Browsing Tag

dark trip hop

Julia Kahn visualised the divinity of dark feminine energy with her dark pop installation of etherealism, Badlands

Julia Kahn

With her latest single, Badlands, Nashville’s dark-pop siren Julia Kahn defiantly stepped beyond the conventional boundaries of genre and geography. Born in a city more famed for its twangs of Americana than oscillations of dark cinematic mesmerism, Kahn stridently stepped into her own through the untamed echoes of empowerment and vulnerability in her latest release.

The summons to embrace authenticity, regardless of how messy that reality can be, draws you into a trip-hopped and spiritually awakened vortex of sound where ethereal vocal lines fuse with intricately frenetic drum patterns and strobing synth lines, crafting a soundscape swarming with evocative power and the divinity of dark feminine energy.

Each note demands emotional investment under the duress of Kahn, who has recently stepped off a major international festival tour and amassed a series of accolades that include airplay on BBC Radio and nods from critical platforms like Earmilk and Music Week.

With millions of views on TikTok and skyrocketing streaming numbers, Kahn is at the vanguard of a new movement, one which tempts her cult following into living unapologetically.

Badlands will be available to stream on all major platforms from October 25th; check out her Spotify and official website.

Review by Amelia Vandergast

MINERVA SYSTEM synthesised an installation of stylistic sublimity with their alt-rock/trip-hop hybrid, Undermind

MINERVA SYSTEM is a fractured yet symbiotically tight collective, threading their diverse life strands into the dense fabric of their latest single, ‘Undermind’. With members scattered from London to Devon, from St. Petersburg to the indeterminate coordinates of their drummer, the online outfit crafts sonic installations that are as expansive as their geographical spread.

‘Undermind’ is a descent into the ethereal, echoing the otherworldly aura of Bjork with an execution that plays havoc with rhythmic pulses. MINERVA SYSTEM manipulates time signatures with trip-hop precision while maintaining a mellifluous melodicism that binds the chaos into coherence. Discernibly, few artists know how to create equilibriums of sonic serenity and visceral intensity as adeptly as MINERVA SYSTEM with their skill in soaking sounds with raw emotion.

As the track progresses, it metamorphoses; midway, it shifts gears into a 90s-alt-rock-tinged crescendo that wouldn’t be amiss in a Garbage tracklist. This crescendo is a stark, gritty counterpoint to the track’s smoother beginnings, illustrating the band’s versatile command over their sound palette.

If they continue to produce hits in the same vein as Undermind, their rise from the underground is inevitable. They’ve clearly mastered the dark art of sonic scintilaltion; watch this space.

Stream Undermind on SoundCloud now.

Review by Amelia Vandergast

Yodashe is a spectral siren in her avant-garde electronica track, EASTER

Yodashe, an avant-garde firebrand will leave you eating out of the tones of her spectral vocal presence as she weaves a tapestry of sound that transcends the ordinary in her single EASTER.

She didn’t need any further testaments to her ingenuity at this stage in her rapidly ascending career, but in EASTER, she became an undeniable contender for the accolade of one of the most prodigal names in electronica. While others are content riding on the coattails of Trip-Hop pioneers, Yodashe uses glitchy elements as one facet in her richly layered sonic synthesis.

In EASTER, Yodashe’s production skills shine through the complex blend of massive beats, trance-esque phasers and indietronica trappings, creating a hauntingly panoramic soundscape. Her introspective vocals weave through the music, creating a sense of intimacy that contrasts with the grandeur of the electronic backdrop. This juxtaposition is the heart of the track, a dance between the colossal and the vulnerable.

As the less-than-archetypal rhythmic progressions storm through you, playing havoc with your rhythmic pulses, until you are left wantonly desperate for the next hook to ensnare you into the ebb and flow this production that is as disorientating as it is exhilarating.

For those seeking a track that defies convention and delivers a profound sonic experience, EASTER by the London-based artist, producer, and Redbull Music Academy alumni is an essential listen.

Stream the EASTER EP on Spotify now.

Review by Amelia Vandergast

Alvinos Zavlis delivered sensually dark catharsis with his moody pop meets dark trip-hop mash-up, I Shouldn’t

The Cyprian Bristol-based artist and producer, Alvinos Zavlis, is in his experimental element in his fourth alt-electronica LP, After Sex All Animals Are Sad. With an album title that compels you to sonically explore the contents through eccentrically offbeat name alone, the bar is already set high. But evidently, Zavlis knows exactly how to transcend expectation and temporal boundaries with his dark syntheses of trip-hop, alt-pop, and artfully manifested electronica.

Sitting on the leftfield of Pop, one of the standout singles, I Shouldn’t, featuring Sae, is an ethereally hypnotic extension of the contemporary moody pop trends fused with 90s trip-hop that glitches and oscillates in the same vein of Massive Attack and Portishead.

The alchemic blend carries just as much cultivation and evidence of evocative rhythmic control as the latest releases from Chelsea Wolfe, but the way Zavlis locked into the collaborative chemistry between him and Sae allowed the release to resound beyond compare. The sensually dark catharsis is superlative evidence of how honed his sound has become after he took a hiatus and returned with fresh fervour.

In his own words:

“The main idea of the album is how the chase for perfection in your artistic craft can hinder personal relationships, health, and financial stability.”

For the full Alvinos Zavlis experience, stream After Sex All Animals Are Sad in full by heading over to Spotify.

Review by Amelia Vandergast

Skimo followed the muse of dystopia into their most scintillating release to date, Let It Fly, ft Ash

Skimo’s seminal single, Let It Fly, featuring the hauntingly introspective vocals of Ash, is a mesmerising journey into the depths of EBM. Taken from the LP, Connected Memory, the single begins with a cascade of shimmering reverb, wrapping around the striking non-lexical vocals of Ash. This introduction draws listeners into a world where darkness and mechanical synthetics mercilessly construct a platform around the raw vulnerability within Ash’s vocals.

The electronic beats, meticulously crafted, ensure a deep immersion into Skimo’s artistic vision allowing Let It Fly to unravel as a narrative painted in sound; a vignette which portrays the relentlessness of our evolving for the worse climate. The track resonates with a sense of harbingering urgency, which filters from the progressions into a trepidation shared with the listener. The result is a piece that not only captivates but also invites them to delve deeper into the themes Skimo explores. For any electronica fans who want their eyes wide open to the world, to lock horns with the chaos, the Connected Memory LP is as essential as they come.

Stream the Connected Memory LP in full on Spotify.

Review by Amelia Vandergast

Bitvert oscillated doom through his harbingering experimental deep bass track, Distress Signal

Bitvert’s experimental deep bass single ‘Distress Signal’ is an scintillating foray into the realm of underground electronica, seamlessly merging dark textures and tonalities with an omnipresent sense of impending doom. More than just a composition; it’s an experience, an auditory journey through the depths of electronic music’s more shadowy corridors.

Distress Signal starts the transmission with a harbingering sense of doom that is immediately palpable, it pulsates through the oscillating basslines that forge the spine of this musical beast. To evoke a primal response, enthralling and unsettling in equal measure, Bitvert bolstered the resonance in the bass which exhibits his reverence for the DIY ethos of punk.

The sharp cuts of the snares in Distress Signal add a layer of urgency to the track; they are meticulously crafted to cut through the deep bass, serving as a stark contrast that enhances the overall texture of the piece. This percussive element lends the track a glitchy trip-hop nuance, further diversifying the auditory palette.

When you hit play on the filmic, almost Lynchian ingenuity, you are more than a passive recipient of sound, you’re transported to a dark, brooding and intensely atmospheric realm. It’s an auditory odyssey that pushes the boundaries of electronic music and leaves a lasting impression.

Distress Signal will be transmitted on December 4th; stream it on SoundCloud.

Review by Amelia Vandergast

The ‘Reckoning’ is Here, in the Form of Dissolved Girl’s Darkly Dystopic Trip-Hop Debut

With the juxtaposing vocal samples setting the cinematically disquiet tone as efficaciously as the harbingeringly dark electronic synthetics, which delve far beyond the dark depths of PJ Harvey, Massive Attack, and Portishead, Dissolved Girl made one hell of an entrance with their debut single, Reckoning.

The haunting anthem for a world teetering on the brink of collapse is a dystopian masterpiece, which encapsulates the unease and turmoil of contemporary times with its perturbed tones and intricately layered instrumentals. We all knew a reckoning was coming, but who would have known it would be delivered by a London-based four-piece with a penchant for the alt-90s, alt-rock, and hip-hop? Dissolved Girl not only captures the essence of an impending societal storm but also delivers a sense of catharsis – a release that fans didn’t realise they needed until it was upon them.

Forward-thinking and accessible in equal measure, the debut is a stark testament to their ability to innovate within the modern music scene. We can’t wait to hear the debut LP, which has been four years in the crafting, with the help of producer Dani Castelar and mastering engineer Matt Colton. The attention to detail paid off immensely; each note and nuance served the song’s brooding atmosphere and intensified the listener’s experience to the nth degree.

In an industry saturated with fleeting trends and disposable hits, Dissolved Girl stands as a beacon for those who crave depth, complexity, and sincerity in their playlists.

Reckoning debuted on November 13th; stream it on Spotify.

Review by Amelia Vandergast

Freyja Elsy embodied the sentiment that hell hath no fury like a woman scorned in her single, Over It

Freyja Elsy’s latest single, Over It, from her upcoming EP, Modern Artifice, is a mesmerising blend of trip-hop, dark pop, and innovative electronica that resonates with the chillingly arcane Southern Gothic air of Chelsea Wolfe.

The single, which premiered on BBC Radio Wales on Adam Walton’s Introducing show, has been aptly compared to the likes of Massive Attack and Portishead, with a nod to the acid house genre in its production. The multi-layered auditory journey reflects the despondency of being cast into the harsh realities of adulthood and forced to contend with the seemingly arbitrary monotony which stretches for decades before those coming of age. Elsy’s voice, both haunting and commanding, unravels this narrative against a backdrop of spiky dream pop and leftfield electronica, creating a sound that is as visionary as it is haunting as it oozes the divinity of female power.

Elsy, who has had a remarkable year, opening for acts like Death & Vanilla and Welsh artists Eädyth, Ani Glass, and Small Miracles, never fails to showcase her ability to create a cohesive and clear vision in her music. Her previous singles, Lungs, Requiem, and Golden Hour, have already garnered international attention and BBC recognition, setting a high bar for her upcoming EP.

Over It hit the airwaves on November 17; stream it on SoundCloud.

Review by Amelia Vandergast

heyiloveyou penned a monochromatically dark love letter to the trip-hop pioneers with ‘Never massivehead)’.

By imagining the atmosphere that trip-hop pioneers would create if they rose from the underground today, the Croatian solo artist, heyiloveyou, who has been demonstrating their imperviousness to genre and style constraints since 2020, unleashed their monochromatically dark single, Never (massivehead).

The quite genius titular portmanteau of Portishead and Massive Attack is far from where the ingenuity ends with this torridly electrifying release, which melds dark and caustic iconography with the stylistic catharsis to drench the airwaves in cinematically luxe gravitas.

In spite of the amalgam of the past and present day, the duality easily gave way to the synergy that floods the track through the guitars, drums, synths and beats. Get drenched by heading over to Spotify.

 

Review by Amelia Vandergast

CONT4MIN4TED – This is the Way: An Alt-Electronica Journey for the Mind, Body, Soul, and Rhythmic Pulses

https://soundcloud.com/cont4min4ted/sets/this-is-the-way/s-lYo30PwNNHK?ref=clipboard&p=a&c=1&si=67a3e5c169854d6d9ec28a67dcadf4b6&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

After aurally relinquishing their emotional baggage via their debut LP, the Gainesville, GA alt-electronica producer, CONT4MIN4TED, went even further leftfield with their sophomore album, This is the Way, which will take you on a journey of the mind, body, soul and rhythmic pulses.

I could dissect each of the 16 singles that were intuitively curated to orchestrate the ultimate sonic experience, but perceptibly, the greatest achievement of this LP is the cinematic journey it will take you on straight from track one, Stuck, before the stagnation lifts in the fervidly exhilarating soundtrack, Drifting.

Even with the chillier tones and ethereal vocal lines in the cinematic slices of synthesised soul, you won’t fail to find the impassioned warmth in the emotion and experience-driven soundtracks to vignettes that are universally shared. The album is enough to make you forgo your usual vibe-out electronica playlists; it is a smorgasbord of constantly in-flux electronica ingenuity. For your sanity’s sake, sink your teeth into the catharsis.

Stream This is the Way from April 28 on SoundCloud, Spotify and YouTube.

Review by Amelia Vandergast