Browsing Tag

indie-pop

Anike stylised the archetypal perennial pop earworm in her sophomore release, Victorious

Posted on 30 October 2023

Following the success of her debut single, Beautiful Fate, the unforgettable electro-pop originator Anike took a year to hone her sound and sharpen her sonic signature before unleashing her superlatively stylised sophomore earworm, Victorious.

With as much experimentation in her sound as Warpaint, Cherry Glazerr, and Blonde Redhead fused with a sticky-sweet bubblegum pop sensibility, Victorious bridges the gap between two pop worlds with her synth-carved melodies and rhythmically arresting progressions. The track is an overpass you’ll want to revisit time after time for the feel-good factor which has all the euphoria of a guilty pleasure and all the gravitas of an artful pop-hooked Tour De Force.

Victorious was officially released on October 20; stream it on Spotify.

Review by Amelia Vandergast

Angel Sinclair came of ‘Strange Age’ in her ethereal alt-indie pop sophomore release

Posted on 27 October 2023

After coming in all melodic guns blazing in her debut release, Soldier, the Canadian alt-indie-pop singer-songwriter Angel Sinclair invited us into an ethereal realm with her sophomore single, Strange Age.

Capturing the disorientating surrealism of coming of age and feeling alien within your own skin better than Brett Easton Ellis’ novel Less Than Zero within a soundscape which carries reminiscences to the artfully quiescent air within singles from Lucy Dacus, Soccer Mommy and Torres, Angel Sinclair effortlessly succeeded in her mission to envelop you in an intimately raw atmosphere where confessionalism spills around the accordance.

She may not have reinvented the wheel with Strange Age, but she asserted her mainstream appeal in the contextually tumultuous release all the same. Angel Olsen may want to watch out, there’s another Angel reigning supreme.

Strange Age was officially released on October 13: stream it on Spotify.

Review by Amelia Vandergast

Ava Valianti reigned indie folk pop supreme in her debut single, Bubble Wrap

Posted on 20 October 2023

At 14 years old, the Massachusetts-hailing indie folk-pop breakthrough artist Ava Valianti is delivering definitive proof that maturity doesn’t come with age; it comes with emotional intelligence, and her emotional IQ is lyrical leagues above the rest.

Her debut single, Bubble Wrap, distinguished her as one of the most promising new arrivals of 2023. The sharpened poetic volition is a magnetic juxtaposition against her harmonically rich and airy vocal timbre which effervesces against the acoustic guitar notes.

The power in her metaphors is one thing; her ability to entice you into a relatable vignette which comes to life with the vindication delivered to anyone who knows how it feels to be made small by people with petulant and puerile minds puts her on an entirely other level. We’re stoked to hear what she and her producer, Chris Plante, will create for her sophomore release.

Bubble Wrap is due for official release on October 20. Check it out on all major streaming platforms via this link.

Review by Amelia Vandergast

Brighton’s sharpest lyrical narrator, Francesca Morris, lamented deception in her indie-pop hit, Where’d You Go?

Posted on 16 October 2023

Brighton’s sharpest lyricist, Francesca Morris, has unleashed her sophomore single, Where’d You Go, which achieves the impossible by capturing the ephemeral idea of a lothario intent on deceiving his way into the sheets and the hearts he will inevitably break.

The sentiments may be raw, but tonally, the indie pop track couldn’t be sweeter. The synthy new wave-esque instrumental hooks around the magnetism in Morris’ rich vocal register which borders on the realm of the ethereal converge to create a track that you will want to sing from the top of your lungs and carry with you in your darkest moments.

Deception-lamenting tracks may not be new to the airwaves, but with lines as striking as “Did you get me just for the sport, you’re not anything I thought”, it may as well be. Every verse is a revelation, which leaves you desperate for the next installation from the artist who pulls inspiration from Lizzy McAlpine, JP Saxe, Gracie Abrams, and Dodie.

Where’d You Go was officially released on October 6th; stream it on Spotify.

Review by Amelia Vandergast

Holly Riva is as stormy as a tsunami in her latest alt-soul single, Drowning.

Posted on 16 October 2023

The hypnotic harmonic effect on her ethereal vocal lines over the crashing waves in the intro was a mesmerising way for Holly Riva to kick off her latest lyrically dark, texturally luminous single, Drowning.

With moody electronica motifs sending shockwaves of reverberance through the stormy as a tsunami release, the horn stabs harbingering doom and the metaphors alluding to the relatable phenomena of losing your power under the weight of toxicity, the Australian singer-songwriter succeeded in visualising universal emotions, which typically leave us out of our depth when we have chased an idea instead of a person.

Artistically and technically, it is a phenomenal release from the evocative enchantress who has already racked up 250,000 streams on Spotify alone since she made her debut with the EP, A Memory. Now that she’s shown a more vulnerable side to her creativity, we can’t wait to hear more of it rush to the surface.

Drowning was officially released on September 29; stream it on Spotify.

Review by Amelia Vandergast

Maverick lived up to their moniker with their folksy easy listening debut single, I love coffee culture

Posted on 15 October 2023

The debut single, I love coffee culture, from Maverick is a tongue-in-cheek, bean-in-cup twee triumph. The twinkling piano keys atop the simple yet as delicious as a caramel macchiato easy guitar chords orchestrate the same kind of laidback atmosphere you would want to sink into in your favourite den of caffeine as the vocals prove it is the small things in life, especially if those small things are made by the hands of a barista who can take the mundanity of the corporate world away.

It is somewhat ironic that Maverick is a virtual band composing songs for tangible experiences, but given the sticky-sweet feel-good factor of the folksy easy listening release, we can easily forgive the band spearheaded by the song crafter and vocalist, John Crystal and feel stoked for the singles we have been promised will follow. We already need our next fix.

I love coffee culture was officially released on October 4; stream it on Spotify.

Review by Amelia Vandergast

Get your teenage kicks from Sweetboy’s latest indie power-pop installation of nostalgia, Day in the Park

Posted on 14 October 2023

If you are looking for a new indie-pop outfit to get your teenage kicks from, or reminisce from kicks from yesteryear, get ready for the impact of Sweetboy’s latest single, Day in the Park.

After finding each other on Craigslist in 2018, the founding members, Anna Barnett and Jon Flores, put momentum into their dream of pursuing a music career; armed with classical piano training and a background in English Literature respectively, Sweetboy took the NYC scene by storm when they started to tour the live circuit and amass more members.

With the demureness of Debbie Harry, the vocal lines will draw you right into the nostalgic gravity of the release, which bolsters itself with soaring riffs between the cutting angular guitars and a solid backbeat that feeds you all the power pop furore you could ask for.

A Day in the Park is the first single to be released from the debut LP of the same title; if you like your vibrato vocals to be affecting and instrumentals infectious in their sticky-sweet retro glamour, save a space on your radar.

Day in the Park was officially released on September 22; stream it on SoundCloud.

Review by Amelia Vandergast

The indomitable indie rock powerhouse, Sam Scherdel, rose-tinted bitter-sweet euphoria in his latest single, R.E.T.R.O.

Posted on 9 October 2023

 After a phenomenally successful year which has seen Sam Scherdel secure support slots for Two Door Cinema Club and receive critical acclaim from across the board, Sheffield’s indie rock spearhead has delivered another hit of exhilarant romanticism with his latest single, R.E.T.R.O. If the waves Scherdel makes with his ear for euphoric earworms get any bigger, we’ll all need to seek higher ground.

The retrospective take on gratitude is a stunning attestation to our proclivity towards tenderly holding the past while struggling to amass sentimentality for the present. The sepia hues of nostalgia will always bring rose-tinted light in our darkest hours, but as much as we want to re-manifest the past, as Scherdel did so sonically consummately with the shimmering new wave pop nuances atop his signature Springsteen-esque indie rock grooves, us mere mortals are confined to the present.

“R.E.T.R.O. was written in 2021 after the initial lockdowns. It’s a bittersweet pop record which contains the message to appreciate what you have whilst you have it, as the moment it’s gone is the moment it hurts.”

With producer Gavin Monaghan (Editors, Robert Plant, Paolo Nutini), the singer-songwriter who always knows exactly which melodically electrifying buttons to press to evoke deep emotion, demonstrated his versatility without watering down the authentic alchemy barely contained in his previous releases.

R.E.T.R.O. turned back the airwaves on October 6; stream it on Spotify.

Review by Amelia Vandergast

Lost Foxes opened the mundanity trap in their installation of indie pop nostalgia, Petrichor

Posted on 7 October 2023

Lost Foxes elevated South Carolina’s indie scene with their poetically plaintive latest single, Petrichor. Hearing it, you’d be forgiven for thinking the past two decades have been erased by the echoes of the early 00s in the melodies that haven’t lost their ability to wrap a noose-like grip around the rhythmic pulses and pluck the heartstrings in time with the angular guitar notes.

The intimate lo-fi touches to the chamber string-accentuated release make it effortless to lock into the resonance that is strewn across the verses which reminisces on darkly mundane days as the instrumental effervescence lets the sun shine through the salvation of escapism.

The four-piece has come an illustriously long way since their early days of playing with loops on Logic Pro and singing about beans in 2020. Following the inspiration of Twenty One Pilots, AJR and COIN, they got to work on their debut album, Welcome to Kiff, which debuted in 2022 to tell the tale of three protagonists escaping totalitarianism. Petrichor is the latest chapter in the outfit’s legacy, and it is one you’re going to want to read time and time again.

Petrichor was officially released on September 29: Stream it on Spotify.

Review by Amelia Vandergast

Snir Yamin genre bends and transcends boundaries with the alt-pop aesthetic in Aftermath

Posted on 5 October 2023

With an eclectic synthesis of pop influences and an ability to weave them into a stunning pop aesthetic, Snir Yamin refreshed the airwaves with his euphoric take on pop-rock when he released his sophomore single, Aftermath.

The power pop licks tend to the wounds inflicted by a bitter-sweet heartbreak where promises were broken and dreams were left unmanifested while the new wave synths bring the track right up to speed with the contemporary curve before his heartfelt authenticity superlatively surpasses it.

The viscerally tender release is the perfect introduction to the indie singer-songwriter’s determination to stir the souls of anyone who ventures onto one of his expertly crafted sonic landscapes. It’s an earworm that you will never want to let go of.

Aftermath was officially released on September 21; stream it on Spotify.

Review by Amelia Vandergast