Browsing Tag

Guitarist

Chenzo joined the guitar greats with his instrumental score, The Greatest Adventure

Chenzo’s latest instrumental guitar single, The Greatest Adventure, is a dualistic triumph, an exhibition of technical skill, simultaneously standing as a testament to resilience. After a career nearly severed by hand surgeries, Chenzo returned from the brink to deliver a sound that fuses the intricacies of math rock with the timeless energy of classic rock, proving he’s earned his place in the riff-master pantheon.

The Greatest Adventure cathartically awakens your rhythmic pulses as the interwoven notes defy conventional time signatures while melt-worthy progressions strip the weight from your soul. The expansive soundscape surges with energy, punctuated by drum fills and bursts of momentum that give the track its pulse. Stick with the score, and you’ll be treated to riffs that echo the greats of the genre—proof that Chenzo’s shredding skills haven’t just endured, they’ve evolved.

Years of recovery have refined his sound, allowing for a more structured, concise approach to songwriting. No longer limited to shredding for shredding’s sake, Chenzo’s music now affectingly resonates through melodies that resolve with the clarity of a vocal line, creating a connection beyond technicality.

Stream the official music video for The Greatest Adventure on YouTube now.

Review by Amelia Vandergast

Harmonising Modern Blues and Boundless Creativity: An Exclusive Interview with Jay Lee 

https://www.youtube.com/watch?v=vsShw7qsXoM

Step into the world of Jay Lee, where blues gets a fierce modern makeover. In this exclusive interview with A&R Factory, Jay Lee cuts through the noise to reveal the core of his musical innovation. From his early days in a military band to sharing stages with top artists, he unpacks the discipline and raw passion driving his sound. Lee gives us a candid look at how he fuses diverse influences into his tracks, pushing the boundaries of traditional blues into uncharted territories. Get ready for a deep dive into the creative force of Jay Lee’s music. 

Jay Lee, welcome to A&R Factory! Thanks for the opportunity to solve the riddle behind your enigmatic persona. Before we dig into your storied history which has been written since your creative origin story, for your new fans, how would you define the quintessential components of the Jay Lee sound? 

I’d like to define it as modern blues. Since I love blues and have been greatly influenced by it, I try to infuse a touch of that blues feel into whatever I play.

What is typically running through your mind when you are penning and producing new music? 

When I decide to create new music, I try to be as honest with my emotions as possible. I base my melodies and chords on those feelings and thoughts, thinking about how to naturally express my story. This often leads me to reflect a lot on the past and future.

From serving in the military band to performing with world-renowned artists, your path is anything but conventional. How did your time in the military influence your discipline and versatility as a musician?

Having spent two years with over 30 musicians, working together 24/7, I’ve learned and felt so much. I’ve gained insights on how to communicate with other musicians, and how to improvise when unexpected situations arise during performances, and I’ve received valuable feedback on my playing from various artists. These experiences have been a foundation for my growth as a musician. Communication is incredibly important for a musician, and I’ve been positively influenced in that area.

Which artist has left the most pronounced influence on your sound and why? 

I’m heavily influenced by blues and rock, especially by guitarists like Joe Bonamassa, Philip Sayce, Eric Gales, and Gary Moore. Their techniques and tones are impressive, but it’s their unique styles that truly captivate me. I believe that while having good technique and tone is essential for a musician, establishing your own style is equally important.

With your extensive background in both classical and contemporary music, how do you see the future of genre-blending in your own compositions? 

Looking at the music I’ve created so far, it’s quite far from classical, and I think it will likely remain that way in the future. However, I always believe in trying out different things, and I’d love to create music that blends classical and contemporary styles.

How has your sonic signature evolved throughout your career?

Initially, I was just a “Blues Kid,” completely immersed in B.B. King. But after playing with various people and genres, including performing in a military band where I had to play all kinds of music, I developed the ability to play cleanly. Now, I can choose the tones and techniques that I want to use.

Do you prefer to be a solo creator or a collaborator? 

I aspire to become a great guitarist, but I know I need the support of excellent musicians to achieve that. In today’s music scene, while achieving solo success is important, collaborating with other musicians is equally vital. It’s challenging, but I want to be both an outstanding solo artist and a great collaborator.

Which project or achievement has brought the most amount of pride and sense of accomplishment? 

The sense of achievement I felt after successfully preparing for and performing in a military band over three months was immense. While it’s not always the case, I think the longer the preparation period, the greater the sense of accomplishment. Another memorable moment was when keyboardist Cory Henry held a masterclass at Berklee, and I played with my band for him. Even though the preparation time wasn’t long, when the audience cheered, I felt that’s when a musician is truly happiest.

Your career has been marked by a constant push for growth and exploration. If you could give advice to your younger self just starting out on this journey, what would it be, and why?

Before starting music, take some time to sincerely reflect on what music means to you. Even if it’s not about music, understanding what you want to do and why is crucial. Being honest with yourself and deciding what you want to pursue is important—then, enjoy it while working hard. Music is meant to be enjoyed.

After working on a project with the K-pop powerhouse, One Pact, working as a worship guitarist, experiencing culturally diverse landscapes as an artist, and honing your craft in conservatories, how do you reconcile all these contrasting worlds in your music? 

I believe musicians shouldn’t discriminate between genres. While you might have preferences, you should be able to play any genre—whether it’s worship, rock, or jazz. The more you play a variety of music, the more you develop a sense of identity within each genre. I want to explore diverse music, and I’m still striving to be able to play any random genre someone requests.


Stream Jay Lee’s standout single, PERIOD, created in collaboration with ONE PACT on YouTube.

Follow Jay Lee on Instagram.

Interview by Amelia Vandergast

Sebas De Varona Opened a Portal to the Psychedelic Soul of the 70s with ‘Preachers’

The gospel in Sebas De Varona’s latest single, Preachers, opens a portal to the psychedelic soul of the 70s; it’s a doorway into the mind of a visionary artist you’ll never want to close. As an architect of melodies you instantly melt into and a lyricist that captures your mind as much as your soul, there are few artists of this generation as affecting as Sebas De Varona,

Thankfully, with the impending release of his new EP, Dynamics in the Fourth Dimension, you’ll have plenty more opportunities to trip with Varona’s dynamically electric vocal timbre that rests easy in the rooted-in-emotion synthesis of genres which illustrates the singer, songwriter, instrumentalist and producer’s expansive bedrock of influences. Primed to soak fans of Tame Impala and Pink Floyd alike in celestial euphony, the EP will easily be one of the most cultivated releases of the year.

After hearing the Hendrix-esque fret wizardry which blazes through a divine connection to the soul of blues in Preachers you’ll want to flock to the Floridian artist’s live performances like a moth to an arcane flame.

Preachers was officially released on May 15; stream the single on Spotify.

Review by Amelia Vandergast

Mario Vayne – Electric: A High-Voltage Homage to 80s Rock

It may have been almost a year since we got hooked on Mario Vayne’s earworm, Baby, but there was no forgetting the rock virtuoso’s infectiously euphoric energy and charisma, which is just as visceral in his latest single, Electric.

After a tenderly melodic and choked-with-sunset-strip-atmospherics prelude, Electric riffs its way into a vibrant homage to the 80s, boldly asserting that the future of classic rock is charged with an exhilarating, new energy.

Following the success of his debut single which captivated over 200K Spotify listeners, ‘Electric’ is poised to ignite the airwaves in a similar vein. Vayne’s journey, from a shy child crafting songs at eleven to a dynamic frontman in the UK and Australia, culminates in this release. His hiatus during the grunge era only seems to have honed his craft, leading to this moment of resurgence.

‘Electric’ is a testament to Vayne’s belief in following his rock-licked heart. The track is a fusion of adrenalizing riffs and memorable hooks, all set against the backdrop of 80s iconography. Yet, it’s the sheer zeal and fervour that Vayne pours into his music that truly defines the song. The lyrics, more than just words, are mantras for living, weaving through the music and urging listeners to embrace a vibrant lust for life.

In an era where optimism can feel scarce, ‘Electric’ offers a potent reminder of rock’s unifying power. Mario Vayne’s name might have been synonymous with the rock legends of yesteryear had this track been released in their time. Today, it stands as a signal that the spirit of classic rock not only endures but evolves.

Electric was officially released on March 8th; stream the single on Spotify.

Review by Amelia Vandergast

Stelios Kyriakidis created a passport to ‘Copenhagen’ in his seminal ambient classical guitar composition.

Stelios Kyriakidis staked his claim as one of the most evocative neo-classical guitar composers of his generation upon the unveiling of his debut album, 508 Days. The opening single, Copenhagen, pays a fitting ode to the titular destination; each note, a breath taken at the profoundly inspiring scenery, a moment stolen within the rich culture, a step taken through the enriching streets.

The serenity within the instrumental soundscape constructed by the London-based Greek guitarist and composer echoes his influence of neoclassical, folk and film music elements. If the soundtrack to the film Her made an ever-lasting impression on you, expect the very same affecting experience from Stelios’ intimately composed score which undoubtedly resounds as well in a live performance as it does on record. The connection he feels to the guitar in hand is comforting throughout, echoing his own familiar and fond acquaintance with the instrument he uses to make highly visual mirages from melodies.

Prior to the release of 508 days, Stelios Kyriakidis performed in prestigious venues globally and has been featured by BBC Radio London, The Music Dances When You Sleep, and the Minor7th. Since releasing Copenhagen, the single entered the iTunes Classical Charts at no.34. We can’t wait to see where he takes his sound next.

Visit Copenhagen via Spotify and explore the rest of Stelios Kyriakidis’ debut LP,

Review by Amelia Vandergast

Make your heart at home in Mark Leggett’s Latest LP, Folktown

Folktown by Mark Leggett

After two nominations for the Primetime Emmy Award for his music scores, orchestrating endless film and television OSTs and collaborating with everyone from Werner Herzog to Jason Lee to Kylie Minogue, the LA composer and guitarist and composer, Mark Leggett played by the rules of his own expression in his acoustic Americana LP, Folktown.

The title single is a score of Americana that is almost impossible to form an objective view of. The emotion he pulls from the fingerpicked notes overwhelms every conceivable sense as you’re drawn into the sonorous intricacies of the loose and rickety yet tightly profound progressions. That contradiction is only the start of the alchemy that awaits you within his latest album.

Words were surplus to requirement when the fretwork painted such an evocative panoramic picture that lets you feel the humbling bitter-sweet breeze of bluegrass from wherever this masterpiece of an album finds you in the world.

Stream and purchase Folktown on Bandcamp and Apple Music.

Review by Amelia Vandergast

Get into the ‘East Coast Groove’ with Martin Packwood’s jazz-rock soundtrack

East Coast Groove by Martin Packwood

After an installation of tropic percussion and equally as exotic reverb, Martin Packwood’s single, East Coast Groove, gives way to a guitar-driven jazz-rock instrumental soundscape, which amalgamates era-spanning guitar styles from across the globe and unravels as an inexplicably unique tapestry that breaks through the monocultural mould, note by note.

The Birmingham, UK-hailing guitarist has long held a passion for instrumental composition, inspired by a diverse array of riff legends, from Santana to Clapton. By picking up his Strat and finding a refreshing way to pay ode to their styles, Packwood orchestrated a hit of pure rhythmic soul.

If you’re looking to get into the world of groove or you have long been acquainted, you will experience East Coast Groove as four minutes of progressively elevated guitar-driven euphoria.

East Coast Groove was officially released on September 22; stream and purchase the single via Bandcamp.

Review by Amelia Vandergast

Ethan Senger augmented retrospective regret in his seminal single, Everything

Ethan Senger became the New Wave Indie Rock equivalent to Springsteen in his fastidiously manicured latest EP, Standing Still, featuring the standout single, Everything.

Balancing anthemic instrumentals with intimate proclamations of ruminative regret, Everything ticks all the right indie pop-rock boxes while setting the bar for any artist who wants to give their heart-on-sleeve lyricality galvanising propensities.

The lyric “I don’t know you but we talk all the time” just goes to show how honed Senger’s song crafting has come since he made his debut; as for the superlative guitar work, which has seen Senger revered by industry tastemakers as a virtuoso, you’ll have to experience it for yourselves to understand why the Atlanta-born-and-raised artist is an icon in the making.

You will often hear music fans moaning that they don’t make them like we used to, but the truth of the matter is that the music industry doesn’t produce global artists as they did in earlier eras. If they did, Senger’s poster would be on the wall of every aspiring guitarist.

Ethan Senger’s Standing Still EP is now available to stream on Spotify.

Review by Amelia Vandergast

It’s True: Dylan De Bono can’t believe its all over on Lost without You

Saying goodbye to his girlfriend in the most sincere way possible, Dylan De Bono is in a reflective gaze which will hold the hearts of many who have lost someone romantically on Lost without You.

Dylan De Bono is a Malta-born indie pop artist who has brought in the excellent skill set of Macedonian musician guitarist Kristijan Volchev on this ear-enhancing track.

The first collaborative song with Kristijan Volchev, who also produced the song. I was in the process of making arrangements to leave my home country of Malta to go on a long world tour to promote my new album Loose Wire. Although exciting, this period was very heartbreaking for me, having to say goodbye to my girlfriend at the time.” ~ Dylan De Bono

After delighting us with a terrific interview to remember forever, Dylan De Bono sings with a real passion you just can’t buy. Natural all the way and taking us down a romantic path that is no longer available no matter the past tenderness, this is a must-listen single.

Lost without You from Malta-born indie pop artist Dylan De Bono is a modern-day classic which will be felt deeply by millions of lost souls. Taking us through an emotional journey which will pull on many heartstrings, taking us all into the precise moment when everything changed forever.

Sometimes love needs to fly away in order to be in the right place.

Turn this up on Spotify.

Reviewed by Llewelyn Screen

2am: Lekna and Eve Lesedi craves a good moment on the disco-fused fresh start in love on Something New

Feeling that harsh blame from someone who has certainly changed for the worse, Lekna and Eve Lesedi drop a disco-fused-with-intent single to wipe all tears away with on Something New.

Lekna is a Kingston Upon Thames, UK-based indie pop music producer/guitarist and is joined by Eve Lesedion on this rather dynamic track.

His inspirations vary from the likes of ZZ Top, B.B. King, Nile Rodgers to Kygo and Charlie Puth. He produces his own music from his home studio in his bedroom.” ~ Lekna

Navigating us through the deep emotion and laying bare the real feelings, Lekna and Eve Lesedi summon the romance Gods and have made something rather extraordinary and genuine here. This is music to heal with you see?

Something New from Kingston Upon Thames, UK-based indie pop music producer/guitarist Lekna and Eve Lesedi is a track that reminds us that love can be harsh sometimes. Showing us the mood of someone who knows that a formally hot romance is dead, as we feel the pain of feeling like valuable time has been wasted.

When you know it’s fully over, the time to close the door is now right?

Hear this fine track on SoundCloud and see more news on IG.

Reviewed by Llewelyn Screen