Browsing Tag

Elliott Smith

Sepia-Tinged Serenity: GOODTIME’s ‘Damsel Eyes’ Dances Between Tenderness and Nostalgia

Posted on 26 October 2024
GOODTIME

GOODTIME, a rising artist from New York City, affirmed his tonal mastery in his single, ‘Damsel Eyes’. The warmth bleeding from his guitar and the soul carried by his harmonies create a sonic landscape that lands somewhere between Nick Drake and Elliott Smith. He doesn’t just replicate indie folk’s past; he redefines it with a unique blend of traditional acoustic songwriting and atmospheric elements. His ability to seamlessly weave nostalgia with his signature ‘twisted lullabies’ invites listeners into soothing subversion that can easily become a sanctuary.

The haunting crescendos in ‘Damsel Eyes’, paired with the smoky sax lines, pull you deeper into its intimate atmosphere; with a melody akin to Oasis’ ‘Half the World Away’, the song nestles into an emotional place where beauty meets bittersweet reflection. It’s the kind of track that could make anyone misty-eyed, proving that GOODTIME has more than earned his place on the indie folk scene.

After tending to his creative spark as a percussionist at the age of 5, he earned more instrumental stripes at age 15 by self-teaching himself guitar, piano, bass, and banjo. Today, he crafts, produces, and mixes all his work from his home studio. After dedicating himself to his craft, his live performances have earned him a spot alongside artists such as Will Paquin and Dana & Alden, performing at iconic venues like The Bitter End and Mercury Lounge. Yet perceptibly, the best is yet to come for the lyrical lumiary.

Damsel Eyes will be available to stream on all major platforms, including Spotify, from October 25th.

Review by Amelia Vandergast

Gaze into the introspective kaleidoscope of leo hc’s seminal indie folk release, the shades EP

Posted on 23 August 2024

leo hc’s debut release, ‘the shades EP’, elegantly strips music back to its most elemental form, serving as a pure conduit for emotion which resonates through the instrumental textures and the lyrical narratives.

The opening track, the aptly named ‘the shades’, introduces us to a semi-lucid reverie where the angular, fingerpicked guitar notes intertwine with leo’s reticent, whispered vocals. Each motif transcends sound to become experiences shaded in deep introspection, allowing listeners to immerse their own melancholic emotions into the abstract depths of the production.

The subsequent track, ‘two wrongs’, transitions into a more indie folk aura, with vocals that echo Elliott Smith, soaring within a seraphically toned lo-fi backdrop. This piece epitomises intimacy, transforming the listening space into a personal enclave of reflective peace.

Track three, ‘i’m the man’, continues the narrative with a progressively gratifying indie lullaby. It allows for a dynamic interplay of intensity, with artful flourishes that let emotional currents ebb and flow, underscoring leo’s mastery in balancing sonic peaks and valleys.

The EP rounds off with ‘lovers hilltop’, a stunning demonstration of acoustic indie songwriting. Here, the poignant strains of coming-of-age yearning are captured through evocative fingerpicked guitars, drawing influences from classical Spanish guitarists while paying homage to artists like Jose Gonzalez and Hot Left Pole.

Overall, ‘the shades EP’ by leo hc is a pacifying synthesis of introspection and musicality, offering a sanctuary where each track invites personal reflection amidst evocatively crafted soundscapes.

Stream the shades EP on Spotify now. 

Review by Amelia Vandergast

Softener became 21st century icons of indie grunge with their debut single, Brindle

Posted on 28 May 2024

The Fresno, California-based up-and-coming outfit, Softener, used grunge as a conduit for their intimate amenability in their alt-indie debut single, Brindle, which hit the airwaves on May 17.

The submissive lyricism revolves around a tender mantra of “I just wanna be your dog”; Iggy Pop may have popularised that desire, but Softener brought brand-new meaning to the iteration of intent by projecting a sweet declaration of surrender that you can’t help catching feelings for. The heartfelt vulnerability in the lyrics and vocal performance, paired with the grunge-infused instrumentation creates a consoling aural escape that you’ll always feel safe within the confines of.

Whatever they have in the pipeline for their sophomore release, we already have high hopes for; they set the bar high with the sludgy melodies that are sure to be music to the ears of any fans of Elliott Smith, Teenage Fanclub, Pavement, and Sparklehorse.

Stream the debut single from Softener on Spotify now.

Review by Amelia Vandergast

Simon Ewing serenaded through the eras in his acoustic indie folk triumph LULLABY

Posted on 23 April 2024

Simon Ewing’s latest single, LULLABY, artfully blends a spectrum of musical epochs with a mastery of guitar play that fans of folk and beyond will find irresistibly compelling. The track is a confluence of lo-fi charm and intricate guitar work that nods to The Maccabees’ Toothpaste Kisses while embedding a distinctly Americana vibe interlaced with blues’ soulful essence.

LULLABY won’t sing you to sleep; instead, it vibrates with life, signifying the Bristol-based troubadour’s knack for weaving narratives that affirm the sensibility of the soul. The song’s architectural simplicity in structure belies a complex, layered emotional resonance that hooks the listener from the first chord.

Ewing’s ability to synthesise swathes of genres into a seamless, flowing piece shows not just versatility but a deep reverence for the roots of each genre. Each note reflects a rhythmic exploration that feels both classic and innovative, making LULLABY a testament to Ewing’s ability to transcend traditional storytelling through music.

If Elliott Smith’s songs had veered away from melancholy towards this vein of succinct sweetness, they might have touched the same bright corners of the soul that Ewing reaches with this track.

Stream LULLABY on SoundCloud and YouTube.

Review by Amelia Vandergast

Rosso Rosso echoed the paradox of euphoria and ennui through their tender Tour De Force, Niamh

Posted on 4 February 2024

The Brooklyn-based fourpiece, Rosso Rosso’s discography could only be described as mercurially eclectic. When they’re not extending the legacy of NY punk, they’re enchanting the airwaves with their sticky-sweet evocations of melodic classic rock and conjuring aurally affecting alchemy in the same vein of the Kinks, Big Star, and ELO.

With their latest release, Niamh, the band that has been honing its sound as a collective since 2022, debuted a release that will tie your heartstrings in knots while allowing your soul to transcend with the endlessly ascending melodies that will be a hit with fans of the Beatles, Grandaddy and Elliott Smith alike.

With multi-layered vocal harmonies which give the Beach Boys a run for their money and lyricism that proves how deeply Rosso Rosso delves into the phenomena they explore, Niamh is a tender Tour De Force that will pull you back and forth between the brink of tears and the cusp of euphoria.

With the promise of more releases to follow in 2024, Rosso Rosso is more than worth a spot on your radar. Even if they can manipulate your emotions as efficaciously as a Patrick Bateman-esque narcissist.

Niamh is now available to stream on Spotify.

Review by Amelia Vandergast

Tyler Street’s latest indie-folk confession, ‘Faith, Wisdom, You’, is spiritual poetry in melodic motion

Posted on 31 December 2023

Candid, confessional, and captivating in equal measure, the latest single, Faith, Wisdom, You, from the Dallas-born, Napa-based singer-songwriter Tyler Street is poetry in melodic motion.

After the raw yet euphonic timbre of the acoustic guitar strings, the up-and-coming luminary cuts straight to the crux of the lyrical essence of the single, which resonantly explores a melancholic exposition of an inability to control the tides of emotion. The gentle vocal performance provides a scintillating juxtaposition to the lyricism, which carries the admission of uncontrollable anger.

With hints of Frightened Rabbit and The National within the indie folk production fused with the soulful warmth of Jack Johnson and the emotional intimacy of Elliott Smith, Tyler Street cultivated his sonic style to complement his soulful aura, which echoes the self-awareness and mindfulness inspired by his spiritual awakening. Take notes of the Eckhart Tolle-esque introspection while losing yourself in the transcendence of the guitar notes as they’re artistically amplified by the presence of chamber strings.

Faith, Wisdom, You was officially released on December 21. Stream the single on Spotify.

Review by Amelia Vandergast

Make your soul whole with Mark Braham’s introspectively compassionate indie single, Somebody’s Pain

Posted on 4 November 2023

Taken from his debut LP, After a While, the standout single, Somebody’s Pain, from the indie rock singer-songwriter Mark Braham seduces the listener into an Elliott Smith-esque tender sequence of compassionate consolation.

With the raggedly euphonic acoustic guitar chords flowing in complete synergy with the melodic lines projected through his hushed, honeyed and harmonic vocal range, Somebody’s Pain is a deeply affecting, artfully enticing score which unravels as a viscerally resonant exhibition of ennui and painfully conscious introspection of how we all have the potential to become someone else’s pain. From the first experience with Somebody’s Pain, you’ll stop, think, and feel the compulsion to hit repeat.

The Darwin, Australia-born artist has had music in his blood since a young age; his creative journey began by writing melodies on a cheap classical guitar before he joined a band. With enough talent to become a one-man powerhouse, he released his debut LP in 2019, opened his recording studio, Freestone Productions, in Canberra and turned his delectable talent to producing, mixing and mastering for other artists.

We can’t wait for the sophomore release, Authenticity, which is currently in the works. His ability to make your soul feel warm and whole is unrivalled.

Stream Somebody’s Pain on Spotify.

Review by Amelia Vandergast

BLOCKED personified stoicism in her ethereal alt-indie single, I Don’t Mind

Posted on 3 November 2023
BLOCKED

The Melbourne-based Singaporean singer-songwriter BLOCKED reached the epitome of ethereal magnetism in her artfully quiescent self-produced single, I Don’t Mind.

After some of the most accordant and assured acoustic guitar chord progressions I have ever aurally bore witness to in the intro, the single intensifies in ornate beguile through the introduction of quiescent chamber strings which swell around the shoegaze-y vocal lines, which will captivate fans of Cigarettes After Sex and Elliott Smith.

I Don’t Mind is just one chapter in the four-part story of growth and resilience told through the artist’s forthcoming EP, which encapsulates mastering the art of letting go. Socrates couldn’t have said it better himself.

I Don’t Mind will be released ahead of the highly-anticipated 4-track EP, no worries, which is due for release on November 17th. Stream I Don’t Mind on all major platforms via this link.

Review by Amelia Vandergast

Joel Porter made a plea for providence in his alt-folk masterpiece, Godsend

Posted on 28 September 2023

The North Dakota alt-folk artist, composer and producer Joel Porter’s fascination with the human psyche knows even fewer bounds than the experimentalism in his harmonic landscapes.

Art brings meaning to life; in Porter’s work, which includes his recently released single, Godsend, life also brings meaning to art as the quiescent neo-classic melodies complement confessional emotional exploration. With his signature sense of intimate longing, Godsend is yet another testament to his talent and introspective eloquence. With a sound so sweet it stings, the melancholic cries for providence in Godsend are so profound they resonantly overwhelm the senses.

Combined with the aesthetic desolation in the black-and-white music video which visualises the monochromatic hues of a forsaken soul, Godsend is yet another masterpiece in Joel Porter’s repertoire.

Over the course of his career, he’s worked with renowned artists, showcased his music on a national level, accumulated over 7.5 million streams, and secured sync placements with the television series The 100 and in the Grey Skies: A War of the Worlds Story video game.

Something tells us the best is yet to come for Porter and his ability to construct bridges between the pensiveness of Elliott Smith and the intricate ambience of Nils Frahm.

The official music video for Godsend will premiere on September 28; watch it on YouTube.

For more info, visit Joel Porter’s official website.

Review by Amelia Vandergast

Foreign Saints is sonorously spectral in their debut shoegaze single, Here With Me

Posted on 11 July 2023

If you placed yourself in the middle ground of Elliott Smith and Slowdive, you would be in good company with the sonorously spectral debut single, Here With Me, from Foreign Saints.

With a slice of psychedelia written into the indie pop songwriting chops, Here With Me unravels as a hazy kaleidoscope of wistful colour. As the lyrics allude to what’s lost through time and distance, the dreamy instrumentals envelop you in their reverb-swathed cathartic tonality.

The bedroom pop project from the Brooklyn-based musician, Thomas Roberts, may not be far past its inception, but Roberts is already proving himself to be an unreckonable resonant force. Fans of The Japanese House, War on Drugs, and Day Wave won’t want to let the project slip them by, especially with the debut EP in the pipeline.

Here With Me is now available to stream on Spotify.

Review by Amelia Vandergast