Browsing Tag

Indie

Take a detour to ‘the suburbs of jersey’ with Natalee Gallo’s latest indie vignette of vulnerability

Posted on 19 December 2024

Natalee Gallo’s latest release, The Suburbs of Jersey, weaves a delicate yet unyielding balance between introspection and melodic sophistication. With her sophomore single, the Pittsburgh-based indie singer-songwriter invites listeners into the emotional architecture of her experiences, building bridges between past uncertainty and present clarity through her Americana-tinged indie pop.

A master of subtle dynamism, Gallo’s layered approach to songwriting breathes life into her narratives. The slide guitar’s soft curiosity melds seamlessly with the driving acoustic backbone, creating a soundscape that pulses with restrained intensity. The production evolves in waves, mirroring the emotional intricacies of its subject matter: the insecurities that stem from navigating perception and expectation at the genesis of a relationship.

Born from a journal entry penned in 2018, the track feels as confessional as it does cinematic. Gallo’s tender yet resolute vocal delivery conveys the vulnerability of her lyrics with an evocative timbre that paints panoramic emotional vistas. Naturally, we can’t wait to hear what follows from the organically absorbing artist who can stir the coldest souls into feeling whole.

the suburbs of jersey is now available to stream on all major platforms, including Spotify.

Review by Amelia Vandergast

PRI// Talks Sonic Freedom, Narrative Albums, and What’s Coming in 2025 – An Exclusive Interview

Posted on 18 December 2024

In this exclusive interview with PRI//, the boundary-pushing artist reflects on a year of bold sonic narratives and lyrical honesty that’s set the tone for what’s to come in 2025. Known for leaning into instinctive creativity and crafting albums that feel thematically cohesive yet unshackled by convention, PRI// explores themes of solace, self-expression, and connection through music. With a glimpse into the upcoming releases and a promise to amplify the visual element alongside the sound, PRI// offers a candid look at the passion and process driving their artistry.

PRI//, welcome to A&R Factory! Thanks for the opportunity to connect with you as you close out a hyper-productive year! What’s been the highlight of 2024 for you?

So many highlights but I have really enjoyed creating my albums – bodies of work which have told complete narratives from start to finish. Not quite concept albums but almost. I’m thinking of Begging, Manufacture and Vagina Den Tata.

I’ve also enjoyed developing a bit more in the live setting on TikTok and leaning into the visual elements too. There are exciting things to come!

We love that you’re not afraid to go bold with your tracks and track titles; how does it feel to be so free through sonic expression? 

 I think it’s important to hold true to your instincts when you are an artist creating, you need to be aligned with that little voice inside and honour it, without trying to stifle it!

If you had to name one, what’s the main component which ties your eclectic discography together? 

I think the common thread is…me! Ha ha! People also seem to respond to the lyrics, and that is really great to hear. I want to create a body of work, a body of work that can help people, that can soothe them in times of distress and make them feel less alone.

Where do you typically find your lyrical inspiration? 

Everyday life. Or it can be something I read or watch. A line of dialogue will set me off. Or it can be something that someone says or the way someone looks. It can take me by surprise.

You’ve teased a string of upcoming releases in 2025; can you give us an inside view into what will be dropping onto the airwaves? 

There’s more stuff coming and I’ll be leaning into the visual element more. I don’t want to give too much away but it’s an exciting time!

How did these tracks come to fruition? 

I am spinning a lot of plates, so I try to use my time in a productive way but that also feels free and conducive to making something honest. So I like to have my instruments on hand and easily accessible to create when the spirit moves me

How do these singles tie into your broader ambitions? 

My main ambition is to create music that makes people feel less alone that is like a virtual hand, held out to give support. The artists I love have been like that for me.

Stream PRI// on Spotify.

Interview by Amelia Vandergast

Spotlight Feature: Indie Pop Meets Folk Symphony: The Dynamic Contrasts of Woodstone’s ‘Touch of Adrenaline’

Posted on 13 December 2024
Woodstone

Woodstone, a rising indie pop singer-songwriter from New Jersey, offers an emotive glimpse into his forthcoming fourth LP with the release of ‘Touch of Adrenaline.’ The track captures the essence of early 2000s indie pop while throwing back a little further to 90s Britpop, evoking memories of Plain White T’s and stoking the nostalgia of Oasis while infusing his own raw, heartfelt style.

This intricately crafted track intertwines folk elements with chamber pop strings, allowing contrasting layers of ornate orchestration and winding folk guitar lines to showcase Woodstone’s skill in bending and blending texture and tone into affecting aural contours. Reflecting on the ephemeral nature of intense feelings, Woodstone demonstrates a sophisticated approach to scintillating the senses of his growing fanbase.

Woodstone Said:

“Touch of Adrenaline is about a relationship with an end date, with both parties knowing it will end, and the last fleeting moments being marked by intensified emotion. 

The single explores what it really means to truly feel and be present with someone you love for the last time while conveying an image of romance in the midst of a dystopian world. 

Like all songs on the upcoming concept album, it was inspired by a relationship that could have worked but wasn’t the right time, and life forced us to drift apart.”

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Touch of Adrenaline will be available to stream on all major platforms, including Spotify, from December 13th, with Woodstone’s fourth album, Glass Skin, set to follow in early 2025.

Follow Woodstone on Instagram to stay up to date with all of his latest releases and news.

Review by Amelia Vandergast

Ben Joyner’s ‘Audrey (Nice Name)’ is a love letter scrawled in indie folk blues threads

Posted on 12 December 2024

With Audrey (Nice Name), Los Angeles-based filmmaker and musician Ben Joyner twanged his Southern roots into an indie-folk soundscape laced with bluesy undertones. Joyner’s North Carolina upbringing whispers through the raw, weathered production, evoking the nostalgic warmth of back-porch serenades. Yet, there’s a cinematic depth to his storytelling—unsurprising from someone who knows his way around both a melody and a narrative arc.

The single feels like the love child of Elliott Smith’s emotional vulnerability and Bob Dylan’s effortless breeziness, with a rugged charm that never veers into self-indulgence. The simplicity of the arrangement amplifies its emotional punch, striking listeners with the same visceral authenticity that made Grandaddy and The Flaming Lips cult favourites in indie circles.

While the track humbly avoids overwrought polish, allowing the magic to permeate through the endearing imperfections. Like a page torn straight from Joyner’s diary, the lyrics unashamedly bare the heart of a diehard romantic, exuding an effortless intimacy that many polished productions fail to capture.

It’s rare to encounter a track so uncontrived in its affections, yet refined enough to avoid straying into cliché, but sure enough, with Audrey (Nice Name), Joyner more than lives up to his name.

Stream Audrey (Nice Name) on Spotify now, and connect with the artist via Instagram.

Review by Amelia Vandergast

Mikey Mosher – ‘Tell Me!’: A Scuzzy Slice of DIY Indie Garage Rock Romanticism

Posted on 9 December 2024

If Fidlar and The Strokes met in a garagey middle ground and took a few production and vocal cues from John Grant, the result would reverberate in the same deliciously scuzzy vein as the latest self-written, produced and recorded single, ‘Tell Me!’ by the Chicago-based DIY musician and visual artist, Mikey Mosher.

With the only other hands brought to this single and self-shot and directed music video being Joseph at Freeman Mastering, it’s safe to say that Mikey Mosher has honed his multi-faceted talents enough to emerge as a master of all sonic trades.

The aesthetic of the release is perfectly complemented by the warm, saturation-rich visuals, which hark back to the DIY videos which reigned supreme in the era of indie sleaze; now that Gen Z is determined to live through the epoch they missed the first time around, Mikey Mosher is well-placed to make major waves throughout the US and beyond.

If you can’t get enough of the haplessly hopeless romanticism in ‘Tell Me!’, keep Mikey Mosher on your radar to stay posted on his new album, Atlantis, which is due to drop in early 2025.

The official music video for ‘Tell Me!’ dropped on November 26th; stream it on YouTube now.

Review by Amelia Vandergast

Alt-Indie Raconteur Mickey Haimes Shines Light on Shadows in his Debut Single, ‘Sunlight’s Exposure’

Posted on 6 December 2024
Mickey Haimes

With his debut single ‘Sunlight’s Exposure’, Guernsey-based singer-songwriter Mickey Haimes signalled that supremacy in the alt-indie scene is his for the taking by blending jazz, blues, and indie rock with the swagger reminiscent of Nick Cave. Supported by BBC Music in the Channel Islands, Haimes offers a candid tale of questionable life choices via an unflinching descent into past experience.

With a distinctive, soulful voice, he could harmonise his shopping list and still leave listeners mesmerised. His rugged yet sweet harmonies infuse smooth grooves with a warmth that only a true conduit of soul can provide. While most artists have to resort to experimentalism for authenticity’s sake, with Haimes, there’s a rare sense that his distinction breeds from unfeigned expression as he exudes a rare originality born from sincere expression.

The intricate, organic layers of ‘Sunlight’s Exposure’ paint a vivid portrait of a soul guarding its own shadow, serving as the perfect introduction to an artist already making major waves before his first official release reaches the shores of the alt-indie arena.

Already recognised locally as Guernsey Street Festival Performer of the Year 2022 and having graced the BBC Introducing stage at the Guernsey Together Festival 2023, Haimes reflected on his songwriting with the observation that “A gritty insight is a useful one, but a playful slant is what brings it to life.”

Sunlight’s Exposure will be available to stream on all major platforms from December 6th; discover your preferred way to listen via this link.

Review by Amelia Vandergast

The Talking Hours cast the first stone in the indietronica blues-rock revolution with the swagger in their latest seminal release, Stop the Sound

Posted on 5 December 2024

The Talking Hours have returned as unrivalled pioneers of post-punk panache after a four-year airwaves hiatus with Stop the Sound, a track from their third LP, Transmissions to Missy. If you’ve ever wondered what The Black Keys would sound like if they traded in their vintage bluesy tones for indie hooks and Arcade Fire-style swagger, look no further.

Mauricio and Karie, the fierce force behind The Talking Hours, weave magnetic indie vocals through a dense fog of percussion and angular guitars that slice through the track with post-punk precision. The visceral rhythm and sharp riffs deliver jolts of energy while the vocals cut through, commanding attention with their arcane deliverances of deadpan drawls and euphonic harmony.

The way the duo push against the constrictions of sonic conformity by pairing rock, blues, and indie elements with electronic pulses amplifies the hypnotic gravity of Stop the Sound. You’ll come for the perfect equilibrium of style and substance, yet it is the emotive anatomy of Stop the Sound which allows it to establish itself as a playlist staple, with the same sense of magnetism as Editors and Interpol in spite of the abstract nature of the lyricism.

Stream The Talking Hours’ LP, Transmissions to Missy, in full via Spotify now.

Review by Amelia Vandergast

figaro heralded the new wave of darkwave indie with their ‘Good Bones’ EP

Posted on 1 December 2024

If your playlists are littered with tracks from White Lies and Editors, the latest EP, Good Bones, from the Brooklyn-based alt-indie trailblazer figaro is a homecoming for malaised souls seeking salvation in moody synth-driven indie guitar-licked pulsative euphony.

Haunting the borderlands between post-punk-tinged industrial indie sleaze and darkwave synth-pop, the 6-track release is an anthology of strobing ennui. The opening single, Maybe Cherry, has infiltrated swathes of influential indie playlists with its aching atmospherics, angular guitars and abstract crooned lyrics, which paint poetry throughout the hypnotic oscillations.

In Foreva, the indie artist wears their 80s influence on their guitar strings, harking back to the tonal mesmerism of Echo and the Bunnymen while delivering hymnally intimate installations of introspection. All I Know is yet another standout on the EP; with sweeping guitars which echo Interpol, polyphonic synths, a syncopated beat, and the delicious sonic dejection of PEACE and Jaws, figaro scorched their way through the oversaturated synth-pop scene, reigning supreme over the indie landfill pawns as one of the most organically original artists who has graced the darkwaves in recent years.

Stream figaro’s sophomore EP, Good Bones, which dropped on November 22nd, on all major platforms, including Spotify.

For more ways to listen and connect with figaro use this link.

Review by Amelia Vandergast

Under the Ephemeral Veil: DANIELA’s Sonic Resonance in ‘Waiting’

Posted on 26 November 2024

DANIELA’s latest indie RnB single, ‘Waiting,’ is as ethereal as slipping through a semi-lucid dream. The indie-tinged journey through stripped-back soul demands that listeners surrender to the seraphic sublimity of its dreamy atmosphere, which stands as an exhibition of DANIELA’s authentic to the nth-degree talent.

With every note, she demonstrates a masterful command over texture, tone, and melody, carefully curating each sonic element to immerse her audience into a vignette of dreamy, lovesick longing. The warmth of her vocal whispers serves as the gravitational core of the track, leaving the listener tantalised long after the music fades.

Originally from Italy and now enriching London’s diverse music scene, DANIELA draws inspiration from icons such as Amy Winehouse and Lana del Ray, weaving her rich, emotive vocals with contemporary production that hints at nostalgia. Her musical narrative is steeped in neo-soul, jazz, and Italian melodic influences, culminating in a distinct sonic signature.

With a background rich in performance—from London’s speakeasies to the jazz circuits of the Emirates—DANIELA has honed her craft on illustrious stages, contributing to her seasoned artistry. Her live performances resonate with the strength of her studio work, notably during standout gigs such as the WOW Festival at Southbank Centre, backing legends like Sister Sledge, and enamouring audiences in venues as diverse as the Grand Hyatt in Doha and the spirited bars of Soho and Shoreditch.

Waiting was officially released on November 15; stream the single on all major platforms, including Spotify.

Review by Amelia Vandergast

FHMY – my blue heaven, featuring AQL; a shoegaze invitation to tonal nirvana

Posted on 23 November 2024

The Cairo-born artist, FHMY’s latest single ‘my blue heaven’, featuring AQL, fuses the tonal sublimity of shoegaze with the rhythmic intricacy of math rock, giving listeners a double dose of melancholic alchemy.

The undercurrents surge with an immense force of gravity, dragging you under the progressions as the vocal outpours of emotion oscillate and bleed into the production, allowing the evocative edge of the single to belie the abstract nature of the lyricism. Tumultuous yet as mellifluous as waves crashing onto the shore, ‘my blue heaven’ is the definition of a juxtaposing masterpiece.

FHMY could easily have entered the Hall of Fame pantheon alongside Smashing Pumpkins and My Bloody Valentine if he had entered the scene in the epoch when indie luminaries capable of tearing down the barriers to the soul while building immense walls of sound reigned supreme.

my blue heaven was officially released on November 15; stream the single on Spotify now.

Review by Amelia Vandergast