Browsing Tag

indie-pop

Fatmowf created an odyssey of romantically die-hard soul-pop fantasy with ‘Imaginary Lover’

Posted on 3 August 2023

Get lost in the romantically die-hard soul-pop odyssey, Imaginary Lover, from the up-and-coming San Diego artist Fatmowf, who established himself as a rap artist before wearing his heart on his hazy RnB vocal lines in this pastel-hued daydream of a release.

Just as we constructed imaginary friends in childhood, who helped us to feel more assured and connected in an alienating world, the tendency to create idealised romantic relationships as our needs become more amorous is more prevalent than we acknowledge.

Who can truly say that the mere idea of someone has never created an obsessive tailspin that becomes all-consuming as a perfect future is depicted while the other person is completely unaware that they’re the co-creator of your sticky-sweet fantasies that will never materialise?

We’ve all been there, and we’ve all dealt with the subsequent disappointment when we note the disparity between idealism and realism. Fatmowf is just in the minority of people willing to admit it. The breezy indie R&B euphonic melodicism of the track is just the added bonus to his vulnerably magnetic candour. Ironically, we are now obsessed.

In his own words:

“I made the song after I met this girl at Starbucks. I got her phone number and started daydreaming about her…. a lot. Probably way too fucking much to be honest. But I did. And the crazy part was I barely even knew her! I knew her name, what she did for work (obviously) and the fact that she likes cats. She could have been a serial killer for all I knew but I was so attracted to her. Wrong, I was attracted to the idea of her, and the person I wanted her to be…”

Check out the official video for Imaginary Lover, which premiered on July 7th on YouTube.

Review by Amelia Vandergast

Jacki Jones – Just See Me: Plaintively Poignant Pop

Posted on 29 July 2023

The up-and-coming Liverpool-hailing singer-songwriter Jacki Jones has unveiled the plaintively poignant alternative version of one of her seminal indie alt-pop singles, Just See Me.

The minimalist instrumentation beneath her melancholically poetic verses makes the intimate introspective pleas for recognition all the more magnetically compelling as the single artfully unfolds to her raw candour.

With the gentle new wave indie guitar chords punctuating her vulnerable vocal lines, which work around the compelling reprise of “just see me”, your soul would need to be paralysed not to stir under the evocative force of Just See Me.

Stream the alternative version of Just See Me on Spotify.

Review by Amelia Vandergast

ARO’s fierce femme aesthetic picked up luscious vehemence in her moody synth-pop single, Let Me Go

Posted on 28 July 2023
ARO

The LA-hailing singer-songwriter ARO singlehandedly defined the future of pop with her debut evocative synth masterpiece, Let Me Go.

With far more soul than your average earworm and her sonic signature scribing distinction through every succinct progression, this emotionally heated hit is the ultimate moody moving-on anthem.

By painting with light and dark tones, the process of coming into your own away from what no longer serves you was euphonically visualised in Let Me Go. With just as much lyrical depth as Mitski and Louise Dacus paired with an electro-pop score that cushions the blows of the sharp lyricism with lush reverb, it is only a matter of time before ARO is considered LA pop royalty.

“So much of my art is about giving the darker parts of myself a platform. There are these aspects of myself that cannot be tamed, and so instead of beating my head against a wall trying to control them I’ve found that my art allows me to be in relationship with them. When I write I’m not butting in to tell them how they should be, I’m not trying to get them to behave, or do better, or have a positive outlook, I’m just letting that part of me speak freely. And I learn a lot about myself through this process.”

Check out Let Me Go on all major streaming platforms from July 28, or hit ARO’s official website for more info.

Review by Amelia Vandergast

Ell South hit the ground ‘Running’ with her sophomore 80s synth-carved pop single

Posted on 28 July 2023

For her latest single, Running, the endlessly accoladed singer-songwriter Ell South fused ethereal artfulness and synth-carved 80s nostalgia to invite her audience into an aural chamber of honesty, vulnerability, and clarity.

Anyone who has ever known how brutal a battle of wills can be when you are going up against your own mind will see themselves reflected in a crystal-clear mirror when they allow the all-consuming vocal harmonies to take control of their psyche.

The stabbing synth lines with 80s-esque massive percussion and driving basslines give the track the same sense of resilience that radiates from the lyricism, while the lashings of reverb in the poetically illuminating atmosphere will sell sanctuary to the soul – especially the ones weary with ennui.

A certain degree of the authenticity within Ell South’s sound stems from her Welsh and Slovenian roots. She saw music as a right of passage after coming of age in a musical family and clearly came into her own while leaning on an eclectic array of influences.

Since making her debut, her music has featured on BBC Radio Wales, and her debut single launch was performed to a capacity crowd. She’s perceptively on the rise, but something tells us that won’t stop her from reaching out to her fans to lift them when they’re down.

Running hit the airwaves on the 25th of July; you can hear it by heading over to Spotify.

Review by Amelia Vandergast

Dream Baby Dream with Cati Landry’s indie pop installation of etherealism, Mind’s Eye

Posted on 22 July 2023

With vocal lines that hypnotise as they harmonise, Cati Landry’s indie dream pop single, Mind’s Eye, will instantly put you under its ethereal spell. As the lead guitars bend licks of Americana into the notes, the rhythm guitars keep the 90s indie dream alive in their steady spills of instrumental romanticism.

The Canadian singer-songwriter set to create the ultimate anthem for the diehard romantics who find themselves consistently contending with the juxtaposition between dreams and reality; given that she made romantic expectations all the more unrealistic with her butterfly-releasing release, it is safe to say she succeeded in her enchanting record, which deserves to be just as revered as Swift’s latest LP. I highly recommend investing in Cati Landry’s promising career before you have to take out a second mortgage for her gig tickets too.

Mind’s Eye was officially released on July 14; stream it on Spotify.

Review by Amelia Vandergast

Foreign Saints is sonorously spectral in their debut shoegaze single, Here With Me

Posted on 11 July 2023

If you placed yourself in the middle ground of Elliott Smith and Slowdive, you would be in good company with the sonorously spectral debut single, Here With Me, from Foreign Saints.

With a slice of psychedelia written into the indie pop songwriting chops, Here With Me unravels as a hazy kaleidoscope of wistful colour. As the lyrics allude to what’s lost through time and distance, the dreamy instrumentals envelop you in their reverb-swathed cathartic tonality.

The bedroom pop project from the Brooklyn-based musician, Thomas Roberts, may not be far past its inception, but Roberts is already proving himself to be an unreckonable resonant force. Fans of The Japanese House, War on Drugs, and Day Wave won’t want to let the project slip them by, especially with the debut EP in the pipeline.

Here With Me is now available to stream on Spotify.

Review by Amelia Vandergast

Glenna Jane released the most cerebral indie pop hit of the summer with ‘Late Bloomer’

Posted on 8 July 2023

Indie rock got into the sheets of hook-filled bedroom pop with Glenna Jane’s latest single, Late Bloomer. With the high-octane energy of Paramore, the intimacy of Mitski and the absorbing gravitas of Phoebe Bridgers, Late Bloomer is set to take Glenna Jane’s career to stratospheric new heights.

Late Bloomer lyrically delivers a fatal shot to the kinds of fuckboys who use words as a means to an end instead of an expression of the truth to deliver visceral resonance to anyone who can relate to the line “I don’t like you as much when we talk, and you say you’re in love, I know you’re just lying to get inside me”.

And that is just the tip of the crucifying iceberg in Late Bloomer, which Glenna Jane used to embolden herself and her audience through vindicatingly honest candour. The poetically meta propensities of Late Bloomer made the single the most cerebral hit of the summer. We can’t wait to hear where the Brooklyn-based storyteller takes her sharp wit next as she continues to embody the complexity of identity, intimacy and attachment.

Stream Late Bloomer from July 7th on SoundCloud and Spotify

Review by Amelia Vandergast

MASSIVESAD became the cinematically sad poster boy of melodic ennui with his latest art pop release, Balance

Posted on 7 July 2023

The cinematically sad poster boy of melodic ennui, MASSIVESAD, will mainline himself into your melancholic veins with his alt bedroom pop deep-cut, Balance. If you know all too well how it feels for your world to be knocked out of kilter as the scales perpetually turn against you, the catharsis you will find and the compassion you will feel will be visceral.

Emanating disorientating dissonance from his e-piano before the flourishing crescendo of a finish was the perfect way to ensure the instrumentals matched the bitter-sweet vocal lines and lyricality, which paints MASSIVESAD as an existentially amorous diehard romantic at heart. From LANY energy in the main body and the arcane touches of Bjork towards the outro, Balance will undoubtedly remain one of the most artful singles that have slipped into my ear canal in recent years.

Stream Balance from July 7th on SoundCloud.

Review by Amelia Vandergast

Jake Embers mainlined pure genre-fluid experimentalism into his latest single, YOU

Posted on 5 July 2023

Washington D.C.’s freshest trailblazer, Jake Embers, laid it all down on the evocative line with his latest single, YOU, which lures you in with a lo-fi bedroom pop sequence scored by his ethereal falsetto vocal lines and minimalist instrumentals before bursting into a crescendo of alt-rock. Further into the self-produced single, elements of trap, RnB, and post-rock work their way into the fearlessly blended sonic landscape until there were no more boundaries left to push.

When you experience a track in this vein, which mainlines pure genre-fluid experimentalism to evoke visceral emotion, you realise just how safe other alternative artists play it. YOU stratospherically transcends the archetypal and the Avant-Garde alike to invite you into a vortex of originated alchemy.

Follow Jake Embers on Instagram.

Review by Amelia Vandergast

Socha rides ‘The Wave’ in her latest art-pop exhibition

Posted on 2 July 2023

The art-pop innovator Socha is unrelentingly committed to rearranging painful experiences into cathartically playful absurdity; her latest single, The Wave, this the ultimate exhibition of her creativity that revolutionises trauma into euphoria.

From a dreamy prelude which allows you to meander with the chiptune melodies which pay an ode to one of her most endearing influences, Adventure Time, the synth lines take a drastic tonal shift as the grooves emanate the sultry allure that made the Arctic Monkeys’ AM record so iconic.

It is a short and sharp descent down the rabbit hole with the Wave but an enjoyable trip all the same with Socha’s infectiously idiosyncratically bold vocal presence and reminiscences of FKA Twigs and Gorillaz registering in the electrifying mix, which tempts you into embracing your own madness – even if that madness falls outside of the acceptable levels. The Wave is a riot of individualism; other artists should take note and join her at the vanguard of true uninhibited experimentalism.

The Wave will officially release on the 1st of June; check it out on Spotify.

Review by Amelia Vandergast