Browsing Tag

Folk Pop

Brandon Amor crooned us onto a higher plateau with his indie-folk-pop serenade, 109 Days

Brandon Amor

Brandon Amor’s single, 109 Days, which concludes his LP, The Waltz of 109 Days, is a sonic odyssey; orchestrated by the dreamy layers of indie-folk-pop and waltz-y rhythmics under his 50s-style jazz crooning that almost makes a lullaby out of this sentimentally spacey outpour of intricately impassioned soul.

Any fans of Trudy and the Romance will be effortlessly swooned by the kaleidoscopic melodicism of the single that cushions his visceral vocal lines, which amplify in conviction until the track quiescently fades out on gentle guitar strings and birdsong.

I’m not one that believes that good artists always need to have an X-Factor-winning set of vocal cords, but when they complement such a stunning instrumental arrangement, it certainly takes the aural experience to the next transcendent level. It is safe to say that 109 Days will leave you on a higher plateau from the first hit, and believe me when I say you won’t be able to resist repeat spins.

109 Days will be available to stream from May 9th. Stream it on SoundCloud. 

Review by Amelia Vandergast

Nico David – Turn Your Magic On: A Renaissance of the Age of Innocence

The Avant-Garde artisan of evocative contemporary folk-pop tones, Nico David, created a renaissance of the ages of our respective innocence with his latest alt-piano-pop piece, Turn Your Magic On.

Starting as a tender ballad with chamber orchestral strings, the single amasses momentum within the ascending progressions and ardent vocal lines to pay a fitting ode to the endless power we possessed as children, granted to us by our limitless imaginations.

The process of maturity strips our senses of wonder and gift of naivety before replacing them with weary cynicism unless you’re lucky enough to find someone you feel safe enough to reignite that spark around. Turn Your Magic On is the ultimate sonic solace.

The lyrical depiction of a conversation between a man and an imaginary child is a reminder that our younger versions exist within us all, and they all need nurturing. It’s a stunning release through and through; the euphonically diaphanous beauty is equally matched by the tender sentiments expressed.

Stream the official music video of Turn Your Magic On via YouTube.

Review by Amelia Vandergast

Denim Dan created a capsule of 70s folk-pop-rock nostalgia in their sixth studio album, This Way, That Way, The Other Way

NYC’s Denim Dan fortified the folk-pop-rock realm once again with their sixth studio album, This Way, That Way, The Other Way, which will ricochet you back to the 70s via an aural time capsule you have never experienced the like of before. Under the heart-on-sleeve influence of Tom Petty & The HeartBreakers, Lou Reed & Leonard Cohen, you will also be able to reminisce on the slightly zanier production styles of Zappa and the Legendary Pink Dots in this warm vignette of fond memories forged in an era of personal freedom and revelation.

There are few things as sonically sweet as coming-of-age tales after decades of retrospect. The kaleidoscopically honeyed soundscapes in This Way, That Way, The Other Way allows you to cruise right back to the 70s while allowing your perceptions to shift around the pearls of wanderlust wisdom.

“This Way, That Way, The Other Way is our sixth studio album. A non-fiction coming-of-age narration of loosely factual true events from my time in New Mexico in the mid 1970s. The title track and first four songs were written in Florence, Italy during the pandemic when I felt inspired to write about my experiences of four decades earlier. The next eight songs – also written about that period – including Let Your Love Fall Down On Me [too] were recorded in 2001 right after 911 in Boulder, Colorado. They were forgotten…but my son, Marcello, found them in an old computer.”

Stream This Way, That Way, The Other Way on Spotify now.

Review by Amelia Vandergast

Jakob the Liar – H E A R T B E A T: The Only Heartbreak Hit You Need to Hear This Year

Considering that we’re living in a post-truth world, we may as well tune into a reality falsifier, especially if they’re as endearingly magnetic as the alt-indie singer-songwriter Jakob the Liar.

His latest single, H E A R T B E A T, is his first contribution to the airwaves since the successful launch of his 2020 EP, Crystallised in Moonshine, and it is a melodic dream. The concept of running away from your own heartbeat won’t be foreign to anyone that has known heartbreak, but few can bring that world-shattering sensation into poetic motion as well as the Danish London-residing artist.

If The National, Bon Iver and Springsteen had a riff-soaked lovechild, the sonic result would be just as sweet as the anthemic intimacy in H E A R T B E A T.

H E A R T B E A T is now available to stream on Spotify.

Review by Amelia Vandergast

Lindsey Sampson – Sand: An Elemental Folk-Pop Triumph.

With frenetic synth sequencing that made us nostalgic for the soundscapes from Alan Vega, the pop singer-songwriter, Lindsey Sampson’s latest single, Sand, is an elemental triumph.

Oceanic momentum flows through progressive rising tides in the un-archetypally structured single that harnesses deep reverence for natural phenomena and articulately observes how nature often works to reflect introspective sensations.

Lindsey Sampson, who spends her time between Nashville and New England, marries the soul of country with a contemporary indie folk pop edge that is definitively hers. We can fully attest to her ability to appeal to the spirituality that lies within us all – regardless of whether we nurture that relationship or not.

Since her humble beginnings, the singer-songwriter has been nominated for the award of Best Female Performer at the New England Music Awards and received many other accolades along the way while performing solo and as part of her folk-rock band, Visiting Wine. 

Sand will officially release on January 27th. Dig your toes in on SoundCloud.

Review by Amelia Vandergast

From tragic inevitability, hauntingly filmic beauty is born in Rico Friebe’s single, This Day

Folk singer-songwriter, Rico Friebe, has unveiled the hauntingly filmic second single from his upcoming debut album, Word Value. Born from tragedy and hope, the vividly redolent single, This Day, explores the inevitability of the days we fear the most, alluding to our inability to avert discourses we are compelled to run from.

There is a profound grace in the alchemic vocal layering that spills soul across the stabbing minor piano keys that torridly flurry through the soundscape to reflect the phenomena we have to accept we can’t overcome. In concept and execution alike, This Day is a masterful piece that has left us with plenty of anticipation over the debut album.

Listen to This Day on Spotify from December 23rd. Await the alchemy in the debut album, which is primed for release in early 2023.

Review by Amelia Vandergast

Chloe Southern – Naked: Intimately Confessional Neo-Folk-Pop

Taken from her debut EP, Last Man on Earth, Chloe Southern’s indie neo-folk-meets-pop single, Naked, strips emotionally bare. The urgency of the distinctive vocal delivery paired with the intimacy in the confessionalism makes for a powerful listening experience. Anyone that has ever wrestled with entropy to feel viscerally again will be consumed by the conceptual score, which runs through the dim views that get dimmer in the wake of loneliness.

Narrating how she hates coffee because she only makes it for herself and the smell of snow which takes her to places where she finds a lost love’s shadow proves how easily our perceptions of elemental to inane things can change over time and with the absence of the co-creators of our stories before a chapter closes.

Through and through, it is a stunning single from the Brooklyn-based singer-songwriter which deserves to complement the next heartbreakingly cinematic Blockbuster.

Naked is now available to stream on Spotify.

Review by Amelia Vandergast

Succumb to the cinematic nostalgia in Molly Murphy’s folk-pop single, I Miss When We Drove Shitty Cars

Taken from her phenomenal EP, Were You Digging for Some Deeper Meaning? Molly Murphy’s nostalgia-soaked folk serenade, I Miss When We Drove Shitty Cars, will drive you right back to the days when it was okay if everything wasn’t Instagram-worthy.

With all the grace and beguile of Joni Mitchell, this sepia-tinged stripped-back single allows Murphy’s celestial vocal timbre to float atop the quiescently cinematic melodies that lull you into a state of calm before the orchestral chamber strings chorally caress the non-lexical harmonies that will make you Dream Baby Dream.

The NYC indie-folk singer-songwriter is a soulful force to be reckoned with. Watch this space. Or better yet, succumb to the choral mesmerism.

I Miss When We Drove Shitty Cars is now available to stream on Spotify and purchase on Bandcamp.

Review by Amelia Vandergast

Folk singer-songwriter Steve Andrews reached the pinnacle of feel-good music with ‘Climb Through a Rainbow’

Climb Through A Rainbow by Steve Andrews

When Steve Andrews, AKA the Bard of Ely, isn’t prising our eyes open to the disasters we create in our destructive-by-design lifestyles, playing Glastonbury or being lauded by the NME and Nicky Wire, he’s spilling soul across the airwaves through singles such as Climb Through a Rainbow.

With Pixies-Esque shimmering reverb and birdsong as the backdrop to his ardently animated acoustic guitar and unlimitedly happy vocals that bring alive the song that was inspired and composed in his friend’s nursery in Cardiff, it is impossible not to get swept up in the euphoric energy of the single.

Climb Through a Rainbow definitively proves you’re never too old to benefit from the simple pleasures of authentically feel-good music, which makes no bones about being on the silly side of wild. Honestly, I’ve got happy tears as I write this review. Nothing has touched my soul this much, ironically, since Nicky Wire’s solo album.

Stream and purchase Climb Through a Rainbow on Bandcamp now.

Review by Amelia Vandergast

Ancestral pain emanates in Million Pebble Beach’s latest beguilingly awakening Witches

In modern culture, witches are often painted with crooked noses and broomsticks beside them; Million Pebble Beach’s latest single, Witches, paints them as what they always were, women powerful enough to evoke enough fear to drive men to burn them at the stake.

That archaic form of misogyny has shifted with the ages but remains just as pertinent in our regression-tainted cultural tapestry. The deep ancestral pain emanates through this sombre yet juxtaposing uplifting single that shimmers with tonal and lyrical beguile as their strength and power is celebrated.

The Hertfordshire-based solo artist has made quite the name for herself with her cinematic and poetic piano oeuvre since 2018, which any fans of Mitski and Phoebe Bridgers will find playlist-worthy,

Witches is now available to stream on Spotify.

Review by Amelia Vandergast