Browsing Tag

country

The decades washed away in the latest synthesis of rockabilly and honkytonk country from Kristi Jean and Her Ne’er Do-Wells, ‘Long Haul Lady’

https://soundcloud.com/kristijeanmusic/long-haul-lady-final-master-pg/s-FmQEJX909ZV?si=9babf8887c5243bcbab67a31256d772c&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

Kristi Jean and Her Ne’er Do-Wells struck a resonantly nostalgic chord with their latest track, ‘Long Haul Lady‘, a vibrant fusion of rockabilly and country that redefines the genre with a modern twist of female empowerment. From the opening verse, the song is a narratively rich journey, weaving a tapestry of vivid imagery set against the backdrop of jive-worthy rhythmic honkytonk finesse.

The upbeat, panoramic release showcases the band’s tight orchestration and Kristi Jean’s commanding vocal presence; The Stray Cat strut pales in comparison to the swagger of Long Haul Lady, a song that not only entertains but also breaks down gender stereotypes with its infectious charm. The feel-good grooves are potent; capable of erasing the past seven decades and bringing listeners into a realm where the old is new again.

The way Kristi Jean embodies the ultimate femme fatale in this song, seamlessly melding masculine strength with feminine beguile, creates an impossible-to-ignore statement of artistic integrity and stylistic flair. You’ll want her pouring through your speakers for days after you hit play.

Long Haul Lady will debut on January 5th; stream the single on SoundCloud.

Review by Amelia Vandergast

Alison Wahl & Brian Berggoetz reinvented the festive soundscape with “Christmas is the Right Time for Us”

Despite Christmas music often treading the well-worn path of jingle bells and festive clichés, Alison Wahl and Brian Berggoetz brought a refreshing gust of Americana folk rock into the Yuletide soundscape with their latest single, Christmas is the Right Time for Us.

Brian Berggoetz, a self-taught guitarist and a songwriter with a flair for reinventing classics, infuses his unique style into this holiday offering. His experience, ranging from performing at SXSW Festival to sharing stages with notable artists, shines through in the song’s intricate guitar work. The absence of traditional motifs and melancholy of aural nostalgia in favour of Americana folk elements is a bold choice, which infuses the song with an uplifting and authentic feel.

Alison Wahl’s vocal harmonies intertwine perfectly with Brian’s, creating a tapestry of sound that is both warm and inviting. The standout lyric, “When love is just enough, Christmas is the right time for us”, encapsulates the essence of the song – a celebration of love and togetherness that transcends materialism. This lyric, in its simplicity, captures the heart of the holiday spirit, reminding listeners that affection and emotional connection are priceless gifts.

The production of the song is a delicate balance of subtlety and strength, allowing the dual harmonies to take centre stage in a track that doesn’t just aim to be another Christmas hit but strives to leave a lasting impression on its listeners.

Christmas is the Right Time for Us was officially released on December 11; stream it on Spotify.

Review by Amelia Vandergast

Ross Flora grappled with the melancholy of unfulfilled potential in ‘As the Crow Flies’

Ross Flora

Ross Flora’s EP, As the Crow Flies, is a poignant and reflective journey through the heart of country folk. Hailing from the Blue Ridge Mountains of Virginia, Flora’s upbringing in a milieu rich with R&B and Bluegrass influences is palpably reflected in the acoustically adorned, stripped-back title single. His gruff, resonant timbres weave through the wistful yearning harmonies, creating a tapestry of sound that resonates deeply with anyone who has ever grappled with the melancholy of unfulfilled potential.

The lyrical tempo of As the Crow Flies is akin to a melodied spoken word sermon, imbued with regretful poetry. Flora’s background as an English major shines through in his lyrical craftsmanship, as he skilfully interweaves themes reminiscent of literary greats like Dickinson, Thoreau, and Whitman. The result is a narrative that is both deeply personal and universally relatable; Someone hand him a Grammy for the line “I’d be half the man I’d ought to be less than half the time”.

Ross Flora’s journey from the family farm to Nashville, performing over 4,000 shows and collaborating with acts like “Johnny T” Band and “Smoke n’ Guns,” has clearly honed his ability to capture the essence of southern rock and outlaw country. If you want to hear a heart poured out in melody, hit play on As the Crow Flies.

Stream the As the Crow Flies EP, which debuted on October 27 on Spotify.

Review by Amelia Vandergast

Dave Wilbert was born to take the wheel and drive in his country-rock earworm, Tractors and Trucks

Springsteen was born to run, but Dave Wilbert was born to take the wheel and drive in his country-rock earworm Tractors and Trucks, which delves beyond the stereotypes and into the intricacies of the identities of people who spend their lives outside of the city smoke.

Tractors and Trucks rips up all the tropes and cliches of country and scatters them like confetti within the anthemically polished production which will lure you in with the bluesy pop grooves and ensure you’re suitably hooked by the slide guitars which follow the solos which exhibit Dave Wilbert’s command of a fretboard.

The Fairview, Tennessee-residing artist was born and raised in rural Indiana, where he practised the hard-working virtues extolled in this infectiously feel-good hit, which will undoubtedly give those living the rural life a potent shot of pride.

Tractors and Trucks was officially released on October 6th; add it to your country-rock playlists by heading over to Spotify.

Review by Amelia Vandergast

TuskHead blurred the boundaries between acoustic pop-punk and folk in ‘Breaking the Man’

The boundaries between Americana, acoustic pop-punk and folk blurred beyond recognition in the rhythmically arresting latest single, Breaking the Man, by the Dutch musician, singer, and songwriter TuskHead.

With the bends of bluegrass weaving around the pull of the percussion, which won’t fail to awaken your rhythmic pulses and the lyrics, which sting with vulnerable volition, Breaking the Man is a hard lyrical pill to swallow, but the upbeat rhythmics take some of the sting from the deeply relatable pensiveness, allowing it to unravel as a cathartic olive branch to anyone unwilling to do the same and make the admission of ‘I’m not alright’.

Asking the time-old question, “how can you love me if I hate myself” and alluding to the fight from within that pills can salve but can’t solve, the heartache with the world is heart-wrenchingly affecting.

Breaking the Man was officially released on October 13th; stream it on Spotify.

Review by Amelia Vandergast

Marshall Falcon is the Dr Frankenstein of Rockabilly Revivals in ‘Last Stand @ Little Muddy Creek’

The gloves are off, and the gunpowder is packed in Marshall Falcon’s riotous rockabilly hit, Last Stand @ Little Muddy Creek. The rock-tight rhythmics are enough to make The Meteors sound as fierce as a pebble skipping across a pond, but the raucous exhilarant appeal to the inexplicably pulled-together production is just one facet of magnetism.

Falcon’s infectious personality brings the record to life in a way so visceral that he may as well add the accolade of being the Dr Frankenstein of hillbilly music to his long list of achievements.

Prior to working on his debut solo LP, Go West Young Man, which synthesises Tex-Mex fusion, hillbilly rock explosions and country soul, the Rio Bravo, Mexico-born, Houston-raised artist established some of Houston’s most revered bands in the 90s and filled support slots for everyone from Ice-T to At the Drive In. He has also championed other Houston talent with his award-winning indie music label, Broken Note Records and opened a recording studio in Oregon. It’s safe to say he’s left an ever-lasting impression on the music industry, both through his own work and the work he has supported. When his new sophomore LP drops this fall, don’t be surprised if his legacy starts to know few bounds.

For the full Last Stand @ Little Muddy Creek experience, watch the official music video, which premiered on September 20 via YouTube.

Review by Amelia Vandergast

Unknown River set the bar for honkytonk hits plateau-high with ‘Outlaws on My Trail’

The Floridan singer-songwriter and multi-instrumentalist Unknown River set the bar for penning immersive escapist honkytonk hits plateau-high with the standout single, Outlaws on My Trail, taken from his debut album, The Dead River Passage.

The fiddle and banjo-driven single delivers a vignette of a man coming to regret the repercussions of his down-and-out actions; the combination of the simple country living exposition and the upbeat arrangement and vocals is enough to make the experience of outlaw-evading sound like a riotous way to see the sands of time slip away, and therein lies the beauty of Unknown River’s indomitable magnetism.

By taking the influence of bluegrass, delta blues, country, rock and old-timey traditional tunes, Unknown River’s amalgamated Americana signature is designed to strip away the plight of modern-day malaise and entrench you in the ease and euphoria of eras that are far from bygone – roots-crafted sanctuaries are just one hit on play away. Press it.

Outlaws on My Trail is available to stream on Spotify.

Review by Amelia Vandergast

The blues rock renegade Chance Brown supercharged the airwaves with his electrifying single, Come See ‘Bout Me

The Victoria BC roots rock renegade Chance Brown delivered a bluesy bluegrass invitation you won’t want to turn down with his latest single, Come See ‘Bout Me.

Don’t let the acoustic guitar-wielding cover art fool you. Come See ‘Bout Me is more electrifying than anything Jack White has crafted in his entire career and just as rich in mainstream appeal thanks to the garage rock infusion. The track is so much more than a live wire, it is more reactive than the Chernobyl power plant at the point of explosion.

Between the harmonica blasts, the lap steel tones and the tightly controlled chaos of the choruses, Chance Brown succeeded in paying homage to the traditions of blues and ensuring that those aural traditions have a place in the contemporary music industry.

After spending his life in unwavering devotion to honing the different elements of song-crafting, Chance Brown has polished his talents and maintained his passion, initially ignited by the likes of Justin Townes Earle and Gord Downie, enabling him to become one of the most scintillating raconteurs of truths in any town.

Come See ‘Bout Me was officially released on the 18th of August; stream it on YouTube.

Review by Amelia Vandergast

Tracy Inman on A&R Factory: It’s About Time

Talking to us about ghosts, It’s About Time and his whole life in a small town with so much love, Tracy Inman kindly tells us about his exciting life as a Paranormal Investigator and shall inspire many to follow their dreams. This is an interview to remember fondly.

Thank you for joining us today Tracy. Let’s start off here. What was it like growing up in East Alton, Illinois and what do you love most about your hometown? Why have you chosen to stay all these years?
The area I have been in most of my life is in the metro St. Louis area. It’s a small town vibe, but not far from the big city.  I have lots of fond memories of growing up with a tight knit family and friends and community. I have stayed in this area to be closer to my family and friends.
It’s About Time is your new 10-track release and we really enjoyed listening to your creation. What was the main inspiration behind it and who have you made it for? 
The title says it all.  I’ve been writing for many years.  This is a collaboration of songs that I wrote when I was younger and what I am writing now. Facebook was not around when I first started writing so the ON FACEBOOK song was written about 2 years ago.  But the song Daddy’s Girl and Guess What were written about 20 years ago when my children were younger.  I wrote the song Dad when my father was in the hospital. The only song i did not write on this album is Old School.  That song was released by John Conlee back in the 1980s and I always thought it was a very underrated song.  I challenge everyone to listen to that song and listen to the lyrics.  Great song!
You stated that Daddy’s Girl has been played as the father/daughter dance at many wedding receptions. Does this make you happy and proud?
Yes. I have 2 daughters and a son. It was played for my oldest daughters father/daughter dance and I was extremely proud to be dancing with her to it.  I will do the same with my other daughter when she gets married.  I was sent a video a few months ago of another father dancing with his daughter to it at their reception and I couldn’t believe I had made an impact on their wedding.  It truly is a great feeling.
How did you first get into music and what/who has helped you in your journey? What have been the fun moments and what challenges have you overcome?
I’ve always loved singing. ever sinced I can remember, I was singing. My brother Chris is the same way.  He is a talented singer as well. But I took a different route than most. I fell off course from my music after high school.  I started a family, went to work, etc.  I always kept writing, but didn’t really do anything with it. Over the past couple of years I realized I needed to get this stuff out there.  With encouragement from my wife and kids, I decided to reach out to a record company to start the path forward.  I contacted a company in Nashville, Tn, AOK Records and we put the songs together.  Adam Knight is a great person to work with.  I recommend his services to anyone.  The funnest moment for me was recording.  Standing behind that microphone belting out these tunes came out naturally for me and I really enjoyed the experience.
Do you love making country music? What does it mean to be an artist in this genre?
Yes.  I love writing. If my songs dont make it with me singing them, I’m content with that. Hopefully someone out there might want to record them as well.  As far as being an artist in country music now-a-days, I’m in the minority.  An older artist trying to get his music heard. I started this process with making music so my great-great grandchildren could hear after I’m long gone. A legacy so-to-speak.  But, Adam realized the need to start sending these songs out there to get real airtime on radio and plays on streaming, so we went that route as well.  This process has already surpassed all my expectations. Knowing that people are listenting to my songs is the greatest feeling in the world. I am genuinely honest about that. And I am here for any fans.  TracyInmanMusic.com.  Please reach out with any questions for me.
We’re fascinated that you’re a Paranormal Investigator. Have you ever been blown away by something/someone you’ve found?
I co-own a FREE social media platform called Paralinked.com. It’s a Facebook for the paranormal community. I am also a co-founder of T.H.A.T. Paranormal group.  And I run a podcast on Weds evenings called Paranormal Plus with Grizzy Chris and Tracy Inman.  With T.H.A.T., we did a hunt in Ashmore Estates near Charleston Illinois and we set up a tricycle on an upper floor by itself on level concrete.  We watched it for over 20 minutes, nothing. As we walked out, we caught it rolling backwards on film. It can be found on Paralinked.com in the evidence section. Pretty cool  What does the job entail and is it an exciting experience each day? We do this once a month.  I have friends in the field that do it everyday basically.  But with everything going on in my life, I can’t fit it in as much as I should. Paralinked.com takes up a lot of time to run.  Are ghosts real? Everyone has differing opinions about this. I have seen a few things that are unexplainable. The tricycle for instance. I started off as a skeptic, but after seeing a few things, I believe there is something out there. I compare a ghost hunt to a guided fishing expedition, there might be plenty of fish at the location or none at all.  We have so many questions. Feel free to reach out with any other questions concerning this.
Lastly, do you have any funny/amusing gig stories you can share with us? Perhaps a fan interaction or something that makes you laugh, showing us that the music industry can always spring surprises and fond memories?
I have played in various bands over the past few years and some talented musicians. Not too many stories. Just seeing the smiles and enjoyment of the crowd seeing along is a great feeling for me. I look forward to what the future holds. I am very sincere when I say “thank you to everyone for supporting me”. No matter what happens with my songs, just knowing it brought entertainment to others is better than any amount of money I could get.  Thanks Tracy Inman

Hear this new music on Spotify.

Interview by Llewelyn Screen

Blake Robert served Southern-twanged high-octane soul in his country pop-rock single, On My Mind

The Austin sound resounds in the eponymous debut country pop-rock album from the up-and-coming singer-songwriter Blake Robert.

The heart-on-sleeve standout single, On My Mind, spills Southern-twanged high-octane soul by the smorgasbord as the radio-ready production lends itself effortlessly well to drunk-in-love euphoria. With over two decades of experience crafting Eagles-esque earwormy guitar hooks, the rhythmically sharp ones implanted in On My Mind effortlessly reel you into the romanticism, which is just as magnetically sticky-sweet as the affectionate escapism found in Taylor Swift’s upbeat hits.

If you’re a fellow TX native and you can’t get enough of the debut album, catch Blake on his 2024 live tour through Austin, and keep him on your radar for more addictively energetic releases.

Blake Robert’s self-titled LP is available to stream via Spotify.

Review by Amelia Vandergast