Browsing Tag

edm

Spotlight Feature: Ducktail gave a lesson in inspirational exhilaration in his future bass debut, Over, ft Kristal Oliver

https://soundcloud.com/ducktailmusic/over/s-GjYt5XNuVOX?si=c3c6f4a5eec14e1f838d53d40193d6be&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

With a Wall Street career in the rear-view mirror, the electro luminary in the making, Ducktail, ensured the world knew about his arrival in the Future Bass scene by dropping his debut single, Over. If it’s good enough for Pete Tong, the multi-layered leads driving through pop-hooked groove-pocketed basslines are worthy enough for your rhythmic pulses.

The New York-based artist and producer teamed up with the Grammy-nominated platinum artist Kristal Oliver, who exhilarated the release with her award-winning vocal lines before the anthem for a lost and now found cause was mixed and mastered by none other than Gosteffects.

As change is the only thing that is certain in life, Ducktail prepared us all for it by lighting the green light to illuminate the way towards spiritual decision-making, which will lead you to the endless possibilities awaiting in the unknown.

Ducktail and Kristal Oliver converged to create an unreckonable force with this fiery feat of anthemic electro-soul. With choruses that burst with riotous, almost punk, energy and ever-ascending verses, which will leave you on a new spiritual plateau, just try telling me this isn’t the debut of the year.

“Over is all about following your passion and finding happiness along the way. Music has always been the biggest source of happiness for me. So, in a way, Ducktail was created to repay the debt I owed to music. I always strive to create something of inherent value and spread joy – even through the darkest times. Lyrically, Over is a testament to this notion; it quells decisional regret, something we’ve all experienced.”

Over will hit the airwaves on June 2nd. Check it out on all major platforms via this link.

Review by Amelia Vandergast

Jody Lynn transcended Earth’s orbit to celebrate a cosmic connection in her latest dance-pop hit, Lost in Love

Lost in Love is the latest ethereally hyper dance pop track from the US artist Jody Lynn, who is in the habit of giving her ear candy, which is sweet enough to give you a euphoric sugar rush, a lyrical centre of gravity.

The trance elements are just one stitch in the tapestry of the massive genre-melding production, which transcends Earth’s orbit to pay an ode to an out-of-this-world cosmic connection. The indietronica elements give the massive anthem another element, allowing Lost in Love to become a sonic piece of ephemera from the fifth dimension.

Very few amorously fervent dance hits can claim to contain the same all-encompassing sense of soul exhibited in this future-ready floor-filler. Dance and EDM may be Jody Lynn’s wheelhouse, but in terms of inspiration, Prince’s tendency to push boundaries in his prolific career is the greatest influence behind her singles.

Lost in Love debuted on April 28; hear it on SoundCloud.

Review by Amelia Vandergast

 

Erick Diaz has launched his seduction-drenched house anthem, Into Me

You can practically taste the ecstasy in the air of the latest single, Into Me, from the artist, poet, author, and music philosopher Erick Diaz.

His definitively distinctive take on house anthems enabled the single released via NOS to unravel as a progressively steamy anthem of debauchery that any producer would be hard-pressed to assimilate. The massive sound resounds around the ingenuity written into every inexplicitly deft drop and build.

The harsh kicks, bass-swathed beats, and monolithic drops all become that little bit more salaciously transcendent through the reprising whispers that drench the dance hit with seduction. I’ve never written this in a music review before, but he’s a massive tease.

Into Me will hit the airwaves on May 26; hear it on SoundCloud.

Review by Amelia Vandergast

TARISH blew the roof off house music with ‘blurry’

The Iraq-born, Sweden-hailing songwriter and producer, TARISH, blew the roof off the house genre with his stormer of a floor-filler, blurry.

With similar uninhibitedly high-energy to the hit, Filthy/Gorgeous by Scissor Sisters, read through the funky bass-dripping beats and the galvanizingly high vocal notes, blurry is an adrenaline-fuelled slice of euphoria which stores an endless supply of dopamine.

TARISH also audibly wears his Swedish House Mafia influence on his music producer sleeve, but never to the detriment of the originality of his resounding sound, which is currently criminally underrated. If you enjoy discovering underground artists before they break onto the mainstream, your time is running out to discover the electrifying visionary before everyone else.

Blurry hit the airwaves on April 21; hear it on Spotify.

Review by Amelia Vandergast

CONT4MIN4TED – This is the Way: An Alt-Electronica Journey for the Mind, Body, Soul, and Rhythmic Pulses

https://soundcloud.com/cont4min4ted/sets/this-is-the-way/s-lYo30PwNNHK?ref=clipboard&p=a&c=1&si=67a3e5c169854d6d9ec28a67dcadf4b6&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

After aurally relinquishing their emotional baggage via their debut LP, the Gainesville, GA alt-electronica producer, CONT4MIN4TED, went even further leftfield with their sophomore album, This is the Way, which will take you on a journey of the mind, body, soul and rhythmic pulses.

I could dissect each of the 16 singles that were intuitively curated to orchestrate the ultimate sonic experience, but perceptibly, the greatest achievement of this LP is the cinematic journey it will take you on straight from track one, Stuck, before the stagnation lifts in the fervidly exhilarating soundtrack, Drifting.

Even with the chillier tones and ethereal vocal lines in the cinematic slices of synthesised soul, you won’t fail to find the impassioned warmth in the emotion and experience-driven soundtracks to vignettes that are universally shared. The album is enough to make you forgo your usual vibe-out electronica playlists; it is a smorgasbord of constantly in-flux electronica ingenuity. For your sanity’s sake, sink your teeth into the catharsis.

Stream This is the Way from April 28 on SoundCloud, Spotify and YouTube.

Review by Amelia Vandergast

Tigs Turns Up the Bass with “On Seen”

If you’re looking for a track that embodies the essence of energetic, sexy, and thriving city nightlife (like Miami), then Tigs’ “On Seen” is the perfect choice. This RnB/Hip-Hop/Electronic fusion has all the right elements for a club banger, complete with stuttering drum beats and a sultry vocal performance by a voice that Tigs hired for the song.

The song is reminiscent of Brittany Spears and Beyonce in its powerful “girl-first” vocal arrantgement, with a hint of Aphex Twin’s electronic experimentation thrown in for good measure. But what really stands out is the singer’s sexy and sassy voice, which is perfect for the song’s vibe.

Tigs’ talent as a producer shines through in “On Seen,” with his arrangement of sharp drum sounds and twinkling “ear-candy” synths. So it’s no wonder he’s gaining a following on social media. You can find him on Facebook at https://www.facebook.com/iamtigs and on Instagram at https://www.instagram.com/iamtigs/, where he shares updates on his latest releases and performances.

Overall, “On Seen” is a must-listen track for anyone who loves RnB, Hip-Hop, or Electronic music. Tigs has crafted a song that is both seductive and energetic, and the hired singer’s performance is sure to get you moving. So, turn up the volume and let Tigs’ “On Seen” transport you to the heart of any city’s nightlife.

Together we align: Activ8te breaks through the walls on the joyful new single, All We Do Is Shine (feat. footleg)

https://activ8te.bandcamp.com/track/all-we-do-is-shine-feat-footleg

Finding those uncharted paths like a disguised treasure hunter who is actually looking out for the entire humanity, Activ8te opens up the light and shows us the way to a better place to reside in on All We Do Is Shine (feat. footleg).

Activ8te is a California-born indie Cybersecurity-meets-EDM act that makes the kind of music which will stir the emotions of millions who are looking for something more.

Activ8te, an electronic music producer for Silicon Valley techies, collaborates with Chicago-based artist and accomplished music-thanatologist, footleg, to create the captivating track “All We Do Is Shine.” This love song showcases a softer, more emotional side of Activ8te, exploring the significance of deep emotional relationships and the powerful bond between two people navigating life’s challenges.” ~ Activ8te

Transmitting rays of security researcher assistance to help safeguard our future, Activ8te rises above the clouds and breaks all hacker-like noise so we can be happier in a community with only good vibes on this tremendously projected single.

All We Do Is Shine (feat. footleg) from indie Cyberhouse act Activ8te is a truly tremendously enticing track which shall rattle the bones of millions. Showing superb skill and never letting go for a second, we find a dazzling effort made with a poise which shall impress even the pickiest music fan.

Listen up on Bandcamp.

Reviewed by Llewelyn Screen

Trekkah & Nuzu Deep took us on an afro house journey of self-reflection with the IC remix of Voices

The ascent of the rising UK afro house label, WeAreiDyll, is unstoppable on the basis of the latest production, Voices, by DJ and producer Trekkah and the South African vocalist, Nuzu Deep.

Innovation gravitates around the luxe production that was reworked by the London-based producer and DJ, IC; as the vocals bring the ethereally warm soul, the fervent percussion provides the transcendent beats and breaks, which are as sultry as they are rhythmically arresting. The only real complaint is that the duration of Voices isn’t longer. But two minutes was all the originators needed to take the listener on an immersive journey of self-reflection. We can’t wait to hear what WeAreiDyll has locked, loaded, and ready to drop in the afro house pipeline.

Stream voices on SoundCloud now.

Review by Amelia Vandergast

Supa G Swift has launched his dark, dirty, and droning techno debut, Take You to Attica

Take You to Attica is the debut dark, dirty and droning tech house hit from the up-and-coming artist Supa G Swift. Taking their listeners far beyond earth’s banal and predictable atmosphere, this helter-skelter ride through the cosmos treats you to funked-up surging electro-electricity by the smorgasbord.

The Cork, Ireland-based artist, DJ, and producer initially set out to take over the hip-hop scene in Cork before entering DJ battles in Ireland and relocating to Canada, where he became one of the most notorious and revered DJs in Vancouver.

For the past seven years, his upcoming debut album, Enter Infinity, has been his labour of love; it promises to be a psychologically expansive high-energy ride. On the basis of Take You to Attica, we don’t doubt his ability to deliver exhilaratingly trippy hits that could lead to a dancefloor frenzy.

Take You to Attica released on April 3rd; entrance yourselves via SoundCloud.

Review by Amelia Vandergast

Hebreo & K Perez put a reggae tech twist on the Peurto Rican EDM tonal palette with DiPutaDa

Running under the label SJB, the revered Puerto Rican producers, Hebreo & K Perez have dropped their debut 13-track studio album, Los Gatos Scarface, which showcases a fresh new fusionist sound that is brimming up from the Puerto Rican underground and spilling into international waters.

The standout single, DiPutaDa, is a rhythmically adrenalized amalgam of arrestingly bright tech house beats and intuitively placed reggaeton vocals that bring a smorgasbord of flavour. Nothing is lost in translation in this bass-riding modernist twist on the definitively Puerto Rican EDM palette.

EDM fans the world over have already started flocking to the tantalisingly infectious tempo of DiPutaDa. If you want to splice some kaleidoscopic colour onto your playlists, jump on it while the hype is hot.

Check out the original mix of DiPutaDa, which dropped on March 24, via YouTube.

Review by Amelia Vandergast