Browsing Tag

electronic pop

Lizzie Hill put all her emotions on the line in ‘Dirty Laundry’

If you never got over t.A.T.u.’s hit single, All the Things She Said, Lizzie Hill’s latest single, Dirty Laundry, which uses oscillating synth lines and delicately evocative vocals in the same vein, has all the makings of your new favourite perennial pop earworm.

Blending the etherealism of dream pop with the hooks of a synthpop anthem, Dirty Laundry lays it all out on the line in the intimately electrifying production, which proves that the Cornwall-residing singer-songwriter and multi-instrumentalist’s talents belie her years.

As the lyrics relay a relatable vignette of how friendships can turn sour in a sequence of imbittering progressions, Lizzie Hill projects swathes of morose emotion in her perfectly pitched vocal lines while ensuring Dirty Laundry remains a soulfully euphonic anthem of liberation from the toxic ties that bind you to people determined to diminish your self-worth.

It’s a stunningly creative and affectingly cathartic release through and through and a clear sign that the singer-songwriter has exactly what it takes to dominate the pop domain in 2024.

Dirty Laundry will be officially released on March 1st; stream the single on all major platforms via this link.

Review by Amelia Vandergast

Lauren Kidd highlighted the obscurity of modern romanticism in her infectious pop hit, Conversations with Strangers

If any up-and-coming pop artist has what it takes to become the voice of her generation, it is the self-taught Queens, NY-hailing luminary Lauren Kidd with her Conversations with Strangers EP.

The title track begins with a raw, bedroom indie pop prelude before blossoming into an infectious electro-pop earworm with a backbeat that rhythmically compels you to lean in and surrender to the tempo of the anthem. The transition is seamless, showcasing Kidd’s knack for blending intimate storytelling with a broader, more universal pop appeal.

The song’s upbeat tempo belies its deeper exploration of the risks we take in our interactions with strangers, trusting them with our most vulnerable selves. Kidd navigates this paradox with a deft touch, maintaining an energy reminiscent of a Taylor Swift hit, yet layered with a complexity that is uniquely her own.

Whether or not she intended the track to radically transform the way you perceive the danger-fraught trappings of romanticism, she achieved it. It is no surprise that so many pop fans are glued to her playlist staples.

With melodies that inch their way into your psyche and refuse to leave, her personality-infused harmonies and the clear songwriting stripes stretched through the progressions, Lauren Kidd is a triple threat in the music industry.

The Conversations with Strangers EP was officially released on February 23; stream the single on Spotify.

Review by Amelia Vandergast

Put Material Reality in the Rearview Mirror with Zac Zhan’s Alt-Pop Ear Unicorn, Fantasy Fantasy

Zac Zhan is in his euphoric element in Fantasy Fantasy, a track that defies convention and carries you to a new realm by taking you on a vibrational voyage that you’ll want to embark on time after time. If you want to be transported beyond the confines of the ordinary and the chaos of reality, hit play on the mesmerising blend of dance-pop, alt-pop, house and hip-hop, which pulsates with infectiously kinetic energy.

The artist and producer meticulously crafted Fantasy Fantasy from its lyrically intimate inception to its exhilarant production climax. It’s a hyper-pop masterpiece that not only showcases Zac’s vibrant approach to music but also cements his commitment to providing a haven for an ever-expanding fanbase.

The track’s 8bit-esque instrumentals weave a captivating fantasyscape, engulfing the listener from the outset. Zac’s vocals, both electrifying and eccentric, enhance the track’s wildly exhilarating aura with a sense of playful, unbridled enthusiasm. For those who find solace in the sounds of Charli XCX, Grimes, or Carly Rae Jepsen, Zac Zhan’s Fantasy Fantasy is a must-listen and a vibrant echo of freedom in the realm of hyper-pop.

Zac Zhan said:  

“To create Fantasy Fantasy, I embarked on a deeply personal and introspective journey, one that mirrors the complexities of the human condition and the perennial quest for solace in a world brimming with chaos. The lyrics, steeped in vivid imagery and raw emotion express a universal longing for escape, a utopia amidst the trials of life.

I wanted to invite listeners to envision a world where they are the architects of their happiness. It’s a call to embrace the beauty of creation and the freedom that comes from releasing the burdens of the past.”

Fantasy Fantasy was officially released on January 18th; stream the single on Spotify.

Stay up to date with all the latest releases from Zac Zhan via Facebook and Instagram.

Review by Amelia Vandergast

Marilyn Joy conjured affectionate innocence in her sticky-sweet synth-pop score. HeartSchool

HeartSchool by Marilyn Joy

Marilyn Joy’s latest single, ‘HeartSchool’, is a sticky-sweet journey back to the innocence of first loves and schoolyard romances. This London-based artist, known for her alternative pop/rock flair, has once again captured our hearts with her quintessentially quirky style.

The lo-fi polyphonic pop vignette is a sweet, nostalgic trip down memory lane, guided by tender melodies which evoke the simplicity of young love, untouched by the complexities of adult relationships. Marilyn’s playful vocal timbres weave through the melody like a gentle reminder of days gone by while bearing reminiscence to the uninhibitedly expressive air of the Legendary Pink Dots.

Marilyn’s influence in the London music scene is evident in her live performances, described as ‘exciting’ and ‘unpredictable’. The track is a testament to her ability to blend genres and influences, from Blondie to Starsailor, into her distinctive sound.

With her previous releases, including ‘Crystal D’Arke‘ and ‘Killjoy Was Here’, she has consistently demonstrated skill in crafting songs that resonate with a wide audience. ‘HeartSchool’ continues this trend, solidifying her place as a significant voice in the alternative pop/rock genre.

HeartSchool is now available to stream and purchase on Bandcamp.

Review by Amelia Vandergast

Etherdene filtered her latest indie dream pop release ‘You Are My World’ through rose-tinted lenses.

In her ethereal alt-indie pop single, You Are My Word, Etherdene captured the transcendence of someone walking into your life and completely redefining reality around the light and colour they use to infuse your perceptions with renewed vibrance. To ground the track in realism, Etherdene used the all-too-relatable fear of rose-tinted glasses being shattered under the realisation of lack of reciprocation.

The ever-ascending melodies within the ardent yet sublimely tender track amplify the sticky-sweet romanticism drifting through the lyricism. Far from your average head-over-heels hit, You Are My World will leave you on a plateau, constructed by tentatively pure poetry which cohesively coalesces with the dreamy melodies that will easily be placed on any playlists featuring Cigarettes After Sex, Sigur Ros, and Beach House.

With over 10k monthly listeners behind her, Etherdene’s trajectory will only be upwards from here on out. Her rapid ascent after her 2023 debut reflects the affecting resonance within her self-expressive self-produced releases.

You Are My World was officially released on January 5th. Slip into the etherealism via Spotify.

Review by Amelia Vandergast

Martina Stokes emancipated her listeners from self-degradation through the empowerment within her pop hit, Lose My Breath

Martina Stokes, a Canadian pop sensation in the making, has made an indelible mark on the music scene with her latest hit, Lose My Breath. Born into a musical family and raised on a diet of soul and powerhouse classics, Martina’s journey from a classical pianist to a pop icon is as inspiring as her music. Her latest offering is a clarion call to a generation, showcasing her as an unstoppable force in the contemporary pop era.

Martina’s voice, powerful enough to slice through the static of superficial pop, places her at the pinnacle of her generation’s pop artists. The track itself is a departure from the typical narratives of vulnerable love and heartbreak. Instead, Martina channels her emboldened energy into this fiery hit, delivering a message of self-worth and empowerment that resonates deeply.

The polished-to-perfection bold rejection of the stereotypical doe-eyed pop protagonist is a proclamation of the power you unchain when you assert your own value in love and life. The theme of emancipation from self-degradation is amplified by the track’s robust, bass-heavy beat, which perfectly complements her vindicating vocal lines. Drawing inspiration from legends like Mariah Carey and Whitney Houston, Martina’s influence is evident in her vocal delivery and the soulful depth of her music.

Martina Stokes, with her unyielding dedication to her craft and her ability to weave powerful narratives through her music, is a visionary reshaping the landscape of modern pop music. Lose My Breath is a clear indication that Martina’s future in the music industry is not just promising; it’s luminous.

Stream Lose My Breath on Spotify now.

Review by Amelia Vandergast

Shea delivered sultry, dynamic and utterly unforgettable dancehall-infused pop with CARTERTHEBANDIT with ‘U Mine’

Shea’s latest hot and steamy RnB pop track, U Mine, is a rhythmic aphrodisiac that invites you to lose yourself in its intoxicating groove. Collaborating with Peckham’s own CARTERTHEBANDIT, the track is a masterful exhibition of raw synergy and explosive musical chemistry. Shea, with his background in theatre and performance, brings a performance to the track that’s both glittery and soulful, encapsulating the essence of his queer and devilishly evocative artistry.

Between CARTERTHEBANDIT’s fiery bars that add a palpable heat and the meticulously stylised production choices, which set the verses up like foreplay to tantalise and tease before erupting into the climactic choruses, U Mine is a red hot remedy for the heart, libido and soul.

U Mine not only sets the mood but embodies it, from the rhythmically charged beats to the intoxicating vocal deliveries. It’s a testament to Shea’s versatility as an artist who can hold his own alongside the gritty authenticity of a rapper like CARTERTHEBANDIT. This track stands as a shining example of what independent artists can achieve, echoing Shea’s accolades and experiences from his performances at Pride festivals to his recognition on BBC Introducing. It’s a song that captures the essence of a night out—sultry, dynamic, and utterly unforgettable.

Stream U Mine on Spotify.

Review by Amelia Vandergast

Hanley showed us the future of the pop ballad with ‘So Much for Being Real’

After the success of the 2022 EP, ALIVE, the up-and-coming artist Hanley has shown us the future of pop ballads with the celestial timbres within their latest piano pop score, So Much for Being Real. Through the sequence of crescendos which punctuate the plaintive piano keys beneath the pure yearning within the vocals, you’ll feel your soul stir as much as the instrumental arrangement which emanates the kind of radiant enlightenment which only comes via acceptance and emotional intelligence.

Promises becoming little more than empty platitudes is one of the greatest betrayals we will ever experience in life, there’s little solace to be found in the bitterness of naivety after being swept up in an idea of perpetuity, but Hanley’s latest composition which was delivered with superlatively spacey compassion hits the mark of solace with perfect precision.

So Much for Being Real was officially released on October 27; stream it on Spotify.

Review by Amelia Vandergast

Laura Loh illuminated the airwaves with her latest installation of alt-pop, City Lights

Laura Loh’s latest alt-pop single, City Lights, co-produced with MUNBOI, has already been picked up by BBC Introducing; given the earworm appeal of the release from the Hampshire, UK-based singer-songwriter, multi-instrumentalist and producer, the question is, can they put it down?

With nuances of ambient leftfield electronica oscillating in the atmosphere of the scintillating single which pays an ode to the magnetism of metropolises and their tendency to keep pulling us back with the promise of limitless potential, City Lights is a compellingly immersive release, which stands as a testament to how honed Laura Loh has become since making her debut. Synthesising instrumentals which stand a chance of complimenting her naturally compelling vocal range is discernibly no easy feat.

As she’s veered away from her classical vocal, piano, and violin training and jazz music background, Laura Loh has audibly moved towards commercial appeal while never letting her folky alt-pop edge betray her authenticity.

City Lights will illuminate the airwaves on November 9th; stream the single on SoundCloud.

Review by Amelia Vandergast

Zach Haselow brought purity to passion in his synth-pop hit, Rent Free

Get hooked on the reverb-heavy retrowave synth lines in the latest electro-pop hit, Rent Free, from the Alaskan icon in the making, Zach Haselow.

With a soundscape that finds the middle ground between the Weeknd and the Midnight, it is all too easy to get into the lush electronic grooves of Rent Free, which soulfully pays homage to the phenomenon of all-consuming romantic obsession while traversing the insecurities that desire can forcibly manifest.

The humbly sweet hit couldn’t be purer in its passion or more polished in its production; the melodies seem to effervesce around the funk-dripping basslines that will arrest your rhythmic pulses and refuse to let go until long after the fadeout. After spending over a decade perfecting the art of songwriting and producing, Zach Haselow has achieved a sonic signature that is as honed as it is distinctive.

Rent Free made its debut on August 18th; stream it on Spotify.

Review by Amelia Vandergast