Browsing Tag

Deftones

Swim in the alt-rock riptide of Sharpened.Lives’ latest single, drifter

Posted on 25 September 2024

Groningen founded, Mainz based most cutting trio, Sharpened.Lives, continue to sell sanctuary to the disenchanted through their introspectively iron-wrought, expansively influenced alt-rock single, drifter.

The track resonates with the seductive depth of Deftones and carries the visceral punch of post-hardcore giants like Alexisonfire, all while infusing the intricate time signatures reminiscent of InME and the cutting-edge aesthetics of Highly Suspect.

The backbone of ‘drifter’ is its gnarled basslines that churn beneath chameleonic vocals, which oscillate between tender harmonies and guttural outpours. The guitar work is nothing short of incisive, crafting hooks that are as magnetic as they are sharp, ensuring that once you’re pulled in, there is no getting out unaffected.

Drifter presents a rare sonic experience that engulfs you by being far more than the sum of all its cultivated parts; it demands total surrender to its raw, emotional pull. The track’s glitchy, tumultuous breakdowns are potent enough to sideline even the most revered BMTH records, making a clear statement about the band’s intent to redefine the boundaries of heaviness and emotional depth in music.

For anyone who has felt adrift in the often chaotic current of reality, don’t hesitate to dig in. Their upcoming EP, ‘st//tches’, promises to be a continuation of this powerful dialogue with their listeners.

drifter was officially released on September 6th; stream the single on Spotify now.

Review by Amelia Vandergast

Chicago’s Sleeps While Walking made their kinetically affecting shoegaze debut with ‘One Trick Pony’

Posted on 14 July 2024

Sleeps While Walking, one of the most promising DIY alt/indie rock outfits to crawl from the underbelly of the Chicago scene has unleashed their kinetically affecting, obsession-worthy debut single, One Trick Pony.

Quite honestly, you’d be forgiven for thinking that Paul Banks has forged a new supergroup to sit alongside Muzz and Interpol for the way the achingly emotional vocal lines cut through the discordant atmosphere of shoegaze synthesised with the sludge of grunge.

As the rough rings of choppy acoustic guitar strings from the intro evolve into windingly hypnotic distorted guitars and start laying the foundation to build an insurmountable wall of sound that is constructed in the middle ground of Deftones and My Bloody Valentine, prepare for heart-in-throat immersion from the soundscape which is underpinned by forlorn grit and gyrating gravitas.

The deeply emotional inflections in the piano-decorated melodies are enough to render your heartstrings raw; with the vocals centrally placed in the chaos of the production pulsating further heartbreak into the debut, Sleeps While Walking became one of the strongest and the most original shoegaze outfits of 2024.

They cut straight through the static of indie landfill with intense precision and challenged my jaded-by-endless-assimilation view of the alt-indie scene. It may be cliché to declare they’re the real deal, but they’re unmistakenly authentic conduits of resonant revolution. Join them at the vanguard.

One Trick Pony was officially released on July 1; stream the single on Spotify and await the debut album which will drop on July 19.

Review by Amelia Vandergast

Vice Club is a red-hot new flame in the alt-rock fire with their seminal single, Call It What You Want

Posted on 7 July 2024

From the underbelly of New York’s gritty music scene, the NYC icons of innovative immorality, Vice Club have unleashed ‘Call It What You Want’; a track that’s drenched in the raw, visceral energy of grunge, infused with the kinetic seduction of Deftones’ breakdowns, and tinged with the raw emotionality of Silverchair and Thrice.

Rather than play it safe with the vocal performance, Vice Club transgressed expectation with the chameleonic execution by experimenting with pseudo-trap cadences and pop hooks around the gruff deliverances of ennui, creating an alchemically dynamic track with swathes of cross-over appeal. The soaring, intuitively technical guitar solo assures that even rock traditionalists can take something from the evocatively heightened anthem.

Every motif and progression is a testament to Vice Club’s determination to become the architects of a brand-new alt-rock wave and ensure their sound goes untainted by anyone else’s touch. Their DIY philosophy extended from the writing into the recording and production; swathing every aspect in their unique soundprint that will undoubtedly leave an army of alt music fans kneeling at their hedonic altar.

Call It What You Want was officially released on May 31; stream the single on YouTube.

Review by Amelia Vandergast

Nostalgic Smells filtered emo through a grunge lens in his third release, On an Axis

Posted on 27 June 2024

Nostalgic Smells’ latest single, On an Axis, is an ennui-loaded continuation of the sludged-up rancour introduced in his 2024 debut single, Glimmer. The distinction in this third release lies within the tensile textures of grungy, Deftones-esque hooks that tumultuously pull you along with rhythmically infectious progressions reminiscent of My Bloody Valentine.

David Weir, the independent musician behind Nostalgic Smells, showcased his adeptness at weaving visceral, pulsating progressions with lithe guitar lines that wind sinuously around the rhythm section through On an Axis, which alludes to how easy it is for worlds to be knocked out of kilter. His diaphanous voice works in striking contrast to the grungy instrumentation, creating a dynamic interplay that transforms an aural experience into an emotional connection.

Drawing inspiration from legendary bands like Deftones, Hum, Failure, and Quicksand, Weir leverages his 20 years of experience as a drummer to craft a sound that pays ode to pioneers, while charting his own path by following intersections through grunge, emo and shoegaze.

On an Axis became a discordant presence on the airwaves on June 17th; stream the single on Spotify now.

Review by Amelia Vandergast

heaven // alone summoned karma in their Deftones-meets-melodic-post-hardcore single, full circle

Posted on 8 June 2024

Perth’s premier heavy alt-rock outfit, heaven // alone, gave the enduring appeal of Deftones an edge of melodic post-hardcore with their latest single, full circle, which reached all major streaming platforms on May 31 alongside the immersively thematic official music video which speaks volumes of how far the upcoming outfit has moved up from the underground since the release of their debut single, canvas, in 2023.

After an overture of crunched guitar chords, the sludgy hooks sink in before an explosive crescendo of hard-rock rancour with white-hot guitars tearing through the ennui the production is laden in.

The cutting electronica installations towards the outro augment the evocative impact of the release mused by the cyclical torment of a relationship that tempts you into surrendering to mercurial desire which is always followed by the inevitability of being pushed away.

The vocals become a sense of gravity within the kaleidoscope of cultivated volition as they drift from tender melodies into the Alexisonfire-esque hell-hath-no-fury like a soul screaming for karma outpours of visceral rage.

Stream the official music video for full circle via YouTube.

Review by Amelia Vandergast

ander became the paragon of a post-grunge prodigy with ‘accident’

Posted on 20 May 2024

After the pensive melodic intro teases nothing more than an assimilation of Nirvana, ander catches you off-guard with the immense authenticity in the moody synthesis of grunge, emo, indie post-punk, and bruisingly heavy shoegaze within his latest single, accident.

At 17 years old, the solo artist is already putting the majority of artists to shame with his fusionistic outpours of visceral emotion which pull you into their intensity before striking every feasible raw nerve. Rhythmically tensile yet cataclysmically tumultuous, accident is a cultivated earworm which belies ander’s age. The vortex of distorted guitars as they thrash against the haunting narrative of introspection redemption couldn’t be more affecting if Deftones laid down the instrumentals.

With his ability to make most of his contemporaries sound tired, uninspired and as though they are just going through the motions while painting by numbers, we have no doubt that ander has what it takes to cut through the static of sonic banality and rise to the top of the alternative charts.

Accident was officially released on May 10th; stream the single on Spotify.

Review by Amelia Vandergast

The future of alt-rock surged through Adamic’s latest post-hardcore sonic juggernaut, All of a Sudden

Posted on 10 December 2023

Adamic’s latest single All of a Sudden from their self-titled album is a ground-breaking addition to the alt-rock genre. Hailing from Linton, Indiana, Adamic has been shaping their unique sound since 2013, and this track is a testament to their artistic growth.

The song is a masterful blend of alternative, metal, and punk elements, reminiscent of the likes of Deftones, Foo Fighters, Tool, and P.O.D., yet it carves out its own identity. All of a Sudden stands out for its progressive arrangement, echoing bands like Bring Me the Horizon and Enter Shikari while offering a fresh perspective on post-hardcore. The crunchy guitars create a robust foundation, while the percussion leads listeners towards a euphoric oblivion. This innovative instrumentation ensures that the song remains engaging and unpredictable, a quality that will undoubtedly appeal to fans of alt-rock.

The vocal performance by Ian Swaby is another highlight. His endlessly soaring vocal lines drench the track in addictive energy, adding an emotive depth that resonates with listeners. Adamic’s decision to team up with producer Andrew Stanton of Disciple for their fourth studio album has clearly paid off, allowing them to elevate their sound to new heights.

The official music video for All of a Sudden is now available to stream on YouTube.

Review by Amelia Vandergast

heaven // alone seared their striking alt-metal aesthetic into the airwaves with their sophomore release, cognitive decline

Posted on 14 November 2023

With melodic grooves as rhythmically seductive as the White Pony LP fused with an early 00s metal aesthetic in the same vein as Mudvayne, complete with white-hot searing riffs and cataclysmically all-consuming breakdowns, heaven // alone asserted themselves as one to watch via the unveiling of their sophomore single, cognitive decline.

The vocals effortlessly keep pace with the seamless sonic transgressions as they veer from atmospheric harmonies that draw you into the ennui to guttural cries that will throw you right back to when Mushroomhead held dominion over the alternative scene.

The Perth-hailing five-piece may be fresh from their debut, but through their stylistic authenticity, alchemic song crafting and polished production, you can consider them a triple threat as you lose yourself in their evocatively compelling ingenuity.

cognitive decline was officially released on November 3rd; stream it on YouTube.

Review by Amelia Vandergast

Hex Date cut right to the carnal core with their debut alt-rock hit, DIE ON YOUR BIRTHDAY

Posted on 21 September 2023

LA’s literally and figuratively hottest new alt-rock outfit, Hex Date caused a Dionysiac stir on the airwaves with their vehemently hook-rife debut single, DIE ON YOUR BIRTHDAY.

The track title may appear maleficent and macabre, but the sonic experience of DIE ON YOUR BIRTHDAY is a sensually awakening revelation. With the rhythmic salaciousness of In This Moment and Deftones and Mars Rose’s dark pop harmonies drawing you into the carnal centre of the single, the alt-rock scene will never recover from the genre-defying storm that tore through it by the fair hands of the prodigal fourpiece.

Taylor Momsen might not have any choice in moving over for Mars Rose; the superlative siren has exactly what it takes to take Hex Date to the top of the charts.

DIE ON YOUR BIRTHDAY was officially released on September 8; stream it on Spotify.

Review by Amelia Vandergast

She Burns Red are set to unveil their monolithic magnum opus of a debut LP, Out of Darkness

Posted on 6 August 2023

After a wildly successful Kickstarter campaign that proved just how many rock fans were keen to see the debut LP, Out of Darkness, come to fruition following a series of performances at Call of the Wild, Winter Rocks and Love Rocks Festival, She Burns Red are almost ready to unveil their monolithic magnum opus.

If you Punk n Rolled Jimmy Eat World, threw in a few Slash-esque guitar lashings, the ferocious heart-in-throat ear candy melodicism of Foo Fighters and the grungy salacity of Deftones, you still wouldn’t come close to the superlatively amalgamated triumph that ticks all the right rock boxes while evading every rock cliché.

Pairing melodic-hooked instrumentals that are richer than Musk in their era-spanning influence with sentiments that couldn’t be closer to home, the sonics scintillate through the addition of visceral emotion that is mainlined into each of the releases.

With the sticky-sweet pseudo-emo trappings juxtaposed by the juggernautical manicured immensity, it’s no surprise that Out of Darkness has rendered even the most consummate rock journos speechless. To be fair, even the most superfluous verbiage couldn’t scratch the surface of the cavernous depth of Out of Darkness.

“There is something incredibly uplifting about truth and honesty and having the means to express that, to share it with other people. We’re all drained and drowning in our own thoughts but our songs allow us to feel liberated and free to express, hold our heads above the water for a moment and remember we’re all in this together, not divided at all. This is what we hope ‘Out Of Darkness’ will do for people. Enable them to realise… they are not alone. All of these songs come from a place of looking for hope within the darkness.” – She Burns Red

Out of Darkness will be independently released on September 15th; pre-order a vinyl or CD copy here & and grab the last remaining tickets to the launch show on September 9th via Fatsoma.

Review by Amelia Vandergast