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Hardcore

Cutting Through Nostalgia: No Edits Ignite Modern Angst in ‘Faulty Intuition’

We All End Up The Same by No Edits

In their latest single, Faulty Intuition, the powerhouse, No Edits, pushes past the boundaries of Seattle’s alt-rock legacy to deliver a visceral post-hardcore anthem, sharp enough to pierce right through the psyche.

With angular riffs that feel more like sonic daggers, this track forges a path unburdened by any homage to the city’s signature sound. Instead, Faulty Intuition lands like a volatile fusion of influences, crafted with an almost calculated abandon that lets it flirt with post-hardcore dissonance while staying grounded in an alt-indie aesthetic.

As a freshly rechristened trio, No Edits—formerly known as Fixtures—make it clear they’re uninterested in nostalgia. They nod to a lineage of greats like Burning Airlines and These Arms Are Snakes, but the group’s energy leans into the future rather than mining the past. The jagged guitar lines and shifting time signatures evoke the genius of Porcupine Tree and the raw force of Alexisonfire, without feeling tethered to any one genre. This sonic experiment channels the modernistic intensity of Royal Blood, creating an angst-driven that straddles chaos and control.

Taken from their debut LP, We All End Up The Same, the track’s dynamic riffing, emotive vocals and blistering rhythm section are primed to resonate with fans who crave immediacy in alt-rock. Faulty Intuition slices through convention, capturing a modern, digitally distorted existential angst that’s less about reviving the past and more about reimagining rock’s present.

Faulty Intuition is now available to stream and purchase on Bandcamp.

Review by Amelia Vandergast

Insomnia – Fleabag: Demonically Distorted No-Wave Grunge

Insomnia’s latest onslaught, ‘Fleabag’, is a ferocious synthesis of no-wave grunge and unrelenting hardcore punk rhythms. The standout on their LP ‘Idiosyncrasy‘, is a caustic celebration of noise, embodying the spirit of grunge pioneers with a fresh, chaotic twist. The guitars screech with electrifying distortion, while hardcore punk drums thrash out a beat that pummels listeners into submission, offering no respite from the band’s sonic fury.

In the eye of this storm are the vocals—raw, unfiltered, and dripping with disdain, they transmit a message of ‘we’re all mad here’ vindication for anyone wrestling with the chaos of the human psyche.

Undeniably, Insomnia, hailing from San Diego, has mastered the art of avant-garde obscurity. With the cultivated approach of Glenn Branca’s compositions fused with the brashy energy of Napalm Death, the breakthrough band injects listenability into their sound while ensuring their deliverances of no-wave are unfeigned, unfiltered and unafraid to descend into the sonic abyss. Imagine what Pavement would sound like if they were demonically possessed and you’ll get an idea of what is in store when you hit play.

Stream the Idiosyncrasy LP in full by heading over to Spotify.

Review by Amelia Vandergast

Kuwaisiana – Gentrification: A Sonic Molotov Aimed at Cultural Erosion

https://soundcloud.com/kuwaisiana/gentrification-aug-mix/s-GGnNrQ0jOK2?in=kuwaisiana/sets/mishriff-ep//s-hQHummCrWZD

Seattle-based trio Kuwaisiana aren’t pulling any punches with their latest release, ‘Gentrification’. From the opening Arabic howl of angst, the band tears into the cold, clinical destruction of cultural roots with brutal fury. As the track shifts gears into English, it doesn’t lose an ounce of its venom. Instead, it hammers home the visceral reality of gentrification – not as a polite reshuffling, but a full-scale assault on heritage and identity.

The track’s aggressive blend of grunge, hardcore, and post-punk catapults Kuwaisiana to the frontlines of protest music. Forget the half-hearted rage of your typical punk track; this is pure, unadulterated chaos. With riffs that cut like jagged glass and rhythms that hit like a riot, ‘Gentrification’ feels like a sonic Molotov hurled at the forces that reduce communities to dust. The gnarled vocals alone could level cities, calling back to the uncompromising energy of Bad Brains and Dead Kennedys.

The lyrical narrative is equally ferocious, painting a vivid picture of the hollowed-out ruins left by gentrification. The reference to ‘Disneyland nose jobs’ alludes to how Kuwaisiana aren’t just on the money, they’re holding the monopoly in the punk scene.

The haunting opening image sets the tone for a journey through displacement, exclusivity, and transience. +Aziz’s Kuwaiti-American identity bleeds through every note, making the track a gut punch for anyone who’s watched their cultural landscape get obliterated by the greed of the powerful.

Gentrification will reclaim the airwaves when it officially releases on September 27; stream the single on SoundCloud first.

Review by Amelia Vandergast

Suffer The Evenue – Compatible Blood: A Rabid Anthem of Nu-Metal Revival

If you gave Korn’s nu-metal hooks rabies, they still couldn’t come close to the rancorous grooves in Suffer the Evenue’s driven-by-infectious volition anthem, Compatible Blood.

The track broadsides you with hardcore brutalism as the vocals chameleonically prowl between bruising rap verses and Mike Patton-style ferocity, putting the fourpiece at the vanguard of the nu-metal resurgence.

The four-piece may have honed their sound since their last EP, but you’ll still want to give your speakers a tetanus shot after they have slammed out the cataclysmic discordance that will have every alt-90s metal fan kneeling at the mercy of these inexorable antagonists.

Suffer the Evenue has injected their own brand of tensile electricity into the genre, creating a sound that finds a refreshingly chaotic way to pull at the roots of alt-metal nostalgia while implanting something new into the razed ground of the airwaves.

Whether you were in the pits for the first wave of nu-metal or you’re discovering it for the first time, the raw energy and relentlessly aggressive pushing of boundaries in Compatible Blood make it a standout hit in the alt-metal underground.

Compatible Blood is now available to stream on Spotify with Suffer The Evenue’s Vol 2. Superdeader EP.

Review by Amelia Vandergast

Join Haunting Ghosts in the shadows of their Jungian post-hardcore release, Falling

The evocateurs in NYC’s most cerebral alt post-hardcore outfit, Haunting Ghosts, have written themselves into the legacy of the genre with the heart-in-throat visceralism and stylistically expansive uninhibition caged within their debut LP, Shadow Work, which unnerved the airwaves on May 12th.

Inspired by Carl Jung’s shadow work, the album delves into the labyrinth of the unconscious, unearthing the hidden recesses where repressed desires, fears, and instincts dwell. This journey into the shadow mirrors a fictional protagonist’s descent into darkness, confronting the raw and primal aspects of his psyche. As he traverses this inner abyss, he grapples with his darkest impulses, seeking to embrace and integrate these fragmented parts of his soul. Through this harrowing yet transformative voyage, Haunting Ghosts follows the protagonist as he moves towards self-discovery and wholeness, revealing the profound beauty and strength that arise from confronting inner shadows.

Fans of Motionless in White, Asking Alexandria, and Sleeping With Sirens will instantly feel the efficaciousness of the exhilarant hooks within the standout single, Falling, which carries the quintessential components of post-hardcore within the augmented earworm which defies the genre constraints to occupy unchartered territory. Haunting Ghosts went in for the kill with their technical skill and their ability to reflect the most untamed facets of the human experience to deliver resonance at its rawest.

Stream the Shadow Work LP on Spotify now.

Review by Amelia Vandergast

Post-hardcore went pop in Cosmic Ninja’s latest earworm Stone Cold

Cosmic Ninja’s latest hit, Stone Cold, from the Filth EP, is a Tour De Force of infectiously ensnaring volition and a striking example of genre fusion done right. This track is a scintillatingly assaultive blend of post-hardcore’s raw energy and the catchy, rhythm-driven essence of pop.

The track is a masterclass in electronically augmented dynamic progression, seamlessly shifting from intense breakdowns to infectious hooks. Collaborating with John Mitchell, known for his work with Enter Shikari and Architects, was a stroke of genius. His expertise has helped shape Stone Cold into an earworm that’s impossible to ignore. The track is meticulously crafted, with each element – from the angst-driven raps to the soaring choruses – contributing to its overall potency.

Cosmic Ninja’s songwriting prowess is evident throughout Stone Cold, which unfolds an embodiment of the band’s disregard for genre constraints and their punk ethos. The lyrics are charged with political and social commentary, making the song not just an auditory experience but a thought-provoking protest.

The Filth EP is now available to stream in full on Spotify.

Review by Amelia Vandergast

Ireland’s Idle Discourse reached the pinnacle of hardcore furore in their mechanical juggernaut, Rotten Egg

Idle Discourse came down hard(core) on the uncompromising nature of society and its proclivity to push the atypical to the sidelines in their ensnaring mechanical juggernaut of a dance track, Rotten Egg,

The thunderous, genre-defying anthem shakes the foundations of hardcore music by combining the raw energy of drum n bass, the electrifying spirit of Prodigy-esque dance, and the unyielding force of TRC-reminiscent hardcore while fusing a cacophonous mechanical edge reminiscent of BMTH and Enter Shikari and blazing past them on the evolutionary timeline of hardcore.

From the first note, it grips you in an adrenalizing chokehold and refuses to let go. Its brutal intensity is its relentless force, yet it’s the cheeky energy and profound message that truly sets this track apart. The narrative is woven seamlessly into the fabric of the song, making it not just a musical experience but a call to awareness and understanding. They used every ounce of their fervid volition to strike a fatal blow in the insidious heart of marginalisation.

‘No diagnosis’ – the chorus line – highlights the plight of those diminished by an apathetic system. It’s a reminder of the unseen struggles many face, from autism spectrum disorder to ADHD and unresolved trauma. Rotten Egg, while light-hearted and tongue-in-cheek, implores listeners to reconsider quick judgments and labels.

The band, comprising Craig ‘Sea High’ Hoey, Lorcan Bowens, Donal Bowens, Rob Gaffney, and Leigh Walsh, demonstrates a profound understanding of the human condition. Their fusion of metallic drum and bass with dystopian synth wave elements and hardcore-tinted sections reveals a band that has evolved in more ways than one.

Rotten Egg will sulphurise the airwaves on February 9th; stream it on Spotify.

Review by Amelia Vandergast

The paragons of post-hardcore, Heartbent, gave emo nostalgists more than they bargained for with their seminal hit, House of Mirrors

Emo nostalgists will be in for more than they’ve bargained for when they delve into the third EP, House of Mirrors, from the heretics of post-hardcore, Heartbent. After a melodic pop-punk prelude, the title single lives up to the band’s stake to the claim of being one of the most stylistically unique outfits on the post-hardcore scene.

From start to finish, House of Mirrors is a lesson in hook-rife volition. The pop-punk hooks are balanced between the installations of guttural furore, giving the hit an edge of dualistic Jekyll and Hyde vehemence. With hints of Gallows between the sticky-sweet increments of Rise Against-reminiscent energy, Heartbent found never-before-trodden intersections of hardcore and blazed right through them while bringing House of Mirrors to visceral life.

The way Elle Saulsbury’s backing vox temper Alex Folmer’s scathingly magnetic vocal delivery and the instrumentals thrive on the unpredictability within the progressions proves that Heartbent knows exactly how to tap into their uniquely synchronous dynamism that is taking the East Coast by storm.

The House of Mirrors EP hit the airwaves on January 12th. Stream the fervidly hooked 4-track release on Spotify now.

Review by Amelia Vandergast

LOOK ALIVE quaked the Calgary metalcore scene with the visceral vehemence in their single, Scum

https://www.youtube.com/watch?v=ePZqf-mHKso

LOOK ALIVE ripped up the roots of hardcore and implanted them within their latest behemoth of a single, Scum, which is set to put them at the vanguard of the Calgary metalcore movement. Savage and intricately intelligent, the powerhouse efficaciously succeeded in its strive for a distinct sound that shatters the confines of hardcore.

From the first blisteringly tumultuous beats and savagely cataclysmic guitar licks, LOOK ALIVE drags you into their adrenalized-with-aggression realm; expect to collide with a universe drenched in wild hues and intricate layers and Jeremy Richardson’s raw, unmatched vocal prowess.

Before the scummy protagonists in your life lead you to a breakdown, embrace the cathartic vehemence in the gnarled breakdowns and put Scum in your sonic arsenal. Crafting every tune, visual, and concept off the back of their own visceral volition, LOOK ALIVE emerges as an outfit few should dare to rival.

The official video for Scum premiered on October 27; stream it on YouTube.

Review by Amelia Vandergast

Norway’s most experimental post-hardcore outfit, trueandtrue, is viciously rapturous in  ‘This is the Last Time’

To orchestrate their latest installation of intellectually crafted post-hardcore visceralism, the Norway-residing four-piece, trueandtrue, enlisted vocalist Tobias Osland (HAMMOK / SLØTFACE) to drive up the decibels in their heaviest single to date.

After a rancorous prelude that delivers all the frenetic chaos you would expect from any self-respecting post-hardcore release, This is the Last Time utilises stripped-back melodic increments with spoken with vindicating words verses to make the cataclysmic crescendos all the more viciously rapturous.

By finding the perfect balance between evocative lyrical triggers and experimental explorations that stamp down their ensnaring sonic signature that has more teeth than a whale shark, trueandtrue stayed true to the form of their moniker in their third release. We can’t wait to hear what follows.

This is the Last Time hit the airwaves on August 18th; stream it on Spotify.

Review by Amelia Vandergast