Browsing Tag

Indie Dream Pop

Slip into a chorally Lynchian delirium with Milk Bar Gang’s latest orchestration, The Accident

Hitting play on the latest single, The Accident, from Milk Bar Gang, you’d be forgiven for thinking you’ve slipped into a chorally Lynchian delirium as you allow the cultivated hazy dream pop tones to wash over you, submerging you in ethereal Avant-Garde surrealism.

The song’s sonic landscape is a complex tapestry, weaving together elements of Shoegaze’s choral dreaminess and the experimental edge reminiscent of Glenn Branca while the incorporation of jazzy rhythms and darkwave elements contribute to its rich and diverse texture.

Lyrically and thematically, The Accident delves into profound concepts. It reflects on the uncontrollable circumstances of birth and the ensuing struggle against oppression, as well as the emergence of resistance. This philosophical depth is matched by the music’s atmospheric synths and sharp guitar riffs, underlined by a rhythm section that couldn’t be further from archetypal. The unsettling melodies and chord progressions further enhance its impact, creating a sound that is simultaneously bleak and beautiful.

Recorded at home and refined by professionals in Melbourne, the single is a testament to Milk Bar Gang’s commitment to their craft. The band, formed in 2021 by Felix Chapple and Bianca Cao, brings a diverse range of influences and experiences. Chapple’s history with various Melbourne bands and musicians, combined with Cao’s background in dance and visual art from Beijing, contribute to the unique identity of Milk Bar Gang. If this is how they chose to end 2023, we’re aching to hear the artfully cohesive orchestrations that are lurking in the pipelines.

The Accident will debut on New Year’s Eve; hear it on SoundCloud.

Review by Amelia Vandergast

Take an indietronica trip between dreams and reality with Jespfur’s latest single, strapped

Jespfur’s latest single, strapped, is a mesmerising journey through a soundscape that defies the ordinary by sonically blurring the lines between consciousness and the ethereal realms of dreams. Jespfur, known for his unpredictable musical trajectory, has once again surpassed expectations, delivering a piece that resonates with the innovative spirit of Jaws, Peace, and M83, yet stands in a league of its own.

Strapped is an intricate amalgam of indietronica, grunge, new wave, and dream pop. Each layer is meticulously woven, creating a rich texture that envelops the listener. The track begins with a subtle grungy guitar rhythm that gradually builds into a crescendo of lush, dreamy tonal beguile. Jespfur’s genius lies in his ability to marry these diverse genres into a harmonious blend, making Strapped a testament to his artistic versatility.

The song’s brilliance is further amplified by its ability to evoke synesthesia. As the melodies unfold, they paint vibrant colours across the mind’s canvas. This tonal sublimity is Jespfur’s signature, a unique quality that makes his music resonate on a deeper, more visceral level.

With Strapped, Jespfur continues to redefine the boundaries of modern music. His fearless exploration of sound and texture makes each release a revelation. As we eagerly await Jespfur’s next creation, strapped emits a signal of his limitless potential. Prepare to be transported to a world where dreams and reality converge in a symphony of sound.

Stream the official music video for strapped on YouTube.

Review by Amelia Vandergast

Chemistry becomes biology in Anna Salman’s seminal indie dream pop single, Blood Rush

Anna Salman’s single, Blood Rush, is a masterful blend of tender etherealism and emotionally charged lyricism. This track stands out as a poignant exploration of the transformative power of romantic chemistry on our very biology. Salman’s indie pop sensibilities are on full display, as she weaves a narrative that is both intimate and universally relatable.

The delicate balance of dream pop and nuanced orchestral elements creates a reverb-soaked atmosphere that perfectly complements Salman’s introspective songwriting. Her passionate vocals, glide effortlessly over the lush, evocative arrangements.

Introducing Turaab’s vocals adds a compelling dynamic to the track. This duet opens a dialogue, exploring the complexities of a relationship that leaves Salman’s protagonist in an affectionate haze, a sentiment mirrored in the song’s rich tonal textures. However, Blood Rush is not just an ode to love’s euphoric highs. Salman skillfully acknowledges the duality of passion, acknowledging that the sweetest of synergies often come with their share of misery. This acknowledgement adds a layer of depth to the track, resonating with anyone who has experienced the bittersweet nature of love.

Anna Salman, originally from Pakistan and now making waves in the U.S., has already proven her mettle with her performance on Nescafe Basement and her nomination for “The Best Emerging Talent” at the LUX Style Awards. Blood Rush further cements her status as a formidable talent in the indie pop scene. 

Blood Rush was officially released on December 1st; stream it on Spotify.

Review by Amelia Vandergast

Kaleidoscopic melodicism courses through Dons of Youth’s single, Rush

Dons of Youth, an indie-pop duo composed of Peter Moe and Kelly Matthews III, hailing from Nashville, TN, has crafted a dream pop reverie with their latest track Rush.

Rush is a pristine example of the indie dream pop genre, evoking the ethereal soundscapes akin to Cigarettes After Sex and Beach House and nodding respectfully to the Shoegaze pioneers. The textured tapestry of sound, with kaleidoscopically colourful melodies and harmonious timbres that weave through the air, creates an immersive auditory experience that you will want to be consumed by time and time again. The band’s artistry shines in the elemental melodic interplay, which complements the tranquil and honeyed vocal lines. There’s an intimate quality to the vocals that feels like a secret whispered in confidence, creating a strong emotional resonance that’s both personal and universal.

The duo, who began their collaboration at Belmont University, have matured into an outfit capable of bringing a cogent distinction to their self-produced sound, which puts them in good stead for their upcoming debut album, which promises to deliver a narrative journey through the labyrinth of young love, desire, and romance. These themes are palpable in the tender fabric of Rush, which not only showcases their technical prowess but also their ability to capture the nuanced emotions of coming-of-age stories.

Stream Rush on Spotify.

Review by Amelia Vandergast

Luce Cargo encompassed the alienation in existentialism in their shoegaze single, I Don’t Belong Here

Since the release of their 2021 EP, Paradise, the Australian shoegaze duo Luce Cargo have been honing their talents and attuning the authenticity in their sonic signature; I Don’t Belong Here is the first exhibition of their freshly manicured dream pop sound, and it is a sign that if any outfit is strong enough to stand at the vanguard of the 21st-century Shoegaze resurgence, it is them.

With soft angular guitars which echo Slowdive influences leading into My Bloody Valentine-esque walls of distortion, the progressive instrumentation sets the tonal shifts for the vocals which transition from bleeding into the reverb-laden synths with blissful accordance to bursts of primal candour.

The title gives plenty of clues to what the lyrics relay, but the resonance for anyone who feels alienated in their existentialism shouldn’t be underestimated. The compassionately relatable narration of loneliness holds a mirror to the fractures that splinter across society, leaving us all disconnected in an increasingly connected world.

I Don’t Belong Here was officially released on September 29; stream it on Spotify.

Review by Amelia Vandergast

Pomaa – Wide Eyed: Painfully Sober, Sonically Celestial Indie Dream Pop

With a transfixingly astral vocal register layering harmonies over the retro reverb-swathed synths, Pomaa’s latest single, Wide Eyed, bridges the gap between Siouxsie and the Banshees and cutting-edge outfits in the vein of Wolf Alice and Desperate Journalist while allowing you to linger in a kaleidoscope of dreamy psych-pop tones.

From the first immersion, the artist’s unique talents in blending the spirit of her own hypnotically authentic expression with the mixer of era-spanning signatures from shoegaze, post-punk, psych, pop and indie to pour the perfect sonic mocktail becomes immediately apparent.

Through Wide Eyed, Pomaa narrates the isolation of being the only sober person at a party; starved of connection and wracked with unshakable sensations which embed the loneliness of growing at a different pace to everyone around you.

Wide Eyed will be available to stream on all major platforms from October 11; stream it on Spotify & SoundCloud. If you like what you hear, stay tuned for the release of her debut EP, Bridge to Somewhere, which will drop on November 15.

Review by Amelia Vandergast

Roo Elizabeth – Ready to Die: A Dream Pop Redemption Story

Etherealism drifts through the latest avant-garde dream-pop installation, Ready to Die, from the Irish artist, songwriter, and fledging producer, Roo Elizabeth who has been taking the live circuit by storm after opening for Wyvern Lingo and Mary Coughlan and appearing on the bill at Electric Picnic and Forest Fest.

With a soundscape that bridges the gap between the melancholic intimacy of Bill Ryder-Jones, the hazy production techniques of Cigarettes After Sex, and the artful expression of Kate Bush in her The Kick Inside era, Roo Elizabeth gave her sophomore single a timelessly beguiling nocturnal quality, perfect for slipping into when you want to relish in introverted introspection.

The track title may appear macabre but the sonic experience itself couldn’t be more tender in its advocation for sanctity, acceptance, and authenticity. By illustrating the beauty of tragedy, in the same vein as Cultdreams, Roo Elizabeth rendered one of the most affirmingly inspirational singles of 2023.

In her own words:

‘READY TO DIE’ is about radical love. It’s about fighting for your own joy. Like a lot of others, I have grown up surrounded by addiction. It buries the spark in the people we love. This song is about cutting the ties of self-sabotage and rising to meet yourself in your own authenticity.

Ready to Die is now available to stream on Spotify.

Review by Amelia Vandergast

Bathe in the shimmering catharsis of whitewood drive’s distorted Tour De Force, cosmic hero

whitewood drive

While shoegaze bands that can cut through the derivative reverb-drenched tones don’t come around all too often in this era, whitewood drive proved that there are still creative ways to push through the washed-out choral distortion with their latest mellifluous-with-malaise single, cosmic hero.

By emanating the darkness of Bauhaus and following the Vapour Trail laid out by Ride, the Connecticut-hailing three-piece succeeded in crafting a single that lends itself well to the traditionalism of the genre while ensuring you have a reason to turn your attention away from your MBV and Slowdive records. The intricately evocative single may stir plaintive emotions, but the accordance lets you bathe in shimmering catharsis in the next breath. It’s a stunning release that harbingers even greater tonal triumphs to come.

cosmic hero is due for official release on September 1st; stream it on Spotify or download the track on Bandcamp.

Review by Amelia Vandergast

Ted brewed the ultimate blend of jazzy indie-folk dream pop with ‘The Coffee Shop’

There was no forgetting Ted’s folk-meets-dream-pop hit, Revolution Then, which reminisced on the times when revolution action was a feasible act of retribution amongst the repressed masses.

In his latest single, the Australian singer-songwriter and multi-instrumentalist waltzed into The Coffee Shop to share a jazzy and intimate vignette of an unassuming female protagonist who inspired the laidback with luxe style from the fleeting observations made on her curious reticence.

With touches of the Beatles melding with a dreamy iteration of the 70s folk style, The Coffee Shop is far from short of beguile. Ted captured the coffee shop mood perfectly. The snug comforting atmosphere breathes right through the sax-infused kaleidoscopic melodies.

Visit The Coffee Shop for yourselves by heading over to Spotify first.

Review by Amelia Vandergast

Dream Baby Dream with Cati Landry’s indie pop installation of etherealism, Mind’s Eye

With vocal lines that hypnotise as they harmonise, Cati Landry’s indie dream pop single, Mind’s Eye, will instantly put you under its ethereal spell. As the lead guitars bend licks of Americana into the notes, the rhythm guitars keep the 90s indie dream alive in their steady spills of instrumental romanticism.

The Canadian singer-songwriter set to create the ultimate anthem for the diehard romantics who find themselves consistently contending with the juxtaposition between dreams and reality; given that she made romantic expectations all the more unrealistic with her butterfly-releasing release, it is safe to say she succeeded in her enchanting record, which deserves to be just as revered as Swift’s latest LP. I highly recommend investing in Cati Landry’s promising career before you have to take out a second mortgage for her gig tickets too.

Mind’s Eye was officially released on July 14; stream it on Spotify.

Review by Amelia Vandergast