Browsing Tag

eddie Vedder

Tariq.B entered the melodic rock pantheon with his single, You Keep My World Alight

Tariq.B joined Eddie Vedder and Chris Cornell in the pantheon of rock evocateurs with his latest melodic rock emotional awakening, You Keep My World Alight, which will unearth feelings you didn’t know lingered in the sediment of your soul.

The song’s title cleverly underplays the vivid romanticism and raw pop-rock melodies that pulse at the heart of this panorama of raw, vulnerable passion which once and for all proves that romance isn’t dead in our era proliferated by strands of superficial connection.

You Keep My World Alight is an undeniable attestation to how the Pakistan-born, Southwest London-residing artist has mastered the art of acoustic sensitivity; every guitar chord hits a raw nerve as the progressions flow with cinematic sepia-tinged imagery and the warm glow of alt-90s tones.

Famed for his live performances across the UK, international airplay and plaudits from BBC Introducing, Tariq.B is well on his way to filling stadiums as wholly as he fuels souls with his sound. He’s a rare artist who instantly makes you feel at home in his honeyed and honed vocal timbre.

You Keep My World Alight is now available to stream on all major platforms, including Spotify.

Review by Amelia Vandergast

Pan De Muerto conjured darkwave sonic sorcery in ‘Shadow Woman’

Make no mistake, the only thing spectral about Pan de Muerto’s single “Shadow Woman” is the ephemeral female protagonist that will cast her spell on any listeners who sink into this scintillating synthesis of alt-rock, metal, and gothic post-punk.

The grungy Eddie Vedder-esque vocals over an atmosphere that could easily have been of Sisters of Mercy’s conjuring is affecting from start to finish. Darkwave singles rarely come as rhythmically heavy as this immersively beguiling rejection of material reality which pulls you into its haunted core, leaving you aching to bear witness to more installations of black magic alchemy conjured by the ultimate aural polymaths who have exactly what it takes to invoke their way out of their niche and into the alt-rock mainstream.

This Memphis-based band have become renowned for their blends of alternative rock with gothic, metal, and classical elements, infused with a hint of Latin rock influence, creating a sound that is as unique as it is ensnaring. Shadow Woman effortlessly showcases Pan de Muerto’s ability to navigate complex musical landscapes while maintaining a visceral, darkly poetic edge. Their latest release not only reinforces their place in the alt-rock scene but also promises a future rich with innovative sonic sorcery.

Shadow Woman was officially released on April 14; stream the single on YouTube now.

Review by Amelia Vandergast

Jon Fritz – Cold Hard Rain: A Soulful Storm of Genre-Defying Rock Reverie

When it rains, it pours, and in Cold Hard Rain, the latest single from the singer-songwriter and touring troubadour Jon Fritz, the soulful rock reverie pours deliciously.

After an intro of layered gospel-esque harmonies, Cold Hard Rain sells vintage indie rock sanctuary; the bluesy guitar bends carve chemistry across the upbeat rhythm section as Jon Fritz vocalises in the middle ground beyond college radio rock and grunge. Vedder himself couldn’t have performed this release better.

There are expansive releases; then there are singles that refuse to inhibit themselves by following genre constraints and register as pure unbridled communications from the soul; Cold Hard Rain cascades into the latter camp with the blissfully constructed melodies that turn on a dime between 90s nostalgia, 80s soaring solos and 70s rock n roll stripes. It is within these cohesive confluences that John Fritz truly shines; try as you might, there’s no resisting being injected by the rugged euphoria which resounds in the rhythmic downpour of Cold Hard Rain.

Cold Hard Rain was officially released on April 4th; stream the single on SoundCloud.

Review by Amelia Vandergast

Stu Daniels – Enemies: Achingly Soulful Acoustic Indie-Rock

Enemies by Stu Daniels

With all of the evocative gravitas of Eddie Vedder’s aching soul, Stu Daniels’ latest single, Enemies, compels you to surrender to the acoustic indie rock plaintiveness, which is all too easy to relate to from the first immersion. Beyond the sobering overtones of the emotionally crafted and reverbed guitars is a lyrical extension of salvation with the poignant and powerful reminder that enmities will always do their best to strip your power and use it for their gain.

The singer-songwriter and guitarist fronts the Adelaide band, Already Gone, but notably, standing alone, his sound is equally as sonorous. Watch this space for more compellingly tenacious expositions of the human condition.

Enemies was officially released on September 16th. Check it out for yourselves on Bandcamp.

Review by Amelia Vandergast

Jon Fritz will take you a ‘Million Miles Away’ with his acoustic rock ballad.

Attempting to capture the sheer artistry and beauty in Jon Fritz’ standout single, Million Miles Away, isn’t an enviable task. The orchestrally scored, cinematic rock ballad shows its 70s folk-rock roots while greeting you as a contemporary panoramic soundscape that you will lose yourself in time after time.

Million Miles Away will undoubtedly enamour any fans of Cat Stevens while the extra sonic power and distinction in the intricate melodies put the single on the Eddie Vedder solo album level. It may seem unthinkable to minds outside of the industry that such talent can fly under the radar but Jon Fritz’ proves that the traditional art of storytelling is upheld, even if most people would rather bemoan what is on the radio rather than seek out talent. He’s so much more than a virtuoso for the way that he triggers evocative responses with his clever arrangements and vocals that hit as hard as Tom Yorke’s.

Million Miles Away is now available to stream on YouTube.

Review by Amelia Vandergast

Abakas – Runaway: Alchemically Anthemic Alt Rock

If you could use some grungy, raucous aural escapism, take a journey with Norwegian breaking artist Abakas’ high-octane debut single “Runaway”.

I don’t make Eddie Vedder vocal comparisons lightly, yet, Abakas vocalist achieved the very same evocative sing as Pearl Jam’s frontman as he projected the powerful imagery from the lyrics into the anthemic hit.

Instrumentally, Abakas are well and truly in a league of their own thanks to the eclectic array of influences weaved into the supersonic rhythmic hit. Anthemic Rock converges with Hard Rock and Sleaze to orchestrate an alchemic feat of Alt-Rock which you’ll want to give repeat attention.

Any fans of Black Sabbath, Pearl Jam Queens of the Stone Age and Iron Maiden will be just as enamoured with Runaway as we were.

You can check out Abakas’ single for yourselves by heading over to Spotify, where you’ll also be able to delve into the artist’s debut EP “Marauders”.

Keep up to date with the latest releases via Facebook.

Review by Amelia Vandergast

Echoes Of Her looks inward with latest single ‘Reflections’

Solo rock artist Echoes of Her has released new track Reflections: a sombre, haunting dark and abrasive rock track. 

The sense of loneliness and despair is apparent with ‘Reflections’, and with vocal drawls drawing comparisons to the like of Pearl Jam’s Eddie Vedder – Echoes of Her takes listeners on a dark, loud and grinding road. Not like many other releases on our calendar, it’s perhaps that melancholic guitar dread would be a suitable sub-genre for this style of emotional and highly affective rock.

If you’re into experimental rock with lots of howls, guitars and drama – Echoes of Her are well worth looking into with this latest release. Just don’t stand in the mirror too long. 

You can listen to ‘Reflections’ on Echoes of Her’s Spotify page here.

Brian Dalton – Drown: Orchestral, Soul Shattering Industrial Rock

Fans of bands such as Incubus, Nine Black Alps & Nine Inch Nails are going to want to devour Brian Dalton’s latest track Drown which was released on January 5th, 2018.

Down is a prolifically rounded track, which grips you like a vice and doesn’t let go until long after the flawless instrumentals have faded out. There really is no criticism to be found in Brian Dalton’s latest hit, which he’s mixed up from his earlier releases which possess a more mellow grunge undertone. His sensational vocal ability allows the track to soar from resonant melancholy to raunchy rock vocals that make your heart pound with the industrial beat. The orchestral cacophony that swoops into the progression after the last chorus to tear a little piece of your soul away with it, bringing this palpably pounding track to life. And all that is without mentioning the pensive lyrics that ring with poetry steeped in vehemence.

It’s not often I can refer to music as sexy without cringing, but there’s something zealously Godly and sensual about Brian Dalton’s command of sound. He certainly has the Eddie Vedder effect.

Check out the stunning official music video to Drown on YouTube now:

https://www.youtube.com/watch?v=RG8qu0LcHYU&feature=youtu.be

Drown is also available to listen to via Spotify:

https://open.spotify.com/track/0Nvq8juqMwJK0LEoijqHCy

Review by Amelia Vandergast.