Browsing Tag

indie folk pop

Intuitively spiritual rhythm meets sensual folk in DORA GOLA’s latest single, Dance with Danger

Posted on 17 June 2022

If any track is going to tempt the weary and wary out of their comfort zones after sanity diminishing lockdowns, it is the artfully fierce electronic folk-pop earworm, Dance with Danger, from the spiritually magnetic singer-songwriter, DORA GOLA.

With the intuitiveness of the rhythm, you scarcely need her bio to tell you that she’s a dancer. Her connection to music is enviably strong, but at least she’s had the grace to share her natural gift with the world through emboldening hits that tease your rhythmic pulses as much as they stir the soul.

Following the release of Dance with Danger, the Poland-born, West Ireland-based artist will continue to make her discography a rediscovery of ancestral roots, mystery and sensuality. We can’t wait to hear what follows. She shines luminously bright in a sea of ego-driven artists.

Dance with Danger will hit the airwaves on June 17th. Stream it here.

Review by Amelia Vandergast

Max Minardi took us to Northern California with his folk-pop single, Young & Green

Posted on 13 May 2022

North California’s folk singer-songwriter, Max Minardi, wore his heart on his sleeve and gave us all his shirt in his latest narratively spellbinding indie folk-pop single, Young & Green.

The Lumineers and Mumford and Sons may have given folk-pop a bad rep, but the pop hooks and Americana roots in Young & Green is more than enough to restore the reputation with a single sonic hand.

The intricately spirited piano melodies and the orchestral layers bring the instrumental gravitas to the same level as his naturally magnetic vocals, which carry the same timeless beguile as Cat Stevens, Paul Simon, and Ben Howard, while up against the effortlessly synergistic female vocals.

Young & Green is now available to stream on Spotify.

Review by Amelia Vandergast

Gian Majidi explores the amorous side of ‘The Moon’ in his latest single

Posted on 27 April 2022

Before releasing his self-titled 2022 pop album, the uniquely inspired multilingual Helsinki-based singer-songwriter and composer Gian Majidi has given us a taste of what is to come by giving us a sneak peek of his single, The Moon.

Through his love of 60s pop and 70s rock, he’s orchestrated a nostalgic yet passionately refreshing take on music from decades past. The Moon comes with artfully supple vocal harmonies, intricately picked Spanish guitars and butterfly-evoking progressions that won’t fail to pull you into the colourfully rich release that will undoubtedly put Gian Majidi on the map.

You can check out Gian Majidi for yourselves by heading over to SoundCloud.

Review by Amelia Vandergast

John Dhali took feel-good indie-folk to stratospheric new heights with his latest single, Taste

Posted on 20 March 2022

With caressing crescendos and swells of soul by the smorgasbord, the indie-folk singer-songwriter, John Dhali’s latest release, Taste, definitely isn’t an acquired one.

What starts as a gentle and euphonic offering of indie art-pop bliss transcends into a rock-licked all-consuming aural entity as you’re left to face the untamed passion in the lyrics and vocals and the equally as robust production.

When Taste reaches its anthemic peak, it is enough to rival Mr November by The National. Yet, I’m not sure The National could get away with the sweet and lofty ukulele melodies that John Dhali uses to amplify the high vibe soul. When he says his sound marries the feelgood accessibility of George Ezra with the evocative depth of Buckley, he more than backs it up with his viscerally euphoric discography.

It comes as no surprise that the Northwest, UK-born, London-based artist has already garnered attention from BBC Radio 1 and 2 and won regional awards for the best solo artist. We can’t wait to see his career blow up after the launch of his forthcoming album.

Check out John Dhali’s latest single, Taste, on Spotify.

Review by Amelia Vandergast

Pick up Burlington’s latest alt-indie-pop hit, Summer’s Calling

Posted on 12 March 2022

We convince ourselves that we are complex creatures, but really, we’re not that much more complicated than leaves for the way we thrive in the sun and when we’re sucked into sun-soaked hits, such as the latest single from Burlington, Summer’s Calling.

The alt-indie pop earworm exudes those hazy sweet summer feel-good vibes through the soulfully imploring vocals atop the jangly, angular indie-pop melodies that are just as sweet as the euphoric hooks Marr has crafted in his decorated career.

The sense of soul and the musicality is one thing. The massive production, which comes through Burlington’s experience as a house producer, is another thing entirely. Mumford & Sons, eat your heart out.

You can soak up the rays for yourselves by heading over to Spotify.

Review by Amelia Vandergast

Winternom – True: Meet your new existential alt-indie playlist staple

Posted on 8 March 2022

The alt-indie-folk-rock newcomers, Winternom, are set to bring souls in from the cold with the standout single, True, from their sophomore album, The Cold or the Crowd. Sonically, the hazily sweet single sits between Elliott Smith and Pavement, with a few proto-punk-meets-psych-pop nuances.

Lyrically, the Ottawa, Canada-hailing artist comes into their own with their witticisms that walk the line between existentialism and affection in a way that pays ode to the Alt 90s while still delivering emotive modernism. Despite its overarching lo-fi vibe, the dreamy textures in True never resonate as brash. Instead, they keep the tones bright to contrast the less than sunny, deeply relatable vocal disposition.

True is now available to stream along with the rest of Winternom’s triumph of an album, The Cold or the Crowd via Spotify.

Review by Amelia Vandergast

Audrey Scout turns visceral emotion into ethereally hazy vibes in her indie single Sunday.

Posted on 21 January 2022

SoCal-born and raised artist, Audrey Scout, is here with her recently released single, Sunday. It’s the perfect introduction to the indie singer-songwriter’s indulgent ability to turn visceral emotion into ethereally smooth soundscapes.

Any fans of Tom Odell, Daughter, and Phoebe Bridgers will find themselves equally as enamoured by the quiescence in this stunningly poised release that lets the emotion flow as though the Hoover Dam has just burst. Audrey Scout may still be finding her feet in the industry but on the basis of her stellar songwriting skills, ability to spin a soul-wrenching bitter-sweet melody and create a captivating atmosphere with her vocal timbre alone, she’s definitely one to watch. We can’t wait to hear what follows.

Sunday is now available to stream on Spotify.

Review by Amelia Vandergast

Spotlight Feature: Castle KYD pulls visceral emotional punches in ‘The Mess You Left Behind’

Posted on 1 December 2021

On November 26th, Idaho indie singer-songwriter Castle KYD brought accountability in trend with his artfully expressive single, The Mess You Left Behind. In the Waitsy intro, there is little but solemn vocal notes and the quiescent murmurs from the acoustic guitar; as the track builds up to the pre-chorus, that’s when the sharp hook digs in and pulls you deeper into the intrinsically melodic work.

The Mess You Left Behind truly is the pinnacle of contemporary indie-folk pop. His innocently sweet scorned vocals, the celestial accordance in the choruses and lyrics that prove the extent of his determination to transfuse raw emotion into art makes Castle KYD one of the most gifted artists of his generation.

We didn’t need the self-taught artist’s bio to tell us that his music is an amalgamation of desire for connection, a means to cope and a way to turn banality into something meaningful. You can hear it in every ounce of passion poured into this evocatively bruising seminal release.

Here is what Castle Kyd had to say about his latest release:

“Mess You Left Behind was written on a sleepless night, thinking about someone I lived with and had to leave because it was so toxic. In 15 minutes, every feeling, anger and blame poured out of me and formed a poem which became a song in those minutes. After months, I still miss and crave them despite their emotional abuse; I blame myself for craving that, the person who instilled a lot of hurt in me. After struggling to get over it, I’ve become paradoxical; I am the mess this person left behind.”

The Mess You Left Behind is now available to stream via Spotify.

Review by Amelia Vandergast

LT – How Would it Feel: The Ultimate Melancholic Dream-Pop Track

Posted on 17 September 2021

Award-winning singer-songwriter, LT (Leanne Tennant), has poured her spellbinding talent into yet another evocatively ensnaring single, How Would it Feel; by all accounts, it’s the ultimate melancholic pop track. Expect a similar sonic palette to the likes of Beach House, Deerhunter and Slowdive through the shoegazey angular guitars and hazy reverb paired with uplifting elements of folk.

LT delivered familiarity and alchemic distinction in the same package; her soulfully provoking, tender indie vocals command the soundscape in the same hypnotic way as London Grammar, Daughter and the XX. The reminiscences are great for reference, but to truly appreciate her exceptional songwriting skills, you’ll need to experience the soul of How Would It Feel first-hand.

How Would it Feel was officially released on September 13; you can check it out for yourselves via her website or SoundCloud.

Review by Amelia Vandergast

John Greska has released his eccentrically introspective indie-folk-pop single, ‘The Big Hill’

Posted on 6 July 2021
John Greska

If Bowie picked up some folky Midwest charm, his Ziggy Stardust days would have run in the same vein as John Greska’s eccentrically psychotropic single, The Big Hill, which explores the pace at which the sands of time slips by.

With the playfully polyphonic synths and keys paired with John Greska’s quaint yet charismatic vocal timbre, this indie-folk-synthpop-single couldn’t be more endearing. Rather than leaving you in an existentialist catatonic state as you ponder just how fleeting your existence is, The Big Hill leaves you with the same ardour for life as exhibited in the reminder that the days will slip by you if you let them.

The Big Hill will officially release on July 19th; you can check it for yourselves by heading over to SoundCloud.

Review by Amelia Vandergast