Browsing Tag

folk

Go Metric USA entered a new alt-folk chapter with the archaic reverie in ‘Old Books No One Remembers’

Posted on 18 June 2024

The scent of bibliosmia drifts throughout the poetry of the anachronistic reverie in Old Books No One Remembers by the irreplicable artist, Go Metric USA. You almost get the sense that you will stumble into Oscar Wilde between the chapters of the beguiling alt-folk progressions which resound as though they have been conjured, not created in the formulaic fashion through which most modern music unravels.

The traditional folk instrumentation gives the single an authentically organic aura which sends sparks through the imagination when working in synergy with the abstract whispers of narrative enchantment. Old Books No One Remembers is a single that bores into the soul, tantalising it gently with timbres that will stir the most primal facets of your being.

This unique blend emerges from the heart of the Texas independent and experimental music community, from an artist which revels in exploring the space between spoken word and jangle music, resulting in a confluence of folk traditions, adventurous soundscapes and masterful songwriting.

Old Books No One Remembers is the perfect introduction to Go Metric USA and their ability to create matrimony between the past and present while ensuring the memories of their sound endures long after the final note.

Old Books No One Remembers was officially released on June 2nd; stream the single on Soundcloud and YouTube.

Review by Amelia Vandergast

Todd Hearon echoed arcane serenity through his folk-pop-meets-alt-country-reverie, Looking Glass

Posted on 15 June 2024

The warmth of 70s folk-pop radiates through the arcane aura of Todd Hearon’s latest alt-country serenade, Looking Glass, taken from his eagerly-anticipated forthcoming album, IMPOSSIBLE MAN. The rendered with holistic resolve release almost seems out of place in the modern era of music; rarely do new singles so organically pure in their sense-awakening and placating catharsis surface, making Hearon a diamond in the digitised rough.

Very few artists can match the rugged-with-emotion soul-exhilarating appeal of Cat Stevens, but the way the melodies in Looking Glass ascend until they touch nirvana gave the Texas-born, North Carolina-raised and New Hampshire-based singer-songwriter almost exclusive access to that affectingly sincere pantheon.

The lush-with-reverie production, with trippy psychedelic aesthetics in all the right places, pairs shimmering organs with evocative piano pop rock progressions, vintage-hued guitar chords and a vocal register so euphonic you can’t help but melt into it.

With the imminence of his third LP, IMPOSSIBLE MAN, due for release in August, you won’t want to tear your attention away from Todd Hearon for too long. Get a taste of what is to come by streaming Looking Glass on Spotify now.

Review by Amelia Vandergast

Wuzzo opened a portal to a celestial dimension with her scintillating folk lullaby, ‘I’m Made from Stardust’

Posted on 8 June 2024

Wuzzo, who has spent over a decade enriching children’s lives through musical theatre camps, channelled her nurturing spirit into her music with I’m Made from Stardust, taken from her debut album, Starseed Lullabies, which gently reminds us that the cosmos is carried within all of us.

Her experience working with children has profoundly shaped her artistry and personal growth; through Starseed Lullabies, she offers a heartfelt dedication to all the children she has worked with, her own inner child, and the one that lives, breathes and seeks nourishment within us all.

I’m Made From Stardust is a cosmic folk gem that instantly injects catharsis into the senses. The star-dusted tones work with the lyrics to affirm the beauty of recognising our worth and acknowledging the stardust within our anatomy. The LP stands as a tonal utopia, guided by Wuzzo’s consolingly arcane voice. Tuned to 432 hertz and blending harp, piano, and cosmic textures, the album provides a solace scarcely found in sound.

Starseed Lullabies is the perfect antidote to the endless distractions and grind of modern life. With its gentle guidance towards self-love and compassion, this album is a must-listen for anyone seeking a respite from the chaos and a reconnection with their most authentic self.

Stream I’m Made from Stardust with Wuzzo’s debut LP, Starseed Lullabies, on Spotify now.

 

Review by Amelia Vandergast

Interview with Judas Goat and the Bellwether: Unveiling the Inspirations Behind “There is Always a Dawn

Posted on 25 May 2024
There Is Always a Dawn by Judas Goat & the Bellwether

In this exclusive interview, Judas Goat and the Bellwether delve into the creative journey behind their latest single, “There is Always a Dawn.” Touching on themes such as climate change, the interplay between modern life and nature, and the mystical elements in their music, the duo offers a compelling narrative. The duo discuss their philosophical and artistic inspirations, the importance of reconnecting with nature, and their unique creative process. This conversation promises a deep dive into the minds behind the music and the messages they strive to convey.

Judas Goat and the Bellwether, your latest single, There is Always a Dawn, is a sublime slice of folk poetry, which strikes a deep chord with its metaphorical address of climate change, what inspired you to use a parable as a medium for this important message?

I (Sara) am a philosophical romantic who has been seeking truth and wisdom ever since my sister died in a car accident in 1989 and my quest has led me to a metaphorical oak door where I was guided to knock and seek out the buried pearls of wisdom within our Christian heritage, and thus wondered if I could write something which might have a bit of cultural weight to save “the green and pleasant lands” as did Blake’s poem “Jerusalem “ when it was put to music particularly!

What was it about William Blake’s Jerusalem poem that lit a creative spark? 

The term “dark satanic mills”, which revealed his prodigious insight into the perils of replacing handcrafts with machines and reduced one’s purpose to being cogs in a machine day in and day out, removed from innocence and creative freedom. 

How did it feel to win a recording session at The Bert Jansch Studios in Frome after this single was voted a runner-up in the Climates Songwriting Competition? 

Great!  It really helped us raise our game, recording in a world-class studio.

In your opinion, what is the importance of bridging the gap between the modernised and digitised human experience and the natural world? 

Incredibly important.  If we’re online all the time it wipes us out and we need to get out into nature for at least half an hour a day apparently, otherwise we lose connection with our soul and get depressed; and all sorts of evils flourish out of our disconnection including addictions, mental health issues and self-destruction!

How did you integrate the lyrical content and musical elements in There is Always a Dawn to enhance its spiritual and mystical appeal?

We didn’t have to think about it too much as the art flows rather effortlessly between us luckily.  Pete composes a riff and sends it over to me and then I find the words, and then we work out the shape of the song together and add layers as we go along.

What’s the story behind your moniker, and how does it reflect your artistic identity? 

When we first met we somehow got on to the dark subject of the Judas Goat and how it’s a real thing!  It’s a trained goat which befriends sheep and leads them to their slaughter in abattoirs.  The goat is then sometimes rewarded with tobacco so it has addiction issues too!  Pete thought it would be a good band name and added the Bellwether (lead sheep).

I thought about it for a bit and then realised it could be a really good platform for facing some of the darker, sadder realities of life which Pete’s moody and ominous chord changes evoke (a bit like Pink Floyd), and then we could shine some light and hope on things, as with this song. 

As a duo, how does your creative synergy come to fruition? 

As I mentioned earlier, we have a magical connection (most of the time!) – quite peaceful, graceful and poetic; if something has legs it flows easily luckily and we don’t have to think about things too much.

What’s next for Judas Goat and the Bellwether?

We have five songs essentially ready to go and we’re working with Ben Scott, a producer at Axe and Trap Studios in Wells, Somerset to get them recorded.  We’ve also recruited Jim Scriven on bass and hope to find a drummer soon.

Then when we’re ready to go we hope to get out to play as much as we can.  I’d particularly like to play in America as I’m foundationally influenced by the 60s counter-culture and Canada as they have a revolutionary micronutrient supplement for mental health issues which I’d like to research whilst I’m there, and Berlin is Pete’s spiritual home…

–

Stream Judas Goat and the Bellwether on Bandcamp and follow their journey on Facebook.

Interview by Amelia Vandergast

David Seymour constructed a euphonic paradise in his jazz-folk piece, What a Life

Posted on 20 May 2024

Easy listening doesn’t come much easier than, What a Life, a standout piece on David Seymour’s jazz-folk fusion EP, Shelter. The elegant-with-soul slice of euphonic paradise doesn’t allow sophistication to get in the way of the accessibility of the release which prises minds open to the possibility of utopias lying wherever your rose-tinted perception looks for them.

The Latin guitar flourishes which beckons the outro adds another layer of auditory serenity to the organically free-flowing release after the female vocalist spills her equable graceful beguile over the score written and composed by David Seymour who has been integral to the London music scene for the past three decades. Following his position as a world music agent at Jenako Arts, he studied with the one and only Amancio D’Silva before studying at the music department at New City College with Chris Wilson.

By filtering jazz through a lens of folk and ensuring soul spills from every note of the instrumentation, David Seymour established himself as an essential artist for anyone who seeks the spiritual sanctity of folk and the expressive fluency of easy-listening jazz. With more music in the pipeline, Seymour is undoubtedly one to watch throughout 2024.

Stream What a Life with the rest of David Seymour’s seminal EP on Spotify now.

Review by Amelia Vandergast

Entwine with Alba James’s folk-pop reverie, You Belong to Me

Posted on 14 May 2024

In their latest single, You Belong to Me, singer-songwriter and multi-instrumentalist Alba James equally exhibited their profound connection to music and nature. Hitting play opens a doorway to a portal of fantasy, constructed by a mind attuned to folk-tale reverie; in the same vein as Cosmo Sheldrake, James rhythmically renders naturalism into her productions, which also tap into the enduring appeal of Dodie and Sufjan Stevens.

Though the title of the single implies possession, the free-spirited energy that breezes throughout the production with the retrospection of affection acts as an unexpected contradiction. James’ arcanely serene vocal lines drift through the organic layers of instrumentation attesting to how integral giving room to breathe is in a world full of confines.

Despite their relatively fresh innings in the music industry, the French Sweden-residing folk-pop troubadour allowed their aural talents to blossom from a young age before releasing their debut single, One in a Million, in 2020. Since then, they’ve shared 13 singles and their critically acclaimed EP, Bedroom Walls ahead of You Belong to Me. Even though nothing is off lyrical limits, themes of ancient mythology, queer love and nature are the cornerstone of the artist’s inspiration.

The next time you feel the need to touch grass, just tune into her discography instead.

Stream the official music video for You Belong to Me which premiered on May 7th via YouTube.

Review by Amelia Vandergast

Resonating Reflections: Timothy Jaromir Echoed the Complexity of the Human Condition Through the Organically Intricate Single, ‘Rebound’

Posted on 11 May 2024

Swiss singer-songwriter, Timothy Jaromir, became the Paul Simon of his generation in the intimacy of his latest single, Rebound. The organic euphony of the intricately organic instrumental arrangement, tinged with sporadically nuanced modern aesthetics, speaks volumes of his command over orchestrating progressions which resound with as much heartfelt candour as the poetry in his lyrics.

Speaking on the complexities that construct the human condition, Rebound forces you to reflect on how everyone you meet is a walking embodiment of the light and dark of their histories before you contemplate the sanctity of finding a love that will fuel you in perpetuity.

After releasing two solo albums, four EPs and several singles in his decade-spanning career, Timothy Jamir has had plenty of time to hone his craft; judging by how deep Rebound nestles into the soul, it’s safe to assume that he hasn’t wasted a day.

His forthcoming Nick Drake-inspired EP, Man Atlas, promises to deliver his most introspective and powerful work to date by leaning into the subconscious rather than pandering to the superficiality that premeditates the success of many of this era’s most laudable artists. 2024 undoubtedly has the scope to be a career-defining year for Jaromir.

Rebound was officially released on April 26th; stream the single on Spotify.

Review by Amelia Vandergast

A New Jerusalem: Judas Goat & The Bellwether’s Arcane Anthem Against the Climate Crisis

Posted on 4 May 2024
There Is Always a Dawn by Judas Goat & the Bellwether

“There Is Always a Dawn” by Judas Goat & The Bellwether pours the ardour of the Neoclassical Romantic Era into a vessel of arcane folk-rock. In a similar vein as William Blake’s evocative poem, Jerusalem, which became an influential precipice for the duo to lyrically jump off, the duo’s aura reverberates around morality while keeping a finely tuned balance of rationality and emotion in the evocatively conjured performance which is a call to arms against the impending threat of ecological collapse, with religious iconography replacing the more direct climate-conscious conversations.

The power of the metaphor came into full force in this fiery protest of how we’ve put the noose around the neck of the environment all in the name of progress that will ultimately become our downfall. The duo, Sara Vian and Pete Vincent, crafted the ultimate clarion call to arms, wrapped in the trappings of folk reverence and light-handed production which corrodes none of the arcane performance. You can’t help but lose yourself in the existential introspection, which exemplifies why the duo have won accolades in The Climates Songwriting Competition.

There Is Always a Dawn hit Bandcamp on April 22 ahead of its release across all major platforms on May 8th.

Review by Amelia Vandergast

Move Over Amanda Palmer, Naomi Castellano is the New Girl Anachronism in Her Debut, Hide and Seek

Posted on 27 April 2024

Naomi Castellano’s debut single ‘Hide and Seek‘ reveals an artist who has been seemingly playing hide and seek with her own vast talents. Her debut resonates with the essence of Tom Waits, Stevie Nicks, Kate Bush, The Last Dinner Party, and Mitski, showcasing a high-fidelity cultivation of these influences that will leave listeners in awe. Castellano’s music, entrenched in a genre-fluid nostalgic reverence, promises to captivate this generation’s penchant for artful expressionism.

Her quirky anachronistic tendencies lend ‘Hide and Seek’ a timeless depth, where nothing feels antiquated—from the smoky jazz grooves that billow between the robust pillars of chamber pop swells, to her Joni Mitchell-esque vocal range comfortably sitting in the alto, and not to forget the baroque flourishes that tint her artistic sensibilities.

With a background in classical music and a love for jazz, indie, alternative, and folk-pop, Castellano’s songwriting echoes the influences of Ani DiFranco, Fiona Apple, Norah Jones, and Sia. Utilising strings and keys, she created hypnotic transportation into a daydream, making ‘Hide and Seek’ not just a song, but a sublime sonic journey.

Naomi Castellano is undeniably holding the future of alternative music in her deft hands, and with such a compelling start, it’s clear she has exactly what it takes to stand at the vanguard of a new era of musical innovation.

Hide and Seek was officially released on April 17th, stream the single on Spotify.

Review by Amelia Vandergast

Simon Ewing serenaded through the eras in his acoustic indie folk triumph LULLABY

Posted on 23 April 2024

Simon Ewing’s latest single, LULLABY, artfully blends a spectrum of musical epochs with a mastery of guitar play that fans of folk and beyond will find irresistibly compelling. The track is a confluence of lo-fi charm and intricate guitar work that nods to The Maccabees’ Toothpaste Kisses while embedding a distinctly Americana vibe interlaced with blues’ soulful essence.

LULLABY won’t sing you to sleep; instead, it vibrates with life, signifying the Bristol-based troubadour’s knack for weaving narratives that affirm the sensibility of the soul. The song’s architectural simplicity in structure belies a complex, layered emotional resonance that hooks the listener from the first chord.

Ewing’s ability to synthesise swathes of genres into a seamless, flowing piece shows not just versatility but a deep reverence for the roots of each genre. Each note reflects a rhythmic exploration that feels both classic and innovative, making LULLABY a testament to Ewing’s ability to transcend traditional storytelling through music.

If Elliott Smith’s songs had veered away from melancholy towards this vein of succinct sweetness, they might have touched the same bright corners of the soul that Ewing reaches with this track.

Stream LULLABY on SoundCloud and YouTube.

Review by Amelia Vandergast