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dancehall

Adline Owens is leading a revolution in autonomous self-determination in her Afro-Fusion release, T•R•T (The Right Time)

Adline Owens

With a gravitational force that could knock the solar system out of orbit, it would be insulting to mark Adline Owen as merely just an icon; she’s a fusionist phenomenon in her own right, leading a revolution in autonomous self-determination with her latest release, T•R•T (The Right Time).

The two-track release synthesises her diverse cultural and musical influences into a compelling narrative of empowerment and self-discovery, marked by Afrobeat, Dancehall, Reggaeton, RnB and Afro-Soul motifs.

The opening track, ‘In Yeah’ evocatively explores relationship dynamics, considering how ‘good enough’ should never be enough if you know your worth and urging listeners to recognise their own value through its Afro-Soul vocals and the energetic pulse of dancehall. When it comes to pairing introspection with infectious beats, Owens reigns supreme.

The second single, ‘Dem Wah Know,’ turns up the heat with its Reggaeton rhythms and bold, assertive vocals that command attention. Owens’ fierce delivery and the track’s vibrant energy make it an anthem of self-assurance and resilience, encapsulating her refusal to be confined by her roots or her haters’ expectations.

With T•R•T, Adline Owens not only cements her status as a dynamic fusion artist but also as a visionary capable of weaving her diverse musical heritage into a fresh, invigorating sound that resonates well beyond its Afro-Soul roots.

Adline Owens Said

“T•R•T is a project that holds great personal significance for me, showcasing my range across Afrobeats, Dancehall, and R&B, which underlines my identity as a fusion artist.

Track 1, ‘In Yeah’, explores the love and understanding shared in a relationship that still leaves you wanting more effort. This track vocalises the need for personal growth and the tough decisions you must sometimes make for your sanity. It portrays the protagonist’s struggle with a partner who lacks ambition and motivation—essentially a dead weight needing to be let go.

Track 2, Dem Wah Know, I wrote while reflecting on obstacles and my journey as an artist. It focuses on resilience, self-belief, and the importance of stepping up despite the odds being stacked against you. It’s an empowering anthem and a reminder not to let haters dictate your success.”

Follow Adline Owens on Instagram and discover her discography on Spotify.

Review by Amelia Vandergast

Get high with the Dancehall rhythms in Yugí’s RnB release, CHEMSEX

Stan Smith, known artistically as Yugí, intoxicated through his fluid fusion of RnB, Dancehall, and trap in his latest single CHEMSEX. The Melbourne-based, French-English artist weaved his cross-continental influences into the track that locks you into its groove and gets you in the mood. Yugí’s unique sonic identity in CHEMSEX is imbued with the salacious magnetism you would expect from a track so provocatively named; it’s a red-hot escapade into the sensory depths of Dancehall.

At just 25 years old, Yugí, who began his musical journey in Le Chesnay, France, has evolved from a casual experimentationist into a defining voice within the modern music landscape. CHEMSEX encapsulates Yugí’s daringness to defy and his ability to synthesise a sound unmistakably his own. This track is not merely a nod to influential giants like The Weeknd; it’s a bold statement of individuality and artistic sovereignty.

Yugí’s artistic palette is broad, drawing inspiration from a spectrum of genres and icons—from the emotive power of Billie Eilish to the raw intensity of XXXTentacion. Yet, with CHEMSEX, he firmly establishes himself not just as a follower of trends but as a pioneer of modern soul with infectious rhythms to literally and metaphorically move his audience.

CHEMSEX was officially released on August 23rd and is now available to stream on Spotify and Soundcloud.

Review by Amelia Vandergast

Spotlight Feature: London’s Princess Wonda continues to hold dominion over Afro-Fusion with the sensuously soul-awakening rhythms in Shooby Doo’

London’s Princess Wonda reached the pinnacle of luxuriant radiance with her latest installation of Afro-Fusion, Shooby Doo. With melodies which wash over you with sublime elegance, harmonious harmonies and rhythmically kinetic grooves, you’d be hard-pressed to find a more elevated release than this.

The sensuous, sun-kissed, and sublime on the senses single fuses traditional African instrumentation with elements of modern dancehall and an aura of lush transcendence to envelop the listener in a sense of soul-awakening serenity. The UK-born Nigerian Afro-Fusion icon’s radiant presence shines through, making it an emotionally euphonious experience that surpasses sound.

Recorded at Pirate Studio, with engineering by Dami Bones and production by Mofizzay and Mr Marz, Shooby Doo is set to be the rhapsodic sound of the summer. It’s a testament to Princess Wonda’s artistry, celebrating Afrobeat’s rich cultural heritage while inviting listeners to rekindle their zest for life.

Princess Wonda, known as the “Queen of Afro-Fusion,” continues to push the boundaries of Afrobeat with this release, shattering stereotypes and championing the role of women in African music. With multiple UK chart entries, including two number ones on the UK World Music Chart and a sold-out headline show in London, she has established herself as a formidable force.

Following her successful debut album, Fantasy Fair, and her hit singles, Bust My Mind, and My Body, Shooby Doo adds another sublime layer to her impressive repertoire. As we look forward to her upcoming EP in 2024, Princess Wonda’s journey remains as promising as ever.

Princess Wonda Said

“The inspiration behind ‘Shooby Doo’ stems from a deep appreciation for the rich cultural heritage of Afrobeat and the dynamic energy of contemporary music. The lyrics resonate with themes of love, passion, and pleasure, inviting listeners to embrace the positive energy as the pulsating beats and sultry vocals capture the aura of joy and celebration.” 

Shooby Doo was officially released on July 5th, stream the single on Spotify and Soundcloud now.

To ensure you never miss a release, follow Princess Wonda on Instagram.

Review by Amelia Vandergast

Bluku: A Fusion Firestorm of Culture and Beats by Hype and Fever

Hype and Fever lived up to their moniker with their universally magnetic standout single, Bluku. The monocultural mould was rhythmically obliterated by the pulse-pounding kinetic melodies in the synthesis of Jamaican, Indian, and UK sonic culture.

If you like your beats hot, your bass heavy, and your rhythms tight, let your speakers ignite to the sound of the UK-residing duo which melds bansuri flutes with dancehall kicks to create a kaleidoscope of hybridic culture in their self-produced beats which pay an ode to their Jamaican and Indian heritage.

The explosively vibrant smorgasbord of culture delivers a burst of colour as Hype and Fever create friction on the instrumentals with their distinctively dominant bars that bring energy, fire, and enigmatic flair to ensure Bluku unravels as a dynamically intense release that is far too addictive to quit.

The momentum around Hype and Fever is only growing; be a part of their ascent.

Hype and Fever is now available to stream on YouTube, or you can add the release to your playlists.

To follow the next moves of the brother duo, link up on Instagram.

Review by Amelia Vandergast

You will want Doller on speed dial after feeling the heat of the fusionist fire in his EP, Call Me

On November 3rd, UK’s fieriest genre fusionist Doller dropped his dynamic three-track EP, Call Me, to prove he’s lost none of the flair, flow, or finesse that has seen his audience stretch across the globe during his storming 15-year music career.

After track one unravels as an infectiously hooked garage hip-hop anthem, which efficaciously gets you in the groove and hot under the collar, Doller dips into a pseudo-trap iteration of dancehall before bringing in a smooth and steamy session of trap-soul. Achieving that feat of sonic eclecticism with three separate tracks would be one thing, but Doller exhibited his superlative versatility by reworking the same track while ensuring that each track stands by the volition of its own merit.

From the luxe high vibes that reverberate around the rhythmically arresting first single, which features MC Neat and Zara W, to the scintillating atmosphere in track two to the wavy, dreamy tonal hues within track three, which pays an intimate ode to intimacy with a little help from Aleisha Lee and Terry Trill, there’s something for everyone in the Call Me EP, which has established Doller as the baller of originality.

Before the release of Call Me, the Edmonton-originating artist who was born the roots reggae icon Kush Tafari and shares blood with the Jamaican rapper Flash earned endorsements from the likes of Ghetts, Tion Wayne, DJ Target, Charlie Sloth, Sian Anderson, Sir Spyro, Wiley, and Logan Sama. His music has also been synced into an MTV Base advert and the critically acclaimed film Sket. Over the years, he’s flitted between rap, dancehall, and trap-soul as his musical influences diversified. If one thing has remained a constant, it is the renown that has stemmed from his versatile style and impressive lyrical prowess. While some artists out there gas themselves up as a triple threat, Doller is asserting himself as the ultimate threat and one to watch throughout 2024.

Stream the Call Me EP on Spotify & SoundCloud.

Follow Doller on Facebook & Instagram.

Review by Amelia Vandergast

O Banga put momentum behind the rhythm of the night in his culture clash of a rap track, POZÉ

With elements of Dancehall to pay an ode to his Dominica roots mixed with a slice of Bronx grit in the production, the latest single, POZÉ, from the songwriter, musician, producer and engineer O Banga, is the epitome of a high-fire urban summer anthem. There’s nothing but high vibes, big beats, intricately rhythmic instrumentals and pure soul spilling from his honeyed vocal lines.

POZÉ is just one of the singles that feature on the sun-bleached rocksteady LP, TONIO; it is the perfect introduction to the fire and flair of the one-man powerhouse of talent, who has also made a name for himself working as a producer for major So Cal artists and icons of the reggae scene and toured with Lil Kim. The monocultural mould breaker has been one to watch ever since he dropped his debut uptown Bronx anthem, Deadass. If he’s not on your radar at this point, fool on you.

POZÉ hit the airwaves on May 20; hear it on YouTube.

Review by Amelia Vandergast

Spotlight Feature: Tunde 2deep came in hot in his Afrobeat EDM hit, SUCCESS FEVER

Cape Town’s hottest independent artist, Tunde 2deep, elevated the emerging Afrobeat EDM scene with his euphorically mantric single, SUCCESS FEVER.

With Dancehall running right through the rhythmically intoxicating progressions, EDM beats that pound floor-filler material into the release and Tunde 2deep’s infectious brand of high-energy soul, SUCCESS FEVER is an introspective anthem that the Afrobeat scene will never forget.

All too often, high vibe anthems fail to speak to the people that need to hear that before the highs come the lows, SUCCESS FEVER conveys the fears and dark days which punctuate the journey to greatness and lets the listener know exactly how to overcome them. Regardless of the mood SUCCESS FEVER catches you in, it will be brighter once the entrancingly sun-slicked earworm has had its intrinsically rhythmic way with you.

“Afro-EDM has been gaining popularity in recent years; the hype inspired me to blend traditional African rhythms and instruments with electronic dance music. Success Fever is a high-energy track that celebrates achievements. I fully believe that greatness exists within us all; you just have to know how to unlock it; I hope this single is the key for my listeners.”

Add SUCCESS FEVER to your motivational Spotify playlists, or stream the official video via YouTube.

Follow Tunde2deep on Instagram and Twitter.

Review by Amelia Vandergast

Rap went pop in Don Drago’s single, Paradise ft. Bezz Believe & Nawlage 2k5

Prime your summer playlists with the hotter than Satan’s house cat pop-rap hit, Paradise, from the Tampa-based rapper Don Drago.

To turn up the good vibe heat to the nth degree, Bezz Believe and Nawlage 2K5 collaborated on the track, which boasts nuances of dancehall around the razor-sharp pop hooks that will embed in your mind from the first hit of this flavoursome feel-good seminal track, which proves that there are few things in life sweeter than partaking in sun-soaked hedonism.

Paradise is always painted as an intangible phenomenon; Don Drago proved that when the sea meets the sand under warm rays, paradise can be on any shore if you’re in the right company.

Paradise will hit the airwaves on April 28; check it out on SoundCloud. 

Review by Amelia Vandergast

Princess Wonda is the future of afro-fusion in her sensually emboldening single, My Body

Princess Wonda is the future of afro-fusion in her sensually body-positive single, My Body, taken from her eponymous EP. The UK-born Nigerian vocalist and entertainer unforgettably entered the world music scene in 2021 alongside the Congolese legends 1da Banton and Awilo Longomba. Her debut album charted at #27 on iTunes; given the sensuously rhythmic glamour in My Body, we’re putting our money on this soulfully indulgent hit getting even higher.

One of the hardest relationships women can form is with the skin they’re in; Princess Wonda is the ultimate aural relationship coach in My Body by radiating the confidence that every woman should want to exude. Exotic yet wholesome in equal measure, My Body spills sun-drenched good vibes by the smorgasbord. If this isn’t the afro-pop hit of the summer, there is something seriously wrong with the music industry.

My Body was officially released on April 21; check it out on Spotify.


Review by Amelia Vandergast

Spotlight Feature: Jindi remixed fresh fire into his Afro Dancehall hit, HASSA, feat Kushman and MasterKraft

The award-winning world music artist, Jindi, has reached heights most could only dream of since making his debut; from international airplay to headlining major festivals, his sound could move mountains. For his latest drop, the Dubai-residing Afro-Dancehall artist infused Kushman’s Genge sound with his Afro-Sudanese style; to entrancingly hot effect. With MasterKraft in charge of production, the lusty earworm of a floor-filler was never going to fall flat.

The original version of HASSA left very little to be desired, but as the ancestral roots of Jindi and Kusman converge in the remix, galvanising cultural dynamism was always going to flood through the arrestive dancehall grooves.

“I originally wrote and performed HASSA; I wanted to spice it up with an East African touch; it’s my first venture into the Sudanese Arabic sound. Hassa translates into ‘right now’, which is the hook. It translates into my love for my girl and my compulsion to give her everything she wants.”

The HASSA Remix was officially released on February 10th. You can catch it on all major streaming platforms via this link.

Follow Jindi on Twitter, Instagram and Facebook

Review by Amelia Vandergast