Browsing Tag

Debut Single

mooncrüe have made their psychedelically existential debut with the spacey alt-electro hit, Animal

Posted on 6 March 2023

Alt-electronica originators mooncrüe went heavy on the philosophy which will be as euphonic to existential ears as the kaleidoscopic synth-pop beats in their debut single, Animal.

If you have ever looked at the lesser-aware species that roam this scorched earth with us with envy for their habitual simplicity; you will find visceral resonance in this mix. Animal leaves the highs to the instrumentals, and the realism within the lyricism that becomes even more astute with every listen to the spacey psychedelic score.

It isn’t every day that you discover a debut that leaves you desperate for the sophomore, but clearly, the indie psychonauts within this devilishly clever outfit are anything but your run-of-the-mill aural peddlers. They’re on their very own spacey plateau. Hit play and join them.

Animal is now available to stream on Spotify.

Review by Amelia Vandergast

Whitefeathers are an ethereal dream (pop) come true in their debut, As Always ft Mike Watt

Posted on 25 February 2023
https://on.soundcloud.com/irg8i

For their debut single, As Always, the up-and-coming alt-rock UK/Czech artist, Whitefeathers, collaborated with bassist Mike Watt (Minutemen, Firehouse, Stooges) to orchestrate an artfully atmospheric feat of ardent indie melancholia.

Filtering pensive art pop panache into the eloquently composed release created a superlatively reflective soundscape for the lyrics that traverse the theme of losing love and finding yourself. The dreamy melodicism abstracts the ennui that accordantly rings from the scorned stabs of minor piano keys as the aloofly harmonised male and female vocals sigh from the soul.

It’s an impeccably strong offering from Whitefeathers, who undoubtedly have a luminary career ahead of them if they continue to create in the same vein as As Always.

As Always will drift onto the airwaves on February 24th – you won’t want to miss it. Catch it on SoundCloud.

Review by Amelia Vandergast

Dance-pop rock star Max Matthew went in heavy on the 90s nostalgia in ‘Want 2B Wanted’

Posted on 21 February 2023

What Peter Andre was to the 90s, Max Matthew is to 2023 in his oceanic funk-popped debut hit, Want 2B Wanted. Rather than just getting you in the mood, the bluesy guitars will flood your soul as the salacious serenade effortlessly establishes Max Matthew as one to watch, hit the dance floor to, and fall in love to.

With his nostalgic for the 90s debut on the airwaves, they’re smoother than ever and primed to accommodate more hits from the future rock star of dance-pop. Keep him on your radar.

Want 2B Wanted hit the airwaves on February 13th, soak in the euphoria by heading over to Spotify.

Review by Amelia Vandergast

Romanticism picks up in the airy American breeze in Ewan Jackson’s debut single, Counting Houses

Posted on 29 January 2023

Using real estate as a parable for the sanctity of emotional warmth was an ingeniously affectionate move on behalf of the singer-songwriter, Ewan Jackson, in his debut single, Counting Houses.

As sentimentally pure and rhythmically compelling as Elliott Smith’s iconic work, the single is a sweet ticket to a higher plateau, where love transcends the physical realm and becomes a meta phenomenon with few constraints.

Romance isn’t dead, it is picked up in the airy Americana breeze of this quiescent indie lullaby, which will rhythmically rock you into contentment while the vocals find the enamouring balance between playfulness and cupidity.

Counting Houses officially released on December 16th; hear it on Spotify.

Review by Amelia Vandergast

Chris Cosmo sings the ‘Oblivion Blues’ in his kaleidoscopically melodic alt-indie debut single

Posted on 13 January 2023

Asbury Park, NJ-hailing solo artist Chris Cosmo set the bar for 2023 debut singles transcendentally high with his single, Oblivion Blues. In contrast to the titular melancholy, the alt-indie pop earworm unravels with dreamy, colourful accord spilling from the jangle pop guitars and vocal harmonies reminiscent of his main influence, the Beatles. Don’t worry; you’ve never walked down the yellow brick road in quite the same way as Oblivion Blues pushes you through. Lyrically, the single takes the opportunity to ponder the mechanics of doubt and its tendency to lead us away from our true paths.

Staying true to his motivation to drive infectious melodies and thoughtful lyrics into his music, Cosmo leaves stardust in the soul when he’s had his melodic way with you. With just enough of a contemporary kick behind the 60s psych-pop tones, you’ll be on a sonic plateau before the kaleidoscopic chorus runs through.

After falling head over heels for music at a young age, which left him inseparable from his guitar, he formed bands through his teenage years before his passion became an obsession following the disillusionment that ensued after graduating college. We can wholly relate, which goes a fair way in explaining the sticky-sweet resonance in Oblivion Blues.

Oblivion Blues will be available to stream from January 13th. Catch it on Soundcloud.

Review by Amelia Vandergast

Bleach Bath – Branches: The Only Sludge Pop Debut You Need To Year This Year

Posted on 20 December 2022

With the rhythm section dripping as much sex appeal as the most aphrodisiacal tracks on the Deftones’ White Pony album, the alt-90s oozing from the droning walls of shoegaze guitars that have been distorted out-of-kilter and the killer sludgy pop hooks, the debut single, Branches, from the Tennessee-based artist, Bleach Bath, is beyond promising.

The tinges of emo to the lyricism, which runs through the insecurities that every girl will have battled with at some age, ensured Bleach Bath came out with all vulnerable guns blazing. It is impossible not to get on a level with the singer-songwriter and band frontwoman who has been tearing up stages across Tennessee, priming herself to make an unforgettable debut.

Any fans of Honeyblood, Wolf Alice, Ex Hex, Hole and My Bloody Valentine won’t want to skip this grungy kaleidoscopic dream of uninhibited angst and relatable uncertainty.

Branches was officially released on December 2nd. Check it out on Spotify.

Review by Amelia Vandergast

Snows of Yesteryear ‘Wait by the Shore’ in their orchestral indie folk exposition of generational grief.

Posted on 7 December 2022

Snows of Yesteryear could only hail from Scotland with their mesmerising future-resisting take on orchestral indie-folk, which resounds in their debut single, Wait by the Shore.

No one can ever truly replace the alchemy that blossomed in the melancholy of the original Frightened line-up. But Snows of Yesteryear set our hearts and minds alight with a similar spark as the high-octave vocals from Kat Orr captivate as they mourn the tragedies which befell Scottish fishermen in 1881.

Classic, but still a million miles from archaic, Wait by the Shore is an achingly artful dark exposition of generational grief that proves the up-and-coming indie folk outfit is inseparable from their sonic and hometown roots.

Wait by the Shore is now available to stream on Spotify. The official music video will premiere on December 9th, and their debut album is in the pipeline, so get them on your radar.

Review by Amelia Vandergast

MEVS sent a surge of funk-riding euphoria through the airwaves with his feel-good disco-pop anthem, Groovin’

Posted on 17 November 2022

Carving his own untrodden path back to the 70s, the Puerto Rican trailblazer, MEVS, unleashed the soul-stirring slice of euphoric funk-riding disco-pop, Groovin’.

While artists will tune in with envy of his capacity to release such a blazing debut, fans of funk, alt-RnB and authentic old-school soul will surrender to the danceable electricity in the progressively dynamic release, which paints across the brighter corners of the tonal spectrum.

Starting with the sultry rolling basslines in the smoky prelude before exploding into a riot of flavour with Nile Rodgers guitar chops and a strong brass section, immersing yourself in this intrinsically rhythmic earworm which uses ‘never give up, never give in’ as an enlivening reprise will always send a flood of dopamine through your synapses.

Groovin’ is the first single from MEVS’ debut album, Sentient Beings in the Streets, which is set to release in 2023. Even if you don’t stay tuned, something tells me his enlivening soul will be coming to a dance floor near you anyway.

Groovin’ is now available to stream on Spotify.

Review by Amelia Vandergast

UK Art-Rock Agitators, Gated Estates Have Made Their Diaphanous Debut with ‘A Letter’

Posted on 16 November 2022

‘A Letter’ is the first single from Gated Estates, and it’s a diaphanous masterpiece. After static and strobe-y synths and harsh electro beats lead into the gentle melodicism, artfully intersected with nuanced waves of synthesised discord, the evocative grip takes hold and refuses to loosen throughout the experimentally awakening release.

With slight echoes of Don’t Fear the Reaper between the artfully contorted crescendos built from appreciated synths and detached guitar notes, the soon-to-be icons of ‘agitated art-rock’ from the Brecon Beacons are easily one of the hottest acts I’ve heard this year.

A Letter hit in ways JJ72 and Julian Plenti usually only know how to strike an intrinsically emotional chord. The first single from their eponymous debut album explores the relationship we all have, whether we know it and acknowledge it or not, with our inner child and how they are one of the biggest influencers on our future.

Under the duress of Dan Linn-Pearl’s vocal lines which weave through the climactic progressions, carved by Shane Dixon (Nick Parker, Ginger Wildheart & The Sinners), Rose Linn-Pearl (Peiriant), Jonathan Morgan (OCTO-PI) and Darren Beale (The Caves, The Boomtown Rats), it is impossible not to fall in to A Letter hook, poetic line and sinker.

Watch the official music video, created by Martin Whittaker & TCLD, for A Letter on YouTube.

Follow Gated Estates via Instagram, Twitter and Facebook.

Review by Amelia Vandergast

The Spheres packed their alt indie synth-pop debut, The City of Lights, with evocative kryptonite

Posted on 16 November 2022

If it’s been a while since a debut single has left you utterly obsessed, delve into The Spheres’ alternatively inclined amalgam of 80s synth pop, indie-rock, and dance, The City of Lights. From the suburbs of Toronto, the duo lit up the airwaves with their infectiously hook-rife account of the frontman’s complicated relationship with his city of birth, Karachi, Pakistan. “In the city of lights, you die just for dreaming”, is cuttingly efficacious in alluding to the toll it took on the singer-songwriter and producer Reza Habib.

With the vibrato in the vocals spilling evocative kryptonite across the catchy synth-pop melodies, The City of Lights will blind you with its luminous soul before the solid riffs and punchier vocals conclude the track on a raucous high that will leave you itching for more. Thankfully, that itch will be scratched as more singles from the debut album will drop before its full release in Spring 2023.

Stick The City of Lights to your synapses by heading over to Spotify.

Review by Amelia Vandergast