Browsing Tag

Dream-Pop

dollhaus debuted their dream-goth potion of hell-hath-no-fury vindication, The Devil Makes a Sale

Posted on 12 April 2023

Two superlative staples of the London alt-scene, Katie Green & Rob Alexander, joined reverent post-punk forces to forge the new two-piece outfit dollhaus; the debut single, The Devil Makes a Sale, will leave you questioning, Siouxsie who?

Rhythmic hypnotism constructs the whirling dervish of a prelude before the guitars contort into angular prisms of kaleidoscopic colour as the basslines add dark depth around the harbingering percussion that punctuates the dreamy layers Katie Green’s glassy vocals filter into.

Chewing up and spitting out the archetypes attached to the dream-pop, post-punk, goth, and art-rock genres enabled dollhaus to effortlessly establish themselves as one to watch in a saturated scene. If anyone can appetise an apathetic alternative audience, it is dollhaus with this inordinately magnetic manifestation of pure songwriting talent that drinks like a potion of hell-hath-no-fury vindication.

Stream the Devil Makes a Sale on Spotify & Bandcamp.

Follow dollhaus on Facebook and Instagram.

Review by Amelia Vandergast

Slender Dan orchestrated a superlative existential meditation with ‘Time is Running Out’

Posted on 2 March 2023

With vocals as ethereally magnetic as Cigarettes After Sex atop cinematically intricate Aphex Twin-ESQUE beats and apocalypse-centred lyricism, the latest single, Time is Running Out, by Slender Dan, is the ultimate existential meditation.

With chilling vocal samples alluding to how our child-like proclivities are the main reason behind our destructive tendencies that have led the earth to the point of collapse, there’s no exaggerating the sombreness of the dream-like Avant-Garde score. Yet, Slender Dan simultaneously succeeded in creating a tranquil feat of electronic ambience that will quell your end-of-days fears.

The striking mindfulness within the layers of lush reverb allows the tonally transcendent single to unravel as one of the superlative feats of post-modernism you could add to your playlists.

The Nashville-residing duo comprising Heather Dickinson (vox, keys, guitar, bass), and Patrick Ahern (drums, production, vox) debuted their first EP on KEXP in 2021 and has had its fair share of successes since. Time is Running Out is just one of the singles to feature on the forthcoming LP, GESTALT. In their own words, here is what it traverses:

“GESTALT is a 1 hour long, 19 track, avant-garde electronic album. With 13 songs and 6 interludes, Slender Dan presents a sobering critique of modern Orwellian forces- commenting on such topics as propaganda, censorship, the lack of consensus on truth, and the attempt to remain sane in the midst of insane times.”

Time is Running Out will officially release on March 2nd. Hear the official audio on YouTube.

Review by Amelia Vandergast

 

Rae Larz drifted into the 5th dimension in her spacey synth-pop debut, Tea in the Stratosphere

Posted on 23 February 2023

Here to warn us that reality isn’t what we think it is, is the up-and-coming experimental artist Rae Larz, who could give Bjork a run for her Avant-Garde money with her introspectively spacey hit, Tea in the Stratosphere.

Stirring her artfully psychedelic single with a heavy dose of futurism ensured that she established herself as an orchestrator of soul-emancipating sonic remedies, which take us far beyond the maladies of the 21st century.

The decadently soft synth lines lustfully collide with the trip-hop-y percussive fills and the nuanced slithers of jazz timbres and other world music elements that heighten this elevated hit to the nth degree.

Every aural inch of Tea in the Stratosphere was written, performed, produced, and engineered by Rae Larz herself. Evidently, the Brooklyn-based originator will become an unreckonable force in the industry.

Tea in the Stratosphere was officially released on February 3rd via Jupiter’s Luck Records. Hear it on Spotify.

Review by Amelia Vandergast

 

millar is sweeter than a ‘sugar rush’ in her ethereal dream pop sophomore single.

Posted on 18 February 2023

With her light vocal lines that are equally as lush as the reverb they bleed into, London-based singer-songwriter millar is a dream-pop siren in her sophomore single, sugar rush.

The wistfully electrifying air of nostalgia circulates through the soft pastel tonal hues as the gentle rhythm section cradles the soft synth lines and choral indie guitars. sugar rush transcends even what Slowdive was capable of in their heyday. For millar to achieve such atmospheric alchemy at a tender age is inexplicably awe-inspiring.

Referencing childhood rhymes and contrasting them against the quiescent instrumental melancholy sparks sentimentality for the days before innocence was hardened as skin toughened with every knock, bruise and fall. Naturally, we can’t wait to hear what millar orchestrates next.

sugar rush was officially released on February 10th. Hear it on Spotify.

Review by Amelia Vandergast

Niky Pasolini has unleashed her illuminating indie dream-pop single, Light On

Posted on 20 January 2023

Alt-Indie singer-songwriter, Niky Pasolini, will release her debut album, Update, on January 20th. We were lucky enough to get a sneak preview of the standout dream-pop single, Light On; from the first ring of the alt-90s guitars and bleeding Shoegazey vocals, we were hooked into the vulnerably delicate self-produced hit. With engrossing reminiscence to Sixpence None the Richer in the guitars and the sense of sentimentality Light On is as illuminating as the title alludes.

The London-based artist wrote, created and recorded the entirety of the album in a makeshift studio in her basement to provide a refreshing antithesis to the extensively produced plastic pop that does little more than scratch at the superficial surface lyrically.

Light On will be available to stream with the rest of Niky Pasolini’s debut album, which documents her coming-of-age story, on January 20th via SoundCloud.

Review by Amelia Vandergast

Under the Sun – Ocean Breeze: an ambient dreamwork of Lynchian cogitation

Posted on 11 January 2023
Ocean Breeze by Under The Sun

Adding a disarming new trajectory to the evolution of shoegaze, the Suffolk-based originator Under the Sun (Matt Catling) constructed an ambient dreamwork of Lynchian cogitation with their three-track release Ocean Breeze.

As hazy as the titular allusion, the opening title single carries the weight of driftwood as it traverses through the meditatively industrial layers of reprising synths and delay-filtered dreamy guitars. Mastered by none other than Simon Scott (Slowdive), Ocean Breeze is a scintillating adaption of the origins of ambient soundscapes, modernised through the essence of caustic 21st-century dystopia that leaks into the transcendence of the track.

The arrestive rhythms in Ocean Breeze are a testament to Under the Sun’s ability to create sonic worlds far more accommodating than the ones we’re physically bound to. Short of taking a trip to the 5th dimension, there’s no better escapism than the sanctity that flows just as mellifluously through the following singles, Whirlwind and Soft Focus.

With Whirlwind unravelling as a tribally psychonautic fever dream and Soft Focus exhibiting Branca-Esque tendencies enveloped by the bleeding lament of the vocals, it’s an evocative conclusion to a release you don’t realise how deeply you have enmeshed with until silence falls.

Stream Ocean Breeze on SoundCloud and Spotify, or purchase the release via Bandcamp.

Review by Amelia Vandergast

Spotlight Feature: Tontine elevated UK alt-electro-pop with his dynamically soul-rendered debut EP, ‘I’

Posted on 9 December 2022

Alt-electro-pop artist, Tontine grabbed a pack of matches and set hearts alight with his debut EP, I. For all the diehard romantics out there, come and feel the heat of this evocative triumph of a 3-track release which radiates stylised soul.

The opening single, If I Could, goes in heavy on the exotic euphoria in the uniquely layered single. As the bass oscillates around the reverb-heavy synth lines and soft angular guitar work, the romanticism within Michael Walden’s vocal lines elevates the release to transcendent heights.

In track two, NIFE, Tontine revolutionises and reforms the pop ballad with the ethereal textures, flurries of intricate piano keys and yearning vocals that meld into the blossoming synthetics to prove the beauty in vulnerability. Grief is a deeply personal experience, but the losses mourned in NIFE share a universal resonance.

The concluding single, Only the Once, is a glitchy avant-garde dream-pop lullaby that allows soul to simmer through the complex chord progressions and lyrics, which crave a repetition of an act never destined to become a reprise.

“This is the first of three EPs I’ll be putting out over the next 12 months consisting of music I’ve been working on for a few years now. I want to showcase what I can do as an artist who writes, records, produces, and mixes everything themselves. This first collection of songs is centred around the theme of loss in various forms, and is a taste of bigger things to come.”

Tontine’s debut EP was officially released on December 9th. Catch it on SoundCloud & Spotify.

Follow Tontine on Instagram.

Review by Amelia Vandergast

BREGN put the humanity in our collective anxiety with his reflectively expositional lo-fi folk single, YOU AND ME

Posted on 20 November 2022

Danish singer-songwriter, BREGN, gave humanity hope in his latest single, YOU AND ME, which was officially released on November 18th to dispel the disquiet anxiety spilling from each new global catastrophe.

BREGN’s minimalist soundscapes and the sonorous sense of soul in his quiescent harmonies always strike a visceral chord. With this new melancholic shift, YOU AND ME hit like a tonne of bricks. In the same way Slowdive can hammer home the emotion solely through their reverb-laced angular guitar notes, the guitars in this sombrely sweet single drive you to the brink of tears. Before the choral storm in the outro as a torridly dystopian crescendo pushes you over the emotional edge.

Here’s to hoping next summer gives us a chance to embrace the season free from an ever-pervasive sense of dread.

“YOU AND ME is a reflection of our times; a mix of summer, love, the insecurities imposed by war, political drama, and the deepening energy crisis. There is hope in the continuation of believing that there is still a “You and Me” at the end of the day, that is what I wanted to convey.”

Listen to YOU AND ME on SoundCloud and Spotify.

Follow BREGN via Facebook and Instagram.

Review by Amelia Vandergast

Spotlight Feature: Australian singer-songwriter, Ted, sang an insurgent indie-psych-folk lullaby in his latest single, Revolution Then

Posted on 17 November 2022

The Australian Indie-Folk singer-songwriter Ted’s latest single, Revolution Then, is definitive proof you catch more flies with honey than with vinegar.

The artfully quiescent call for sense to coalesce with postulation resonates like a semi-lucid lullaby, affirming enlightenment doesn’t always need to be synonymous with anger and despair. Sometimes, it is just enough to be on the right side of history.

While Elliott Smith’s records will always be there to soothe us in our darkest hours, he’s no longer here to transcribe humanity’s darkest hours. That crown has evidently fallen upon Ted, who is fearless in his quest to hold a mirror to the most tragic facets of our existence before reflecting them through his psych-tinged arrangements crafted in the mellifluous framework of his music, constructed by guitars, bass, drums, sax and keys – all recorded from his bedroom studio to feed us the intimacy we never knew we craved in these polarity-defined times.

“The song is loosely based on the French Revolution. I was inspired by some more recent political events which occurred in the US. I wanted to convey this in a way that was like telling an old story to a child, like in a nursery rhyme.”

Stream Revolution Then via Spotify.

Follow Ted on Instagram and TikTok.

Review by Amelia Vandergast

JRMR synthesised the ultimate ambient dream pop instrumental score with his latest single, wind dust.

Posted on 17 November 2022

‘wind dust.’ Is the latest stylishly synthetic single from the up-and-coming experimental music producer JRMR (Jon Munoz). The tranquil beguile of the ambiently dreamy textures allow you to key into transcendental Beach House-Esque tones for two short but sweet minutes as the shimmering reverb washes over you, bringing catharsis in every cinematic wave.

Since his 2019 debut, the Puerto Rican experimentalist has remained prolific by releasing a string of singles which set the anticipation for his first mixtape, death is an illusion that glows in the dark. With that titular nod to the philosophy of the enigmatic artist, you get a clue to the psyche from which his sonically spectacular singles were born. It is one that I, for one, can get on board with, and it seems I’m not alone in my penchant for JRMR’s experimental dream pop aesthetics. His most popular single, avarice. has clocked up over 17k streams on Spotify alone.

Head over to Spotify to add wind dust. to your playlists.

Review by Amelia Vandergast