Browsing Tag

Dystopic Electronica

Delve into the digital abyss with Intonation Effigy’s harbingering journey, Artificial Intelligence

Intonation Effigy’s latest single, ‘Artificial Intelligence‘, composed by Keegan LaBrot, is a dark and harbingering journey into the underbelly of electronica. This cinematically dystopian instrumental release is larger than life in its encapsulation of the ever-lingering threat of AI’s inevitable domination.

The track is a masterclass in creating a disquieting and artfully disconcerting atmosphere. Intonation Effigy’s use of complex and glitchy time signatures is a sonic visualisation of the tumultuous epoch we are entering. The equilibrium between dark, bass-drenched synthetics and light, almost ethereal aesthetics is a testament to Intonation Effigy’s ability to emotionally round out his immersive productions. The track is a journey, not just through sound, but through the emotional landscape of a world grappling with the rise of artificial intelligence.

As the third single from this artfully profound visionary, ‘Artificial Intelligence’ establishes Intonation Effigy as an essential name to follow in the electronica scene. This track is more than a musical composition; it’s a statement, a reflection of our times, and a glimpse into a possible future dominated by AI. For fans of electronica looking for depth, complexity, and emotional resonance, ‘Artificial Intelligence’ by Intonation Effigy is a must-listen.

Artificial Intelligence dropped on March 19th; stream the single on Spotify now.

Review by Amelia Vandergast

The ‘Reckoning’ is Here, in the Form of Dissolved Girl’s Darkly Dystopic Trip-Hop Debut

With the juxtaposing vocal samples setting the cinematically disquiet tone as efficaciously as the harbingeringly dark electronic synthetics, which delve far beyond the dark depths of PJ Harvey, Massive Attack, and Portishead, Dissolved Girl made one hell of an entrance with their debut single, Reckoning.

The haunting anthem for a world teetering on the brink of collapse is a dystopian masterpiece, which encapsulates the unease and turmoil of contemporary times with its perturbed tones and intricately layered instrumentals. We all knew a reckoning was coming, but who would have known it would be delivered by a London-based four-piece with a penchant for the alt-90s, alt-rock, and hip-hop? Dissolved Girl not only captures the essence of an impending societal storm but also delivers a sense of catharsis – a release that fans didn’t realise they needed until it was upon them.

Forward-thinking and accessible in equal measure, the debut is a stark testament to their ability to innovate within the modern music scene. We can’t wait to hear the debut LP, which has been four years in the crafting, with the help of producer Dani Castelar and mastering engineer Matt Colton. The attention to detail paid off immensely; each note and nuance served the song’s brooding atmosphere and intensified the listener’s experience to the nth degree.

In an industry saturated with fleeting trends and disposable hits, Dissolved Girl stands as a beacon for those who crave depth, complexity, and sincerity in their playlists.

Reckoning debuted on November 13th; stream it on Spotify.

Review by Amelia Vandergast

Softmax connects through disjointed isolation in her Lynchian installation of electronica, Swishers

Softmax

Silence fell after the 2022 debut EP, But What If There Isn’t?, from the Chicago-native Softmax; in her time away from the airwaves, she honed her craft and primed herself for her latest single, Swishers.

Co-produced by Joel Ford, of How to Dress Well fame, and Berlin’s premier electronica producer, Gabriel Gifford, Swishers sets a dramatically Lynchian tone to create a dystopian synthpop backdrop for the portrayal of inwardly imploding isolation while everyone falsifies their lives online.

The sentiment is just as resonant as the score orchestrated to depict the agonisingly disjointing feelings. Clearly, Softmax has a talent for reflecting the rawest facets of the human experience back at us. The syncopated beats and oscillating synths paint a portrait of how it feels when black holes of alienation form as a fixture in the arrangement of your bedroom furniture.

In her own words: “It’s about wanting to connect with the world and understand people while feeling further and further from it,”

Swishers will hit the airwaves on August 9th as a courtesy of the London-based indie record label, Psychotic Reaction Music. Stream it on Spotify.

Review by Amelia Vandergast