Browsing Tag

igor

Divert from your destination to isolated despair with IGOR’s pop-punk anthem, Alone

IGOR pierced the pop-punk veil with his latest single, Alone, which implants a self-deprecating flag in the post-breakup landscape and anthemises the ache of romantic dissolution.

Born in Ukraine, raised in Russia, finessed in America, and now based in New York and part of the LGBTQ+ community, the independent artist is unflinching in his mission to soak the airwaves in self-love. Alone is one of the most affecting sonic extensions of his dedication to uplifting his listeners from self-inflicted despair.

Alone taps into early 2000s rock vibes, offering a rhythmic rebellion that evokes nostalgia while marinating it in a euphorically projected melancholy. The battle cry for the soul pulls at the heartstrings with the universal mantra we’ve all whispered post-heartbreak, “I’ll be better off alone”. IGOR transforms this often private concession into a rallying cry for communal solace, affirming that no one is truly isolated in their feelings of destined solitude.

It’s so much more than just a journey through emotional desolation; it’s a cathartic release that prises serotonin from the grips of despair. IGOR paved the path back to embracing the empowering nature of self-reliance with the therapeutic hit dedicated to the broken-hearted looking to find their way back to themselves.

Alone hit the airwaves on September 4th, stream the single on all major platforms, including Spotify.

Review by Amelia Vandergast

IGOR created a harmonic ode to connection with Alana Diaz in his pop-rock ballad, In This City

The Ukrainian-born, NY-hailing pop-rock chameleonic enigma IGOR closed 2023 with a pop-punk hit that viscerally advocated autonomy. Instead of starting 2024 with a bang, he exhibited the softer side of his talent by unleashing the pop-rock piano ballad, In This City, which sees his evocative range amplified through harmonies shared with Alana Diaz.

Atop the minor piano keys and gentle string crescendos, a panoramic narrative unfolds, inviting you into a world of unfaltering connection. The sense of security depicted in the narrative synchronously painted between IGOR and Diaz as they portray two lonely figures in an inhospitable city is profound enough to deliver consolation to anyone who traverses our imperfectly isolating earth without someone to dispel the disconnection. Woven into the ornately strident release is the affirmation that blood doesn’t always run thicker than water; you can find your family in the soul of whoever is capable of salving the ache of alienation.

In This City was officially released on January 19th; stream the single on Spotify.

Review by Amelia Vandergast

igor fused rhythmic ferocity and tender vulnerability in his alt-rock hit, My Own Way

Self-reservation cascaded away when igor stridently proclaimed, “The rumors are true – I just went insane”, in the opening lyric of his latest strident and evocatively raw single, My Own Way.

If people still held their lighters in the air, there are few better calls for an inferno of flame than this reclamation of the 00s alt-rock sound. After a short and sweet prelude, which could easily have given way to a Springsteen anthem, pop-punk signatures sink their teeth into the anthemic production that takes you on a cataclysmic ride through a confessional vignette of how much we give away to meet the expectations of someone that was inching away from us the entire time.

With guitar hooks as viscerally sharp as My Chemical Romance’s under igor’s engrossingly distinctive vocal lines, which refuse to forego authenticity for assimilation, My Own Way is a testament to the Ukraine-born, Russia-raised, NY-residing singer-songwriter and his determination to wear his heart on his sleeve.

While earworms that delve deep into scarred psyches to expose the commonalities of agony are a rarity, igor achieved all of that and more in the symbiosis of rhythmic ferocity and tender vulnerability in My Own Way.

My Own Way was officially released on December 1st; stream it on Spotify.

Review by Amelia Vandergast