Browsing Tag

Depeche Mode

SonicFluxx – Nomad: The Ultimate Synthscape for the New Generation of Wanderers

Blazing the same trail as Depeche Mode, The Human League and Pet Shop Boys, the independent breakthrough artist SonicFluxx exhibited his ability to craft neon-lit melodic hooks that pierce euphoria straight into the soul with his latest single and music video, Nomad.

With the 80s aesthetic incorporated into the synthscape and official video, Nomad is a retro-future odyssey of pure euphony; just one hit and you’ll be hooked on the earworm which celebrates the freedom of unchaining yourself from geographical anchors and giving into wanderlust.

By allowing his listeners to live vicariously through the eyes of a wanderer, SonicFluxx didn’t just explore the phenomenon of nomadic culture, he imbued it within every strobing synth-driven progression, attesting to the beauty of living by your own liberty.

Stream the official music video for Nomad on YouTube now.

Review by Amelia Vandergast

SonicFluxx Interview: Cosmic Inspiration and Artistic Evolution on Florida’s East Coast

In this A&R Factory interview, we speak with SonicFluxx, an artist shaped by a childhood amid the unique cultural and natural landscapes of Florida’s East Coast. SonicFluxx shares how experiences such as witnessing shuttle launches, growing up near Disney World, and being surrounded by 80s and 90s pop icons like Depeche Mode, Madonna, and Pet Shop Boys influenced his sound and vision. He reflects on his path from DJing to full-time music production in Los Angeles, alongside the challenges of adapting to social media in the modern music world. With new music on the horizon, SonicFluxx reveals a vision dedicated to using music as a healing force, ready to connect with listeners globally.

SonicFluxx, welcome to A&R Factory! Thanks for sitting down with us to discuss your career and your future ambitions. We’d love to know how your upbringing on Florida’s East Coast, among such iconic figures, influenced your sonic signature. 

Growing up in Central Florida in the 80’s and 90’s was a special time in our American history and I feel lucky to have experienced many things that most didn’t during that era.  Growing up next to Disney World taught me that music holds messages and meaning and that music can be the language that unites all.

I watched the Space Shuttle program firsthand and watched many shuttle launches from my backyard.  I learned at a young age that there was more than this world we are on and I found love in the stars and the universe.  I questioned my existence of this planet at a pretty young age and what my role was.  I grew up living five minutes from the beach – walking through the sand and understanding the concept that a speck of sand doesn’t make much, but a whole bunch of it creates a beautiful beach.

When you grow up and live in such a magical and inspirational place, I think it tends and fuels the creative fire within and ignites the spark that so many musicians and artists before me have experienced.

What was it about Depeche Mode, Madonna, and Pet Shop Boys that inspired you to light your own creative spark? 

I found deep inspiration with these three artists particularly because through their music, I learned that songs can have a message to invoke positive change in society.  Many artists feel a duty to use their voice as a platform to invoke political, cultural and societal change in the world and this is also what I wanted out of my own music and songwriting.  Aligning with the same beliefs as an artist also made me feel connected to the artist themselves in a way and I found this connection to be very special.

How has your relationship with music changed over the years?

I was born in a Southern Baptist Church, so I grew up singing traditional hymns on Sundays. I grew up extremely sheltered from what is called secular media in the religious tone.  My introduction to pop and dance music did not occur until my rebellious teen era, in which I would spend hours in FYE at the mall and listen to CDs.  I consumed every bit of pop culture I could at this point in my life.  I connected with dance music in a spiritual way that spiritual music never gave me.

I began to study and analyze what made a great song at this age.  I would have a knack for knowing what songs on an album would be the next single before it was released.  I turned this talent into songwriting.  I was a DJ in my early 20s and began producing remixes myself with Sony Acid Music Studio on a laptop I rented from Rent-A-Center.

I am a self-proclaimed pop and dance music lover.  I took pride in sharing new tracks with people and seeing their reactions when they loved it.  After many years of no music interaction other than consumption, I quit my job, quit college and moved to Los Angeles to pursue a music career full time.  I find myself enjoying creating music more than I enjoy listening to it myself.  However, don’t get me wrong, I still stan for a few artists new music!

Creatively, what came most easily to you, and what did you have to work hard to hone?

Melodies, hooks and songwriting came the easiest.  Most of my songs have been written in about three days – one song I wrote in 15 minutes.  I have a knack for hearing a beat and immediately hearing a melody in my head.  Then words come after that.  It’s a chaotic process I will admit, but it works for me.

Half of my lyrics aren’t even written down anywhere because songs are written so quickly.  ‘Nomad’, for example, was half written and I made up the rest of the lyrics in the studio on the spot.  My songs come from my life, my struggles and my heartache – it’s pretty easy to spill out currently.

What is challenging for me is creating social media content.  I am not good at picture taking, not quick to take pictures in settings and I find creating and thinking of social content does not come easy at all.  I am from the MySpace generation, so the new era of social media has definitely been the biggest challenge to overcome for me.

You mentioned a period of depression after focusing on your vocation as an astronomer; do you believe a lack of creative output is to blame for a lot of existential suffering in others?

Short answer: yes.  I believe that many people do not use the right side of their brain enough and invoke creativity in their lives.  I love that book reading and crocheting has made comebacks these days.  I think more people need to find that creative output to truly find peace.  As a child, we use this side of our brain so naturally and it’s a beautiful thing.  When we lose our sense of imagination and wonder, we can lose who we are and where we are going – Walt Disney taught me that and I still firmly believe in it.

Could you tell us more about your vision for your music going forward and any new directions you are exploring in your artistic journey?

When I started my music career full time, I said that if my music reached just one person and helped them, I’ve done my job.  Music is healing.  Music can be your remedy, as I sing in my song ‘Remedy’, which is a love letter to all my fans.  I have achieved this and now my goal is to take the same concept but go worldwide.

I am always writing new music and do have new music ready to go and am planning to release a deluxe edition of the album around February 2025.

Stream SonicFluxx on Spotify and discover more about the artist via their official website.

Interview by Amelia Vandergast

IST IST dominated the Manchester post-punk pantheon with their latest single, Repercussions

IST IST

Look at Manchester as a landscape and you’ll be confused by the claim that we do things differently here; the proverb only materialises through the mettle of sonic architects in the same trailblazing vein as IST IST.

Since their debut single, IST IST has been an unreckonable authentic force that has easily earned its place in the post-punk pantheon. With their latest single, Repercussions, taken from their fourth LP, Light a Bigger Fire, they emerge once again as an unextinguishable paragon of eminence.

From the first angular note that leads you into a neon-lit hedonic tour de force, you’re hooked into an exhilarant earworm that delivers scintillation and kinetic rhythmic propulsion by the smorgasbord.

By extrapolating the brooding vocal presence of Sisters of Mercy, the cerebral intensity of Magazine, the coruscating synths of Arcade Fire, and the menacingly pulse-pounding beats of Depeche Mode, and synthesising them into a cocktail that could only be stirred by their own hand, IST IST delivered a broodingly expansive testament to their cultivated fortitude.

Producer Joe Cross (Courteeners, Hurts) ensured that the single, which unravels as an exposition of how insidious thoughts can spill from the psyche into reality, becomes an invitation to liberate yourself from your introspective vexation – if only for the duration of the emancipating hit that surpasses ear candy and becomes an elixir for oppressive reflections.

Stream Repercussions on all major platforms, including Spotify, from June 6th.

Follow the band on Facebook, X, and Instagram.

Review by Amelia Vandergast

The Artistic Evolution: Embracing Change in Music

Evolution

In the ever-evolving landscape of music, change is not just inevitable but essential. The journey of an artist is marked by an incessant quest for creativity and innovation. As we delve into the stories of bands like PJ Harvey, Radiohead, Beastie Boys, Nine Inch Nails, Depeche Mode, and Fleetwood Mac, we uncover a shared narrative of transformation. These artists, once confined to their original sounds, dared to venture into uncharted territories, thereby cementing their places in the annals of music history.

The concept of ‘selling out’ is often debated in the music industry. When artists deviate from their original sound, they are often accused of abandoning their roots for commercial success. While it may be the case that record labels push artists in different directions to maximise the profits banked by the oligarchs, it is ludicrous that independent and up-and-coming artists are also greeted by the same accusation. Especially if they have complete creative freedom over what they innovate and orchestrate.

Any real music fan will be aware of how difficult it can be for independent artists to create a comfortable living without seeking other means of income. Just take a recent interview with Pigs Pigs Pigs Pigs Pigs Pigs Pigs in the Guardian on how their fans are amazed to hear that they are back in the office after playing shows and they have been fired for taking time off for touring. It is time for music fans to gain perspective and view transformations as acts of autonomous expression, where independent artists exercise their creative freedom to explore and grow, rather than conforming to external expectations.

If you have been caught between feeling compelled to replicate your earlier material and daring to metamorph your sonic signature for your next releases, this article, which demonstrates the detrimental nature of assimilating your older material out of obligation, may give you a clearer view of which avenue to take your future releases.

Loyalty vs Innovation

The music industry often presents a dichotomy: remain loyal to your original sound or innovate and risk alienating your fan base. This dilemma is particularly poignant in the cases of bands like Radiohead and Fleetwood Mac, who dramatically altered their musical directions. Radiohead’s shift from the grunge-inspired “Pablo Honey” to the experimental sounds of “Kid A” and Fleetwood Mac’s evolution from blues-rock to the pop-rock anthems of “Rumours” are testaments to the rewards of embracing change. Their success stories challenge the notion that loyalty to one’s original sound is the only path to enduring relevance.

The Adage “If It Isn’t Broken, Don’t Fix It” Doesn’t Apply to Art

In the realm of art and music, stagnation is akin to regression. The musical journeys of PJ Harvey and Depeche Mode provide inexplicable examples. Harvey’s transition from bluesy punk-rock to a more accessible indie-rock style, and Depeche Mode’s evolution from upbeat synth-pop to a darker, more atmospheric sound, demonstrate the artistic necessity of breaking free from the ‘if it isn’t broken, don’t fix it’ mindset. Their willingness to reinvent themselves not only kept their music relevant but also allowed them to explore new depths of their artistic potential.

The Muse Isn’t Always Found in Chartered Territory

Exploration beyond familiar boundaries often leads to the discovery of a muse that redefines an artist’s work. The Beastie Boys’ transformation from a hardcore punk band to hip-hop icons and Nine Inch Nails’ journey from synthpop to industrial music highlight the importance of seeking inspiration beyond the comfort zone. These shifts not only revolutionized their respective genres but also opened up new avenues for creative expression.

New Material Doesn’t Obsolete the Old

A common fear among artists is that their new work might overshadow or invalidate their previous creations. However, the evolution of these bands shows that new material can coexist with and even enhance the appreciation of their earlier works. The new sounds do not erase the old; instead, they add layers to the artists’ narratives, enriching their musical legacies. You may receive backlash from your fans who find a sense of pride in saying that they have been following you from the start and have grown accustomed to a certain style, but you can’t please everyone’s subjective view, attempting to do so will only serve as an inhibitor to your creativity. That’s the same creativity that drew them to you in the first place.

How Fans Can Decree Music Is ‘Terrible’ When It Is Made with the Same Talent That Produced the Art They Fawn Over

The reaction of fans to an artist’s evolution can be complex. While some embrace the change, others may be quick to criticise, forgetting that the talent and creativity that endeared them to the artist in the first place are still at play. It’s crucial to recognise that the same spark of genius that created the beloved early works is driving these new explorations, even if they take a different form.

Conclusion

The stories of these iconic bands serve as a powerful reminder to musicians and artists everywhere: the pursuit of creative evolution is not just a right, but a responsibility. Embracing change, exploring new horizons, and challenging the status quo are what keep the flames of creativity burning. As artists and fans alike, we should celebrate this journey of evolution, for it is in these changes that the true essence of art is found.

If you have a brand-new sound you want to showcase, submit your music today to see your music featured on our top 10 UK music blog.

Article by Amelia Vandergast

The Euro Disco Claws Are Out in Miron’s Latest Single, Long Nails

With synth lines that will speak to your rhythmic pulses as fluently as the ones that made New Order’s single, Blue Monday, so iconic, the latest single, Long Nails, from the Parisian purveyor of dance-rock, Miron, is strong enough to bring in a new wave of exhilarant gloomy electronica.

The singer-songwriter has become one of the freshest parts of the Parisian touring circuit fabric with his high-energy live shows; his Euro disco hits resonate just as well on the airwaves for the way his authentic vocal lines command your attention while the synthetics lure you into sonically hedonist escapism.

He may not have reinvented the wheel with Long Nails, but he has certainly engraved his signature into it while ensuring the familiarity of his earworm never came at a compromise to his expressive autonomy.

“I wanted to explore a different genre and bring in some fresh elements, while still staying true to my sound. The 80s influence in this track represents a time that has always fascinated me. I wanted to bring that feeling back and share it with my listeners”.

Long Nails is now available to stream on Spotify.

Review by Amelia Vandergast

Mark Docherty rode the crux between new-wave and no-wave in ‘Reckless Abandon

Liverpool’s Mark Docherty created a brand-new wave somewhere between new-wave and no-wave in his latest defiantly distinctive single, Reckless Abandon, which is set for official release on June 3rd.

By bringing distortion-heavy buzzsaw riffs into the post-punk arena, the innovator, who will undoubtedly become renowned for the dualistic tendencies in his vocal performance, succeeded where very few artists of this era do; by drenching the airwaves in originality. From Nick Cave-ESQUE croons to raw rock magnetism, it all lingers in Docherty’s vocal arsenal.

Fans of Pixies and Depeche Mode alike will want to clamour all over Reckless Abandon, which is a sonic depiction of just what it says on the uninhibited tin.

Stream Reckless Abandon from the date of release via SoundCloud, and stay tuned for the debut LP, which is set to drop on June 16.

Review by Amelia Vandergast

Avicii meets Depeche Mode in Policy’s latest genre-mash, I’d Wait for You ft Sergi Yaro

Policy

The award-winning genre-melding producer, Policy, is back on the airwaves following the successful launch of his debut LP, Echo Chambers, in 2020 and the sophomore album, The Abby Rose, in 2022. This time, the Ohio-based beat master collaborated with the Ukrainian singer-songwriter Sergi Yaro to awaken sentimental senses with I’d Wait for You.

The falsetto vocal lines against the dark, droning and dancey synths and harbingering percussive beats, which slam to sonically attest to how dark the waters of a loveless reality can be, is an alchemic combination, which won’t fail to drag you into the murky core of this experimental hit which could win over mainstream electronica fans and alt-electro heads alike. Instrumentally, if you found the middle ground between Depeche Mode and Avicii, you’d find I’d Wait for You resoundfully residing there.

I’d Wait for You is due for official release on May 23; hear it on the artist’s official website.

Review by Amelia Vandergast

Positronic signed, sealed, and delivered a 80s synth-pop postcard with his latest single, A Long Goodbye

Positronic

With an edge of 80s synthpop sharpening the future-embracing textures in the ardently dreamy release that picks up plenty of visceral weight from the crooned harmonies, the latest single, A Long Goodbye, from Positronic will warm even the most sub-zero souls.

Odes to the 80s can often sound trite at best – there was never any danger of that with the reminiscences to icons of aural cool such as Editors, noted through the harshness of the snares, the chillier timbres and the sheer depth of emotion in the vocals.

The unassimilated gravitas of A Long Goodbye starts to make infinitely more sense with a glimpse at the artist and producer’s biography; the solo artist has been in the synth-pop scene since 1988, spurred on by the love of The Pet Shop Boys, OMD, Erasure and Depeche Mode. The Cali solo artist is just as talented as the artists he pulled inspiration from.

A Long Goodbye will officially release on March 31st; hear it on Positronic’s official website.

Review by Amelia Vandergast

Interview: Positronic swims deeper Into the Blue and says A Long Goodbye

https://open.spotify.com/artist/6rDrqNMSUbW114j0HBKK6t

We sat down with the experienced producer Positronic to tell us more about the upcoming album Into the Blue and also, his brand new single A Long Goodbye. With so much to talk about, the cuppas were made so we found out more about what it takes to do what you love.

Hello there Positronic. Thank you for your time. What did you have for breakfast this morning and where in the world can we find you sitting today?

Positronic: I had a protein shake for breakfast and I am sitting at my desk at my job. I work in sales for an injection mold maker here in Southern CA.

How did you first get into music and do you remember that this-is-for-me moment?

Positronic: My friend and I started plucking away at our little Casio keyboards when we were 13. Then we started putting little songs together and then graduated to a Roland S10 and a Roland D50 synths a couple of years later. From there another friend from High School wanted to put a synth band together so he bought a synth with a sequencer. During my time with that band is when making Synthpop music was infused into my blood.

Please tell us more about your new single A Long Goodbye?

Positronic: A Long Goodbye is about changing your life when things aren’t going how you want them to. It’s about letting go of the past and moving on. It’s got a really strong beat and nice melodies & harmonies. I’m really excited to release it.

Into the Blue. This is your new album which is due for release on the 14th of April. Firstly, many congrats. Second, what was the whole process like and what do you think of the result?

Positronic: The Into the Blue album: I wrote the first single from the album called “Freedom” back in November of 2021. It was released by Mojoheadz Records in June of 2022. “Jump In” & “Falling in Love With You Again” were written in July of 2021 and only released on Sound Cloud. Shortly after Freedom was released, I wrote and recorded “Close to You” and released it as a single on Sept. 2nd of 2022. I had also worked most of the summer on 2022 writing and arranging the song, “Into the Blue”. I took November and December off from music to do the holidays with my family but after they were done, it was game on! I had 5 songs done at that time and during the month of January 2023, I wrote and recorded the remaining 5 songs. It was incredible. To write, arrange, and record 5 songs in a month is no easy feat. That being said, it wasn’t really that hard. The songs just poured out. I was in “The Zone”. I love when that happens! From there, my thoughts were that this album was too good to release without it being professionally mastered by someone without a history of mastering Synthpop. So, I went to Mike Marsh at The Exchange in the UK because he mastered OMD’s, “The Punishment of Luxury” album. I think Mike did an amazing job mastering it I think you can tell the difference between this album and my previous ones.

What kind of mood do you have to be in to make music or does your creative process vary?

Positronic: The process of making music varies for me. Sometimes, it just happens and other times it’s planned. “Freedom” was written with a purpose. I have several friends and family members that have struggled with addiction, plus struggling with it myself. So, I sat down and wrote that from personal experience. “Close to You” was written because it’s the first minor keyed song that I’ve written as Positronic. I thought that I should try something I hadn’t before or at least in a very long time. “Falling in Love with You Again” was written after a dream I had. I woke up one morning with the chorus running through my head. So, I grabbed my phone and recorded myself singing it, then went back to bed. When I sat down later that morning at the computer, the song was written and programmed, in about 4 hours.

Who or what are you most inspired by each day?

Positronic: I am inspired by the same musicians that I always have. Depeche Mode, Erasure, & OMD. Thank God they are still making music and inspiring me to this day. I’m also inspired in my life by Jesus Christ and my family.

Last, what are your dreams and goals for the rest of the year?

Positronic: My dreams and goals for this year are that this album will be a success. My other 3 albums got some decent play but then dropped off in plays pretty quickly. I’m hoping this album is accepted a little more by the public and that people will start to take a real interest in Positronic. I don’t usually play live very much but I have a show lined up on May 6th at Rockstars of Tomorrow in Norco, CA and I’m working on getting a show together at the Garden Grove Amphitheater with one of my musical heroes, “Anything Box”. I will also be doing some Open Mic nights around the Inland Empire just for fun.

Listen up on Spotify.

Reviewed by Llewelyn Screen

Ireland’s most experimental luminary ReHumanise has unleashed his monolithically surreal love song, Elemental

After a psychedelically soulful introduction to Irish multi-instrumentalist and producer, ReHumanise through his 2020 debut, our eyes and ears have been firmly affixed to the sonic maverick.

In his latest single, Elemental, he stormed in cooler and infinitely more visceral than Editors did when they unleashed Munich; it is a percussive electronic masterpiece with the acoustic snares snapping over the weight of the heavy electro beats. Juxtaposing-ly, every volatile fixture serves to contrast the soulful beckoning of the vocals as they project the canderous outpour of emotion in the celestial love song. It honestly wouldn’t surprise me if he had to travel to a parallel universe to write it.

Inspired by the likes of Depeche Mode, Radiohead and The Smiths, any true romantic with an affinity for unpretentiously humanistic experimental music will want to save space on their playlists.

Polished by the Grammy-award-winning mastering engineer, James Auwarter, Elemental is set to take ReHumanise to even greater heights after he released a top 5 hit in Ireland in 2017 under his real name, Damian Brady, and racked up over 90k streams on his seminal single 2020, Hu Man.

Check out Elemental on all major platforms via this link.

Review by Amelia Vandergast