Browsing Tag

dark pop

All isn’t fair in love and war in millar’s indie alt-electro-pop single, hunting ground

Posted on 12 September 2023

By drawing parallels between blood sports and romanticism in her indie alt-electro-pop single, hunting ground, the up-and-coming London-based singer-songwriter, millar, delivered a striking exposition of how nothing is fair in love and war when unsuspecting diehard romantics are forced to play by the rules of mind games.

As the atmospheric space progressively shifts from light to dark in the same vein as The Neighbourhood, Cigarettes After Sex and Perfume Genius around the strikingly angular indie guitar work which bears reminiscences to Slowdive and the driving backbeat that gives the single a punchily vindicating energy, hunting ground, is one of the most stunning UK indie tracks to spill up from the underground in 2023.

We can’t wait to hear where millar’s candour and inexplicable talents in euphonically visualising melancholy take her next.

hunting ground was officially released on September 1st; stream it now on Spotify.

Review by Amelia Vandergast

Spotlight Feature: Emilio Lanza embraced the moody future of pop while looking back in ‘Rearview Mirror’

Posted on 25 August 2023

For his latest single, Rearview Mirror, the Naples-born singer-songwriter Emilio Lanza darkened the doorstep of 90s boyband pop and weathered the torrid storm of heartbroken introspection.

With acoustic percussive fingerpicked guitar motifs scattered amongst the dark and reverberant moody pop sensibilities, Rearview Mirror is a triumph of evocative ingenuity for the way the light melodicism juxtaposes the harsher elements to sonically allude to the rollercoaster you’re forced onto when distance becomes definitive disconnection.

Careful to balance light and shade, Lanza, also instilled resilience into the release that will efficaciously embolden any hopeless romantics searching for hope; it is in Rearview Mirror by the visceral smorgasbord.

With over 2 million streams on Spotify and after receiving plaudits from the likes of Ed Sheeran and James Bay, Emilio Lanza has already conquered the world of pop; be a part of his legacy and delve into his latest elevated production.

Emilio Lanza Said:

“My song, Rearview Mirror, is a metaphor representing our past, nightmares, breakups or scary thoughts; it can be anything, but the message is positive, as reflected by the cover art depicting a sunset ahead and struggles in the rearview mirror. I wrote the song following the end of a six-year love story and other life hardships.”

Rearview Mirror will hit the airwaves on the 25th of August. Stream it on all major platforms via this link.

Review by Amelia Vandergast

Kid of the Star System is in orbit again with her darkwave pop-rock-trap amalgam, Sleepwalking

Posted on 12 August 2023
Kid of the Star System

Kid of the Star System is back in orbit once again with her latest single, Sleepwalking, and we couldn’t be more stoked about the interstellar return of the London-based visionary who switches between dimensions and genres to deliver atmospherically electrifying sci-fi enhanced vignettes of our grittily dystopic times.

The trap beat in the intro quickly evolves into a hook-rife platform of darkwave electro-pop that Kid of the Star System uses to implant her domineeringly smooth vocal lines that carry the exhilarating seduction of the entire Deftones discography. You won’t be short on emotions to feel when listening to the gospel of Kid of the Star System’s ethereal space odyssey, which could rival a black hole in the darkness it contains.

With the sole aim of bringing as much fun and chaos to her music as possible, the genre-melding artist is one for the radar if you always look to music for inspiration and empowerment. Especially as her sophomore LP, Luminous, which promises to challenge her listeners and push them past their limitations, is on the periphery.

Check out Sleepwalking on Spotify when it drops.

Review by Amelia Vandergast

Ghost Nation advocated idiosyncratic autonomy in their dark pop/rock amalgam, Insane

Posted on 20 July 2023

Ghost Nation advocated idiosyncratic individuality in their latest addictive anthem, Insane. With a Shinedown-esque rock backbeat and razor-sharp pop hooks that pull you into the emboldening future-ready synthetics of the down-the-rabbit-hole single, it’s a feel-good anthem for every outlier who knows how hard fought for sanctity can be.

Uniqueness may now be celebrated to a certain degree in society but there are still boundaries to keep quirks inside of, Ghost Nation broke every boundary in their liberating anthem, which also borrows a few industrial rock tones. It may be darker and infinitely more twisted with the carnivalesque propensities of the melodies, but insane is the epitome of a radio-ready earworm. If Muse and Imagine Dragons managed to mainstream their sonic signatures, Ghost Nation is easily capable of doing the same.

Ghost Nation has already had its fair share of successes since forming in Stockholm in 2016. Their debut release was a hit worldwide, and their seminal single, Unforgiven, reached No.1 in over 20 singles. To date, the single has clocked up 1.4 million streams on Spotify and 3.6 million on YouTube.

Insane was officially released on July 14th; stream it on SoundCloud and Spotify.

Review by Amelia Vandergast

Ava Elay – Spell of the Heart: Poetry in Theatrical Pop Motion.

Posted on 13 July 2023

At 15 years old, Ava Elay is already proving to be an unreckonable talented force; her latest single, Spell of the Heart, arrestingly exhibits her unconventionally poetic composition style and the deft touches she puts on her histrionically melodic progressions, undoubtedly influenced by her time studying the dramatic arts in LA.

With vocal lines which carry the same mainstream pop appeal as Lady Gaga and Miley Cyrus and swathes of darkly infectious ingenuity within the instrumentals to give her sound an irresistible mutant pop touch, Spell of the Heart is poetry in theatrical pop motion.

Ava Elay has been exploring themes of passion and love since 2019, with her official debut single, Eternity, arriving in 2021. She may be young, but clearly, the singer-songwriter and pianist has exactly what it takes to be as influential as Mitski and Lucy Dacus with the romantic depth within her sonorously beguiling hits.

Through Spell of the Heart, Elay paid homage to the all-consuming nature of obsession, and how impossible it is to escape it once you have embraced it. As many poets have observed, falling in love is the only socially acceptable form of madness; few wordsmiths allude to the visceral sensation as succinctly and viscerally as Elay.

Spell of the Heart debuted on June 30; hear it on Spotify.

Review by Amelia Vandergast

Hell hath no fury like YME scorned in her moody alt-electro pop hit, ENEMY

Posted on 8 May 2023

If you like your electro-pop dark, moody, and Avant-Garde, YME’s latest vindicating artful earworm, ENEMY, is a viciously hooked hit that will reel you in hook, line and scintillating sinker.

Never one to mince her lyrics, the Netherlands-based songstress who exudes the experimental spirituality of Bjork and a sense of conviction that leaves her in a hell hath no fury league of her own, is in the habit of cutting right to the core of vulnerable emotion and proving just how much power resides within the protagonists who wear their hearts on their sleeves. All too often, abusers mistake their ability to beat people down as a sign of strength; YME dispels that insipid myth with her highly originated demure style and candour.

ENEMY is now available to stream on Spotify.

Review by Amelia Vandergast

Chelsea Silva delivered the ultimate exposition on tentative anxiety with her canderous alt-indie-pop single, frontline

Posted on 31 January 2023
Chelsea Silva

After the Australian alt-pop singer-songwriter, Chelsea Silva ensnared us with her devilishly quirky 2022 single, Hades Has a Daughter, she’s shown us an equally disarming new side to her cogent talent with ‘frontline’.

With 70s folk pop tones behind her soft indie pop vocals in the intro which build into scintillating reminiscences to the likes of Lorde while sharing the same command of dark and gothic vocal ranges as Evanescent and Nightwish while never losing the stylish pop edges, frontline is definitively a triumph.

Silva set the lyrical bar high with her former releases. She transcended it with elevated grace in frontline. Exuding a tentative sense of disquiet uncertainty that grips us all while we attempt to work around anxiety and the landmines that our disparate society leaves us, only a sociopath would fail to get on the same page as Silva and resonate with every soul-shivering line.

Frontline will officially release on January 31st. Hear it on Spotify.

Review by Amelia Vandergast

Sarah Anne Fernandez is phantasmically demure in her antithesis of an electro-pop breakup track, Nightmare

Posted on 13 January 2023
Sarah Anne Fernandez

‘Nightmare’ is the phantasmically demure electro-pop hit from Sarah Anne Fernandez, which slices through the vulnerability with razor-sharp wit to help anyone coming to terms with romantic loss to leave their feelings of  loss in the dirt.

The artfully moody hit definitively proves that clever meta-wordplay goes a long way in quashing the usual feelings of grief. How could anyone feel sad when succumbing to the vision of haunting their ex in their nightmares while they are lying next to their new romantic victim?

It’s the ultimate antithesis to the usual pop breakup track that affirms your sadness as it flips the script and liberates you with seductively dark imagery. The NYC artist is definitively one to watch in 2023.

Nightmare will hit the airwaves on January 13th. Check it out on Spotify.

Review by Amelia Vandergast

Imelda Gabs sophisticated the pop genre to the nth degree with her mournfully minimalistic neo-classic pop single, RECKLESS

Posted on 20 December 2022

‘RECKLESS’ is the latest intensely compelling single from the pop innovator Imelda Gabs. From a mournfully minimalistic neo-classic prelude of minor piano keys, the contemporary ballad that comes to terms with a disposition of recklessness seamlessly builds; utilising the dynamic vocal range of Imelda Gabs to orchestrate one of the most strident crescendos to ever grace the pop genre.

The pain exhibited borders on primal as the independent singer and producer gave an intimate view of her own shortcomings to universalise the phenomenon of letting our inner saboteur lead us to a position of self-doubt, regret, and inner hostility.

The 24-year-old Belgian and Congolese artist grew up in Switzerland, where she studied piano, violin and signing before evolving as a composer and songwriter. Since 14, she has been gracing prestigious stages amongst world-renowned artists before she started to focus on her recorded music, and my God, the airwaves were crying out for her elevated balletic grace.

Watch the cinematic official music video for RECKLESS on YouTube.

Review by Amelia Vandergast

 

Chelsea Silva reclaimed power in her vindicatingly catchy electro-pop debut, hades has a daughter

Posted on 30 November 2022

Alt-indie-pop singer-songwriter Chelsea Silva spilt fabled glamour all over the standout single, hades has a daughter, from her spell-binding EP, But What if You Fly?

Using Greek Mythology for her narratively clever exposition on how this mortal world puts kinks in our soul, the Sydney, Australia luminary newcomer proved that hell hath no fury like a woman scorned. Not even the god of the underworld can match a woman determined to reclaim power and question, “why do the happiest ones leave a trail behind?”.

The catchy, moody electro-pop beats playfully pop around Silva’s sultry theatrical vocal timbre to ensure that everyone who tunes into hades has a daughter gets a shot of vindication through the quirky arrestive sensation of a debut. She shimmers with all of the star power of Marina and the Diamonds while ensuring her own autonomy is the centre of gravity in the infectious hit.

hades has a daughter will be available to stream from November 30th. Catch the earworm on Spotify.

Review by Amelia Vandergast