Browsing Tag

Electronica Composer

Circuit Symphony: The Electrified Emotions of Bruce Cohen’s ‘Dance of the Siren’

With ‘Dance of the Siren,’ the virtuosic composer Bruce Cohen unveiled a composition that is as intricate as it is profound, drawn from his latest album, ‘8 BC.’ By blending the ornate richness of neo-classical elements with the pulsating depths of sci-fi intrigue, each note seems to decide whether to comfort or challenge the listener.

Cohen’s mastery in synthesising disparate musical traditions is evident, as ‘Dance of the Siren’ embarks on a voyage through lush, theatrical gravitas and bursts into scintillating sci-fi phases. This duality in tone and texture transforms the listening experience into an exploration of emotions, leaving one oscillating between catharsis and disturbance—a true testament to his unique position in the electronic music sphere.

Cohen’s journey in music has been a kaleidoscope of genre-defying ventures. From scoring plays like ‘Dr. Jekyll & Mr. Hyde‘ at Philadelphia’s Walnut Theatre to forming the heavy, psychedelic jazz trio Big Fun 3, his creative bandwidth stretches far and wide.

His solo projects resonate with a penchant for German electronic minimalism and ambient soundscapes reminiscent of luminaries like Brian Eno and Klaus Schulze. With each album from ‘1 BC’ to ‘8 BC,’ Cohen has progressively dipped deeper into his own experimental ethos, melding ambient, funk, and trance elements to forge a distinct sonic signature.

Dance of the Siren was officially released on November 11th; stream the single on Spotify now.

Review by Amelia Vandergast

Alvinos Zavlis delivered sensually dark catharsis with his moody pop meets dark trip-hop mash-up, I Shouldn’t

The Cyprian Bristol-based artist and producer, Alvinos Zavlis, is in his experimental element in his fourth alt-electronica LP, After Sex All Animals Are Sad. With an album title that compels you to sonically explore the contents through eccentrically offbeat name alone, the bar is already set high. But evidently, Zavlis knows exactly how to transcend expectation and temporal boundaries with his dark syntheses of trip-hop, alt-pop, and artfully manifested electronica.

Sitting on the leftfield of Pop, one of the standout singles, I Shouldn’t, featuring Sae, is an ethereally hypnotic extension of the contemporary moody pop trends fused with 90s trip-hop that glitches and oscillates in the same vein of Massive Attack and Portishead.

The alchemic blend carries just as much cultivation and evidence of evocative rhythmic control as the latest releases from Chelsea Wolfe, but the way Zavlis locked into the collaborative chemistry between him and Sae allowed the release to resound beyond compare. The sensually dark catharsis is superlative evidence of how honed his sound has become after he took a hiatus and returned with fresh fervour.

In his own words:

“The main idea of the album is how the chase for perfection in your artistic craft can hinder personal relationships, health, and financial stability.”

For the full Alvinos Zavlis experience, stream After Sex All Animals Are Sad in full by heading over to Spotify.

Review by Amelia Vandergast

PonyArt has unveiled his Avant-Garde IDM installation of sonic maleficence, Novum Stutter Sd

The artwork for PonyArt’s debut LP, Redundancy, which landed on August 3rd, is creepier than any scene in The Last of Us; when you open the sonic door to it by delving into the first single, Novum Stutter Sd, you’ll instantly note the sound designer and composer’s ability to sonically visualise the macabre into maleficent melodic soundscapes.

While I never thought I would use Otto Von Schirach and Glenn Branca references in the same review, PonyArt necessitated it with his Avant-Garde installation of IDM, which came into fruition when the composer, who day walks by the name of Joe Sheldrick, decided to orchestrate an expression of pure creative freedom and escapism from genres or expectations.

While there are visceral moments of phantasmally cacophonous etherealism, the LP, which was put out through Dachshund Records, is underpinned by melodic accessibility.

Stream the Redundancy LP on Spotify now.

Review by Amelia Vandergast