Browsing Tag

Folk Pop

Dean Abbott – Walk that Line: A Folk Pop Fusion that Will Fuse to Your Soul

Dean Abbott’s latest single, ‘Walk that Line’, dismantles folk-pop boundaries with its empowering sound and healing aura.

Since stepping onto the music scene in 2020, Abbott has consistently delivered tracks that cathartically scratch far beneath the surface. ‘Walk that Line’ continues this tradition, presenting itself as a corridor of sonic salvation crafted to ignite the spirit and soothe the soul. By blending the nostalgic warmth of tape deck recordings with the crisp clarity of contemporary production, the intimacy rings through with crystal-clear resonance.

Echoing influences from the ’90s indie scene reminiscent of Kula Shaker and Dodgy, ‘Walk that Line’ is bolstered by a trappy, pulse-quickening beat that adds a modern twist to its mellow melody. With a plethora of frequency shifts, Abbott sonically visualised the often tumultuous pace of modernity while the lyrics and smoothed with sincerity Jack Johnson-esque vocal harmonies consolingly tempt listeners to relinquish the past and embrace the unknown. If you ever want to know how much love a single is capable of harbouring, hit play.

Walk that Line is now available to stream on all major platforms, including Spotify.

Review by Amelia Vandergast

Jake Marshall tore the sutures off his wounds for his folk-pop debut, bad singer

In one of the most vulnerable and soul-baring folk-pop debuts the airwaves have ever witnessed, Jake Marshall tore the sutures off his wounds and stood in front of the world unfeigned with his debut single, bad singer.

With gospel motifs swelling around his vocal lines that simultaneously exhibit his impressive octave range and his ability to convey heavy emotions in even the highest registers, there’s something profoundly sanctifying about the opportunity for connection presented by bad singer.

The titular paradox of this track is just one of the ways Marshall artistically shines in the raw vignette of his trauma that would break most and resign them to shame. The power of fortitude resounds through the release which proves that even if you live and sing in spite, you can salve the pain of others as you chart your arc of healing.

bad singer is Jake Marshall’s candid reflection on overcoming self-doubt instilled by past relationships. With evocative melodies and introspective lyrics, the song chronicles his journey from being told he couldn’t sing to embracing his voice. The track captures the essence of his unique blend of sad folk-pop, setting the stage for his forthcoming EP, Love(s) of My Life.

Stream the official music video for bad singer on YouTube now.

Review by Amelia Vandergast

Grable Howie cinematised folk in his sophomore release, Don’t Walk Away

Grable Howie’s sophomore single, Don’t Walk Away, is as panoramically expansive as the landscapes he draws his inspiration from. This stellar release showcases Howie’s determination to propel his career forward and do justice to his talents that are as naturalistic as his hometown scenes in Longmont, Colorado.

The lush production elevates folk-pop into cinematic territory, inviting listeners to vicariously live within the environments that shaped his sound. Don’t Walk Away wouldn’t sound out of place on the soundtrack of a Hollywood blockbuster which explores the tender trappings of yearning during a waxing and waning love story.

The rugged timbre of the banjos provides a striking contrast to the rest of the polished classically caressed production which efficaciously highlights Howie’s seraphic vocal timbre; this juxtaposition puts a modern filmic lens on traditional folk storytelling and firmly establishes Grable Howie as a peerless entity within the contemporary music industry.

Don’t Walk Away was officially released on May 31; stream the single on Spotify now.

Review by Amelia Vandergast

Todd Hearon echoed arcane serenity through his folk-pop-meets-alt-country-reverie, Looking Glass

The warmth of 70s folk-pop radiates through the arcane aura of Todd Hearon’s latest alt-country serenade, Looking Glass, taken from his eagerly-anticipated forthcoming album, IMPOSSIBLE MAN. The rendered with holistic resolve release almost seems out of place in the modern era of music; rarely do new singles so organically pure in their sense-awakening and placating catharsis surface, making Hearon a diamond in the digitised rough.

Very few artists can match the rugged-with-emotion soul-exhilarating appeal of Cat Stevens, but the way the melodies in Looking Glass ascend until they touch nirvana gave the Texas-born, North Carolina-raised and New Hampshire-based singer-songwriter almost exclusive access to that affectingly sincere pantheon.

The lush-with-reverie production, with trippy psychedelic aesthetics in all the right places, pairs shimmering organs with evocative piano pop rock progressions, vintage-hued guitar chords and a vocal register so euphonic you can’t help but melt into it.

With the imminence of his third LP, IMPOSSIBLE MAN, due for release in August, you won’t want to tear your attention away from Todd Hearon for too long. Get a taste of what is to come by streaming Looking Glass on Spotify now.

Review by Amelia Vandergast

Entwine with Alba James’s folk-pop reverie, You Belong to Me

In their latest single, You Belong to Me, singer-songwriter and multi-instrumentalist Alba James equally exhibited their profound connection to music and nature. Hitting play opens a doorway to a portal of fantasy, constructed by a mind attuned to folk-tale reverie; in the same vein as Cosmo Sheldrake, James rhythmically renders naturalism into her productions, which also tap into the enduring appeal of Dodie and Sufjan Stevens.

Though the title of the single implies possession, the free-spirited energy that breezes throughout the production with the retrospection of affection acts as an unexpected contradiction. James’ arcanely serene vocal lines drift through the organic layers of instrumentation attesting to how integral giving room to breathe is in a world full of confines.

Despite their relatively fresh innings in the music industry, the French Sweden-residing folk-pop troubadour allowed their aural talents to blossom from a young age before releasing their debut single, One in a Million, in 2020. Since then, they’ve shared 13 singles and their critically acclaimed EP, Bedroom Walls ahead of You Belong to Me. Even though nothing is off lyrical limits, themes of ancient mythology, queer love and nature are the cornerstone of the artist’s inspiration.

The next time you feel the need to touch grass, just tune into her discography instead.

Stream the official music video for You Belong to Me which premiered on May 7th via YouTube.

Review by Amelia Vandergast

Resonating Reflections: Timothy Jaromir Echoed the Complexity of the Human Condition Through the Organically Intricate Single, ‘Rebound’

Swiss singer-songwriter, Timothy Jaromir, became the Paul Simon of his generation in the intimacy of his latest single, Rebound. The organic euphony of the intricately organic instrumental arrangement, tinged with sporadically nuanced modern aesthetics, speaks volumes of his command over orchestrating progressions which resound with as much heartfelt candour as the poetry in his lyrics.

Speaking on the complexities that construct the human condition, Rebound forces you to reflect on how everyone you meet is a walking embodiment of the light and dark of their histories before you contemplate the sanctity of finding a love that will fuel you in perpetuity.

After releasing two solo albums, four EPs and several singles in his decade-spanning career, Timothy Jamir has had plenty of time to hone his craft; judging by how deep Rebound nestles into the soul, it’s safe to assume that he hasn’t wasted a day.

His forthcoming Nick Drake-inspired EP, Man Atlas, promises to deliver his most introspective and powerful work to date by leaning into the subconscious rather than pandering to the superficiality that premeditates the success of many of this era’s most laudable artists. 2024 undoubtedly has the scope to be a career-defining year for Jaromir.

Rebound was officially released on April 26th; stream the single on Spotify.

Review by Amelia Vandergast

Move Over Amanda Palmer, Naomi Castellano is the New Girl Anachronism in Her Debut, Hide and Seek

Naomi Castellano’s debut single ‘Hide and Seek‘ reveals an artist who has been seemingly playing hide and seek with her own vast talents. Her debut resonates with the essence of Tom Waits, Stevie Nicks, Kate Bush, The Last Dinner Party, and Mitski, showcasing a high-fidelity cultivation of these influences that will leave listeners in awe. Castellano’s music, entrenched in a genre-fluid nostalgic reverence, promises to captivate this generation’s penchant for artful expressionism.

Her quirky anachronistic tendencies lend ‘Hide and Seek’ a timeless depth, where nothing feels antiquated—from the smoky jazz grooves that billow between the robust pillars of chamber pop swells, to her Joni Mitchell-esque vocal range comfortably sitting in the alto, and not to forget the baroque flourishes that tint her artistic sensibilities.

With a background in classical music and a love for jazz, indie, alternative, and folk-pop, Castellano’s songwriting echoes the influences of Ani DiFranco, Fiona Apple, Norah Jones, and Sia. Utilising strings and keys, she created hypnotic transportation into a daydream, making ‘Hide and Seek’ not just a song, but a sublime sonic journey.

Naomi Castellano is undeniably holding the future of alternative music in her deft hands, and with such a compelling start, it’s clear she has exactly what it takes to stand at the vanguard of a new era of musical innovation.

Hide and Seek was officially released on April 17th, stream the single on Spotify.

Review by Amelia Vandergast

Holly Lovelady alchemised around the rough terrain of reality in her scintillated by synths folk-pop ballad, Helvellyn

Holly Lovelady’s latest folk-pop single, ‘Helvellyn‘, is a meticulously crafted piece of aural alchemy. Lovelady, with her arcane vocal harmonies reminiscent of Stevie Nicks and synth lines echoing The Human League, brings a fresh, artful approach to the genre.

‘Helvellyn’ is a scintillatingly spiritual modern ballad that seamlessly blends electro-pop with folk melodies while delving into the highs and lows we’re all fated to traverse. Her enchantingly ethereal vocal timbre effortlessly weaves through the melodies, allowing you to instantly feel at home in her profound presence.

Lovelady’s musical roots, nurtured in the cosy embrace of her grandparents’ home, are evident in the depth and authenticity of her sound. Her journey from covering classics to creating her own path in the music industry is reflected in the song’s metaphorical exploration of the rough terrain of reality.

The single stands out for its balance of artfulness and accessibility. It resonates as an ornate feat, an affecting blend of modern and traditional, without falling into the trap of becoming a dusty relic of bygone eras. Lovelady’s skill in modernising the ballad form while maintaining its soulful core is nothing short of remarkable.

With support from BBC London, BBC Merseyside, and Radio 6, and following a year of personal and creative growth, Lovelady is poised to make a significant impact on the alternative pop scene. ‘Helvellyn’ is more than just a feather in her cap; it’s a bold statement of her artistry and a beacon for the future of modern ballads.

Helvellyn was officially released on February 6th; stream the single on Spotify.

Review by Amelia Vandergast

Phil Coomer prescribed love as a drug in his latest release, All the Medicine I Need

https://youtu.be/eNRKiL6PZT0?si=2dDJrrguCrbBzFlA

The folk-pop evocateur Phil Coomer used all his award-winning song-writing stripes to decorate his latest single, All the Medicine I Need, with a sense of sentimentality that will see your soul swell with gratitude for everyone who sweetens your world.

As the orchestral strings quiver, the tenderly fingerpicked acoustic guitar strings amplify the warmth spilling from Coomer’s folky Americana harmonies which shine with crystalline soul as they emanate the soft and intimate folk vocal style of the late 60s and carry the same affecting mesmerism of Nick Drake.

Even when artists pen their own material, it isn’t a given that they will orchestrate something original; there’s never any danger of assimilative pedestrianism when you slip into a Phil Coomer folk score; just how it is possible for a salve for the soul to feel so expressively raw is an alchemic paradox that stands as a testament to his songwriting virtuosity.

All the Medicine I Need will be available to stream and purchase on all major platforms from 05/06/2024. Until then, you can stream the music video on YouTube.

Review by Amelia Vandergast

Blake Baker is captivating in his wistfully listless single, Mind the Gap

The up-and-coming genre-fluid singer-songwriter Blake Baker became the ultimate raconteur of relatable melancholy while simultaneously delivering sonic sanctuary with his latest acoustic single, Mind the Gap.

The profound and beautifully crafted introspective piece resonates with the soulful narrative strength of classic folk songwriting; Baker’s skill in blending this traditional foundation with an Americana blues essence results in a song that is both timeless and refreshingly original.

Lyrically, Mind the Gap paints a vivid, cinematic portrait of a protagonist who feels overlooked and invisible amidst the bustling society around him. This theme of alienation and longing for connection speaks directly to anyone who has struggled to find their place in the world. Baker’s ability to capture this sentiment in his eloquently compassionate lyricism is beyond compare as the track anchors around his rich, sonorous voice which can carry the low timbres as well as the highs he maintains resonant depth.

Mind the Gap is now available to stream on Spotify.

Review by Amelia Vandergast