Browsing Tag

Electro Pop

Slender Dan dawned an electro-pop awakening with ‘Every Morning the World is Created’

In their latest single, Every Morning the World is Created, Slender Dan captured the essence of electro-pop while infusing it with a soul-stirring spiritual motif. From Nashville’s avant-garde scene, the duo channels their fascination with the psychedelic facets of life into this track.

It’s a tribute not just to personal transformations such as motherhood and rebirth, as Heather of Slender Dan shares, but also to the musical forebears who have sculpted the landscape of synth-pop.

The autotuned vocals climb ceaselessly, crafting an ethereal canopy above the dense, moody beats. This striking contrast grounds the listener, even as the melody seeks to lift them into a transcendental state. Slender Dan adeptly navigates through the shadows of Radiohead and the luminescent arcs of Electric Light Orchestra, with nods to the digital heartbeats of The Human League and the introspective harmonies of Boygenius.

As we approach Mother’s Day, this single serves as a reflective medium on the cyclical nature of life and the continuous giving of our planet. Hit play, and let Slender Dan guide you through a musical exploration that encourages appreciation of our ever-giving world.

Stream Every Morning the World is Created via Spotify when it reaches the airwaves on May 10th.

Review by Amelia Vandergast

Etherdene delivered a tenderly interstellar reminder of our place in the universe with ‘We Are in Space’

We’ve made our adoration of Etherdene’s illuminatively authentic dreamy synth-pop signature and her evocatively ethereal vocals no secret. After the release of her latest single, We Are in Space, which serves as a groundingly interstellar reminder of our place in the universe, she’s affirmed her position as one of the most promising artists of her generation.

Following an open sequence of glassy synths that resound as though they could have been conjured by the Weeknd, Etherdene drifts her latest tender tour de force into a shoegazey installation that cuts as deep as Slowdive’s discography. As the instrumentals glide and glisten throughout the impeccably crafted progressions, We Are in Space tears at the heartstrings with a reprise of, “We are in space, I don’t know what’s going on, but I love you, I love you”.

Even though it is all too easy to feel minuscule and inferior when contemplating the vastness of the universe, Etherdene ensured that there was no danger of that through the soulful juxtaposition of her refrain which testifies to the true meaning of life in the chaos of our mostly understood universe. The sticky sweet and synthy brand of romanticism is enough to drive you to the brink of tears before replenishing your soul with euphoria. Someone give the girl a Grammy.

We Are in Space moved into Earth’s orbit on April 24; stream the single on Spotify.

Review by Amelia Vandergast

Drench Yourself in the Decadence of PeachMotif’s Latest Dream Pop Hit, Don’t Break Your Neck

PeachMotif’s latest single Don’t Break Your Neck sets a high bar for emotional and sonic depth. The Atlanta-based dream pop duo, comprised of Steffi Jo and Corbin Hoats, channelled their rich backgrounds in performance and production into a track that radiates a Yin-Yang effect through the equilibrium of style and soul.

Don’t Break Your Neck is underpinned by glassy synths that glisten with a brightness akin to Warpaint’s coolest moments. The crystalline vocal lines shimmer, weaving through the production with a mesmeric luminosity. Each note is carefully curated, ensuring that the instrumentation not only constructs and deconstructs the musical landscape but also toys with the listener’s emotions—balancing them delicately on a tightrope.

The fusion of solid, syncopated backbeats with cascading drops radiates hypnotic warmth, drawing the listener deeper into PeachMotif’s arcane atmospheric creation. As the track melodically and emotionally progresses, it illustrates PeachMotif’s ability to blend commercial potential with profound narrative depth.

Steffi and Corbin’s chemistry is palpable, reflecting their shared history and deep understanding of each other’s artistic strengths. Originating from their collaborative efforts during a local theatre production, their partnership thrives on a mutual passion for authenticity and emotional resonance in their music.

Don’t Break Your Neck was officially released on April 12th; stream the single on Spotify.

Review by Amelia Vandergast

MrrrDaisy delivered haunting harmonies and fierce fidelity in ‘Echoes of You

’MrrrDaisy may not be one of the most prolific artists of his generation, but when he does drop a track, he makes a profound impact. With his latest single, Echoes of You, which follows a year-long sabbatical, the Ghanaian-Spanish artist and producer pulled his fans into the spectral shadow side of dance-pop.

As haunting as a Portishead release, as euphorically elemental as a Kygo anthem, there’s an affecting parallel of dualism running through the fierily lush veins of the single which marks a departure from the artist’s overt yet distinct Afrobeat style.

The energy brought by the big bass-swathed beats and stabbing horns may be colossal, yet the vocals match it by seamlessly evolving from a smoky hell-hath-no-fury timbre to vulnerable delicacy to a stridency that belies the vocal style.

Despite the short duration, the affecting aura of the bitter-sweet song endures. The exposition on how memories linger as shadows couldn’t be closer to the mark. For anyone who knows how it feels to find the spectres of lost love everywhere, there are swathes of catharsis to be found in Echoes of You.

Echoes of You was officially released on April 18; stream the single on Spotify.

Review by Amelia Vandergast

Meet the ultimate aural debonair in Emanuel Edner’s artfully slick pop hit, My Dear

If The Last Dinner Party added one more guest, based on the zanily baroque theatrics in the title single, My Dear, from his debut EP, Emanuel Edner would be the guest of honour.

Edner, who deserves to go down in history as the ultimate aural debonair, created the ultimate equilibrium between dark and twisted musical theatre and a slick electro-pop aesthetic that would be equally at home in the Kraftwerk discography.

As the track progresses, the synth-swathed groove pockets deepen with the licks of funk and modernised blues, refusing to fit within the parameters of pigeonholes in the process. Yet, it is the Stockholm-born singer-songwriter’s charismatic character which refuses to leave the centre stage that becomes the standout source of magnetism within My Dear, which takes a Machiavellian devil may care approach to mourning a breakup.

It’s impossible not to get caught up in the feverish zealous retro-futuristic energy within My Dear; Emanuel Edner isn’t a talent you would want to underestimate.

Stream the MY DEAR EP in full via Spotify.

Review by Amelia Vandergast

Take a lush leap into etherealism with Etherdene’s indie synth-pop exploration of aftermaths, The End

Singer, songwriter, producer and all-around ephemeral aural icon Etherdene reached the paragon of indie electro-pop perfection with their latest single, The End.

Titularly, the release is definitive as they come; sonically, the single is limitless. The ethereal air, which breathes just as much through the transcending tones of the vocal lines as the scintillating synth lines that pay tribute to the new wave trend, is intoxicating from the first emotionally charged progression.

As the lyrics explore the aftermath of a breakup, proving that the love that once endured never dies but takes another form after the final acts of affection, Etherdene laces the bass, which wraps around the stridently momentous synthesised percussion, with lush heartfelt synergy to achingly compelling effect.

Imagine Taylor Swift simultaneously meeting the styles of Enya and Cigarettes After Sex, and you’ll get an idea of how affectingly cathartic and cutting-edge Etherdene’s tender tour de force is.

The End was officially released on March 20th; stream the single on Spotify.

Review by Amelia Vandergast

Ari Khan warned of ‘The Art of Seduction’ in her experimentally meta electro-pop hit

Ari Khan

Inspired by the Robert Greene book, The Art of Seduction, the experimental pop artist and bedroom producer, Ari Khan, mused her latest single, which shares the same title and gives the mind’s perspective under the influence of passionate persuasion. The artfully disorientating drunk on love production efficaciously exposits how control is relinquished and our grip on material reality slips when we surrender to the lust-licked designs of another.

“I wrote this song when I was home (in Alaska) over the holidays because I had recently read the Robert Greene book and realized a certain ex of mine had followed it like an instruction manual. This same ex texted me on Christmas Eve trying to pull me back in. I wrote the first verse right after receiving his text, the lyrics are ‘Regrets, you have none. that’s just a card you play, to see if I am done.’ It was all so obvious to me from a distance. But I remembered how blinded I was when we first met. I was broke and trying to make it in LA, I was in a very vulnerable position. He promised me the world and built up all these fantasies.”

As the soundscape evolves and allows you to fall down the rabbit hole of Ari Khan’s hypnotic artistry, her lush vocals keep the dynamic pace, demurely arcane in one breath, dominantly ensnaring in the next. The vocal progressions are as mind-bending as the breakbeats, especially when the cybernetic distortions confluence the vocal melodies with the genre-fluid instrumental alchemy.

The Alaska-born artist with Iranian and Irish roots can attribute much of her distinctive sonic signature to her unconventional artistic journey, which took her from studying musical theatre in NYC to studying EDM production in LA. Yet, it is her determination to allow energy to take the lead and her complete disregard for genre constraints which sees her music resound with exhilaratingly infectious flair.

The Art of Seduction will be available to stream on all major platforms from April 12th via this link.

Review by Amelia Vandergast

Molly Warburton is Pop Panache Perfection in ‘Overdrive’

Molly Warburton’s latest single, ‘Overdrive‘, is permission to break free from life’s relentless rhythm and sink into a melody that floods into the soul. The alt-electro-pop manifesto will liberate anyone who knows how it feels to be at the mercy of the frenetic pace of modernity, the crucifixions of insecurity and the trappings of romantic complexity.

It is a bold step in Warburton’s evolving discography through its defiance of pop convention; Overdrive draws inspiration from the likes of HAIM, Dagny, and Self Esteem, allowing Warburton to weave a rich sonic fabric that is both nostalgic and forward-looking. The song is a masterful blend of 80s synthpop and 90s dance-pop, infused with innovative vocal effects and harmonic layering that set a new standard in vocal dynamism.

The track’s production is a testament to Warburton’s inventive approach to piercing through the plastic pop veil. The lyrics and melodies intertwine to create a poignantly exhilarating anthem, serving as a powerful reminder to step back and gain perspective on life’s journey.

Having already made her mark on renowned playlists and festival stages, the UK-based singer-songwriter is on a sure-fire trajectory to the top. Be a part of her ascent and hit play.

Review by Amelia Vandergast

Def Ember synthesised the future into retro melodies in their expansively fusionistic track, Quiddity

Def Ember’s latest seminal release, ‘Quiddity‘, from their double A-side single established the aural alchemist as a forerunner of genre-obliterating innovation. Released on January 26th, this track is a bold venture into unchartered melodic waters. Known for their genre-fluid approach, the Los Angeles-based artist ensured ‘Quiddity’ stands out with its warm meandering rhythms that guide listeners through a serenely dynamic soundscape.

The track skillfully balances a solid, kicking backbeat with mellifluous synth lines and soulfully arresting guitar licks, creating a mesmerising contrast that you can lose yourself in time after time without any of the magic in the polished production getting lost. While the synths bring a touch of nostalgia, the other layers in this smorgasbord of style push the release into the future.

The layered synthetics add depth and complexity without overwhelming the rhythmic pulses, thanks to the track’s meticulous construction and sci-fi-esque ambience. It’s a track that doesn’t just play to the ears but engages the soul, marking an exciting chapter in the artist’s evolving musical journey.

Stream the latest release from Def Ember on Spotify now.

Review by Amelia Vandergast

Becky Raisman wears empowerment as armour in her hyper-pop hit, Warrior

The lead single from Becky Raisman’s latest EP, Warrior, is a fiery encapsulation of the essence of self-empowerment. The track, defined by its alt-pop sensibilities, strikes as a battle cry for personal liberation. The song’s construction is a clever fusion of hyper-pop and melodic dubstep, creating a soundscape that is both anthemically charged and reminiscent of 8-bit tunes. Raisman’s bubblegum pop vocal lines serve as a conduit for listeners to plunge into a metaphorical rabbit hole, emerging empowered and steadfast.

Warrior is not just a personal triumph but an invitation for all to don their armour of empowerment and to stand their ground. Regardless of how many times the chaos of reality tries to tear the rug from under you.

Raisman’s background as a Columbia College Chicago alumna, her experiences in the Chicagoland area, and her vocal and keyboard training under notable mentors like Tamara Anderson, Jeffrey Morrow, and Randy Buescher add depth to the musical prowess which oscillates through Warrior and the subsequent singles, Live Your Life and Summer Nights.

Her journey from recording at Omnisound Studios in Nashville to her latest collaborations illustrates a dynamic and evolving career. Her dedication to her craft is further evidenced by her continuous education, such as taking music business classes through Yellowbrick at NYU’s Clive Davis Recorded Music Institute. As Raisman continues to collaborate and create, she will be a name to watch in the alt-pop universe.

Stream the Warrior EP on Spotify.

Review by Amelia Vandergast