Browsing Tag

EDM Pop

Max Rae proves she’s the total pop package with the massive production in her latest single, March

Posted on 1 April 2022
Max Rae

The LA and Las Vegas quickly-ascending pop sensation, Max Rae, is set to send even more riptides through the industry with her latest stormer of an EDM pop anthem, March, which shares infectiously emboldened perspectives on individuality.

Based on March, and the scorching hot singles before it, Max Rae is the epitome of the triple pop threat. Her vocals that find strength through authentic expression, her hooky lyrics that prove her credibility as a stellar songwriter and the massive production are just three of the facets of her talent that secured her place in the future’s pop charts. That is before you consider Max Rae’s dance skills that she has been honing in on since the age of 3.

You can check out Max Rae via her official website, Spotify and Instagram.

Review by Amelia Vandergast

Tanisha Sharma has made her euphoria-breeding debut with her single, Ecstasy

Posted on 28 March 2022

Tanisha Sharma made her prodigious dance-pop debut earlier this year with the release of the progressive indie synth-pop hit Ecstasy, which definitively proves that style and soul against substance is always a winning combination.

When anyone creates music for any reason but the true love for it and the inclination to breed positive sensation within the listener, it’s as disappointing as it is notable. Sharma finds a way to let her intent effortlessly resonate in the dance-worthy hit that more than has the capacity to fill a floor.

Tanisha Sharma has been honing in on her songwriting craft since the age of eight years old. It more than shows in the way Ecstasy doesn’t falter after making euphoria a theme; it resounds in every energised progression. We can’t wait to hear what follows.

Ecstasy is now available to stream via Spotify.

Review by Amelia Vandergast

Berlin’s Raluca brought depth to dance-pop in her latest single, Could I

Posted on 24 March 2022

In the Berlin-based singer-songwriter Raluca’s latest single, Could I, nothing is black and white; melancholy melds with euphoria in the zeal of the orchestrally scored EDM pop progressions.

As the lyricism tackles the vulnerability that comes hand in hand with affection, the 80s and 90s-inspired beats veer through the unpredictable Avant-Garde hooks. It isn’t your average earworm, but with the depth of the lyricism paralleling the intensity of the experimentalism, Could I isn’t a dance hit that is easily forgotten.

Vocally, Raluca made no attempt to hide behind pop archetypes. Instead, she confidently ran with her own distinctively electrifying vocal lines that make Could I. Even at this early stage in her career, Raluca is proving to be one to watch.

Could I is now available to stream on Spotify.

Review by Amelia Vandergast

The prodigal son of impassioned EDM pop HeartMouth has returned with his brand-new single, Get Right for You

Posted on 18 March 2022

Brace your heartstrings for the stridently impassioned soul in HeartMouth’s latest stormer of an EDM Pop track, Get Right for You. There’s nothing more romantic than someone pulling their psyche into a brighter place for the person that inspired the change, which makes this pop track a rip-roaring roller coaster of all the feels.

From folk-pop style harmonies to entrancing beats, Get Right for You seamlessly transgresses through the atmospheric build-ups and high octane full-frontal harmonic pop proclamations of passion. Get Right for You isn’t just radio-ready; it’s Grammy-worthy. 90s pop boybands eat your heart out.

Get Right for You will officially debut on March 18th. You can check it out for yourselves by heading over to SoundCloud or HeartMouth’s official website.

Review by Amelia Vandergast

Future bass goes pop in Andrea’s latest single, All I Want

Posted on 17 March 2022
https://www.youtube.com/watch?v=mlC34Gd1QIk

The London-based singer-songwriter and producer, Andrea, has staked her biggest claim in the UK pop industry to date with the release of her funk-dipped bass-swathed hit, All I Want, which was co-produced by the Grammy-award-winning Andre Lindal.

Even without the club remix, All I Want is a guaranteed floor-filler. You can practically feel the hedonism building around the drops and crescendos, which make Andrea’s latest single addictive from the first hit.

As if Andrea’s effortlessly arrestive vocals and synth-carved hooks weren’t enough, even more admiration can be found within the 20-year-old artist’s MO as a 100% independent artist. She’s currently studying production in London, which leaves her completely autonomous in the male-dominated industry that takes up 96% of the room. She’s following in the footsteps of the icons that paved the way and making room for even more aspiring artists. Just as Courtney Love compelled girls to pick up a guitar in the 90s, Andrea is making a just as revolutionary act in the world of pop production.

You can meet your new perennial pop earworm by heading over to YouTube.

Review by Amelia Vandergast

Lily Slate – The Devil Made Me Do It; prepare your hedonistic pop playlists

Posted on 25 February 2022

‘The Devil Made Me Do It’ is the sinfully sweet dark electro-pop anthem from the born audiophile and luminary artist Lily Slate. The ultimate hedonists’ anthem unravels to ensnaring synths, polyrhythmic guitars, filthy electric guitar licks and swathes of deep sub-bass. While Slate’s sultry vocal magnetism draws you into the track that reminds you how good it feels to surrender to inhibition.

The Californian artist draws inspiration from the obscure and iconic. Bowie, Eno, and Mercury all became a massive part of the artist’s sphere of influence. Yet, when it comes to his sound, the composer, multi-instrumentalist and singer-songwriter notably followed his own lasciviously iniquitous edge.

The Devil Made Me Do It features on Slate’s debut album, ii, which is due for release on 22/02/2022.

The Devil Made Me Do It is now available to stream on Spotify.

Review by Amelia Vandergast

Washington pop singer-songwriter, Marilyn Hucek, advocates for solidarity in her latest single, Girls Girl.

Posted on 25 February 2022
Marilyn Hucek

To celebrate Women’s History Month in 2022, the Washington-based pop singer-songwriter Marilyn Hucek is set to release her emboldening EDM pop track, Girls Girl, which advocates for solidarity between women and forces toxic competitiveness into question.

You only need to look at selfies from popular Instagram accounts to know just how much energy is spent tearing each other apart – energy which could just as easily be used to build each other up. Girls Girl definitively proves how sweet solidarity can be; it was 100% written, performed, recorded and produced by a collective of aurally talented women to deliver a middle finger to the misogyny in the industry and any woman revelling in the downfall of another.

Unlike most of the pop tracks on the airwaves, nothing about Girls Girls feels plasticised. Every ounce of fiery intent in the vocals resonates organically and finds enough synergy with the dark pop instrumentals to make an earworm out of the single. Sonically, it is Peaches meets Gwen Stefani, but Hucek’s personality is vibrant in its matchless autonomy.

Girls Girl is due for official release on February 25th, 2022. Check out Marilyn Hucek via her website, Spotify, SoundCloud and Instagram.

Review by Amelia Vandergast

Nikkita prescribes optimism in her debut EDM pop hit, Looking Up

Posted on 4 February 2022

From the suburbs of Perth, the breaking EDM pop artist, Nikkita delivered her internationally resonant synth-driven debut single, Looking Up. Usually, there is a compromise between evocative power and sonic momentum in the pop genre; Looking Up finds the perfect balance of optimistic vulnerability and sheer perennial pop earworm potential.

Debut releases don’t often come as euphoria-inducing as Looking Up, which uses dizzying crescendos and massive future bass breaks to remind you of the visceral sensation that comes as a consequence of finding the freedom in optimism. Yet, I do not doubt that Nikkita’s vocal timbre would be as enlivening in acapella. She has everything it takes to become the next big pop sensation; with plenty of material in the pipeline, she is one to watch.

Looking Up was officially released on January 28th; you can check it out for yourselves on SoundCloud.

Review by Amelia Vandergast

Close to Monday – Kripko Spi: Transcendently Experimental Progressive Electronica

Posted on 27 December 2021

The indie breakthrough artist, Close to Monday, was one of the few artists that managed to garner international attention and affection in 2021. Based on their recently released EDM hit, Kripko Spi, Close to Monday’s success was one of the only things that made sense during our most recent perplexing trip around the sun.

With entrancing beats that would give Front 242, Covenant, and Skinny Puppy a run for their money towards the outro, it scarcely comes as a surprise that so many immersed themselves in Close to Monday’s sound that breaks the monocultural mould while creating a demurely alluring sensory experience.

With the 7-minute duration of Kripko Spi, the progressive single has plenty of time to transition from the ambience in the prelude to the dancey harsh beats. The vocals are minimalist, but every time they come to the surface, they’re nothing short of intoxicating.

Kripko Spi is now available to stream via Spotify.

Review by Amelia Vandergast

Gard Read pops the perfectionist bubble in his anthemic indie pop debut, All We Can Do

Posted on 12 November 2021

Indie electro-pop artist Gard Read joined the swathes of artists making their debut in 2021 and scarcely left any commercial potential for the rest with ‘All We Can Do’.

While every faction of the media convinces you that you deserve nothing less than perfection while implanting unrealistic romantic ideals, Gard Read popped that naïve bubble with the reminder that Nobody is perfect. The stunning Slowdive-reminiscent guitars cushion the blow while the fiery production mimics the torrid state of mind  we enter when we contend with our insecurities and question if we’re worthy of affection.

Gard Read is right up there with Empathy Test for the way he can turn raw emotion into an anthemic hit that unifies through the resonance. If any track is going to convince you to embrace your imperfect autonomy, it’s All We Can Do.

All We Can Do is now available to stream on Spotify.

Review by Amelia Vandergast