Browsing Tag

Experimental Hip Hop

Atlanta Hip Hop Pioneer Caleb X Illuminated the Way to Tranquillity with his Vibe-Heavy Hit, Peace

Cleveland, Ohio-born, Atlanta-based artist Caleb X started a flood of tranquil melodicism by bringing in the new wave of hip-hop with his latest single, Peace.

Even with the nostalgic samples implanted in the glossily smooth hit, which illuminates the path to catharsis and emotional sanctity, there is no denying the experimentally contemporary edge that effortlessly complements the authenticity within the bars.

Though he may be influenced by DMX and Tupac, Caleb X ripped up the hip-hop rulebook before creating this vibe-heavy hit that will spice any future-embracing hip-hop playlist up with its mellifluous soul and style.

Peace was officially released on January 20th. Hear it on Spotify.

Review by Amelia Vandergast

Take a psychonautic trip with Dirt Cookie’s spacey synthwave rap hit, Word Vomit

After the success of his 2022 sophomore album, Peace in the Valley, the up-and-coming alt-hip-hop originator, Dirt Cookie, pulled a fresh antagonistically infectious earworm out of the oven with his latest single, Word Vomit. 

After confessing that he doesn’t want to write about sex anymore over spacey synths and purposefully scratchy beats, the psychotropic feat of synthwave rap kicks into a melodic flow, led by his snappy rap verses that throw lyrical curveball after curveball. 

There’s no anticipating the direction Dirt Cookie will take while he’s rapping through the droning synthesisers and 8-Bit style instrumentals, and that’s a major part of the experimental success of Word Vomit. The clue is kinda in the title.

As we have no idea what to expect from his next release, especially based on the indie folk hits in his sophomore album, we’re already stoked to hear it. He’s the GOAT of hip hop wildcards. 

Word Vomit is now available to stream on Spotify. 

Review by Amelia Vandergast  

Beavus has launched his experimentally originated hip-hop eponymous debut album.

The up-and-coming alternative artist, Beavus, proved that beyond-the-curve experimentalism is in high demand with hip-hop fans after the launch of his self-titled debut album.

The standout single, Song 4 Might Be Finished, is a meditatively chill window into the artist’s vibe-heavy inclination. Running through like a semi-lucid lo-fi trappy lullaby, the single exposes you to intimate confessionalism while the downtempo beats drench you with tranquil catharsis.

The sense of sweet yet cheeky playfulness takes the soundscape to the next level, and Beavus’ 5,000 monthly Spotify listeners would be more than inclined to agree.

Check out the eponymous debut album from Beavus on Spotify.

Review by Amelia Vandergast

Zackwa is on his own experimental plateau in ‘All Praise and Glory’

With the fluid transitions between the Prince-Esque vocalised harmonies and the blazing rap bars that are just as convictive as RZA’s, Zackwa’s latest single, All Praise and Glory transcends the constrictive nature of genre boundaries. That is before you account for the experimental accordance in the ambient electronica meets new age hip hop instrumentals.

Zackwa strives to rise above the mundane energy of the world, and it’s safe to say he is not only in another league. He is operating from a new dynamic plateau, constructed by his autonomy and inclination to verse introspective gold into the strained atmosphere of the 21st century.

Check out the lyric video for All Praise and Glory on YouTube.

Review by Amelia Vandergast

Koosha Azim – Koryŏ Capsule; psychedelia has a brand-new futuristic hip hop flavour

Some people go on holiday and upload a new picture on social media every 30 minutes; when the Cali experimental hip hop artist Koosha Azim hit Seoul in South Korea, his trip inspired two future sonic worlds on his EP, Koryŏ Capsule.

If you needed any convincing that travel really does broaden your mind, delve into the trippy psychedelic textures in the two-track release. Raw yet robust, Koosha Azim pushes the boundaries of hip hop beyond recognition into trippy territory that you will want to visit time and time again.

Track 1, Fly to the South, is a wavey, reverb-dripping and quasi-spiritual track that allows you to taste the spacey transcendence of his journey. While Track 2, Jeju, is a feat of kaleidoscopic ambience, complete with ethereally ambient layers and soul-infused trap star energy.

Koosha Azim began producing music in 2020 after being inspired by a few talented close friends. He started his production experimentalism by sampling old Persian music and orchestral compositions to create his hip-hop beats. Before releasing his EP, Azim released five singles: the first, The Genesis, arriving in late 2020. He is currently working on his debut LP Godspeed Said the Rain, an avant-garde production that processes a coming of age story and falling in love to the backdrop of war & conflict.

Here is what Azim had to say about his latest release:

“Capturing the excitement of moving to Seoul, South Korea, Fly to the South celebrates experiencing the high life of a new region. Akin to the distortion of the mind on a psychedelic journey, the production is arranged with banging 808s, a spiritual flute sample, and a mysterious synth ambience. It is a hip-hop anthem for the restless youth.

Jeju was inspired by a trip to Jeju Island. The island was a peaceful place that inspired the futuristic world I created on the track. The song discusses falling in love in Korea and feeling like a Rockstar while travelling across the globe.”

Koryŏ Capsule was officially released on July 8th. You can check it out by heading to SoundCloud and Spotify.

Review by Amelia Vandergast

Crimson REd put us on ‘Red Alert’ in his harbingering hip hop debut 

If it has been a while since you got some truly experimental hip hop in your ears, meet the future of melodic trap in Crimson REd’s debut single Red Alert.

With chiptune synthetics blaring under solid, rhythmic hits of the 808s, you can get an idea of what it would sound like if J. Cole put their bars over DJ Scotch Egg’s scorching 8-bit beats. Reminiscences aside, the Reading PA-born and raised artist came into his own right from the outset.

Everyone has their idea of charisma, but Crimson REd will be in-line with the definition for most hip hop fans that vibe with his kaleidoscopically psychedelic sonic signature. We sincerely hope that there is already a sophomore single locked, loaded and ready to drop.

Red Alert is now available to stream on Spotify.

Review by Amelia Vandergast

Decoy Duns sharpened his razor-sharp flow in his latest rap track, WINDCHIMES

Decoy Duns first hit the Houston hip hop scene in 1998; after a series of successful releases between 2001 and 2010, he took a 10-year hiatus before making a triumphant return in 2020. His latest single, WINDCHIMES, stands as a testament to just how refined his choppy fast bars have become and how much he has sharpened his lyrical wit to complement the flair in his canter.

Yet, it’s the honesty within WINDCHIMES that sets Decoy Duns apart from the rest. It’s rare to get a sense that every bar came straight from the soul, but evidently, he made no bones about exposing impassioned emotion through WINDCHIMES. Production-wise, WINDCHIMES throws ambient elements into the vivacity of the alt-hip-hop instrumentals that are sure to get the dopamine flowing.

Hear the Radio Edit of WINDCHIMES on Spotify.

Review by Amelia Vandergast

Twivee – GODLIKE feat Jay Will: Hip Hop to Get Pious To

For his latest release, hip hop writer, mixer, and producer, Twivee, collaborated with new wave pioneer Jay Will to create a stormer of an impassioned alt hip hop hit. GODLIKE is enough to leave you feeling pious to the aggravatedly experimental talent.

The bass is just about enough to rival the wild energy that carouses through Twivee’s rap bars that are rampant with hook-filled cursive. The UK artist’s intensity has already been lauded across the board, and he’s become a firm favourite of BBC Introducing with his truly authentic hard-hitting sound. It’s all too easy to see why.

GODLIKE feat Jay Will is now available to stream on SoundCloud.

Review by Amelia Vandergast

Bradspectacular has stormed in with his latest fiery chiptune rap track, Games

https://www.youtube.com/watch?v=UelKgIh2hSY

Here to finish what Atari Teenage Riot started is the alt hip hop artist, Bradspectacular, and his glitchy chiptune hit, Games, produced by Trust201. The Virginia-born, Houston-based artist takes influence from Zack Fox and Baby Keem, but in his latest stormer of an alt electro-rap track, he is standing in a fiery 8-bit league of his own.

The energy in his bass-riding playful yet convictive track is nothing short of infectious, and with his authenticity making an instant impression, it is only a matter of time before Bradspectacular ascends into the mainstream.

Games will officially release on March 18th. You can check it out for yourselves by heading over to YouTube and Spotify. Keep up to date with new tracks via Instagram and TikTok.

Review by Amelia Vandergast

Dioneesus delivers a heavy dose of dystopic realism in his latest Avant Garde hip hop single, COVID-23

Dioneesus (Dennis McGrath) is an Avant-Garde hip hop pioneer that sonically pushes the envelope into obscurity with each new release while dissecting what it means to be human in his fiery old school hip hop rap bars. His latest single, COVID-23, plays on the fear that we’ll never see the back of the virus that has cost some of us our sanity and cost others infinitely more.

I couldn’t help but draw parallels between COVID-23 and Insane Clown Posse’s ‘The Great Milenko’; it carries the same eerie atmosphere atop of the bare-bones 808s and around Dioneesus’ bars that lull you into introspective subjugation.

The Long Island-born artist spent a decade in Nashville before he made his way to Pittsburgh in 2021. If your Ancient Greek history is rusty, his apt moniker plays on the Greek God, Dionysus, the god of ritual and ecstasy. He’s got a lot to live up to, but he’s well on his way with his subversively stylish flair.

COVID-23 is now available to stream on Spotify.

Review by Amelia Vandergast