Browsing Tag

Indie Folk

BREGN put the humanity in our collective anxiety with his reflectively expositional lo-fi folk single, YOU AND ME

Posted on 20 November 2022

Danish singer-songwriter, BREGN, gave humanity hope in his latest single, YOU AND ME, which was officially released on November 18th to dispel the disquiet anxiety spilling from each new global catastrophe.

BREGN’s minimalist soundscapes and the sonorous sense of soul in his quiescent harmonies always strike a visceral chord. With this new melancholic shift, YOU AND ME hit like a tonne of bricks. In the same way Slowdive can hammer home the emotion solely through their reverb-laced angular guitar notes, the guitars in this sombrely sweet single drive you to the brink of tears. Before the choral storm in the outro as a torridly dystopian crescendo pushes you over the emotional edge.

Here’s to hoping next summer gives us a chance to embrace the season free from an ever-pervasive sense of dread.

“YOU AND ME is a reflection of our times; a mix of summer, love, the insecurities imposed by war, political drama, and the deepening energy crisis. There is hope in the continuation of believing that there is still a “You and Me” at the end of the day, that is what I wanted to convey.”

Listen to YOU AND ME on SoundCloud and Spotify.

Follow BREGN via Facebook and Instagram.

Review by Amelia Vandergast

Spotlight Feature: Australian singer-songwriter, Ted, sang an insurgent indie-psych-folk lullaby in his latest single, Revolution Then

Posted on 17 November 2022

The Australian Indie-Folk singer-songwriter Ted’s latest single, Revolution Then, is definitive proof you catch more flies with honey than with vinegar.

The artfully quiescent call for sense to coalesce with postulation resonates like a semi-lucid lullaby, affirming enlightenment doesn’t always need to be synonymous with anger and despair. Sometimes, it is just enough to be on the right side of history.

While Elliott Smith’s records will always be there to soothe us in our darkest hours, he’s no longer here to transcribe humanity’s darkest hours. That crown has evidently fallen upon Ted, who is fearless in his quest to hold a mirror to the most tragic facets of our existence before reflecting them through his psych-tinged arrangements crafted in the mellifluous framework of his music, constructed by guitars, bass, drums, sax and keys – all recorded from his bedroom studio to feed us the intimacy we never knew we craved in these polarity-defined times.

“The song is loosely based on the French Revolution. I was inspired by some more recent political events which occurred in the US. I wanted to convey this in a way that was like telling an old story to a child, like in a nursery rhyme.”

Stream Revolution Then via Spotify.

Follow Ted on Instagram and TikTok.

Review by Amelia Vandergast

Frontier Station’s latest folk-rock single is ‘Mediocre’ in title alone

Posted on 28 October 2022
Frontier Station

Frontier Station wove a masterfully enticing tapestry with the close-knit boy-girl harmonies in their latest single, Mediocre, taken from their upcoming debut album, The Birds, The Stars & The Chimney Sweeps, which is due for release on January 20th.

The London-based folk-rock six-piece married Americana rock swagger with the roots of Irish folk and modernised the soundscape with The National-Esque production on the cascading guitars – to awe-inspiring effect.

With Frontier Station, there is the promise that every song tells a tale; with Mediocre, they put a swoonsome romantic epic into melodic motion as they set a scene in a mining town in Thatcher’s England. That name may make everyone with a semblance of empathy cringe, but her cursed capitalist legacy doesn’t stand a chance against the soul impassionedly poured into Mediocre.

Mediocre will officially release on October 28th. Check it out on Spotify.

Review by Amelia Vandergast

Leah Jean delivered an indie-jazz meditation in vulnerability and cathartic melody with her single, Stalker

Posted on 28 October 2022

Nashville-residing Indie-folk experimentalist, Leah Jean, laid down lo-fi jazz-infused blues in her latest dreamy trip-hop-y single, Stalker, taken from her upcoming debut album, Creatures in the Room.

Muses find us in the strangest places, but Leah Jean’s crept up behind her in this vocally soulful feat of indie Avant Garde, which uses playful subversion to turn her stalker into an almost affable entity that plays into her melancholy-tainted world in intimately fine detail.

With a lyrical narrative that sucks you in as much as the wavy saturated in delay instrumentals that swoonsomely envelop you in their kaleidoscopic colour, Stalker is a meditation in vulnerability and cathartic melody.

Stalker will officially release on October 28th. Hear it on Spotify.

Review by Amelia Vandergast

AJ Elkins has released his indie folk meditation, Breathe In Breathe Out

Posted on 25 September 2022

With an acoustic guitar intro that rings with the same evocative timbre as Neutral Milk Hotel’s Two-Headed Boy before bursting into an art-rock arrangement, AJ Elkin’s indie folk single, Breathe In Breathe Out, is an emotionally-charged extension of sanctity.

The Nada Surf-Esque lyricism that sympathises with the trials and tribulations of the modern age becomes efficaciously consoling against the rugged progressions. The US singer-songwriter clearly has a knack for creating connective music; we can’t wait to see where his compassion and songwriting tenacity takes him – he is undoubtedly one to watch.

Breathe In Breathe Out is now available to stream on YouTube.

Review by Amelia Vandergast

Warick Pond picked up the pieces with the aching soul in his single, The Wreckage

Posted on 23 September 2022

Taken from his seminal album, Open Roads, Warick Pond’s standout single, The Wreckage, carries the solemnity of Tom Waits, the contemporary Americana edge of Kurt Vile, and the mellow melancholy of the Verve.

Reminiscences aside, the American singer-songwriter puts his own authentic beauty into aching soul through the resounding quiescence of his guitars, which match the gentle outpour of visceral emotion through his Americana-tinted vocal timbre.

When an artist can create such a profoundly emotional soundscape with minimal production and understatedly passionate vocals, you know that you’ve just come across a one-in-a-million entity. Enduring the agony of hopeless romanticism fleetingly became worth it through the resonance extended by Open Roads, which captures the enduring loneliness of the human condition and how tightly we cling to connections which can turn to past tense in the blink of an eye.

The Wreckage is now available to stream on Spotify.

Review by Amelia Vandergast

Horatio James – they will have us: lo-fi indie just got infinitely sweeter

Posted on 5 August 2022

If you poured some sugar on Pavement or Dinosaur Jr, the result would be just as sweet as the latest single, they will have us, released by Horatio James.

With reflecting the human condition through lo-fi indie folk soundscapes as the motivation behind the singer-songwriter’s creativity, each new release is an opportunity to boost your mood and brighten your perspective. The dopamine streams are aided by the sweeping overdriven guitars, meltingly warm analog tones and his honeyed harmonies, which will teach you the meaning of expressive vulnerability.

The London-based artist is an all too refreshing taste breaker away from the superficiality that is prolific on the airwaves. For the same reason indie fans developed an affinity for the Violent Femmes and the Dandy Warhols, they will have us will leave an all too welcome synaptic imprint.

they will have us will officially release on August 5th. Check it out on SoundCloud.

Review by Amelia Vandergast

Orlando indie-folk singer-songwriter Faae spoke for us all in her Anthropocene-conscious single, summer song

Posted on 2 July 2022

Ahead of the release of their debut EP themed around derealization and identity in this smouldering Anthropocene, the Orlando indie-folk artist, Faae, has shared her gracefully haunting single, summer song.

In their own words, summer song is “shining a light at the end of the world”, and heartbreakingly, the lyricism gets even more profound as it explores the mental ties that get taut and tormenting when we try to make positive moves. “it is hard to be better when there is no one to account for you” is a lyric not easily forgotten.

In the style of Phoebe Bridgers, Mitski and Daughter, the instrumentals confound the expressive and vulnerable nature of single with the raw, ragged and still sublime acoustic textures that anyone with a pulse will want to surrender to. I haven’t felt this excited about Indie folk since I discovered Big Thief. And I’m pretty sure I won’t be the only one utterly captivated by Faae.

summer song will officially release on July 2nd as part of the artist’s debut EP, rudolph. Check it out on SoundCloud and follow Faae on Instagram.

Review by Amelia Vandergast

Spotlight Feature: Allan Hill is profound in the indie-folk delicacy of his sophomore album, Oxford

Posted on 26 June 2022

With each single an embodiment of warmth and compassion, any indie-folk fan with a semblance of self-awareness will want to make Allan Hill’s sophomore album, Oxford, their aural home.

In the same vein as Elliott Smith, Adrianne Lenker (Big Thief), and Sufjan Stevens, the album which was officially released on June 10th, is profound in its delicacy. Consisting of little more than subtly warm synths, banjo, fingerpicked guitars and quiescently revealing vocals, the release aids just that; the release of every frustration our isolated age has imparted.

With finding resilience being an overarching theme, which ebbs through the nine-track release, by the time Goodbye Blue Monday rolls around you have a confidant in the Canadian artist.

Starting with the single, Angell Woods, which was recorded in one take in the woods, it is all too easy to ease yourself into the enveloping accordant resonance of the LP. Before track two, This Time of Year cuts to the bone with the precision of the artist’s ability to allude to weather-triggered emotion that words alone can never explain.

The sepia-tinged melodicism of the title-single allows the fact that Hill only picked up a guitar during lockdown almost unbelievable. As simple as the light production, which contrasts the heavy lyricism, may be, there’s a tenacity to the rhythm, allowing it to feel as natural as breathing.

Here is what Allan Hill had to say on his sophomore release:

“Oxford delicately documents the process of starting over and coming to terms with solitude, guilt, and inevitable change in real-time. Impermanence is a common theme. Empty stretches of highway, late night phone calls, decaying suburbs, violence, tender conversations and flora and fauna are all intertwined to create an intimate yet isolating universe.”

Hear the album on Spotify & Bandcamp. Follow Allan Hill on Instagram.

Review by Amelia Vandergast

Allan Hill muses on impermanence in his sophomore album, Oxford

Posted on 26 June 2022

Unlike many lockdown-born projects, the Indie-folk solo artist, Allan Hill, didn’t give up the ghost when the bars opened again. After his 2021 debut, he’s revealed the delicate melancholia refined in his sophomore 2022 album, Oxford.

In his own words, the LP is a “coming of age turning inwards and an exploration of impermanence, nostalgia, isolation and queerness.” In the title single, the invitingly warm plaintive soul wraps around the simplistic admission, “everything keeps changing, and I’m fine”, which isn’t profound in itself until you start to consider the journey an artist had to go through to make that proclamation.

The fingerpicked Either/Or-era Elliott Smith reminiscences may be strong in the nature entwined single, but Hill’s autonomy as a stunningly talented artist in his own right is enough to quiescently beat them into submission.

Oxford is now available to stream on Spotify. Grab some tissues first though, yeah?

Review by Amelia Vandergast