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Gemma Felicity

Gemma Felicity – AM I TOXIC: A Kinetically Electric Alt-Pop Candid Confession

‘AM I TOXIC’ by Gemma Felicity proves that a good pop hit is so much more than a polished set of hooks, a honeyed set of pipes and a catchy chorus line; it’s a songwriter who knows exactly how to stretch your perceptions to let new resonance in through the use of confessional candour.

Felicity’s personal flaws are laid bare in the accountability-driven dance-pop anthem, but even the most scrupulous critic would struggle to find a flaw in the single itself. The perennial pop earworm transcends an auditory experience through the way it alters your emotional state with the euphoric energy in the high-octane, kinetically electric pulse of the track, which is all too easy to get addicted to.

The London-based alt-pop artist has been honing her eloquent craft since the age of 9; in 2024, it has all paid off with AM I TOXIC, which will feature on her first EP, Baggage, which explores how personal baggage can weigh heavy romantic relationships.

Having performed at iconic venues and been featured on BBC Introducing, Gemma’s presence is both resonant and transformative, continuing to mesmerise and energise audiences worldwide as she prepares for a performance at the Miss Planet International Beauty Pageant.

Stream AM I TOXIC on Spotify now.

Review by Amelia Vandergast

Unveiling Layers of Reflection: An Interview with Gemma Felicity on ‘AM I TOXIC’ and the ‘Baggage’ EP

In our conversation with Gemma Felicity, we sink into the introspective depths of her recent single ‘AM I TOXIC’ and the overarching themes within her emotionally charged EP ‘Baggage’. Gemma opens up about the process of creating music that not only reflects personal accountability but also challenges the listener to confront their own roles in relationships. With her raw and reflective approach, she reveals how personal experiences have fuelled her songwriting, transforming pain into powerful lyrical narratives. 

Welcome to A&R Factory, Gemma! Thanks for sitting down with us to discuss your latest single, ‘AM I TOXIC’, and the incredible work you’ve been doing with your EP ‘Baggage’. AM I TOXIC is such a powerfully candid tour de force which brings to light how accountability is such a scarcity in relationships and much of life. How did it feel to bring such an intense track to fruition?

Yes, it is so true that accountability can be so rare nowadays, in relationships and in life generally. Many people prefer to put the blame on others so that they do not have to look at themselves and take responsibility for their own behaviours and actions. I think I am quite an intense person and I think deeply about things, so I didn’t even realise it was an intense track. But thank you! And I feel proud to have brought this track into the world, as it has come from such a personal place.

You’ve mentioned that much of your songwriting is self-reflective, and this track certainly showcases that. What was it like to collaborate with Alex Rossiter and Louis Takooree for this single, and how did they help bring your vision to life?

Both Alex and Louis are always amazing to work with. They are both the complete opposite to the type of men that I wrote the song about. I came up with the idea of the song back in January 2022, just after I had been ghosted by a guy who had treated me like a piece of crap for months. I was really upset about this, and thinking to myself, wondering why it was that I always got treated this way. I started to really ask myself why I thought this might be. Did I not think that I was worthy of more than this? I started to put it into a song. I didn’t finish the song, but I just left what I had written on my phone in a voice note for months and months.

I was then lucky enough to meet Alex, my guitarist, in June 2022 of that year. He asked me in around September 2022, if I would like to work on some of my original songs with him. So, we spent a couple of days writing together in a park, taking the clips I had recorded on my phone and turning them into full songs. I was so happy that he was helping me to finally bring my song ideas to life, as it was what I had wanted to do for so long.

When it came to AM I TOXIC, I remember him saying “This is such a banger”, and we made a full demo of it together at his place. He told me he knew the perfect person to work on it in the studio with me. He then introduced me to Louis, and Louis made the songs really pop in the studio. He was just the perfect person to bring it all to life. I am so happy with how AM I TOXIC turned out in particular. It was such a beautiful process of turning the song into what it is today, and I have the boys to thank for that.

How did you approach translating such an introspective song into a visual format for the official music video? 

I worked on the music video with an amazing team called Grizzly Productions. We first brainstormed ideas together – I knew I wanted it to be quite different to any of my previous music videos. I wanted this one to be more performance-based and visually very exciting, rather than storyline-based (which is what my previous music videos were like). I think the music video does a great job of making an extremely introspective song also very exciting and fun.

What led you to centre your EP around the theme of emotional weight being carried into relationships, and how did your personal experiences shape the stories told in each track?

I guess it was just something I was going through and struggling with at the time. I think relationships are great teachers for us, and they can reflect back to us things we need to learn about ourselves. Through every relationship I had, I would realise and learn more about myself, and I would always observe what the experience I had attracted, was teaching me about myself and how I felt within myself, and I found this very interesting. I started seeing a therapist and we worked through some of these issues, and that is when I started writing lots of music about it. I guess all the self-reflection gave me a lot of songwriting content.

You recently headlined at The Troubadour for the second time. How does performing your songs live compare to the process of writing and recording them, especially with such emotionally charged material?

I won’t lie, I find singing my songs live very challenging because they are so vulnerable and personal. As someone who is fairly introverted, I would say, I find it pretty uncomfortable to be so open about myself in front of a huge room of people like that. The songs can often make me feel quite emotional too when I am singing them. But I have learnt how to try to connect to the emotions of the song, whilst still slightly separating myself from the emotional charge that the song has on me naturally.

When I was writing and recording these songs, I let myself be as emotional as I wished to be. But performing is a bit of a different process, as you don’t want to start crying in front of the audience really, so you have to learn how to feel the emotion of the song without getting overly emotional. I find this challenging because I am a very emotional person.

You have started paving the path to international stardom this year with performances in the US and India, what did you take away from these experiences?

Thank you so much for saying that. The performances I did this year in the US and India were so amazing for my confidence in terms of performing and getting out of my comfort zone. The songs we sang in the performances were much more upbeat and party vibes compared to the original songs that I usually sing. It was a completely new vibe for me, and an amazing experience. We also had to dance and truly perform them confidently to the audience, which really put me out of my comfort zone but definitely has helped me to grow. I think you can’t really grow without a certain level of discomfort.

Your lyrics often explore vulnerability and complex emotions. How important is it for you to write from a place of raw honesty, and do you ever feel exposed putting such personal themes into your music?

Yes, I find it extremely difficult and very exposing writing about such personal themes. It is challenging, to say the least, and often feels way too vulnerable. But I always remind myself that there is beauty in vulnerability and expressing the things you don’t find easy to express. As a songwriter, your words will resonate with other people, and you have the ability to really comfort people and make them realise that they aren’t alone in all of life’s complexities. I think there is beauty in music that is so raw and real. I don’t really like superficial surface level music unfortunately – I always tend to go in at the deep end. Sometimes I really wish I could write about superficial stuff, as I wonder if I might be happier if I were to be more of a happy-go-lucky person. I’m a deep thinker though through and through.

Stream AM I TOXIC on Spotify now, and follow Gemma on Instagram.

Interview by Amelia Vandergast

London’s introspective indie pop icon, Gemma Felicity, struck again in ‘10 Million Dates’

Our adoration for Gemma Felicity remains unflinching after the release of her intimate indie pop single, 10 Million Dates. With her latest right-on-the-euphonic money release, the London-hailing singer-songwriter captured the collective frustration within the modern dating scene, detrimented by the illusion of endless choice.

The sense of disillusion in the lack of real, raw, and pure connection resounds throughout the artistically profound, poetically bitter-sweet lament which acts as the ultimate consolation to anyone who is losing the motivation to keep searching.

By delicately touching on themes of people pleasing, loneliness, fear of the future, emotional baggage, and the ennui which follows pinning hopes on a transient character in our lives before they disappear within the folky dream pop reverie of the polished production, Gemma Felicity delivered one of the most affecting singles of 2024.

As the introspectively candid icon gears towards the release of her 5-track EP, Baggage, there’s no doubt that she’s inching towards the zenith of her career.

10 Million Dates was officially released on July 5th; stream the single on Spotify now.

Review by Amelia Vandergas

Gemma Felicity – CHAOTIC: Confessionally Captivating Indie Pop

London’s Gemma Felicity set the bar high with her anthemic hit, Come Back to Me, which solidified her position in the industry as one to watch. With her latest single, CHAOTIC, she surpassed all expectations by exhibiting a strikingly authentic and evocatively rich track which captures the complexity of ADHD and subsequently, its impact on relationships.

Felicity’s candid storytelling, set against the dreamy yet rhythmically enticing backdrop of an indie-pop soundscape, offers a unique and personal perspective on the challenges and nuances of neurodiversity.

With her lyrical confessionalism finding the perfect balance between introspection and relatability as she touches on impulsivity, emotional dysregulation and the paradoxical fear of seeking security while fearing commitment, you can’t help but be affected by how she meticulously juxtaposes these themes while creating a dynamic listening experience. The chorus, particularly with its restless energy and poignant lyrics, encapsulates the essence of feeling trapped by one’s own contradictions.

Gemma Felicity’s background as a self-reflective songwriter, combined with her personal experiences and struggles, shines through in CHAOTIC. Her journey from using music and writing as a form of self-soothing during illness, to studying music performance and songwriting, has culminated in this impactful single.

The influence of artists like Holly Humberstone, Gracie Abrams, Lexi Jayde, and Julia Michaels is evident in her dark pop style, yet Felicity maintains a distinct and individual artistic voice. This song, as part of her EP, Baggage, promises to leave a lasting impact on the indie-pop landscape and on listeners who find a piece of themselves in its lyrics.

CHAOTIC hit the airwaves on December 1st; stream it on Spotify.

Review by Amelia Vandergast

Gemma Felicity ignited 00s pop nostalgia with ‘Come Back to Me’

Gemma Felicity

Gemma Felicity ignited early 00s pop nostalgia with her latest single, Come Back to Me, which is set to drop on the 4th of August.The muted and choked-up guitars at the start of the single set the tone for a hair-raising feat of pop-punk. But the London-based singer-songwriter chose to run through with a moody slice of synth-pop with reverb-heavy keys and a danceable melody beneath her viscerally soulful vocal lines that will spark an evocative fire between your synapses as you lose yourself in the adrenalizingly progressive single that will leave you simultaneously wanting to hit the dance floor and wanting to drunk text your ex.

Following a mystery illness that left her physically and mentally drained, the songwriter studied for her Masters in Music Performance in Leeds before dropping her first singles, This Place and Better Without You, in 2022. Her upcoming EP was penned to explore her unhealthy romantic relationships and her journey back to herself and self-sourced peace. Keep tuned for it.

Check out Come Back to Me on Spotify and iTunes via this link.

Review by Amelia Vandergast

Gemma Felicity shared her bitter-sweet learning curve in her evocative indie pop single, Better Without You

With a guitar tone as chorally compelling as Slowdive’s in their latest album, the London-based independent singer-songwriter Gemma Felicity rendered us heartbroken by proxy with her sophomore single and official music video, Better Without You.

The steadily ascending pop artist has been refining her performative and songwriting talents since she was nine years old. After taking a hiatus for her undergrad degree and enduring mental and physical illness, she returned to music with the vow to express her deepest emotions.

Stylish, sincere and self-reflective in equal measure, Better Without You transcends the archetypal breakup song to get to the crux of tangibly resonant emotion. Unless your soul is completely defunct, you can’t help but invest in the matured indie pop masterpiece that fills you with compassion for the vulnerable powerful protagonist she portrays.

With her debut EP, Baggage, in the pipeline, we’re stoked to have her on our radar.

Watch the official video for Better Without You on YouTube.

Review by Amelia Vandergast

Gemma Felicity lets the enlightening realness in on her honest debut single, ‘This Place’

Showing us inside a world that seems to care more about things that don’t actually matter, Gemma Felicity sings with true love and insight to inspire our precious souls to look deeper on her spellbinding debut track, ‘This Place‘.

Gemma Felicity is a London, UK-based indie-pop singer-songwriter/poet who writes from the heart and has the kind of vocal ability that will have you pressing repeat.

The happiest saddest most chilled overthinker.” ~ Gemma Felicity

Exposing the world for what it is as many drown out the noise with strong drinks and evil powers while talking about meaningless subjects, Gemma Felicity is quite incredible as she reminds us that we shouldn’t change for anything or follow shallow fads. Her gorgeous voice is pure and striking, with exquisite visuals that will stop you in your tracks, urging you to look further inside so that you remain on track to achieving your wildest dreams no matter the precarious detours tempting you.

This Place‘ from London, UK-based indie-pop singer-songwriter/poet Gemma Felicity is one of the most real releases you are likely to hear this year. Her vocals are sensational and calming, with smart lyrics that show us that she is a deep thinker who detests the superficial energy that can break your priceless glow forever if you let it.

Life is surely about taking action and thinking about things that can change lives, not pointless chatter that just seems to heighten your anxiety and make you wonder if you can actually be in this fake place for much longer.

View something rather special on YouTube and see what she gets up to next on IG.

Reviewed by Llewelyn Screen