Browsing Tag

EP

You will want Doller on speed dial after feeling the heat of the fusionist fire in his EP, Call Me

On November 3rd, UK’s fieriest genre fusionist Doller dropped his dynamic three-track EP, Call Me, to prove he’s lost none of the flair, flow, or finesse that has seen his audience stretch across the globe during his storming 15-year music career.

After track one unravels as an infectiously hooked garage hip-hop anthem, which efficaciously gets you in the groove and hot under the collar, Doller dips into a pseudo-trap iteration of dancehall before bringing in a smooth and steamy session of trap-soul. Achieving that feat of sonic eclecticism with three separate tracks would be one thing, but Doller exhibited his superlative versatility by reworking the same track while ensuring that each track stands by the volition of its own merit.

From the luxe high vibes that reverberate around the rhythmically arresting first single, which features MC Neat and Zara W, to the scintillating atmosphere in track two to the wavy, dreamy tonal hues within track three, which pays an intimate ode to intimacy with a little help from Aleisha Lee and Terry Trill, there’s something for everyone in the Call Me EP, which has established Doller as the baller of originality.

Before the release of Call Me, the Edmonton-originating artist who was born the roots reggae icon Kush Tafari and shares blood with the Jamaican rapper Flash earned endorsements from the likes of Ghetts, Tion Wayne, DJ Target, Charlie Sloth, Sian Anderson, Sir Spyro, Wiley, and Logan Sama. His music has also been synced into an MTV Base advert and the critically acclaimed film Sket. Over the years, he’s flitted between rap, dancehall, and trap-soul as his musical influences diversified. If one thing has remained a constant, it is the renown that has stemmed from his versatile style and impressive lyrical prowess. While some artists out there gas themselves up as a triple threat, Doller is asserting himself as the ultimate threat and one to watch throughout 2024.

Stream the Call Me EP on Spotify & SoundCloud.

Follow Doller on Facebook & Instagram.

Review by Amelia Vandergast

Interview: Dar.Ra opens up the Blood N Treasure on his much-awaited new EP

https://www.youtube.com/watch?v=fEAYyrDmlyU

With a pure sound and meaningful lyrics abundant in each of his well-crafted tracks, London-based author, music writer, producer and remixer pioneer Dar.Ra kindly opened up his busy schedule to have a quick chat with us. Telling us more about the much-loved new EP Blood N Treasure, stories from the music world, and charting worldwide, he also kindly provides valuable advice for all musicians out there who want to be the best.

Llewelyn: We’re super excited to speak with you Dar.Ra. Firstly, how has your 2023 been so far and please tell our readers what it takes to be a successful musician in this stream-friendly world we live in.

Dar.Ra: The year has been flying by, I get up early, stay creative, try not to react to the global madness and meditate as much as possible. I think being successful in this industry is a measure of how you see success. I’ve been making music since the mid-1980s I got a job as a vocalist in a Reggae band called Bass Culture at 16 and went on the road to avoid working in a factory soldiering PCB boards. I think if you’re still going after that long and you’re still putting out good records then that’s success in my book.

Llewelyn: Secondly, let’s chat about your upcoming EP Blood N Treasure. Where did the process begin and what’s the vision behind the new project?

Dar.Ra: ‘No Time For Tears’ came first I wanted to do an epic ballad which moved around arrangement-wise and ended up with a 7-minute tour de force. It was inspired by the story of the last Russian Tsar and how the love they had for each other couldn’t be stopped by bullets that assassinated them. I believe we go on after this. I have experienced other dimensions through sleep paralysis, I know there is something else beyond this third-dimensional experience we call reality. When you ascend from your body and see yourself asleep you explore what your astral self can do which is beyond the physical experience. It’s happened quite a few times and each time it reminds me we are more than this body or ego or car we drive around in. ‘Cure For Jealousy’ came out of left field I had a jam going in C minor for a while and the lyric came into my head as I felt a pang of jealousy when some guy was chatting to my G friend in a club I was DJ ing at. I was being cool but I could feel that uncomfortable fear someone was trying to move in on my Goddess. I was jamming at home the next day and thought I wonder if there is a ‘Cure For Jealousy’. It’s a hard one to crack however much of a Zen master you think you are, it’s the universe’s way of testing you to say you’re not as cool as you think you are. The thing is when you’re too detached from people and things, the less you care about stuff like that, but when you’re connected to something its easy to get triggered when other people aren’t playing by the same rules. I’m still working on it and unless I go live in a cave and meditate all day and night I’m going to get triggered by people not showing respect for you or the things you care about. It’s hard to get the balance, but that’s why we are here on Earth to work through these things. The remixes for both tracks on the EP are equally awesome, both were done by Sri Lankan-born and based Viduala who also did ‘Lights’ which is one of my favourite tracks I’ve worked on to date and features on the ‘New Kinda Normal’ album.

Llewelyn: You are known worldwide for your music and the much-loved Kusha Deep Radio show. Do you still feel the rush of being on such an incredible show and what do you love most about what you do?

Dar.Ra: I go through stages with all things, sometimes I’m buzzing sometimes I’m chilled about things. I love putting together a killer set, be it Tech House or Reggae, when I hear tracks that take me to that next dimension, I’m diving in the deep end to get things rocking. If you’re happy though I’m happy. I’ve always been a crowd-pleaser when I’m out and about, I just want to see you having the best time of your life. I remember playing Camden Palace London in the 90s with my band Bliss I had a number 1 dance record called ‘New Dawn’ and we had 1500 people all unified and rising up as one, total love mixed with euphoria that’s what it’s always been about for me. It’s more than Music it’s a connection of human energy and when it ignites with Love the place explodes. If you come to a Dar.Ra / Kusha Deep show you’ll get what I mean.

Llewelyn: You’re known as one of the best writers in the game and have penned worldwide hits for various EMI and 21st Century Artists. What do you feel makes a truly great song and do you go into a different zone when writing or does it just flow when you want?

Dar.Ra: I think just being as real with what you’re channelling is key, not getting in the way of inspiration and letting it flow without censoring and editing it before you’ve let it flow out of you. There is this space that we can all go into when we silence our thoughts, it’s in that space where genius lies, where all ideas come from it’s a frequency or a universal matrix of vibrations. All ideas come from that silence. You never solve any challenge by thinking about it, it’s when you turn off from thoughts that the ideas flow. Think of any great idea, Tesla for instance would go into that space and feel the energy grid then find the alternating current for instance that makes your car work. He also understood the power of vibration and how to harness it to create endless energy. You can have anything you want you just need to know how to ask for it.

Llewelyn: Cure For Jealousy certainly has our attention. It’s ridiculously infectious and mega catchy (in a good way). Is this your favourite song off the new project and may you kindly provide the A&R Factory readers with some further insight into this terrific track?

Dar.Ra: It is a cool tune and one which I enjoyed making, once they are out I’m on to the next thing though writing the next thing of hearing a new melody in my head, I do not look back too much once they are mastered. It’s fun though to go back and re-learn how to play them if you have to do it live. Each track brings a new challenge and that’s what keeps me interested in making music. I remember meeting Debbie Harry when I was at Chrysalis and I remembered her Heart of Glass track and how Georgio Morroder, produced it and got vibed up on that live Disco/ Rock feel, and I just went down that road with it. It’s got a lot of flavours on the track which you are not hearing on a lot of tunes out at the moment. It’s real and all played live. I do not rely on loops, auto tune or AI to make music, it’s all 100 organic like a Veggie Stir Fry.

Llewelyn: Do you have any funny or wild stories you’re allowed to share from a past gig or a moment in your career that makes you laugh or cringe a little?

Dar.Ra: I played a gig in Queensland Australia in 2003 and the place had been used as a wake for a person who had died earlier in the afternoon. When we came on the coffin was standing on the side of the stage in the wings but you could see it every time you looked right. We just got on a rocked the place, everyone dancing and going off and the coffin was moving to the vibrations of us playing, I was praying it didn’t fall off the stand and the dude roll out into the crowd. That was a weird one. I wrote a book called ‘Road Tales’ (Darragh J Brady) about being on the road with all the crazy people I met from 1995 to 2007 who all had incredible life-changing experiences. It’s on Amazon and tells you more about that kind of intense but cool moments. It goes from the UK to Australia to America and Central America, worth a go if you’re looking for a good read. My other book is the ‘Night That Jimi Died’ which is about a girl who can channel the Spirit of Jimi Hendrix, she changes the world through using certain types of frequencies that alter people’s DNA in order to awaken them to the great takeover of human freedom from the powers that be. They both have 5-star reviews on Good Reads.

Llewelyn: Lastly, do you have any plans for the rest of 2023 and what exciting projects or shows are scheduled?

Dar.Ra: I’m recording some Audiobooks, producing a new album later this year and looking to leave England for pastures greener setting up a well-being centre which will hold music and yoga and meditation workshops. You will all be welcome!

Check out the video for the lead single Cure For Jealousy on YouTube.

Follow this experienced artist on all his adventures via IG.

Interview by Llewelyn Screen

The outstanding UK jazz artist Chris Weeks tells us all about his upcoming debut EP To Be Frank

As a hugely experienced British jazz session artist who is hugely respected, we find out more about Chris Weeks and swim deeper inside his much-awaited debut 5-track EP set for release on the 1st of July 2023, To Be Frank.

Inspired immensely by the all-time late great American singer and actor Frank Sinatra while telling us incredible stories about his well-travelled career, we are treated to a proper interview with real substance.

Hello there Chris. We appreciate you having a quick chat with us. Firstly, what exhilarates you most about making music and performing live?

Chris: Hello there! No problem at all, it’s a pleasure. For me, my favourite thing is being in the moment with a song. When you aren’t really thinking and you’re just sort of transmitting the story and the feeling of what you’re singing. Your concentration can’t be anywhere else and I find that just electrifying, whether it’s on stage or in the studio. I love that. It’s pure.

How delighted are you about your upcoming 5-track debut EP To Be Frank? We love it and feel like you have really honoured Frank Sinatra in the best way possible.

Chris: Thank you very much! Frank has been an idol of mine throughout my life and I am SO excited to be releasing this record. It’s something I meant to do years ago, but looking back now I’m glad it’s taken me this long…I did an awful lot of recording over the Covid-19 pandemic which gave me a chance to really grow as a singer and the record really benefits as a result.

In terms of the players and production team as well, it’s real champagne stuff. Cody Moss, Mark Fincham, Matt Skelton, Larry Judson…they’re all wonderful, tasteful, intensely classy players and they created a beautiful canvas for me. I’d done bits and pieces with them before, but never like this. It was a huge pleasure to be able to get those boys into a room and the results are magical.

Then to have Claire Martin and James McMillan producing was fantastic. Claire’s one of the best jazz singers in the world and James has got jazz awards coming out of his ears, as well as all his Grammy noms. They were able to add detail and direction that I don’t think anybody else could. So yes, VERY excited!!

Please tell us more about the connection with YouTuber OR30 and your hugely successful song called 100 Years.

Chris: ‘100 Years’ was a project I sang on over lockdown, when I was working as a remote session singer. OR30 found me on a freelancing site and we connected. I could never have predicted the level of success that song has had, but it’s a testament to her beautiful writing and to her fans! It’s still one of my favourite songs that I’ve worked on!

Is there a particular live music venue or festival you have your eye on for the future?

Chris: I’d love to play at Ronnie Scott’s here in London. I’ve played at various other jazz venues around the city, but that one’s still on my list. Aside from that, I’d love to play at Cheltenham Jazz Festival!

Why do you think Frank Sinatra has such a massive influence on your music and what do you love the most about his timeless creations?

Chris: I was introduced to Sinatra at an early age and the first thing to hit me was the noise of the band behind him on songs like ‘New York, New York’. All that brass was huge and sounded super cool to my young ears.

Then, as I started to sing properly, I noticed how easily and classily he phrased passages with the groove. He’s intensely rhythmical, even if most of the time he’s restrained with how he phrases things. I trained as an actor in my twenties and then started to notice how he can fill each vowel sound with emotion and ground it all in the same way that actors have done since the days of Shakespeare. He’s the perfect combination of instinct and refinement. The perfect singer!

What is the best piece of advice you keep deep in your memory when the chips are down?

Chris: One is from Sinatra himself: ‘The big lesson in life, baby, is never be scared of anyone or anything’. Easier said than done sometimes, but a good one to live by! My other big one is ‘Nothing can come from nothing’. So if I have an opportunity, I always try to take advantage of it because if I don’t, I know guaranteed that nothing will happen. Whereas if I do it, even if it doesn’t work out the way I’d planned, something good will come out of it.

Lastly, what do you have lined up for the rest of 2023 and where can we see you live next?

Chris: I’m actually currently playing the lead in a theatre tour here in the UK – I’m playing Buddy Holly in Buddy: The Buddy Holly Story. The tour runs til October and after that, I’ll be playing a series of gigs in support of this EP, which I’m very much looking forward to and to which you’ll certainly be invited!

Be sure to bookmark the 1st of July and follow Chris on his IG for more updates.

Interview by Llewelyn Screen

The World Doesn’t Make Sense: Brian Berggoetz Band feels the wicked frustration on It’s Gonna Rain

After blessing us with an incredible interview recently, Brian Berggoetz Band is rather lonely and wants to feel the fresh water drizzle all over his tired body with the thunderbolt that is, It’s Gonna Rain.

Brian Berggoetz Band is an Arizona-based alternative artist who loves to fuse in Americana and certainly keeps it sentimental and is quite simply excellent in delivery.

My sound is a combination of Dave Matthews and Bruce Springsteen. On the new EP, Familiar Sounds there is a touch of the Moody Blues as well. Recently I have been playing with a cello and violin players and that project found it’s way on to the album. There’s an orchestral rock song as well as a straight orchestral piece I did with some help from the Tucson Symphony. I’m very happy with those two pieces.” ~ Brian Berggoetz Band

Blessing all wary hearts with a rather special single to get excited about, Brian Berggoetz Band rips through the carpet and shall be that entertaining act who isn’t afraid to tell us the truth no matter what. This is epic stuff from the desert residing underground legend.

It’s Gonna Rain from Arizona-based alternative artist Brian Berggoetz Band is a booming song to turn up loud and proud when everything seems to be shattering beyond belief. Stunning all veins with a superbly lit performance for the masses to enjoy who love it loud, we are thrilled to the core by this heartbeat of a soundtrack to believe in.

Listen up on Spotify.

Reviewed by Llewelyn Screen

ARDON ENGLAND represents the queer community on the hot new single Leather Daddy

Taken off his much-awaited brand new EP called That’s Camp, ARDON ENGLAND shows us deep within the Vulvas on his superbly intoxicating new single to get sweaty with, Leather Daddy.

ARDON ENGLAND is a proudly Māori New Zealand-born indie camp house music producer and is an inspiration to anyone who continues to fight for inclusive representation.

Ardon has worked alongside some of New Zealand’s best dancers, entertainers and choreographers, to bring artistic and creative visions to life.” ~ ARDON ENGLAND

Bravely standing up for what is right and keeping it saucy at the same time, ARDON ENGLAND might be the music chef the queer community needs during these morally wrong times. Electric throughout and sizzling with intent, many temperatures will be raised.

Leather Daddy from New Zealand-born indie camp house music producer ARDON ENGLAND is a lip-licking experience to get those heartbeats wild in naughty excitement. Elderly neighbours will probably hate this but that’s the point. This is an entry with a party atmosphere which is breaking down walls. Walls that shouldn’t be there you see?

The music scene should be for everyone after all.

Check out this new single on Spotify.

Reviewed by Llewelyn Screen

Interview: Ozzie Aguilera tells us more about the debut EP EVOLVING

We had the pleasure of speaking with the incredible Ozzie Aguilera via her car recently and we felt the love. We heard about her new single EVOLVING, her decade-long respect for Kali Uchis and with a cute dreamy air wiggle, we find a lovely human who projects peace and love in an often harsh world.

Hello there Ozzie Aguilera. Thank you for joining us today. What did you have for dinner last night and where in the world do we find you?

Ozzie: Hi! Thank you for having me. I appreciate you and everyone at A&R FACTORY so much! I actually had steak last night. One of my really good friends took me out to celebrate my birthday and the release of my debut EP “Evolving”. It was amazing, but I’m currently in my car. I just finished wrapping up a session at the studio.

Please tell us more about your 5-track debut new release EVOLVING.

Ozzie: “Evolving” is my coming-of-age story. I had a really tough upbringing and I wanted to showcase where I am at right now, on my journey through healing. The healing stage can bring up a lot of different emotions that you may not be ready for, but you’ve got to take the initiative and trust the process. I intend to reassure people from different walks of life that being vulnerable is necessary at times. It’s okay not to be okay, but giving up should never be an option.

If you could perform live with any music in the world, who would it be and why?

Ozzie: Kali Uchis! I would love to work with her one day. I flew down to Houston last year to see her in concert, and she killed it. She’s set to go on her own tour this year, so I’m excited to see miss Kali again. I personally have been obsessed with her for almost a decade now, and It makes me so happy to see her thriving in every single thing that she does.

How would you describe your sound to an alien who has just landed on earth?

Ozzie: I would describe it as a smooth and dreamy air wiggle, haha. Hopefully, he or she is able to even understand me, but I’d much rather perform my leading single from “Evolving” for them.

Do you have any specific goals for the rest of 2023?

Ozzie: I want to step out of my comfort zone and dip into different styles, but I am for sure still going to be releasing music that comes from my heart. As humans, we’re constantly evolving, and I plan on staying true to myself. I want to keep growing as an individual and never take my artistic abilities for granted. I’ve been working towards this moment for many years, and I am so glad that the ball is finally rolling.

What was the last movie you watched?

Ozzie: I am not even going to lie, I couldn’t tell you the last time that I watched a movie. Although, I’m currently binge-watching this show on Netflix “Travelers.” It is so good! I wish we had the ability to time travel.

Last, what hopes do you have for humanity as a whole and do you think kindness is lacking when it’s needed most?

Ozzie: World peace seems far-fetched, but It shouldn’t be impossible. I pray that all of humanity will be at peace one day. Absolutely! Kindness is for sure lacking when it’s needed most. It doesn’t hurt anyone to be a decent human being, there is enough darkness in this world.

Listen up on Spotify. See more on IG.

Maella brings the house down in her sultry alt-pop earworm, Tudu Tudu Tu

Prague-born, London-based Alt-Pop artist and producer, Maella brought a smorgasbord of Eastern European flavour to her latest single, Tudu Tudu Tu, which merges juxtaposing nostalgic sonic textures to allow a new wave of retro to crash across the 90s dance percussion and seductive bass.

It is as cinematic as any Tarantino cult hit, and a poignant exposition on a chapter of her life that closed the book on difficult breakups, unfulfilling romances, and the claustrophobia of lockdowns. If Shiny Toy Guns wrote Seven Nation Army, the earworm wouldn’t be a million miles away from the electrically serpentine rhythms that will leave you dying to come back for more. Empowerment never sounded sweeter.

Tudu Tudu Tu, which is part of the Slow Burn EP, is now available to stream on Spotify.

Review by Amelia Vandergast

Eps vs LPs: Which Format Should You Choose for Your Next Release?

EP vs LP

Video killed the radio star; now, EPs are taking over from where LPs left off. The final nail is yet to hit the album format’s coffin, but it is official, as of 2016, EPs and singles are on the rise while the LP format is in decline.

For independent artists considering their next move in 2022 and beyond, it can be tricky to know how to push forward; there will never be one size fits all answer for every artist. However, by looking at the data and trends driven by digital streaming, independent artists have the best shot of success with their next release.

Don’t be fooled by the reports that vinyl record sales were rising in 2021; overall, there has been a continual annualised decline for the LP format. While some music fans continue to appreciate the art form of the LP, EPs are quickly becoming more advantageous for independent artists across the board.

In a global streaming study by Deezer, it was reported that 54% of the 8,000 people interviewed admitted to listening to fewer albums than they did 5 – 10 years ago. One of the main reasons behind this is fans prefer to listen to a mix of tracks from different artists – a mix of tracks that are often curated by mood. However, this varies greatly by genre. Pop, rock and RnB fans were the most likely to listen to an album in full, whereas dance and gospel fans were less likely to sit through an entire album.

Why are EPs becoming more popular than LPs?

  1. Cost

For artists operating on a shoestring budget, it is far more economically viable to release an EP instead of an LP. This is why, before the 21st-century decline of the album, EPs generally existed in the punk and indie domains.

An EP generally consists of 4 – 6 tracks, while an LP can contain 7 – 29.  Naturally, recording an EP is infinitely cheaper for artists paying for production costs, session musicians and studio time.

  1. The Decline of the Superfan

How music fans engage with music is undergoing a rapid transformation, which is mainly due to digital streaming influencing artist-fan relationships. Rather than trying to maintain your relationship with the dwindling numbers of superfans with albums, work on casting the net wider with shorter releases that are far more efficacious at attracting new listeners.

  1. The Power of the Playlist & Other Streaming Platform Services

Playlists on Spotify and other music streaming services are one of the best ways for music fans to discover new music. Getting onto a major or official Spotify playlist can introduce artists to thousands or even millions of new music fans. However, there is a downside. Music fans are also being conditioned to consume shorter collections of songs.

For artists pouring their energy into a longer-form album format, there is a greater chance of the featuring singles becoming digital clutter on a platform, while 1 or 2 singles get all the limelight.

  1. EPs Allow Artists to Be More Prolific with Their Releases

For independent artists hoping for a sustainable career, the Extended Play format allows them to maintain a regular schedule with their releases far more than the LP format does. It is hard to stay relevant and keep your fans engaged while you are locked away producing a 12 – 20 track album!

With that in mind, EPs can act as the stopgap between LPs; they can also test the water for a new evolution in sound. What is the point in producing an entire album that is going to go down like a lead balloon with your fans when you can test the water with a single or an EP?

  1. EPs Help Artists to Predict the Outcome of an LP Release

New independent artists financing their careers may be eager to release their debut album, but jumping the gun is a risky move, which may not pay off in the long run.

With a few single and EP releases under your belt, you will be in a better position to predict your LP sales. This Is especially important if you’re selling physical copies of your LP. Lastly, you won’t get a second shot at releasing your debut album; make it a reflection of your best work.

To sum up, albums will always have a place in the music industry, but for independent artists that are still growing their fanbases in 2022, the benefits of EPs outweigh the benefits of LPs. They’re cost-effective, and it is infinitely less likely that the tracks you have poured your heart and soul into will get discarded in the ether.

Those Skies Above: Memphis band Dream Crusher Hope Smasher look to the heavens for inspiration on ‘Grey Foxes’

Vertebrate Moves by Dream Crusher Hope Smasher

Taken off their engrossing 5-track EP which has been bone-chillingly named Vertebrate Moves, Dream Crusher Hope Smasher are quite absorbing on their remember-this-day new single called ‘Grey Foxes‘.

Dream Crusher Hope Smasher is a high-octane synth-rock band performing with a real purpose, who is from Memphis, Tennessee.

A mash-up of misadventure, mid-life crisis and potentially credit score lowering musical algorithms, Dream Crusher Hope Smasher is the sum of its parts.” ~ Dream Crusher Hope Smasher

You feel the insides of your awaiting core take you to a place you couldn’t have expected before, as the flourishing vocals are so crisply toned like a toasted sandwich made just right. The saucy soundscape has been made with just the right flavour too, as you feel a sudden warmth wrap all over you to help you build up the previously lost energy.

Grey Foxes‘ from the Memphis, Tennessee-based indie synth-rock act Dream Crusher Hope Smasher, is a thrilling experience that is all about making it through whatever struggles you are going through. You can either sit back and let everything go through you or take a step forward to reach those goals you have set for yourself. This is a movie-type soundtrack that has been made with such elegance that it shines through all over your awaiting soul to embrace lovingly, just as those great songs do.

Hear this fine new single via Bandcamp and see more on the IG music page.

Reviewed by Llewelyn Screen

Showing Us The Way: Black Koncept drops deep six track EP ‘Mind Of Koncept’

With his Dad on the mind constantly and his deep thoughts recalling how the past almost destroyed him, Black Koncept inspires a whole generation to stay busy mentally and to never let the haunting demons take over on ‘Mind Of Koncept‘.

Black Koncept is a Detroit, Michigan-based indie hip-hop artist and basketball fan, who is massively into anime and comic books, as he smartly blends this true love into his vastly emotive music creations.

At 16 years old I began rapping due to a crippling depression from being neglected by my father , and constantly starving every day having to steal quarters to eat.” ~ Black Koncept

There are six quality tracks here and no fillers, with particular gems being the demon-filled lead single ‘Mind Of Koncept‘ and the use-the-pen anthem ‘Michael Myers‘.

With so much pain-filled lyrics at every emotional corner which leads you into those dark days he has unfortunately experienced that no one should, the constant theme of suicide is brought up multiple times on this EP. With a consistent flow attached and his savage lyrical skill on show – he shows much potential behind the mic – as he brings us into this movie-like world which was almost over before it began.

Luckily through music, he has been able to wisely distract himself from those ominous moments from before and shows us how quickly thoughts can build up and potentially destroy everything.

Mind Of Koncept‘ from the Detroit, Michigan-based indie rapper Black Koncept, brings us inside his deepest thoughts and is a warning sign for our youth to learn from. With so many people feeling like they just can’t continue – he has found that by using his daily energies creatively – this new mindset can bring you so much freedom to advance your life, into the happy medium universe you seek for that true self-love.

Only love and light shall and must succeed.

Stream this new single on Spotify and see more via the IG music page.

Reviewed by Llewelyn Screen