; Pastries is a refreshing reprieve from the contemporary sonic trends. Its playful approach to aural nostalgia and even more affable inclination to drip some colour into your psyche while it forces you to question your tendency to want your cake and eat it won’t fail to stir your soul. The reprise of “this could be the only thing I want” around the endlessly ascending melodies makes for one hell of an oxytocin rush.

Take a bite for yourselves by heading over to Spotify.

Review by Amelia Vandergast

Fair Verona roll their cigarettes with ‘Starlight’ in their latest evocative alt indie pop single.

‘Starlight’ is the latest sorrowfully ornate single from the Charlottesville, Virginia-hailing up-and-coming alt-pop duo, Fair Verona. In a sea of Phoebe Bridgers, Angel Olsen, Daughter and Lorde assimilators, Fair Verona gracefully went against the tide in their raw candour led soundscape.

While the lyrics bite into your sense of empathy, delicate piano keys and the twilight textures envelop you in their efficacious ethereal catharsis. It is impossible not to take on the emotional weight of the single. Unless you are a complete sociopath, in which case, I pity your immunity to the lush spacey blows hammered home by Mickey Vaughan’s evocatively glistening vocal timbre.

Check out the alternative mix of Starlight by heading over to YouTube.

Review by Amelia Vandergast

Maxton Hunter sets his trajectory to the moon in his psych-pop single, Halfway Home

As classically soul-stirring as Chris Isaak and as compellingly contemporary as a pop-styled Courtney Barnett, Maxton Hunter’s latest single, Halfway Home, extends psychedelic indie Cali warmth across the stratosphere.

Commercial potential and magnetic don’t always go hand in hand, but they have a tight grip on each other in the oceanically breezy indie hit. It’s quite ironic how the lyrics leave Maxton Hunter pontificating on superpowers, given the celestial sense of melodicism that drives through Halfway Home. And vocally, he could very well be the last of the great dreamers. For catharsis’ sake, we can’t wait to hear what comes next from the up-and-coming artist.

Halfway Home is now available to stream on Spotify and all major platforms via this link.

Review by Amelia Vandergast