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heartstrings

Sonic Alchemy: An Interview with KASIA on Weaving Spirituality into Music

In this enlightening interview with A&R Factory, artist KASIA opened up about her latest single, “Heartstrings,” and its deep-rooted connection to her spiritual journey in music. She reveals how her songs, emerging from personal struggles, have become a sanctuary for healing, with a special focus on the transformative power of specific musical frequencies.

The interview promises an intimate glimpse into her artistic evolution and the profound impact of her music on both personal growth and the collective human experience.

KASIA, welcome to A&R Factory! Can you share the story behind your latest single and music video, “Heartstrings”; where did the inspiration come from? 

“The inspiration behind my latest single and music video, “Heartstrings,” comes from personal experiences, as most of my songs do. The lyrics were born out of a pretty bad relationship, where I found myself struggling with difficult emotions. Throughout my life, music has served as my safe place, providing a certain protection from harsh realities. In many ways, music has been my reality, offering a means of expression and understanding in the face of adversity.”

How has music helped to shape your healing journey? And how important is it for you to light the path towards empowerment for your listeners? 

“Music has played a huge role in my healing journey, serving as a powerful form of catharsis and expression. It’s difficult to fully articulate the transformative effect that music has had on me. There’s a certain magic that occurs when you listen to music in specific frequencies. While most modern music is tuned to 440 Hz, which can sometimes evoke a sense of melancholy, I’ve found that music tuned to 432 Hz resonates more harmoniously with the energy of the Earth. Many older pieces of music were tuned to this frequency, and I tend to use it for my own work, including tuning my healing instruments to 432 Hz.

The impact of music extends beyond mere sound waves; it can deeply affect us on physical, emotional, and spiritual levels. For me, creating and listening to music in these frequencies has been a source of profound healing and growth. As an artist, I feel a responsibility to not only share my personal journey through lyrics and music but also to be vulnerable and real with people – hopefully to the effect of empowering my listeners.”

Your goal is to create a spiritual and energising journey through your music. How do you incorporate this intention into your creative process?

“Creating a spiritual and energizing journey through my music is paramount to me. I focus on making empowering lyrics that resonate with listeners on a deeper level. I integrate the ethereal tones of sound bowls into my electronic productions using Ableton. My creative process is deeply intertwined with meditation and spending time in nature, where I find wisdom and inspiration. Through the practice of gnosis, a process of inner exploration and connection with our higher selves and nature, I tap into somewhat hidden creative expression. I want to authentically express myself while offering something meaningful to others on their individual paths. I believe that music serves as a conduit to higher states of consciousness and my goal is to channel that energy and share it with my audience.”

How did you come about developing your unique blend of house, bass house and pop? Were there any particular influences which shaped it? 

“My musical journey has been a fusion of diverse influences. Growing up, I was drawn to pop icons like The Spice Girls and Britney Spears, followed by a deep dive into hip-hop with artists such as Biggie, Tupac, WestSide Connection, Naz, and J Cole during my high school years. As I matured, I became more drawn towards house music. It was during this phase that I connected with the producer of Fan Death, SZAM, who invited me to step in as the lead singer, replacing Dandi Wind. Fan Death’s synth-pop style marked a pivotal moment in my musical evolution.

The more I got to know Vancouver’s music scene, I discovered a blend of techno and house influences. Although I wasn’t initially drawn to techno, I found my niche in Bass House, a genre that merges elements of house, pop, and rap. My journey is driven by a genuine love for music and a desire to create something uniquely mine. Recently, I’ve been particularly drawn to the lyrical style of Caroline Polachek.”

How indicative is “Heartstrings” of what is to come from your debut album? Which other themes does your LP explore? 

“While “Heartstrings” serves as a starting point, it’s just a glimpse of what’s to come with my debut album. I see it as an opportunity to test the waters, to gauge reactions to both my music and the visuals I create. Part of me is inclined to wait until there’s a readiness from the audience, while another part recognizes that significant change often arises from bold actions, regardless of initial readiness. As Theodore Roosevelt aptly said, ‘It’s not the critic who counts.’ So, while “Heartstrings” sets the tone, my debut album will delve deeper into a range of themes, exploring aspects of personal growth, resilience, and the human/spiritual experience.”

Did your transition from being a lead singer in a synth-pop band to becoming a music producer influence your current style? 

“The transition from being the lead singer of a synth-pop band to stepping into the role of a music producer has profoundly shaped my artistic trajectory. Fan Death was my first experience writing and recording professional music. I learnt what a DAW was and how to use it! Fan Death truly served as a pivotal chapter in my musical evolution.

Despite the stylistic differences between synth-pop and my current direction, I owe a great deal to SZAM, the creator and producer of Fan Death. The band imparted invaluable knowledge and skills. Looking back, Fan Death was ahead of its time, and I often reflect on the synchronicities and patterns that have guided my journey towards future endeavors.”

You’ve had your fair share of high-profile live performances; do you prefer writing music or performing and seeing first-hand the effects of your music on your fans? 

“Thank you for the question! It’s a tough call because I genuinely love both aspects. On one hand, there’s nothing quite like the energy of performing live and connecting with fans face-to-face. Witnessing firsthand the impact my music has on them is truly special. But then, there’s also something incredibly fulfilling about being in my element – in the studio, wearing my glasses and hoodie, lost in the creative process of making music. I find joy in every aspect of my artistry, including dreaming up music videos and bringing my vision to life through visuals.”

As a delegate of The Canadian Academy of Recording Arts and Sciences, what insights have you gained about the music industry?

“Just being around other artists pursuing similar goals is such an amazing experience. The most profound insight I’ve gained revolves around the power of community within the music industry. Coming from a small town where artistic pursuits were rare, I often felt isolated in my passion for music. However, being surrounded by other artists who share similar aspirations has been so refreshing. The opportunity to connect with full-time artists who understand the language of creativity has been incredibly inspiring. It’s a reminder that I’m not alone in this journey and that there’s this supportive community, rallying behind each other’s artistic pursuits.”

Stream KASIA’s latest music video on YouTube now.

Interview by Amelia Vandergast

Come Back Home: Splendid new Boston rock band Silvirtongue know what they want on ‘Heartstrings’

Taken off their much-awaited upcoming debut EP, Silvirtongue skillfully tell us the true story of wanting that loved soul to be present right next to your caring eyes again as there is so much more to say on ‘Heartstrings‘.

Silvirtongue is a promising Boston, Massachusetts-based four-piece alt-rock band. They are a new act who have been working hard over this supremely challenging last year, and power in with a sterling effort that needs our attention.

Inspired by classic bands such as Radiohead, Oasis, The Pixies, Pearl Jam, U2, The Cure and The Police, you feel their quality throughout this absolute gem. After a few seconds you quickly realize that this is a specially brewed band, who are oozing natural class without trying overly hard.

The band formed when things got tough for all of us at the start of 2020. With some original works already lined up, band vocalist and bassist (Cozzo) reached out to some musician friends both new and old (Kelleher, Colarusso, McGuirk). Within a years time they were writing collectively, and have been ever since.” – Silvirtongue

You hear such clearly intention-filled vocals here that are backed up by a sensational sound, who seem to get it all right with ease. Your head seems to nod organically and there is so much pureness here – nothing is ever rushed unnecessarily – as you sit back and admire such cleverly penned lyrics, that seems to mesh perfectly with the mood at hand.

Heartstrings‘ from the booming Boston alt-rockers Silvirtongue, is the movie-like story about wanting to be with someone so bad, as you had feelings back in the old days at school. There is something there that you can’t stop thinking about it, and you want to be close, so you can find out exactly what it is. This is a fantastic track that will certainly have your heart beating with so much energy, and is one of the most exciting releases from 2021.

Stream this new track on Spotify.

Reviewed by Llewelyn Screen

Floor 44 play so beautifully on debut ‘The One I Miss’

Canada’s Floor 44 return with this fine new single that tugs on the heartstrings called ‘The One I Miss‘.

Floor 44 is a Toronto based group consisting of Kendrick Ambrose, M. Nazar Syed, Sadiq Amin and Abdullah Malim. They formed in 2019 and have played together ever since. They come from a Pakistani background originating from Karachi. In 2020, they started releasing cover songs and original material that includes piano compositions and full band tracks. Most of their songs are written by Ambrose and Syed with Amin and Malim producing the tracks. They make such a fine team and everyone seems to work in perfect harmony.

You miss her love so much. You begged her to stay but it didn’t happen. You are sad and deep down you think there is still a chance. Will you be able to be with her again or is it all over?

Floor 44 shine with this beautifully constructed track called ‘The One I Miss‘ that makes you sad but happy at the same time. Maybe you are supposed to learn from this lesson and move on.

Stream here for the Spotify page.

Click here for their Facebook page.

Reviewed by Llewelyn Screen

D. Ward – Gone but anything but forgotten

Anyone who has live duets with Toni Braxton and Patti Labelle on their CV is someone who has clearly paid their musical dues and as the slick and soulful strains of Gone emanate from the speaker you know that you are listening to something a bit special. Yet despite being able to name drop those and many other top industry names D. Ward isn’t content to sit on his laurels and live off of past glories and this track, and the forthcoming album Journeys are proof of his this.

Soulful pop and groove-laden R&B lay down a platform for his amazing voice as he tells a tale of lost love, a reflective and wistful memory filled with a heavy heart and boundless emotion. Sometimes there is something to be said for an act which pulls familiar musical heartstrings, sometimes you might prefer the sound of an artist working at the modern edge of the genre in question. With D. Ward you get the perfect blend of both.