Browsing Tag

indie folk pop

Tobias Ben Jacob – a beautiful, haunting take on rootlessness, struggle, and hope inspired by a simple ‘Bird Made Out Of Clay’.

Tobias Ben Jacob is one half of the alt-folk duo Jacob and Drinkwater, and a former member of the acclaimed but sadly now-defunct Devonshire acoustic four-piece The Roots Union; with that kind of pedigree, any solo affair was always going to be a strong contender, and 2017’s ‘A Polyphonic Life’ was certainly a stormer of an album, including two songs which went on to feature in Martha Pinson and Martin Scorcese’s indie movie ‘Tomorrow’.

‘Refuge’, Jacob’s new album, is an entirely different affair, a vibrant collection of electronica-tinged narrative folk-tinged songs inspired by people at the heart of the global refugee crisis. ‘A Bird Made Out Of Clay’ is the first track (and lead single) is a beautiful, poignant take on how a single, random act of kindness can bring hope and charm to life even in what seems, at first, to be the bleakest and darkest of places, Jacob’s lifting, lilting voice carrying the track over a sparse arrangement of synth swells and sampled human choral voices. It’s melancholy yet hopeful, the gentle guitar line filling the space between Jacob’s story-telling vocal, the tale – like the rest of the album – created and jotted down in lay-bys and car-parks during Jacob’s six-day-week job as a delivery driver.

Inspired partly by Zekria Farzad, an Afghan refugee and former journalist who set up the Wave For Hope For The Future School at the Moria Refugee Camp in Lesbos, and partly by the Ai Weiwei film ‘Human Flow’, which documents the crisis, ‘Refuge’ is a hugely important piece of work, a delicate, fascinating musical accomplishment with a deeply meaningful message for us all; ‘A Bird Made Out Of Clay’ is the perfect, sublime first single and introduction to Jacob’s oeuvre.

‘A Bird Made Out Of Clay’ – and the rest of the ‘Refuge’ album – is available on Soundcloud now. Follow Tobias Ben Jacob here, or on Instagram.

Review by Alex Holmes

Michael Golden gives us a glimpse into his psyche with captivating new single ‘The Rhine’

Bloomington, Indiana resident Michael Golden began his songwriting career at the age of 16; now, after twenty years of honing his craft, he drops his debut album ‘Some Kind Of Holiday’, a self-produced 12 tracks of classic, folk-rock inspired eclecticism in the singer-songwriter tradition of the 1970’s.

Raw and heartfelt, autobiographical in the Leonard Cohen way, new single ‘The Rhine’ is a vaguely psychedelic, folksy little three minutes of earnest, sincere whimsy; it’s profound, pretty, like a trip back into the world of Cat Stevens and Donovan, naked and laid bare and altogether truthful. Golden has assembled a stunning collection of musicians across ‘Some Kind Of Holiday’, with swelling cello, organ, and guitars all underpinning his deep, rich vocal.

‘Some Kind Of Holiday’ is out now; view the video for ‘The Rhine’ on YouTube, and follow Michael Golden on Facebook or via his website.

Review by Alex Holmes

Metasonics delivers an Indie Folk Pop shot to the heart with ‘I Love You’

Metasonics set out to change the landscape of the Pop genre in the 21st century, through their debut self-titled album, which was released in 2019, it’s safe to say that they have the perfect aural arsenal to wage the war on the superficial Pop genre.

I’ve probably heard more love songs than I’ve had hot dinners, but rarely, do they leave me as amorously sated as the standout track ‘I Love You’ from the Scottish artist. There’s a profoundness in the simplicity of the candid lyrics which centre around a direct, unfiltered proclamation of love which hits harder with every repetition.

With elements of Indie Folk ringing in the polished production, Metasonics will undoubtedly be of appeal to any fans of Frightened Rabbit, Neutral Milk Hotel, and Twilight Sad.

You can check out Metasonics’ debut album for yourselves by heading over to Spotify.

Review by Amelia Vandergast

Timothy Jaromir keeps us dancing in the ‘Afterglow’.

For ‘Afterglow’, Timothy Jaromir has revisited the stunning collaboration of Americana-Folk project Goldschatz with his Canadian-born wife Rykka to gorgeous effect.

A perfect, beautiful mix of folk, blues, Americana, and mildly jazzy indie-pop, ‘Afterglow’ stomps along on a bouncy, reverb-washed drum-beat and bassline before kicking-in in full on the dreamily catchy chorus.

Rykka’s sublime vocal intertwines around Jaromir’s lead, swirling keyboards, and guitar, the whole thing wrapping itself around you like a comfort-giving blanket, warming and soothing whilst lifting your heart and dragging a smile to even the most lockdown-sick of faces. This is total, exquisite feel-good folk-pop that simply cannot fail to delight, enliven, and revitalise even the most world-weary of souls.

Hear ‘Afterglow’ on Timothy Jaromir’s Facebook page, or follow on Twitter and Instagram.

Review by Alex Holmes

Wyler Wolf delivers celestial accordance with their Indie Folk debut ‘Heaviest Hand’

Indigenous Kahnawake artist Wyler Wolf has made a rapturously resolving debut with their Alt-Indie Folk single “Heaviest Hand” which unravels like a rhythmically-enticing lullaby.

With a celestially accordant air behind the production and the sheer amount of compassion from Wyler Wolf’s vocals, don’t be surprised if you need to fight back tears once you hit play. The resounding hum of Wyler Wolf’s vocals against the absorbing depth of sonically-enticing soundscape offers a seriously wounding evocative potency. But with the mindfully restorative nature of Heaviest Hand, you can consider it part of a healing process.

The chances of hearing the same meditative solace if you turned on the radio today are about the same as winning the lottery. Which, ironically is exactly how I feel for stumbling across this stunning beyond all definition single.

Heaviest Hand is available to stream via Spotify.

Review by Amelia Vandergast

Dom Malin – Eye of the Storm: Sweetly Tempestuous Modern Indie Folk

As soon as you hit play on West Midlands-based singer-songwriter Dom Malin’s third self-produced Indie Folk single, you’ll see why it is titled “Eye of the Storm”.

The parable between heartbreak and elemental chaos is intensely palpable. You’ll find yourself swept up in the evocatively raw, melodically crafted radio-ready production and ardently in awe of Malin’s intimate connectable vulnerability.

It’s so much more than the deliverance of piteous self-indulgent woe. Eye of the Storm deals with the unendurable emotions which come to fruition when you realise that there’s no chance of keeping a fire in a relationship breathing as the last ember has already faded. Malin notes the inconsolability which accompanies heartbreak, but with Eye of the Storm, he offers a temporary aural escape by delivering emotion which may just displace your own romantic lament.

Your soul would have to be fairly dilapidated not to register the painful emotion which has been projected into the soundscape which will go down a storm (excuse the pun) with any fans of John Mayer, The Lumineers, Damien Rice and Ben Howard.

Even though there are some stylistic nods to the likes of Paul Simon, Malin’s sound is anything but archaic. Malin achieves a sonically massive sound which would have no trouble filling a stadium, all the while delivering one of the most tenderly poetic singles which you’ll hear this year.

Ahead of the official release, Eye of the Storm has already been chosen as track of the week by BBC introducing Lincolnshire. It would be no surprise if it featured on plenty of other Radio A-lists throughout Autumn 2020 and beyond.

Eye of the Storm was released on Friday, November 6th, 2020. You can check it out via Spotify.

Stay up to date with new releases from Dom Malin by following him on Instagram.

Review by Amelia Vandergast

Jessamine Barham – Marching On: A Sanity-Preservation Playlist Staple

After the release of her second album, there’s never been a better time to indulge in Jessamine Barham’s captivatingly devastating Alt-Indie Folk Pop sound.

The perfect introduction to her melancholically arrestive style is “Marching On” which compassionately addresses the very real fact that globally, we’re suffering from a loss of faith. Not just in a religious sense, but a loss of faith in our futures, ourselves, our leaders. The list is endless, but, as Jessamine Barham so poignantly alludes in this haunting release, it’s not easy to pull yourself out of a depressive hole, but that doesn’t mean that it is an impossibility for you to see more than just futility.

This track isn’t for the fainthearted. The directness of it may rub some salt in the wound, but just as with that tired old analogy, the salt (track) can heal after it stings.

I don’t make a habit of expressing personal gratitude in my reviews, but Jessamine Barham deserves so much more than fancy adjectives, she deserves recognition for this truly priceless record, for how candidly she approached the lyrics, for how cathartically resolving the soundscape became. So, thank you.

You can check out Marching On by heading over to YouTube.

Review by Amelia Vandergast

Pete invites us to find comfort in uncertainty with their latest single “I Don’t Know”

https://peteymacd.com/track/2347032/i-don-t-know-love-again

“Can I love again?” is one of the most soul-crushing questions we can ask ourselves. Up and coming Indie artist Pete used that agonising precariousness and conjecture to create their latest single “I Don’t Know (Love Again).

Some days leave us with more questions than answers. this sublimely mellifluous single is a soothing reminder that absence of certainty doesn’t always need to be synonymous with misery.

The grooving Indie Folk Pop track has Jack Johnson-vibes to offer, along with a smorgasbord of Pete’s own authentic style which brings plenty of accordantly melodic soul to the soundscape.

With the vibrantly warm tone of the track, it’s impossible to entertain any cynical absolutist thoughts about the future. If you’re in a relationship, put it on your playlists. Just in case.

You can listen to I Don’t Know yourselves here.

Review by Amelia Vandergast

Leo Howse – A (nother F*cking) Heartfelt Love Song Featuring Suzi Jodie.

https://soundcloud.com/leo-howse-984550612/another-fucking-heartfelt-love-song-feat-suzi-jodie/s-C9F80swjBiZ

When love songs are as inventively titled as Leo Howse’s latest single “A (nother Fucking) Heartfelt Love Song” featuring Suzi Jodie, we were always going to pay attention.

From the first hint of sardonic wit in Leo Howse’s playfully bitter-sweet Indie Folk Pop single we instantly warmed to their sarcastic style which was perfectly complemented by Suzi Jodie’s ardently accordant vocals.

Anyone who appreciated the Fratellis’  off the cuff songwriting style will definitely want this melodic psychedelically-infused feat of Pop in their ears.

We can’t wait to hear what comes from the up and coming eccentric artist. Maybe, by the date of the next release, the earworm which this single left us with may have wriggled out.

You can check out A (nother Fucking) Heartfelt Love Song for yourselves by heading over to SoundCloud.

Review by Amelia Vandergast

Prepare to be sobered by Joe Johnson’s latest Indie Folk single “Be Who You Wanna Be”

Folk singer-songwriter Joe Johnson has recently released his instantly captivating single “Be Who You Wanna Be” and reminded us just how resonant Indie Folk can be.

Be Who You Wanna Be feeds you poignantly meta lyricism whilst grounding you with the melancholically-tinged instrumentals. From such simple guitar melodies and humbly tender vocals, Joe Johnson has created an atmospherically resounding single which will stay with you long after it has faded to a close.

The orchestral layers amplify the emotive weight in Be Who You Wanna Be, but in its essence, it’s a stunningly uplifting track which shares the same appeal as Eddie Vedder’s Into the Wild soundtrack album.

You can check out Be Who You Wanna Be for yourselves by heading over to Spotify.

Review by Amelia Vandergast