Browsing Tag

Folk Singer Songwriter

Michael R Shaw is set to release his feat of dark-folk redemption ‘Lord of All’

Posted on 6 May 2022
Michael R Shaw

Lancashire singer-songwriter Michael R Shaw has teased the humility and ornate originality in his upcoming album by giving us a preview of the short and profound dark-folk single, Lord of All.

Straight away the Nick Cave, Guy Garvey, and Richard Hawley influences start to resound around Shaw’s art-folk ingenuity which carries a touch of tenderness, poetry exhumed from a plaintive soul and a bold alchemic appeal that almost takes this folk track to a celestial level. It certainly wouldn’t be out of place on the Peaky Blinders soundtrack. Lord of All could have been the track to prevent the criminally excessive use of Red Right Hand.

Lord of All is the intro to Shaw’s upcoming album, which is due for release on September 1st, 2022. Check out Michael R Shaw via his website and SoundCloud.

Review by Amelia Vandergast

Slow down with Hunter & Girton’s folk-tinged alt-rock single, Fast World

Posted on 5 May 2022
Hunter & Girton

With piano melodies just as haunting as the scores on Westworld, the sombre vibrato vocals, cuttingly atmospheric guitars and the lyrics that tear through the polarity that has distanced and disillusioned us all, Hunter & Girton’s latest single, Fast World, is an evocative masterpiece.

We can be counted as gratified for the band’s step away from the touring circuit and into the studio to release singles such as Fast World, which acts as a harrowing sign of the times. Conceptually, there are a fair few reminiscences to the iconic Mad World, but Hunter & Girton’s cutting dissection of contemporary society is enough to make you long for the Mad World that Tears For Fears warned us about in 1982.

Yet, through the resonance that is delivered hand over metaphorically harbingering fist, it’s hard to find anything but intense satisfaction after hearing the ordinarily-alienating ennui at the centre of this feat of pensive panache.

Naturally, we can’t wait to hear what follows from the rural Indiana-hailing folk-infused alt-rock duo. Fast World is almost enough to make up for Editors giving up the ghost on their latest album.

Check out Hunter & Girton via Facebook.

Review by Amelia Vandergast

The Brothers Reed take us ‘Home’ in their folk Americana heart warmer

Posted on 9 April 2022

The Brothers Reed’s latest single, Home, is sweet enough to make you homesick for a place you’ve never been. If that doesn’t stand as a testament to stellar songwriting and performative charisma, I’m not entirely sure what does.

The playful bluegrass roots blossom in the eclectic yet traditional folk instrumental arrangement while the lyrics and honky-tonk vocals paint a vivacious picture of miles travelled and home comforts yearned for. If you don’t feel the oxytocin start to flow by the time you’ve hit the romantically punchy chorus, you might want to check that you’ve still got a pulse. We can’t wait to hear what follows after the Brothers Reed’s stint away from the airwaves.

Home will be available to stream everywhere from April 8th, including SoundCloud.

Review by Amelia Vandergast

London folk hero, The Guv gave neo-folk an exotic twist in ‘December in Istanbul’

Posted on 5 April 2022

Istanbul-born, London-based folk singer & songwriter, The Guv hasn’t lost sight of the muse since making his debut in 2020 – especially on the basis of his most successful single to date, ‘December in Istanbul’. Today, he’s back with new release ‘Love and Joy’.

A decidedly loving and romantic ode to life, and the potential it gives all of us to truly be happy in our relationships with ourselves, ‘Love & Joy’ was mastered by Andy Baldwin / Metropolis Studios who also worked with The Who, UB40, Pet Shop Boys.

While the classical strings cause a drop in the temperature in December in Istanbul, the easy accordance from the acoustic folk guitar progressions will envelop you in the warmth of the timbre. With a chorus that could rival the euphonically anthemic feel of Mumford and Sons paired with the Eastern folk nuances and roots-deep western folk sensibilities, December in Istanbul is an instant timeless classic.

Fans of Queen, Tori Amos and Tim Buckley will want to pay attention to the modernist multinational spin on folk, as well as lovers of high caliber, Decemberists-leaning sensibilities.

As The Guv will be launching new music twice weekly, the Istanbul-born, London-based artist is well worth a spot on your radar. You can check out December in Istanbul without grabbing your passport by heading over to Spotify, where you will also find The Guv’s already-extensive collection of affable neo-folk.

Review by Amelia Vandergast

Colin Clyne sings the blues in his profoundly plaintive alt-folk single, Wishing Winter Away

Posted on 5 April 2022
Colin Clyne

The endlessly accoladed Aberdeen alt-folk singer-songwriter, Colin Clyne sang the blues in his orchestrally decorated raw Americana single, Wishing Winter Away; winter’s teeth have scarcely seemed sharper than when they bit into the warmed sepia tones.

The roots of folk sway in the highly evocative melodies, but Clyne also discernibly has a knack for modernising profoundly plaintive folk. With his Waitsy vocal timbre that shares the same honeyed whiskey-soaked gravity falling over the arresting acoustic guitar progressions as they weave around the striking keys and classic strings, it is enough to test your soul’s capacity to feel. Or at the very least leave you yearning for summer.

Check out Colin Clyne on his official site, Instagram, and Facebook.

Review by Amelia Vandergast

Bluebyrd cut through the static in their latest alt-folk single, Too Much Noise

Posted on 5 February 2022
Too much noise by Bluebyrd

The Wolverhampton, UK-based alt-folk duo, Bluebyrd, has aurally triumphed once again with their latest single, Too Much Noise, which cuts through the static in our cacophonous existence.

For anyone that acquired a new level of overwhelmed anxiety as a parting gift from the pandemics and other chaos that leaves us feeling powerless, Too Much Noise should be considered an essential release. Not only do Bluebyrd deliver resonance hand over fist, but they also create a cathartic indie-folk soundscape that sits somewhere between Cohen, Billy Brag, Semisonic and the Levellers. I couldn’t think of a better new release to drown out the world to.

Too Much Noise was officially released on January 28th. It is now available to stream and purchase via Bandcamp.

Review by Amelia Vandergast

The UK-based artist, Bobby Bluff is set to make his bleak smitten-worthy avant-folk debut

Posted on 11 January 2022
Bobby Bluff

If any new 2022 release can help you turn a smile, it’s the eccentrically enamouring release, The Cat of Cruickshank, by the UK-based singer-songwriter and artist Bobby Bluff. With fleeting reminiscences to Billy Bragg, The Residents, The Legendary Pink Dots and John Cooper Clarke, the gritty yet sonically exuberant vignette is the ultimate existentialist’s playlist staple.

Paradoxically, The Cat of Cruickshank is elevated in its Avant-Garde style and as rough as the plot to a Ken Loach film. Coming across it almost felt like an act of serendipity in our dystopic world-weary times. The Cat of Cruickshank leaves you with that rare sense of eagerness to find out where Bluff will take his innovation next. Even if the rest of 2022 disappoints, you can place your faith in the stout-hearted ingenuity of Bluff.

The Cat of Cruickshank is just one of the singles on Bobby Bluff’s debut album, Introducing Bobby Bluff, which will release in April 2022.

Review by Amelia Vandergast

Christopher Kremer has released his elegantly poetic allusion to languor ‘Electron’

Posted on 7 January 2022

If you still hold a candle for the melancholia of Elliott Smith, consider the new EP from folk singer-songwriter Christopher Kremer as an unmissable release. Major/Minor carries just enough reminiscences to tease nostalgia as the Chicago-based artist leaves you enamoured by his down-but-not-out authenticity.

The soul-fizzingly sweet lead single, Electron, is equally as instrumentally melodious as the most cathartic singles from the Beatles and the Rolling Stones. The vocals and lyrics lace the soundscape with an all too relatable languor, but even with the poetic allusions to entropy, the hazy choral textures ensure that Electron resonates as a transcendently uplifting release.

Major/Minor is now available to stream in full via SoundCloud.

Review by Amelia Vandergast

Folk singer-songwriter Holloway James showed us the beauty in candour with ‘Seven Come Eleven’.

Posted on 7 January 2022

US folk singer-songwriter, Holloway James, has never been one to evade candour. Yet, his latest cinematic single, Seven Come Eleven, artfully takes the listener on a journey from fear of living to enlightenment in a way that allows you to appreciate the precariousness of our consciousness.

Seven Come Eleven paid homage to the storytelling roots of folk by weaving an unfiltered tale of new beginnings after scapegoating the self-awareness that attempted to shine a light on an inability to find love internally. His alt-country vocals and accordantly melodic instrumentals pull together to paint a panoramic picture of triumph over self-inflicted adversity. We would need a concussion to forget it.

Seven Come Eleven was officially released on January 7th; it is available to stream via this link.

Review by Amelia Vandergast

Meet the Tom Waits of this Generation in Vince Chinaski’s Debut Album, Never Painted Black.

Posted on 26 November 2021
Vince Chinaski

Copenhagen’s most prodigal up and coming singer-songwriter, Vince Chinaski, has released his debut album, Never Painted Black, which opens on the title single and instantly arrests you in the Avant-Garde neo-classically inclined feat of psych, jazz and folk.

Without any hint of hyperbole, Vince Chinaski deserves to be just as revered as Tom Waits for the way he pulls new sonic intrigue from a timeless sound. With Louis Armstrong reminiscences in the cinematic jazzy score that flows at a teasingly mellow pace that leaves you desperately eager for the next note, Never Painted Black is beyond absorbing.

Its mind-meltingly artful gravitas becomes even more visceral towards the outro as the Chinaski’s crooning timbre starts turning dark and scuzzy vintage rock guitars feed kaleidoscopic discord into the release.

Chinaski’s debut album will be available to stream on all major platforms from November 26th, 2021.

Check out Vince Chinaski on Facebook, Instagram, YouTube and Soundcloud. 

Review by Amelia Vandergast