Doom-disco, Industrial blues, math-wave, call it what you will, but words can scarcely capture the alchemic aural experience of the latest installation of experimentalism, Iridescent – Come Over Here Variant, by Hemlock for Socrates.
With vocal lines so phantasmal in their arcane magnetism they put Bjork in the same league as Dua Lipa and a soundscore that allows the cinematic alt-electronica progressions to carve out a cage of tormented motifs, the sonics plunge you to the murky depths of despair to bring you back up from it, using resonance and the frenetic polyphonic keys in the outro as an inexplicably ingenious knotted rope ladder.
Even with the dramatic touches to the score, nothing about Iridescent – Come Over Here Variant feels theatrical. Instead, Hemlock for Socrates turned the fabric of reality inside out to put purgatory on a higher plateau.
Iridescent – Come Over Here Variant will officially be released on August 4th. Hear it on SoundCloud.
Review by Amelia Vandergast