Browsing Tag

indie-pop

Spotlight Feature: Bye Malo created the ultimate indie paradox in his sweetly toxic single, September

While some artists paint themselves as the perfect protagonists in their lyrics, the up-and-coming indie artist, Bye Malo, opted for self-effacing honesty in his latest single, September.

With the admission that he left his feelings at the door in a fractious relationship that isn’t worth wasting a wedding on, he lets the candour pour through his raspy indie vocals, which cause evocative friction against the saturated in delay catchy chord progressions.

Anyone that still believes they can fix (manipulate) ‘broken’ men will be left loving to hate the portrait that Bye Malo painted in September, which is the first single to release from his latest project.

Check out Bye Malo on Spotify.
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Review by Amelia Vandergast

Eat your dissonantly superficial heart out to Red Wine Talk’s latest single, Anti-Romance

With an opening lyric as strong as “I don’t need to tattoo your name on my arm, you’re already under my skin”, we were immediately hooked on Red Wine Talk’s latest single, Anti-Romance, which aired after the 9-month hiatus they clearly used to mature their indie rock sound to the nth degree.

Far from your average boy meets girl cliché-fest, Anti-Romance affixes its lyrical lens on the wanton disregard with which we throw away the latest object of affection before searching for another; between the lines underpinning the irony of fawning over Hollywood and pop lyric romances.

I just hope that the cognitive dissonance of the quick sex aficionados out there can fully appreciate this reservedly poignant antithetic ode to love (or lack thereof) in our modern age. The instrumental minimalism truly stands as a testament to the power of the songwriting by this UK outfit headed by vocalist and guitarist Edward Brookes.

The official music video for Anti-Romance will premiere on September 9th. Catch it on Vimeo.

Review by Amelia Vandergast

 

Drink in the lucid daydream of Bye Malo’s music video for his latest indie hit, rollercoasters

https://www.youtube.com/watch?v=dpk-DUbvoNE

After the success of his summer single, rollercoasters, the multi-talented artist, Bye Malo complemented the cinematically hazy indie pop single with the aesthetically romantic music video, which premiered on August 31st.

Wes Anderson himself couldn’t have created a more succinct colour palette to match the slow jamming choral guitar tones that breezily reflect the bitter-sweetness of a romance soured by wandering eyes and waning affection. What better way to prove that everything is fleeting than this lucid daydream of a single?

Check out the official music video for rollercoasters via YouTube, or head over to Bye Malo’s official website.

Review by Amelia Vandergast

Jad Saad chases the relationship ‘High’ in his latest indie-pop single

https://soundcloud.com/jadsaad/high-demo/s-qGIYCqdNxQ7?si=014644d0cdbe41fdadc5e458aa28220d&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

Singer-songwriter, multi-instrumentalist, and producer Jad Saad penned the ultimate post-breakup single, ‘High’, which mournfully revels in the highs that affection can take us to.

The intimate indie pop track chases the highs that a now otherwise preoccupied paramour shared while the guitars bring a kaleidoscope of colour in their melodies. The production may be minimalist, but High finds full-bodied resonance in spite of the stripped-back instrumental arrangement; Jad Saad’s vulnerable vocals, which run under the perfect touch of autotune are more than enough to flood the sad boi summer anthem.

The demo of High is now available to stream on SoundCloud.

Review by Amelia Vandergast

Layman.TV sings a ‘Harmony Eternal’ in his ethereal indie folk pop single

https://soundcloud.com/user-534530743/harmony-eternal-1

Bridging the gaps between Glen Hansard, James Yorkston and Richard Hawley, The London-based singer-songwriter, Layman.TV released his latest ethereal indie folk single, Harmony Eternal.

The flourishing chamber strings against his harmonised spoken word reflections on nature and all the parallels they create within our lives pull together to create a poetically celestial sensory experience in Harmony Eternal. It is almost enough to guilt trip you for not sharing the same romantic lust for life. I say almost; the sublime appreciation for natural phenomena becomes infectious. Especially when the nuanced rock guitars start to bolster the passion in the otherwise graciously otherworldly soundscape.

Harmony Eternal is now available to stream on Spotify.

Review by Amelia Vandergast

Spotlight Feature: Denim Blue tore off the facade in his indie rock bedroom pop EP, Vacation Blues

In his new EP, Vacation Blues, the Norway-residing bedroom pop artist Denim Blue tore off the facade and abstracted any sense of pretence to deliver a 6-track release which encompasses the dissonance that the journey of loss and recovery imparts.

Inner turmoil is always a field of landmines, but never has it been filled with so many efficacious hooks. Vacation Blues stands as a testament to Denim Blue’s ability to capture the confusion within the human condition while sending you deep into a state of sonic beguile.

Track 1, Brand New, is undoubtedly the earworm of the EP. Unlike your average earworm, the melodic indie pop rock hit sticks to your synapses like superglue through the cohesion between the apathetically hooky vocals and the colourful melodies. Track 2, Tear Me Down, heightens the emotion by stripping back the production to an art pop serenade of lost love.

Track 3, Field of Dreams, shares sonic textures with shoegaze while Denim Blue runs with his signature rough, raw and relatable vocal timbre before Down completely shifts the synthetics of the EP into a hazy synth-pop lament. Decidedly one of the sweet spots on the EP, Waste My Time exhibits the best of Denim Blue’s lyrical gravitas before the concluding single, Bloom, blossoms under warm saturated delay.

Putting context and intensifying the listening experience, this is what Denim Blue had to say on Vacation Blues:

“Vacation Blues is a short but open story. There are a few ways to interpret it as it grows darker with different stages of losing hope, love, will and identity. At the end of the EP, there is a realisation, but it is a cyclical story; the first and last tracks have the same vocal hook with different meanings.

It is about struggling to move on, whether from heartbreak, addiction, mental health, or any other personal matter; it is up to you to decide, as the listener. I wanted it to feel familiar, almost like the inner voice that tries to speak up.”

Stream Vacation Blues on Spotify & SoundCloud.

To stay up to date with new releases, follow Denim Blue on Instagram.

Review by Amelia Vandergast

Texan trio, Tough on Fridays take us through a tender transition in their indie pop track, Growing Pains

With hints of the Cranberries and other iconic 90s pop contemporaries, Tough on Fridays delivered nostalgia with a cinematic edge that could make their latest single, Growing Pains, the highlight of the OST for the next coming-of-age Hollywood blockbuster.

The momentously oceanic single is definitive proof that the Texan trio has come a long way from where they started five years ago as an angst-driven duo. Lauded for their energetic performances and acclaimed in their home state, it is only a matter of time before Tough on Fridays reach the heights they are destined for. Growing Pains is undoubtedly one of the finest testaments to their songwriting tenacity to date; getting carried away with the simple yet efficaciously magnetic chords is pretty much non-optional.

Tough on Fridays’ latest single, Growing Pains, is now available to stream on SoundCloud.

Review by Amelia Vandergast

Elias Kopp tames the black dog in his melodic pop mental health advocation, Low

Many things in the UK feel absurd right now; you can add Elias Kopp’s underground status to the list of nonsensically baffling things. His latest single, Low, is the epitome of a melancholic melodic masterpiece.

The moody synths and the sweetly lamenting vocal harmonies pull together to make all the mornings you have woken up with the metaphorical black dog beside you fleetingly worth it. As the lyrics yearn for serotonin, Low ironically delivers.

The Brighton, UK-based artist remains committed to proving to people struggling with mental health that they’re not in the minority and that it is possible to come out the other side stronger. From an artist with a fraction less finesse in their sound, that may come across as a little cliché, but Kopp’s sound is always soaked in sincerity. With an album in the pipeline, there has never been a better time to save space on your radar.

Low is now available to stream on SoundCloud.

Review by Amelia Vandergast

Georgia Jones digs through ‘Ruins’ in her melancholically cold debut pop track

Contrasting the warm climate that she hails from, the 23-year-old Australian singer-songwriter, Georgia Jones, unleashed a sombrely cold serenade with her debut single, Ruins.

With a penchant for poetry and influences from Taylor Swift, Lorde, Bon Ivor and Billie Eilish, Georgia Jones found her signature somewhere in between her inspirational artists. From the bruisingly raw lyricism of Eilish, the tender melodicism of Bon Ivor and the stylishly melancholic edge of Lorde, Ruins serves as a candidly contemporary introduction to the artist, who frequently traverses fear as the prevalent theme in her music. Considering that there’s little else but fear in the atmosphere these days, you would struggle to find a more timely release.

As far as pop debuts go, Georgia Jones left nothing to be desired – apart from the sophomore single.

Ruins was officially released on August 12th; stream it on Spotify.

Review by Amelia Vandergast

Annabel Brett makes sure we get the message in her alt-soul pop single, Voicemails

With the vocal poise of a 1950’s bluesy soulstress and the cutting indie folk pop edge of artists such as Mitski and Phoebe Bridgers, Annabel Brett is breath-taking in her dreamy pop single, Voicemails.

The vocal distinction gives few clues to the 23-year-old independent artist’s influences, and it’s a very similar story with the light, minimalist and acoustics. The two-minute tender track eclipses everything lo-fi should be; Voicemails resounds like you’ve just caught a Truman Capote character in an intimate melancholic moment.

Check out Annabel Brett’s latest single, Voicemails on Spotify.

Review by Amelia Vandergast