Browsing Tag

Debut LP

Spotlight Feature: Kaitlin Cassady – Home Away from Home: A 12-Part Panorama of Indie Folk Rock Candour

Kaitlin Cassady’s inaugural album, Home Away from Home, is an emotive expedition into the heart of indie folk rock, through which she secures her place in the lineage of songwriters who stir souls with their harmonies and strings.

Home Away from Home unfolds over twelve tracks that promise to resonate with anyone harbouring a penchant for profound storytelling wrapped in melodious harmony. It’s an exploration of self-discovery, articulated with a candour that soothes as it sears. Cassady, drawing on the narrative depth reminiscent of Aimee Mann and the tender, plaintive tones akin to Kacey Musgraves, crafted each song as a chapter in an intimate diary of longing and introspection.

The album’s inception, nurtured within the confines of an Oakland apartment, mirrors the personal and unpolished stories that Cassady chooses to tell. Supported from afar by her father, a seasoned songwriter, her work not only explores her roots but also the bittersweet sting of leaving them behind.

With nuances of country, jazz and melodic rock, all adding evocative motifs to the work, the album can’t be acknowledged as anything less than a profound triumph. The inclusion of notable musicians such as Thad Polk and Julia Floberg touches the anthology of growing pains with dynamic tender strokes without overshadowing Cassady’s raw, narrative sonic signature as she scribes through sonic diary entries covering love, loss, addiction and mental health, turning personal plight into universal themes which speak to a generation grappling with similar issues.

As the streams and accolades accumulate, it’s clear that Cassady’s Home Away from Home asserts her as a vital voice in the indie folk-rock scene. Her ability to convey depth, connection, and haunting nostalgia ensures that this album will resonate with listeners long after the final note has played.

Stream Home Away from Home on all major platforms, including Spotify.

Follow Kaitlin Cassady on Instagram to stay up to date with news of her sophomore LP.

Review by Amelia Vandergast

Caught in the Sonic Undertow of  Dan Morgan’s Post-Rock Riptide, ‘Brace Yourself’

In The Wake Of A Dying Sun by Dan Morgan

After intense anticipation, Dan Morgan’s debut LP, In the Wake of a Dying Sun, released by Throwing Shapes, is finally upon us. After the opening salvo, the first of the seminal singles, Brace Yourself, offers listeners a potent foretaste of the album’s virtuosic versatility. Brace Yourself is not only a harbinger of Morgan’s diverse exploration but a forceful narrative in its own right, positioning itself steadfastly within the post-rock genre.

In this track, traditional rock instrumentation grooves against cutting-edge and vintage analogue synths, lending an air of retro-futurism to the production which allows the poetic whispers of lyricality to resonate beyond the confines of the release as the verses work their way into the reverberations of your mind.

The complex time signatures woven throughout Brace Yourself are the ultimate attestations of Morgan’s ability to melodically manipulate controlled chaos. This rhythmic complexity adds a palpable intensity to the track which delivers post-rock as you’ve never heard it before.

You’ll be caught between adoration of how cohesively all the elements of the track pulled together and the intensity of emotions evoked by the sonic escapade. Because once you hit play, you’re powerless to resist the momentum. Like getting caught up in a riptide at sea, all you can do is succumb to the higher power as it carries you.

As the first glimpse of what ‘In the Wake of a Dying Sun’ promises, ‘Brace Yourself’ sets a high bar. It is an earnest reflection of Morgan’s last few years of dedication in the studio, wrestling with a spectrum of sounds and influences that culminate in a collection of tracks that are set to seal his fate as one of the most promising UK alt-rock artists of 2024.

In the Wake of a Dying Sun was released on September 12 stream the LP in full on Bandcamp.

Review by Amelia Vandergast

LuisG delivered a raw indie-rock shot of redemption with ‘Second Chances’

If you paired the pensive sting of The Verve with the euphonic consolation of Nada Surf’s most heart-wrenching hits and added the rugged heart-in-throat signature of Chris Cornell, you’d come incredibly close to what LuisG created for the title single of his debut LP, Second Chances.

The track finds a tender way of advocating for redemption. Though many of us operate as though we have only known wrong when it comes from the vindictiveness of others, Second Chances prises your mind open to the reality that we’re all leagues away from perfection. Through this vulnerable, confessionally powerful release, LuisG put his heart on the line; you can’t help but follow suit as you sink into the absolution of the melodies.

LuisG, with roots in indie rock, pop, emo, and folk, is increasingly renowned for filtering his powerful melodic style and evocative storytelling through a Southern Cali lens. Based in Las Cruces, NM, he has carved out a niche for himself in both online spaces and local circles. His journey, marked by reflective and personal songwriting, has seen a progression from his first single, Waves, in January 2022 to his debut EP, Somewhere to Call Home, later that year.

Second Chances is now available to stream on all major platforms, including Spotify.

Review by Amelia Vandergast

Sam Phillips serenaded urban desolation into melody with his seminal pop single, In the City

Sam Phillips, a 21-year-old Nashville-based talent, has struck a resonant chord with his debut LP, ‘Hide ‘n Seek’, particularly with the single ‘In the City‘. This track stands out as a testament to his burgeoning artistry, showcasing a maturity that seems far beyond his years and harmonies so light they defy gravity in the predominantly acoustic number.

It’s a song that cuts to the core of the emotional themes explored while demonstrating that there’s immense power in simplicity when delivered with authenticity and profound understanding.

The lyrics paint a vivid picture of moving into the city, a journey from comfort to regret. Phillips taps into a universal sentiment, especially poignant in today’s world of widespread isolation. The bustling metropolis, often seen as a place of connection, is instead portrayed as a landscape of solitude. This theme will undoubtedly resonate with many, echoing the feelings of disconnection prevalent in our times.

Artistically, ‘In the City’ is both sublime and mellow, using its sonic narratives to great effect. The electric guitar solo towards the outro is particularly striking, cutting through the synthetic backdrop which symbolises a turbulent disconnection from sanctity.

For fans of pop looking for a track that combines lyrical depth with melodic beauty, ‘In the City’ is a must-add to your playlist. It’s a song that not only entertains but also invites reflection, making Sam Phillips an artist to watch in the contemporary music scene.

Sam Phillips’ LP, Hide ‘n Seek, was officially released on February 16; stream the album on Spotify now.

Review by Amelia Vandergast

Neil Young meets Pixies in Ryanne + The Rumination’s seminal single, Waste

Indiana’s Ryanne + The Rumination hit the airwaves running with their stylistically expansive self-titled debut LP, which explores the spectrum of human emotions within the psychological ebbs and flows.

The standout single, Wasting, exhibits the duo at their most ethereally magnetic. Ryanne’s crystalline vocal lines cut right through the Pixies-esque atmosphere manifested through the guitar-driven production that exhibits the duo’s influence of Neil Young.

Intimate and profound in equal measure, the artfully immersive single evolves from a dreamy monochromatic release of pent-up emotions to a melancholically stirring alt-pop anthem that won’t fail to pull you into its raw oscillating core. If Ryanne + The Rumination’s is the future of pop, I’m here for it.

Ryanne clearly found her alchemic match in the multi-instrumentalist, Seth Wyatt. The way the single culminates in a post-punk decorated disquiet crescendo after a lament on the frustrations of stagnation is a stunningly affecting way to make an ever-lasting impression.

Waste was officially released on February 9th and is now available to stream with the band’s eponymous LP via Spotify.

Review by Amelia Vandergast

Lose yourself in the videogame-esque aesthetic in Mew Kardo’s latest trap single, VODOLADY

On Christmas Day, the trap trailblazer, Mew Kardo, put his debut LP, GAMK VOL2:ALLNIGHTLONG, under everyone’s tree and allowed the genre to transcend its archetypes. The pop-hooked 8-bit adjacent standout single, VODOLADY, portrays Mew Kardo as an antihero you can’t help but warm to as the melodies meander beneath his distinctively infectious bars that flow with a killer cadence.

His work, a vibrant blend of trap’s raw energy and a digital, almost videogame-like aesthetic, marks an immersive evolution in the genre. Kardo, drawing inspiration from titans like Kanye West and Kendrick Lamar, infuses his music with a sense of boundless creativity, yet remains grounded in the gritty realism that trap music embodies.

Kardo’s skill in storytelling shines through as he navigates this complex landscape with a deft lyrical prowess reminiscent of Lil Wayne’s intricate wordplay and André 3000’s vivid narratives. The track is a journey through a world where the beats are as pulsating as the pixels on a screen, creating an immersive experience that is both familiar and refreshingly novel.

VODOLADY speaks of a future where genres are fluid, and artists like him are the architects of this new musical landscape. His ability to filter reality through a digital lens while staying true to the roots of trap is nothing short of remarkable. This release is a testament to his potential, hinting at a career that will be as impactful as it is innovative.

Stream VODOLADY on Spotify now.

Follow Mew Kardo on Instagram.

Review by Amelia Vandergast

Take a seat in Astrels’ latest alternatively soulful synthscape, Kings Table

Kings Table, a standout track from Astrels’ LP The Velvet Sea and the Afterglow, showcases a masterful blend of style and influence, marking it as a significant entry into the world of alternative electronica.

The single begins with an introduction that subtly nods to Grandaddy, skilfully weaving echoes of classic rock elements into a modern synthscape. As the track progresses, it transforms into a soulful orchestration, reminiscent of the emotional depth and vocal prowess of artists like Seal. This transition showcases Astrels’ versatility and their ability to evoke a sense of nostalgia while remaining firmly rooted in contemporary sound.

Astrels’ talent for creating a progressive and dynamic sonic journey is evident throughout the Tour De Force which reflects a deep understanding of musical structure and progression, moving seamlessly from one theme to another while maintaining a cohesive overall sound.

As the track builds towards its climax, it incorporates trance-like elements of EBM, infusing the composition with a rhythmic energy that is both dance-worthy and emotionally engaging. The fusion of melodic and rhythmic elements ensures that Kings Table is not just a song to be heard but an experience to be felt, making it a standout addition to any electronic soul playlist.

The debut LP, from which Kings Table is taken, continues the spiritual and electrifying journey that Astrels began with their debut EP, Metropolis Psychosis. Take a deep dive, you won’t regret it.

Take a seat at the Kings Table on Spotify.

Review by Amelia Vandergast

Unshackle your soul with Imelda Gabs’ latest alt-RnB single, Free Spirit

The innovative soul singer Imelda Gabs took back control in her empoweringly enlightening alt-RnB single, Free Spirit, which is just one of the standout singles on her debut LP, Synopsis. The track is for anyone that has ever encountered a fuckboy/girl and been left reeling with questions confounded by insecurity and self-doubt when actions have no cohesion with their words in the cold light of day when they’ve had the usury way.

Any fans of the Weeknd will be instantly enamoured by the synthetically sweet instrumentals that fuse elements of future pop with the soul of RnB to create the perfect platform for her vocal lines as they evolve from ethereal to convectively powerful.

‘Moving on’ songs proliferate the airwaves, but few lyricists prove that the pen is mightier than the sword as well as Imelda Gabs, who will take you on an inner-healing journey with this introspectively emboldening release which takes all of the guilt away from naivety.

Free Spirit hit the airwaves on April 14. Catch it on Spotify.

Review by Amelia Vandergast

Ruby Sue resisted the silence of alienation in her coming-of-age alt-rock debut album, The Need

The Riot Grrrl attitude is living vicariously through Ruby Sue’s debut album, The Need, but make no mistake, she is an icon of her own making. The true definition of punk is a little hazy these days, but if it doesn’t encompass an artist bringing classical strings into a visceral protest of alienation, what is even the point?

Usually, there is little resonance to be found in coming-of-age albums for anyone that isn’t… coming of age, but The Need extends a sense of compassion for the unheard that can stretch across the generations. Even at 32 years old, the singles, especially the title single, struck a raw note within me.

The sweet melodious temperament of Taylor Swift, the nostalgic comfort of Brandi Carlile and the protestive grungy furore of Courtney Love all fuse together to make The Need an LP that is as cathartic as it is anarchically emboldening. The Minneapolis singer-songwriter and multi-instrumentalist clearly has a natural talent when it comes to consoling expression with her lyricism that lays it all bare in true rock star fashion.

With some of the singles, such as the mostly instrumental Let Me Out, the violin and viola strings bring an extra edge of cutting emotion, ensuring that there’s no getting to the end of this LP until you’ve felt an unholy amount of empathy for anyone enduring the process of growing into adulthood in these times that can send you off-kilter in a single heartbeat.

In her own words, here is what Ruby Sue had to say about her debut album:

“During my gap year between high school and college last year, I was feeling lost and trying to find myself; I found music. I’ve always been a musician, but music was the only thing that felt right when everything else felt off. The lyrics and melodies rushed out of me like a burst dam.

The Need tells a true story of needing to be seen, heard and experience life. Growing up isn’t easy; it can feel daunting and lonely; the ultimate message is that if you feel the need to be seen, you are not alone.”

The Need is now available to stream on Spotify.

Follow Ruby Sue on Instagram and TikTok.

Review by Amelia Vandergast

Joyeur – How to Love Yourself and Not Destroy Everything

Joyeur

LA-based electro-pop duo, Joyeur helped their fans get their body beats in their intricately melodic and mindfully quintessential 10-track album, How to Love Yourself and Not Destroy Everything.

With the opening single, Underbelly, which melds Big Black Delta electronic textures with Lady Gaga-level pop supreme style, you are instantly caught off-guard by Joyeur’s ability to shine through the pain lyrically, vocally, and instrumentally. The convergences of genres switch between amalgamations of hip hop, RnB, pop and electro from there on out; the only constant, the artists inclination to vocally shine light on dimmed perspectives.

As someone who knows exactly how it feels to spin a self-destructive narrative and watch the carnage amass around my own spited belligerence, How to Love Yourself and Not Destroy Everything was so much more than just a feat of sonic serendipity.

There has never been such a succinct pop exposition on the necessity of self-awareness and accountability. Joyeur notably has what it takes to draw listeners into a world where they too see the beauty in life’s flaws through music.

The layers of synthetic elements don’t attempt anything all too grandiose between the tracks on the debut LP, leaving plenty of the sonic focus on the sanctity that streams from vocalist Joelle, who found the perfect match with her collaborator and producer, Anna Feller.

Here is what Joyeur had to say on their LP

“The album explores human themes of hopefulness, perseverance, self-acceptance and self-sabotage—experiences that have guided my writing from the beginning

I feel like I’ve torn the veil off my pain, fear, and insecurities to reveal a power that can be used for good. Empowering and accepting myself in this way feels like a gateway to letting love in and stopping undermining my own wants and needs. I can be my own worst enemy.”

The album is now available to stream on SoundCloud and Spotify.

Review by Amelia Vandergast